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International Journal of Visual and Performing Arts
Published by Association for Scientific Computing Electronics and Engineering
ISSN : -     EISSN : 26849259     DOI : https://dx.doi.org/10.31763/viperarts
Core Subject : Humanities, Education, Art,
Arts Humanities Education
nternational Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical study, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g., theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 9 Documents
 1 
Search results for , issue "Vol 4, No 2 (2022)" : 9 Documents clear
The process of making batik wayang beber using digital canting with sungging painting coloring technique Aan Sudarwanto; Danang Priyanto
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.718

Abstract

This article carries the application of creating wayang beber patterns with sinjang batik techniques. This research aims to answer the endless question regarding the variation of batik patterns. Batik patterns are not only used in clothing but also as decoration. In this case, batik is used as decoration with wayang beber patterns using batik painting techniques.  The research was carried out by making an example of a model, starting with looking for possible utilization by using a design from a computer graphics program. The research scope is limited by the creation of the wayang beber patterns and their application. The steps of designing are to create a prototype model, starting with conducting emic and ethical research. The next step is contemplating the whole pattern development design using digital technology. This is done by looking for suitability based on aesthetic principles and followed by pencantingan using the SGL-4332 series digital batik canting machine.  For the final step, colouring is carried out using the batik painting technique, which is done manually using the rules of sungging gradation.  This research produced a prototype model of wayang beber creation with batik techniques, which can be used by batik craftsmen to bring out new innovations in their work
Ruwat Murwakala ritual: transmission of educational value through the traditional performing arts and its relevance with the implementation of the concept of merdeka belajar Lardianto Budhi; Slamet Subiyantoro; Adam Wahida
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.808

Abstract

Besides being an expression of culture, traditional artworks carry various kinds of knowledge and values that are useful for the survival of the community. This is one of the reasons why a product of traditional artworks survives in the midst of the progress of the times. This research on the ruwatan murwakala ritual aims to; (1) find out how the transmission of educational values occurs in wayang performances; (2) Analyse the scenes in Ruwat Murwakala's story that show the process of transmitting educational values and supporting the implementation of the Merdeka Belajar idea. The method used in this research is descriptive qualitative interpretive. Data was collected through participant observation (observation), literature review and in-depth interviews. Observations were made by observing the performance directly or by looking at the recording of the performance of Ruwatan's play Murwakala. The study of library sources consisting of articles and writings related to the research subject aims to complete the research data. Triangulation of data sources and sources is used to validate the data obtained so that the validity of the data can be accounted for. The results of the research on the Ruwatan ritual of the Murwakala play show that there are findings in the form of a process of delivering character education values to the community, including curiosity; honesty and knight; respect; religion; obeying the rules; respect; fair; smart; creative; critical knights; honest; respectful; and intelligent. These values are contained in each chapter in the story of Ruwatan Murwakala, namely: the pathet nem scene (beginning), the pathet sanga scene (middle) and the pathet manyura scene (end)
Spirituality of lengger dance in papringan hamlet Banyumasan Heni Siswantari; Lovandri Dwanda Putra; Ganing Rimas Hayu Kerti
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.646

Abstract

Lengger dance, as one of the local wisdom of the Banyumas community, is considered by the wider community to have no Islamic values. However, the fact is that every art that grew from the people of the archipelago emerged for reasons of spirituality, getting closer to God and nature so that when Islam was present in the archipelago, Islamic values were very easily integrated into these arts. This research aims to examine more deeply and describe the value of spirituality in the Banyumas Lengger dance. The research method used in this study is qualitative with an ethnographic approach. The subject of this research is the Lengger Banyumasan art, and the paradigm used is spirituality and Islamic values in the process, movement, and accompaniment of the Banyumasan Lengger dance. Data regarding dance movements were obtained through the process of observing and interviewing the dancers. Furthermore, the research explored whether religious values were taken into consideration in creating the musical accompaniment for the Lengger dance performances. The results showed that the Banyumasan lengger dance contained spiritual values related to God, fellow human beings, and the environment. The spiritual values found in the lengger dance in Papringan Hamlet, Banyumas is the local community's belief in the existence of indhang, offerings offered to the indhang, movements that are considered erotic have spiritual value and gratitude to the power, and there are several taboos for lengger dancers
A Scientific view and analysis of theatre art Yakshagana Gopalkrishna Hegde; Gautam Hegde
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.742

Abstract

Many of the Indian performing arts have deep scientific/engineering aspects involved in them without being recognised or studied. Yakshagana is one of such arts being performed in coastal districts of Karnataka and has a history of more than 500 years. Yakshagana is a team, multidisciplinary art involving classical music, percussions, dance, dialogue, comedy, costumes, and scholarly discussions. This article discusses the components/parameters of the Yakshagana art form from a scientific and engineering perspective, and we have attempted to formulate mathematical equations for a better understanding of the art execution, artist’s capacity and overall performance. Empirical mathematical relations are formulated to estimate the performance index to grade the quality of the overall performance of the day. As art is an “all-in-one” form of art performance, it is represented using a Venn diagram. Four main components of Yakshagana and the importance of the coordination between them for successful, cohesive and high-quality performance are analysed by incorporating scientific and engineering approaches. We hope that the present study will open up further scientific research on long-duration performing Indian traditional art forms
Innovative music learning in “Profil Pelajar Pancasila” development for students: an intervention study through world wall applications Mantaaba Zukhruf Nabilunnuha; Sunarto Sunarto; Syahrul Syah Sinaga; Wahyu Lestari
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.823

Abstract

The importance of art education in instilling the principles of Pancasila that should be taught to pupils has diminished since the era of technological transformation. Learning the names of the Pancasila principles through music is a powerful tool. However, pupils lose interest in the process when learning is still presented in the traditional fashion. Student's strengths in global variety, mutual cooperation, independence, critical reasoning, and creativity can be cultivated through this music-learning process and included in their Pancasila student profiles. As a result, changes in music education are necessary for the extras. The study's overarching objective was to explain how interventions based on the world wall application might help students build a Pancasila profile to better serve their communities. The art and culture instructor and the tenth-grade pupils at MAN 2 Kediri in the city of Kediri participated in this study. This research uses observation, interviews, and written records to acquire its data.  The results of this study indicate that learning the art of music at schools in trumpet practice using the wordwall.net application can stimulate the profile of Pancasila students by cultivating an open way of thinking, mutual respect, mutual care and collaboration. This research is expected to be an innovative medium for teaching music learning so that students can get to know music in various ways
A study of the covid-19 infographic design issued by Indonesian Ministries in online media Ryan Sheehan Nababan; Peter Ardhianto
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.804

Abstract

The Indonesian Government Ministry has carried out a health campaign to prevent the spread of COVID-19. One of his campaign strategies is to publish infographics in online media. This study describes the existence of infographics produced by the Ministry of Government of the Republic of Indonesia during the COVID-19 pandemic. This research design is qualitative descriptive research with a case study approach. Data were obtained by random sampling through digital data browsing on the internet, recording, in-depth observation, and content analysis. The data obtained were analyzed using interactive analysis. The results of this study reveal that the infographics produced by the Ministry of the Government of Indonesia consist of various types and forms. Each type and form has a constituent structure, Vitruvius principles, and aspects, which are almost the same pattern. Furthermore, the research team found that the infographic aims to convey persuasive appeals, news, statistical data, and messages regarding preventing the spread of COVID-19. The various infographics also play a role in increasing public awareness about the dangers of COVID-19, being disciplined in implementing health protocols and playing a role in suppressing the spike in the spread of COVID-19 in all regions in Indonesia
Optimizing performing arts innovations at the Ceprotan ceremony: An overview of the perspective of empowering rural communities in Pacitan, Indonesia Miftakhul Khoiriah; Silvester Pamardi; Joko Aswoyo
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.865

Abstract

Artistic research on community empowerment through artistic innovation in the Ceprotan Ceremony in Sekar Village aims to explain how the steps for optimizing performing arts innovations at the Ceprotan ceremony are through village community empowerment strategies. The initial step of this artistic research was carried out by direct observation to obtain data and information regarding the myths and practices of the Ceprotan Ceremony. In addition, to obtain more in-depth data, the researcher used the participant observer strategy and, at the same time, conducted in-depth interviews. The results of this investigation are then used by researchers to develop a community empowerment-based artistic innovation model. The results of this community empowerment-based artistic research are (1) systematic performance management; (2) the creation of social cohesion in the series of Ceprotan performances; (3) the identity of the village of Sekar is formed; (4) the revitalization of the Sekar Taji dance drama; (5) the reduction of bad events or trance (possession). The contribution of this research is an example for other regions that want to use artistic innovation as the formation of village identity and, at the same time, as an effort to complement and advance the cultural potential of Sekar Village
Lampah: expression canvas of Java’s spirituality in the new media art Ario Wibisono; Bambang Sunarto; Santosa Soewarlan
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.795

Abstract

Malioboro is an integral part of the architectural artwork of the city of Yogyakarta, which is full of meaning, philosophy, and noble values of Javanese culture. Currently, Malioboro has developed into a tourist area and a quite existing public cultural space. However, along with the times, the philosophical meaning and noble values embedded in the architecture of the city of Yogyakarta by HB I as the founder of Ngayogyakarta Hadiningrat seem to be unclear and increasingly difficult to read. The video art installation Lampah is a form of creative response to the existence of contemporary Malioboro as a public space as well as a meaningful piece of architectural art. By using interpretative-subjective approaches and artistic methods, the creator reads this phenomenon and represents it in the form of Lampah artwork. As a contemplative space, 'Lampah' also offers an alternative way to transform Javanese noble values and spirituality by using idioms and ways of speaking in Javanese culture. Models in architecture are used to complete the design of this work. It is hoped that this concept can provide new insights and discourses in art, especially new media art
Ethno pedagogy and conservation practices of the erai-erai dance in the Lematang Malay Community, Lahat District, South Sumatra Indonesia Monika Artasia; Hartono Hartono; Deasylina da Ary
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.899

Abstract

Ethno pedagogy examines the interaction of pedagogical and cultural traditions as well as social and pedagogical processes and examines educational methods and solutions used by the Lematang people in Lahat District. This study aims to analyze the application of Ethno pedagogy in learning erai-erai dance. Art-based qualitative methods with an ethnopedagogical approach as a data collection strategy based on observation, interviews and document research. Several stages of the interview activities included interview planning, conducting interviews, recording interview data and activities after the interview, namely checking the validity of the data and making systematic data so that it was ready to be used as material for further analysis. Source triangulation techniques to check data accuracy and test the credibility of data from various sources, then to compare the results of interviews between informants who are directly or indirectly involved. The results of this study are the dissemination of erai-erai dance performances through a socialization process so that ethnopedagogical practices emerge in the community with various learning strategies for erai-erai dance practised by each social class with their respective roles, thus directly or indirectly creating ethnopedagogical practices. Then, a conservation strategy involving ethnopedagogical practices in erai-erai dance is implemented using social media. The discussion above shows the contribution of research, although, on the other hand, this research has many weaknesses

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