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Studi Budaya Nusantara
Published by Universitas Brawijaya
ISSN : -     EISSN : 26211068     DOI : -
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Environmental Science Social Sciences
Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 173 Documents
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TRILOGI FILOSOFIS KENTONGAN BANYUMASAN: ONTOLOGI, EPISTEMOLOGI, DAN AKSIOLOGI DALAM GELIAT TRADISI SENI LOKAL Zaki Zulfian; Ryolita, Widya Putri
Studi Budaya Nusantara Vol. 8 No. 2 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.02.01

Abstract

This study aims to analyze the philosophical dimensions of Kentongan art in Banyumas, covering ontology, epistemology, and axiology. This research employs a qualitative descriptive approach, with data collection techniques including observation, interviews, and documentation. Primary data were obtained by visiting the Kentongan Bambu Laras community in Patikraja Village, Patikraja District, Banyumas Regency. Indepth interviews were conducted with Mr. Sujiono, the leader of the Kentongan Bambu Laras community, as the primaryinformant. The results show that Kentongan art in Banyumas has undergone significant development, both in terms of musical instruments and its functions. Initially, Kentongan only used a single bamboo instrument and served as a traditional communication tool. However, over time, it has evolved into a performing art involving various musical instruments and functions as a medium of entertainment for the community. This development is closely tied to the role of the Banyumas government, which has provided attention and support to this art form as one of the region's cultural attractions. Through the study of ontology, epistemology, and axiology, this research reveals that Kentongan art not only possesses aesthetic value but also embodies profound philosophical values as part of the cultural identity of the Banyumas community.
KAJIAN KUDA LUMPING SEBAGAI IDENTITAS BUDAYA JAWA: MENUJU PENGAKUAN INTERNASIONAL SEBAGAI WARISAN BUDAYA TAK BENDA Br Karo, Aulia Maharani Putri; Raja Gukguk, Devy Meylani; Aprija, Dina; Siburian, Yeremia; Khairi, Nurkhafizah
Studi Budaya Nusantara Vol. 8 No. 2 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.02.03

Abstract

This research aims to examine the role of kuda lumping as a symbol of Javanese cultural identity and pioneer efforts for its international recognition as an Intangible Cultural Heritage. The lumping horse is a Javanese cultural icon that has become a strong identity for the local community. This performance shows the actions of the dancers as if they were riding horses with agile movements and the accompanying rhythm of gamelan music. Apart from horse riding, kuda lumping also often performs spiritual acts, such as trance, eating broken glass, and stabbing itself with sharp objects. The research method used was descriptive qualitative, with the research subject being the owner of the kuda lumping group and one of its members. Data collection techniques were carried out through observation, interviews and literature study. The research results show that kuda lumping is not only a traditional dance performance, but also a symbol that reflects cultural values, courage and skill. The kuda lumping group is identified as a guardian of cultural heritage that needs to be safeguarded and promoted more widely. These findings strengthen the urgency of international recognition of kuda lumping as an important part of Indonesia's intangible cultural heritage. Recommendations from this research include the need for further support from the government and related institutions to document, preserve and promote Kuda Lumping as an integral part of Java's cultural richness. Concrete steps such as creating digital archives, learning from the younger generation, and participating in international cultural events can increase understanding and appreciation of kuda lumping globally
Analisis Proses Kreatif Komunitas Artnonymous Visual Dalam Penciptaan Karya Mural Di Cianjur Akhmad Baehaqi, Faiq; Cahyana, Agus; Nagara, Martien Roos; Falah, Asep Miftahul
Studi Budaya Nusantara Vol. 8 No. 2 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.02.04

Abstract

Murals, a form of artistic expression that emphasizes creativity in painting on large, expansive, and permanent media such as building walls, fences, streets, and other surfaces. Murals serve as the primary outlet for artists to convey their ideas using various types of paint such as spray paint, water-based paint, or oil paint. The aim of this research is to explore the factors underlying the creative ideas acquisition within the Artnonymous Visual community, referencing Graham Wallas' theory comprising stages of preparation, incubation, illumination, and verification. Additionally, the study aims to deeply understand the process of mural creation undertaken by the Artnonymous Visual community and to analyze the level of creativity in their mural works in Cianjur. The research methodology employed is qualitative descriptive, enabling researchers to describe, analyze, and depict phenomena and events occurring in the context of mural art creation. Murals created by the Artnonymous Visual community feature themes centered around animals and their lives, designed to allow local residents and pedestrians to interact directly with the artwork, fostering profound visual and social experiences in public spaces. This study is expected to significantly contribute to understanding the creative process in mural art and the importance of interaction between artwork and society. The findings aim to provide valuable insights for the development of local visual culture and to inspire mural art practitioners in various community settings.
EKSISTENSI JALADWARA DALAM MEMBENTUK RUANG SAKRAL PADA SITUS PATIRTHAN PENINGGALAN KERAJAAN SINGHASARI: STUDI KASUS : SITUS PATIRTAN WATUGEDE SINGOSARI KABUPATEN MALANG Yusran, Yusfan; Roro Rahmawati Tri , Wahyuni; Kusdiwanggo, Susilo
Studi Budaya Nusantara Vol. 8 No. 2 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.02.02

Abstract

In Javanese cultural cosmology, particularly in Hindu-Buddhist beliefs, patirtan (sacred bathing) which generally has a spring source holds significant meaning. Since the era of Hindu kingdoms on the island of Java, the concept of water gardens as sacred bathing places known as patirtan has been recognized. However, unlike Hindu patirtan, the patirtan from the Singasari kingdom has its uniqueness due to the influence of both immigrant and local cultures, which can be seen in the spatial concepts and ornamentation of the patirtan. One of the important ornaments of this patirtan is the fountain statue, also known as Jaladwara, which makes it the strongest element among the others and simultaneously gives the patirtan a function beyond fulfilling daily water needs, as it is also used for religious rituals. The revelation of a Jaladwara serves as the focal point of this research, based on supporting data from archaeological findings at the Patirtan site, using the study object at the Patirtan Watugede site. This research aims to understand the forms of macro spatial arrangement, micro spatial arrangement, and the ornamentation of the Jaladwara at the Patirtan Watugede site. The macro space structure includes the cosmology of the patirtan, while the micro space structure encompasses the physical form of the patirtan. In addition, it also aims to describe the spatial role of Jaladwara in shaping sacred space in patirtan. This research employs a quasi-qualitative method to formulate findings that are descriptive and ideographic, using discourse analysis techniques on case objects from the perspective of the concept of space. The findings indicate that the location of Jaladwara influences the spatial arrangement patterns in the sacred area, which in turn impacts the circulation patterns within the region, especially for religious practitioners during ritual processes.
APRESIASI DAN KREASI SENI RUPA NUSANTARA SEBAGAI PENDORONG KECINTAAN TERHADAP BUDAYA NUSANTARA BAGI SISWA SEKOLAH INDONESIA RIYADH ARAB SAUDI Ponimin, Ponimin
Studi Budaya Nusantara Vol. 7 No. 1 (2023)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776./ub.sbn.2022.007.01.02

Abstract

A sense of love, belonging and pride in the culture of the Nusantara must still be grown in every Indonesian citizen. This is to strengthen their identity as a Nusantara nation so as not to be uprooted from their cultural roots. This is also no exception for the students of the Riyadh Indonesian School (SIR) in Saudi Arabia. The strategies to encourage this sense of love, belonging and pride include art appreciation activities and art creations for the Nusantara's cultural arts to them in a way that is implemented in the overseas community service program from LPPM State University of Malang. To achieve the results of these activities such as workshops and training methods are applied which include the following methods: (1) The presentation with the theme of fostering insight to SIR students (Sekolah Indonesia Riyadh), (2) The Demonstration method for creating Nusantara fine arts, (3) Discussion and evaluation of the results of activities and implementation of activities, (4) Analysis of the results of appreciation activities and creations of Nusantara fine arts that have been carried out by students as program targets. The results of this activity are expected that the students will have an understanding of the importance of loving through the act of appreciation and creation of Nusantara cultural arts as Indonesians. On the other hand, the students have the ability and technical experience in creating, especially in the field of Nusantara fine arts which is achieved through training activities to create fine arts.
Menggali Nilai Pancasila Dalam Tarian Raego Topo Uma Dengan Perspektif Filsafat Fenomenologis Armada Riyanto Tonta, Rex Firenze; Pandor, Pius
Studi Budaya Nusantara Vol. 7 No. 1 (2023)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776./ub.sbn.2022.007.01.01

Abstract

The focus of this paper explores the values of Pancasila in the local wisdom of the Topo Uma community in Porelea village, Kec. Pipikoro, Kab. Sigi, Central Sulawesi. Specifically the Raego Dance, this is a dance performed by men and women in a circular formation while reciting verses in the old Uma language. The purpose of this paper is to explore whether the assumption that the values of Pancasila in the local wisdom of the Indonesian people are truly rooted and especially internalized by the Topo Uma community. The method used in this research is qualitative, with a phenomenological philosophical approach from the perspective of Armada Riyanto, which is obtained from the book Local Wisdom ~ Pancasila: The Items of Indonesian Philosophy, as well as in his book Relationality and Methodology. This phenomenological philosophical perspective contributes a phenomenological interpretation to describe the experience and appreciation of the Topo Uma community. The findings in this research, the saying that the values of Pancasila are alive and rooted in the local wisdom of the community is not just a slogan. In particular, the first precept, it was permeated and lived in the life of the Topo Uma community even before the entry of Christianity there as a designation for entities that transcend or overcome, namely; Karampue Langi, Karampue Tana or Topehila Ngkarawe Topejadi.
DEKONSTRUKSI MAKNA IKLAN SABUN LUX Wayan, Nuriarta I
Studi Budaya Nusantara Vol. 7 No. 1 (2023)
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Abstract

The existence of advertising in the mass media is no longer a complementary element to the system of industrialization and capitalism, but has become the most vital instrument. This research will discuss LUX soap advertisements. LUX bath soap ads always feature beautiful women to become product icons. Because it is synonymous with exclusive advertisements and top Indonesian stars. Advertisements in LUX beauty soap products apparently have many hidden meanings. With deconstruction theory, the results show that not with the aroma and freshness of LUX soap, women will be able to actively engage in any profession, whether as young executives,artists, singers, students or activists fighting for women's rights and not with LUX soap. women will become like Maudy Ayunda, a beautiful and active woman. However, because Maudy Ayunda is an artist with many achievements, she became the star of a LUX soap commercial. In addition to her beautiful face, she also carries out various solid activities. In the process of interpreting the LUX soap advertisement, from a deconstruction point of view, there will be a reversal of meaning. The meaning is not final which shows that by using LUX soap a person will become like Maudy Ayunda, that is, appear as a beautiful and active woman. But we can convey another meaning, namely that because Maudy Ayunda is a beautiful artist, intelligent and also active, she was chosen as the star of the LUX soap advertisement.
TELAAH KONFLIK PENGUKUHAN RAJA PEREMPUAN DI KERATON YOGYAKARTA (DALAM TINJAUAN SOSIOLOGIS) Febriani, Nita Putri
Studi Budaya Nusantara Vol. 7 No. 1 (2023)
Publisher : Studi Budaya Nusantara

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Abstract

Under the leadership of Sultan Hamengku Buwono (HB) X, the Yogyakarta Sultanate was faced with internal palace conflicts, namely between the royal family itself and the sultan's younger siblings. This was as a result of the words of the king who bestowed the title Mangkubumi on Gusti Kanjeng Ratu (GKR) Pembayun. The pinning of this title indicated that the eldest daughter of the sultan HB X had been officially appointed as the crown princess, who would later continue the reign of the palace if the sultan died. However, the king's words were strongly opposed by the sultan's brothers, because they were considered to be contrary to the traditions of the Yogyakarta Palace. The reason is that so far from Hamengkubuwono I to Hamengku Buwono X, the palace has always been led by a king (son), especially if you remember that the Yogyakarta Palace is part of the Islamic Mataram Kingdom. Judging from its history, the succession to the leadership of the Yogyakarta Palace has not always been smooth. Many conflicts and clashes of interests occurred between various parties. This phenomenon is inseparable from the attitudes and desires of every royal descendant who feels entitled to become the next heir to power. This study aims to focus on discussing the conflicts that occur by analyzing Dahrendorf's power conflict theory, as well as all changes due to the king's words that are against traditional rules (paugeran palace) which have an impact on conflict and its influence on the perspective of the people of Yogyakarta in particular.
MAKNA DAN NILAI FILOSOFIS DALAM ARSITEKTUR RUMAH GADANG Rahmadani, Novia
Studi Budaya Nusantara Vol. 7 No. 1 (2023)
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Abstract

The rumah gadang as a traditional house of the Minangkabau tribe is very familiar to all Indonesian people. Rumah gadang is also closely related to rangkiang, because rangkiang is an important part of rumah gadang. In the construction of the rumah gadang, what is interesting to study is the architecture of the building wich is designed. All the construction of rumah gadang, both interior and exterior have it’s own value and meaning. To describe that, the writer uses heuristic, observation, interview, descriptive, and literatur research methods. Based on the research that has been carried out using these various methods, it is found the fact that rumah gadang is not only used as aplace to live by the Minangkabau people. Rumah gadang is a source of culture and learning for anak kamanakan in the community of Minangkabau tribe. Therefor, every architecture of rumah gadang is designed in such a way as to imply the philosophical meaning and value. As well as rangkiang what is also part of rumah gadang.
EKSPLORASI DESAIN MOTIF BATIK CIUNG WANARA DENGAN MULTITEKNIK PADA KEBAYA MODIFIKASI Purwandaru, Kresna
Studi Budaya Nusantara Vol. 7 No. 1 (2023)
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Abstract

Ciung Wanara is one of the cultural tourism objects in Ciamis Regency has various historical relics and is one of the prehistoric relics owned by Ciamis. Batik is one of the handicrafts in the form of textiles. Along with the development of the fashion world until now, it has led designers to be more innovative and creative in designing designs on batik and the techniques used. Initially, batik only used one technique, it was written and stamped. However, this time the writer wants to give a new nuance in a batik design. And in general, kebaya is made of brocade or other materials, with very simple fashion pieces. But this time the writer wants to give a modern touch to the kebaya dress with the intention of being another attraction and also expanding the existence of kebaya and batik in society as well as reviving local culture. This research is a descriptive qualitative research. At the data collection stage, the researcher used the observation method and the document method, namely by collecting the information needed, while the document technique was by collecting information in the form of data from books, journals, the internet and other sources. The data analysis technique used intraesthetic data analysis and extra-aesthetic data analysis. The creation process includes designing, executing, and finishing. After making several exploratory designs, 5 main designs were chosen which were used as contemporary motifs that were applied to the kebaya and top shawl based on the author's ideas and concepts. Through the creation of this work, it is hoped that it can provide the latest innovations in kebaya and batik clothing.

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