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Studi Budaya Nusantara
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Studi Budaya Nusantara
Published by Universitas Brawijaya
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Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 173 Documents
Pendidikan Interkultural di Sekolah Melalui Pembelajaran Bahasa dan Sastra Indonesia Sebagai Pembentuk Ruang Nasionalisme Dinamis Eka, Scarletina Vidyayani; Setiawan, Fredy Nugroho; Rozin, Muhamad
Studi Budaya Nusantara Vol. 2 No. 2 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.02.03

Abstract

Abstract Indonesia consists of individuals who have diverse cultural, religious, ethnic and linguistic backgrounds. With the escalation of social problems nowadays, there needs to be a new space for society in which the values of harmony, tolerance and cohesion are nurtured. The government through schools seeks to instill these values. One of the efforts that can be made by schools is through intercultural education. Intercultural education can be integrated into various aspects of school activities, one of which is the teaching of Indonesian Language and Literature subject. Here, the authors attempt to map the extent to which the concept of intercultural education is present through the teaching materials by conducting a case study at SMAN 3 Malang. To analyze the concept of intercultural education at SMAN 3 Malang, the authors reviewed the literary teaching materials used by the teachers and observed the Teaching and Learning Activities in the classrooms. The results of the analysis show that the literary teaching materials used at SMAN 3 Malang already contain the competencies of intercultural education and the concept has been applied in the teaching and learning process. These results are in line with the Core Competencies and Basic Indonesian language Competencies outlined by the Government in an effort to form the space of tolerant and harmonious Indonesian society.
ANALISIS PENGEMBANGAN INDUSTRI KREATIF BERBASIS KEARIFAN LOKAL SEBAGAI UPAYA PELESTARIAN BUDAYA MAJAPAHIT (Studi Kasus Di Kampung Majapahit, Desa Bejijong, Kecamatan Trowulan, Kabupaten Mojokerto) Latifatun Nuzulia, Isma Farikha; Mulia, Ananda Ilham; Arifky Zuhri, Muhammad Yogi; Rahayuningtyas, Dyah
Studi Budaya Nusantara Vol. 2 No. 2 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.02.01

Abstract

Abstract This research analysis development of the creative industries in the Bejijong Village, Mojokerto Regency as the one of the tourism village area. In the Bejijong Village has potential as foundry known as Brass Sheet Village, found an archaeological sites and building Majapahit House by the government. Development of creative industries is very needed for support this tourism potential. Be sides to increase economy to societies, it is also to converse Majapahit culture. This research uses qualitative research that discuss with written words. Research design uses interview and participant observant toward the society has the criteria, and also the documentation. The result of this research can give the recommendation for the government, the academician, and the society.
RUANG BERUBAH BERSAMA-SAMA: ANTROPOLOGI DALAM TRANSFORMASI SOSIAL BUDAYA PAPUA Suryawan, I Ngurah
Studi Budaya Nusantara Vol. 2 No. 2 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.02.02

Abstract

Abstrak The biggest challenge of anthropology, especially in frontier areas (front lines) like in Papua, is to place it in the context of the vortex of the meaning of socio-cultural transformation experienced by humans themselves. Anthropology, thus becoming a "weapon" in the face of the inevitable social and cultural changes. This article reflects the power of ethnography in the long span of the journey of reproducing Papuan cultural knowledge. This study argues that ethnographic reproduction produced with a colonialistic perspective will lack power and language in describing the complexity and transformation of culture in the Land of Papua. The reality of the Papuan people is high mobility, interconnected with other cultural ethnicities with cultural diversity, and their relationship with the power of global investment. It was during these meeting moments that the Papuan people had the opportunity to think about their renewal of identity and culture.
AKOMODASI DAN KONTESTASI RUANG BUDAYA DI UDARA: KASUS SIARAN BUDAYA DI RRI KENDARI, SULAWESI TENGGARA Baskara, Benny
Studi Budaya Nusantara Vol. 2 No. 2 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.02.04

Abstract

Abstract Radio Republik Indonesia (RRI) as state-owned radio station creates a special channel for cultural programs from various ethnic groups in Indonesia in Programme 4. The establishment of Programme 4 as the special channel for cultural programs is a form of accommodation from Indonesian government toward various ethnic groups in Indonesia, including in RRI Kendari as a branch of RRI in Southeast Sulawesi Province. This paper will describe the accommodation and contestation of cultural programs in Programme 4 RRI Kendari. Programme 4 RRI Kendari broadcast cultural programs from main ethnic groups in Southeast Sulawesi: Tolaki, Buton, Muna, Moronene, Bugis, Makassar, Bajo, Java, Sunda, and Bali. However, the cultural programs in Programme 4 RRI Kendari not only serve as a means for accommodation toward various ethnic groups in Southeast Sulawesi, but contestation is also happened among themselves in these cultural programs. Before they are broadcasted in Programme 4, these cultural programs were broadcasted in Programme 1, which has wider range and has more complete facilities, including interactive facility. Meanwhile, as a new channel, Programme 4 do not have wide range of broadcasting capacity as in Programme 1, and its facilities are still limited. The limitation of Programme 4 facilities makes various ethnic groups in Southeast Sulawesi feel no longer accommodated in cultural programs of RRI Kendari as it was broadcasted in Programme 1 before.
IMAJINASI DALAM RUANG POLITIK NASIONAL Prawoto, Sigit
Studi Budaya Nusantara Vol. 2 No. 2 (2018)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.02.05

Abstract

Abstract The political campaign has so many possibilities to generate an impressive personal image of a politician. The way to communicate a message to the public can be driven directly or using some symbolics peculiarity in a time so that it stimulate some overlying political discourses. The powerful political partis will animate some massif and noisy mass parades in downtown in many different places while the small ones will do it in a calme and small procession and in some cases the do not even organise a single mass parade. The number of people in these carnivals shows the potential power of the partis in the field and in the financial support from the partis and their politicians. In actual tendance the partis politics do the same massif campaign in Medias and social Medias. The mass campaign on facebook and twitter become new approaches in the way to attract the attention of the people even if the campaign in theses socials Medias turn out to be free and wild because the facebook and twitter official's accounts of the partis politics intermingle to those of the publics. The free of the use of those Medias gives a freedom to promote the positive and negative sides of a politician and the so many ways of presentations makes the general election of 2014 hide many controversies that for some years latter on still become a topic of debate in the real and virtual realm.
KAMPUNG KULSERVASI (KULINER DAN KONSERVASI) WANAMERTA, TENGGER: KONSEP PARIWISATA HIJAU Sukmawan, Sony; Rizal, Maulfi Saiful; Rohman, Muh. Fatoni
Studi Budaya Nusantara Vol. 2 No. 2 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.02.06

Abstract

Abstract The wealth and abundance of Tengger's natural resources is very promising, but the local community is not productive enough and not good at utilizing their abundant natural resources, one of which is the tamarillo (terong belanda). In the beginning, the community had produced processed tamarillo in the form of syrup. However, the production of the tamarillo syrup has stopped in a few years. The reason is the problems that exist in the production and marketing process. In addition, the more critical existence of tamarillo plant due to mass logging also threatens the business productivity that is being pioneered by the community. Furthermore, the Tengger environment is also threatened by its balance. This article focuses on the productive economic empowerment of the Wanamerta Village community, Tosari Village, Tosari District, Pasuruan Regency through the use of Dutch eggplant as a base for developing small and medium enterprises (SMEs) in the local community. The steps taken are (i) counseling, training, and preservation of Dutch eggplant juice, (ii) Dutch eggplant training and nursery action. Through these steps it is expected to grow awareness of independent entrepreneurship by making the potential of local natural resources as assets as well as raw materials for production. Furthermore, this effort is directed at building a culinary tourism dish that relies on local culture as well as being conservative towards nature.
"MBLANDONG" UNTUK MENOPANG PEREKONOMIAN MASYARAKAT PINGGIR HUTAN : SUATU PENDEKATAN HISTORIS ANTROPOLOGIS (Kasus : Di Desa Kawengen Kabupaten Semarang) Hendro, Eko Punto
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.02

Abstract

Abstract In the people of Kawengen Village, "mblandong" is the best economy activity. They have ignored legal or illegal rules, because at the reality, mblandong can develop of the other sector of economy at their village, to the agriculture, carbon industies, industries of handicraft and furniture. Beside that, mblandong also can available to the building material. In this case, mblandong very important for economic, and than mblandong will be custom or folkways of The Kawengen people.
FUNGSI TRADISI BEDAH BLUMBANG DALAM PELESTARIAN AREA KONSERVASI AIR DI KAKI GUNUNG UNGARAN KABUPATEN SEMARANG Wiyatasari, Reny; Lathifah, Afidatul
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.01

Abstract

Abstract Bedah Blumbang carried out in Dusun Gintungan, Semarang District that near from Ungaran Mountain is a series of merti desa ceremonies or often known as the cleaning village tradition. This article discusses how the role of the bedah blumbang in the practice of water resources conservation at the Ungaran Mountain and the meaning of the tradition in the Gintungan Hamlet community. The practice of bedah blumbang has undergone a variety of changes and improvisations, ranging from procedures, completeness of ceremonies, to community involvement. Not only the Gintungan?s community is involved, but also the stakeholders at the government level. Bedah blumbang is also one of the tourist attractions in Dusun Gintungan . The abundance of water in Dusun Gintungan has also not been well managed, people thinking that water is a resource that will not run out so people tend to use it without limits. However, the myths that develop in the community around the source of the spring become the control of the community in utilizing the natural resources around them, especially water resources. Bedah blumbang functions as a guardian of tradition, guards of harmony between residents, a tour event, and as a reminder of their ancestors. The process of environmental conservation indirectly occurs when remembering myths about ancestors, thus residents continue to maintain the sustainability of blumbang which is a source of water for residents of Gintungan Hamlet and its surroundings. This research is qualitative research with data collection techniques in the form of in-depth interviews and participant observation. In-depth interviews and observations are intended to obtain primary data.
KESADARAN EKOLOGI DALAM MITOS DI TELAGA RAMBUT MONTE DESA KRISIK, KECAMATAN GANDUSARI, KABUPATEN BLITAR Fitrahayunitisna, Fitrahayunitisna
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.03

Abstract

Abstract Myth as a folklore is a genre of oral literature. Myth on Java is a story that contains Javanese beliefs about occult things. The interesting thing about the myths of Rambut Monte is the values impicitly related to ecological consciousness. It is also related to consciousness of society about sustainably environment. The myths that people believe in Rambut Monte implicate for sustainability of nature. This is related to the roles and functions of the myth. This research is a descriptive qualitative study. The qualitative data collected by interview, observation, and study of documentation. Step of analizing data started by transcribing the result of interview from informants. Then, the results of the transcript were translated. Data from observation and documentation are reorganized as a secondary data. The myths found in this study are the myths about origins name of Rambut Monte, holy lake water, the God fish, old trees, and the danyang of Rambut Monte. The ecological consciousness are found in the myths are about the value of respecting nature, conservation values, the value of respecting living things, and the value of ecological harmony. The myths are play the role and function as a media to educate and spread a message to community abaut the ecological consciousness. Therefore, these myths are also has a role as disequilibrium decomposer between human and nature.
SUBJEKTIVITAS KOLEKTIF : KRISIS EKSISTENSI DALAM KARYA SENI Iksan, Nur
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.04

Abstract

Abstract As dynamic humans beings who are obliged to always improve the quality of their life, they should not adjust and neutralize about their value for the outside offer. Ideally, human must engaged in every process and be the subject for it if they want to be a true self. A process that undertake to get a holistic knowledge as a perfection foundation for the meaning of their life. Being themself and be men that freely and be aware of all their actions. A consequence must faced with put the choice based on the autonomous authority, for a faith and appreciation in the activity. However, in the global mode for this time, we will very difficult to find the human of life that are able to reach into authenticity in themself. In the reality, through the mass media the authoritarian rule legal and illegal have created mass culture in a view. This phenomenon can be seen in the work of the mass media that presents the imagination that artificial continuously with mechanisms of hypnosis as injection technique awareness. A uniformity system that offers “ established ” with basic systems of material, imaging, social status and even morality. The offering above without based of knowledge about subjectively will increasingly the encourage individuals in experiencing an identity crisis, aware for media massa presenting and the end it’s make a majority view of society. The phenomenon described above as an idea of the creation printmaking art works with an autocriticism charge of the human condition is experiencing an existential crisis, by using the method of creation: exploration, brainstorming, and shaping or embodiment.the process of assembling the excess of graphic work through reproduction into the canvas medium with puzzele techniques. Art work of the collective subjectivity theme is expected to be a reflective media of humans in an existential crisis.