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Studi Budaya Nusantara
Published by Universitas Brawijaya
ISSN : -     EISSN : 26211068     DOI : -
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Environmental Science Social Sciences
Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 173 Documents
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PERCAKAPAN DARI RUANG TAMU: SEBUAH PENELUSURAN PUSTAKA ANTROPOLOGIS Handoni, Hilman
Studi Budaya Nusantara Vol. 7 No. 2 (2023)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2022.007.02.04

Abstract

This article traces anthropological studies related to living rooms starting from the classical period at the end of thenineteenth century to the contemporary period. Studies about the living room are usually overshadowed by the large frame of studies about the house or space in general. In classical anthropological studies, the house is usually discussed more from the aspect of its vernacular traditions including daily life, kinship patterns, symbolic structures, beliefs and ritual practices that occur and are centered in the house. The house, including the living room, is assumed to be the final form, complete with walls and partitions, which is ready to be analyzed. Meanwhile, in contemporary studies, space and home are considered inseparable from the global forces, competition for space, planning, politics and funding that shape them. (Guest) space is also a collection of human experiences that are formed from various relationships and are influenced by human and non-human actors. Space in the contemporary tradition is also considered as an experience involving the human body, which has emotions and affection, which isactively capable of transforming the meaning of a space. This investigation also found that there are still not many studies regarding space (guests) in dense urban-village areas characterized by conflict and struggle for space in anthropological studies. The richness of this perspective can be used as capital in reviewing the complexity of a cultural phenomenon called the living room.
KONSEP NITU DALAM KEPERCAYAAN MASYARAKAT DUSUN LEWOURAN Muda, Stefanus Dama; Muda, Florianus Pruda
Studi Budaya Nusantara Vol. 8 No. 1 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.01.04

Abstract

This article explores the concept of nitu (spirit) in the beliefs of the Lewouran village community, located in LewotobiSubdistrict, East Flores Regency, East Nusa Tenggara. Specifically, it delves into the concept of nitu in the traditional beliefs of the Lewouran community. The objective of this article is to elucidate whether nitu indeed possesses distinct powers in the lives of the Lewouran villagers. The research employs a qualitative descriptive methodology, combining field research and literature review methods. The findings of this study suggest that nitu, especially nitu date (malevolent spirit), are not merely individual or collective spiritual entities with specific supernatural abilities. Instead, they can have a significant impact on human life, leading to illnesses, diseases, and various calamities within the community.
MENGGALI KONSEP ALLAH SEBAGAI WUJUD TERTINGGI DALAM RITUS BAU LOLON DAN IMAN KRISTEN Tokan, Victor
Studi Budaya Nusantara Vol. 7 No. 2 (2023)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2022.007.02.05

Abstract

This journal examines one of the Lamaholot traditions, the Bau Lolon rite. Lamaholot is a community and cultural group that inhabits the eastern part of the island of Flores and the three neighboring islands of Adonara, Solor and Lembata. Some villages on the islands of Pantar and Alor are also said to support Lamaholot culture. The Bau Lolon rite is a sacred tradition practiced by the indigenous people of Adonara, East Nusa Tenggara. This ritual symbolizes the unity and togetherness of the Adonara indigenous community, which involves the manifestation of God through the koda, known to the Adonara people as sabda. This ritual is a symbol of respect to the Supreme Being and ancestral spirits. The method used in this research is a comparative study based on books and articles related to the theme. The purpose of writing this article is to review the Bau Lolon rite as a means of manifestation of God known by the Adonara people as Rera Wulan, Tana Ekan. This sign of presence is then analyzed systemically through Thomas Aquinas' theological perspective on the five ways of discovering God's existence. As a result of the research, the concept of God in the Lamaholot "religion" and God in the Christian faith have distinctive differences and similarities from each entity as the Supreme Being.
DIVERSIFIKASI PRODUK KERAMIK HIAS TEKNIK CETAK TEKAN DAN ORNAMEN SGRAFFITO SENTRA SUMBERSEKAR DAU MALANG MELALUI PROGRAM KEMITRAAN MASYARAKAT Ponimin, Ponimin; Irawanto, Rudi; Hariri, Afwan; bin Rani, Muhammad Faizal; Dewayani, Wahyu; Asmi Nusantari, Okta Viviana
Studi Budaya Nusantara Vol. 7 No. 2 (2023)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2022.007.02.01

Abstract

The art of ceramic craftsmanship in the Sumbersekar Dau Malang center requires diversification act in product design. This is intended so that the products produced become innovative products and can be adjusted to the trends of the era and the tastes of consumers. To achieve this, press molding techniques and sgraffito ornaments in ceramic production were developed. The method applied in achieving the research purposes is the participatory creative method. The method contains the stages of the participatory creative process, including: a) the implementation team coordinates with program partners for activity implementation plans; b) preparation of tools and materials; c) implementation of participatory creative activities: making print models; reproduction process; making ornaments; smoothing; d) firing and finishing works; e) analysis of participatory creative processes and results in the development of decorative ceramic products. This creative and participatory work produces souvenir ornamental ceramic art products, which include: ornamental ceramic vase products, table accessories, and others. The process and results of this activity are expected to trigger the growth of creativity of local craftsmen, and further improve the creative economic aspects of the craftsmen.
FENOMENA SOSIAL EKONOMI PENYINTAS KELURAHAN LERE PASCA GEMPA DAN TSUNAMI Hendra, Hendra; Laurang, Linda
Studi Budaya Nusantara Vol. 7 No. 2 (2023)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2022.007.02.02

Abstract

This study explains how people live their lives by activating their remaining potential to survive the crisis that suddenly comes due to natural disasters, and definitely changes their lives. This study develops understanding from the perspective of adaptation and strategies that are unique to humans as cultural creatures. However, this study develops deeper by revealing the cultural acceleration of humans using/activating their potential in overcoming the crisis conditions that surrounded them at that time. Therefore, this study site is placed in community life after a natural disaster in Lere Village, West Palu District, Palu City. This study uses a case study approach by highlighting the post-tsunami phenomenon which only took place 1 year after 28 September 2018, with the aim of capturing people's memories and intentions in living life as survivors, which is still relatively new and well recorded. The results of the study show that the crisis faced by the driving community is a natural disaster, however, the way the community understands and develops its actions is very diverse and polyphonic. However, the cultural acceleration that is developed relies heavily on social, cultural conditions and material availability. This means that even though people are required/pressured to experience sudden and urgent conditions, they will continue to develop accelerated actions based on the conditions and phenomena they are living at that time, as a form of negotiation and compromise regarding their lives.
MENANAM DAN MENJUAL JAGUNG DEMI BERAS: PENGARUH PERUBAHAN KONSUMSI MAKANAN POKOK PADA KOMUNITAS ADAT JALAWASTU Kurnianto, Danu
Studi Budaya Nusantara Vol. 8 No. 1 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.01.01

Abstract

The Jalawastu traditional community has had a culture of food security for centuries with white corn as the variety they cultivate for staple food. Today's reality shows that hybrid corn is a variety that has been commodified as the main agricultural product. People's behavior, on the other hand, shows that corn is now not the main choice as their staple food. The Jalawastu traditional community now uses rice as their main daily food rather than corn. Based on field research conducted in 2022, this article was prepared by analyzing several factors that have brought about economic and socio-cultural changes that have occurred over the last few decades in the Jalawastu Traditional Village. The influence of the market economy on agriculture in Jalawastu is allegedly strong in bringing about changes in their way of life and outlook on life that has actually been regulated through customary mechanisms. Apart from that, this article tries to raise any threats in realizing the food security and sovereignty of indigenous communities in Jalawastu. In the end, the author concludes that there are still efforts towards food sovereignty based on their traditional livelihood system even though there is a knowledge gap between generations regarding the symbolic value of corn
Youth Movement in Indonesia: Omnibus Law Demonstration Anridho, Claudia
Studi Budaya Nusantara Vol. 8 No. 1 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.01.05

Abstract

Youth movement is crucial in Indonesia because since the beginning of Indonesia’s independence, the young generation has been one of the main actors. This article aims to examine the youth movement that occurred in 2020. University student groups held demonstrations against the controversial omnibus law in almost every major city in Indonesia. The protests against the job creation omnibus law, which originated as a bill, occurred across regions in Indonesia on February 12 and October 20, 2020. This youth movement to reject the omnibus law is proof that despite many societal groups rejecting the bill, the government continues with its decision due to differences in perspective. Yet, this action remains a right of young people to express their aspirations regarding the political situation in Indonesia. Differences in opinion may incite youth to demonstrate against government bills and judgments
NILAI DALIHAN NA TOLU DALAM MEMBANGUN HIDUP BERSAMA: TINJAUAN RELASIONALITAS ARMADA RIYANTO Lumban Gaol, Covin
Studi Budaya Nusantara Vol. 8 No. 1 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.01.02

Abstract

The author focuses on the kinship system in Batak Toba culture, known as Dalihan Na Tolu. This kinship system is interpreted as identity and even serves as a guiding principle in the traditional cultural activities of Batak Toba. Dalihan Na Tolu consists of three hearthstones used for cooking. These three hearthstones are depicted as the kinship system in Batak Toba culture. The three hearthstones are Hula-hula, Dongan Tubu, and Boru. In Batak Toba culture, each person will assume one of the roles among these three elements. For the Batak people, Dalihan Na Tolu plays an important role and serves as the heart of every ceremony and relationship with others. Meanwhile, according to Armada Riyanto, self-giving transcends the relationship between "I" and "others." The research method employed by the author is a literature review involving critical analysis of various Batak culture books and previous research studies that discuss Dalihan Na Tolu. The methodology used is Armada Riyanto's relationality. This study finds that Dalihan Na Tolu is a guiding principle for Batak people in their relationships with others. This kinship system is a local cultural heritage with profound philosophical values.
PANGGUNG KEBERAGAMAN: MENGULIK DIVERGENSI TRADISI DALAM PERAYAAN IDUL FITRI DI YOGYAKARTA DAN BANYUWANGI Ariestianti, Intan
Studi Budaya Nusantara Vol. 8 No. 1 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.01.06

Abstract

Tolerance and diversity in Indonesia are valuable assets and integral parts of the nation's identity. Cultural, religious, ethnic, and linguistic diversity has become a hallmark that enriches Indonesia's social and cultural panorama, laying a strong foundation for fostering social harmony and peace amidst religious and belief diversity. This is reflected in the principle of Bhinneka Tunggal Ika, which embodies the spirit of Indonesian nationalism. This article aims to explore a deep understanding of how local traditions and cultural diversity are reflected in the celebration of Eid al Fitr in both regions. The article will present various aspects influencing the differences in Eid al-Fitr celebrations, including history, local traditions, customs, and other socio-cultural factors. The method used in this qualitative research is interview instruments. This article conveys the message of the importance of respecting and celebrating cultural diversity within Indonesian society.
KONSEP LIMINALITAS DALAM RITUAL ANDHERENAT Hilmy, Ayu Nur Izzati; Kusdiwanggo, Susilo; Yusran, Yusfan Adeputera
Studi Budaya Nusantara Vol. 8 No. 1 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.01.03

Abstract

Liminality is a concept referring to the transitional phase in which individuals or groups experience a suspension ofhierarchy and social structure, fostering a sense of togetherness, collective solidarity, and equality. The andherenat ritual on Gili Iyang Island, Sumenep Regency, is a tradition of the migrant Buton-Binongko community aimed at invoking rain and maintaining soil fertility. This study explores and analyzes liminality in the andherenat ritual and its sociocultural implications for the assimilative community. A qualitative method and case study strategy were used, focusing on the cultural activities of the andherenat ritual. The research findings reveal that the andherenat ritual involves three phases of liminality: separation, liminality, and incorporation. The separation phase is marked by theperformance of tawassul, yasin, tahlil, and praise, separating participants from everyday life. The liminality phase is a transitional period where participants undergo spiritual transformation through activities such as the topak loberprocession and circling the island. The incorporation phase reintegrates participants into society with renewed identities, highlighted by a communal feast.

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