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Made Ratna Dian Aryani
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Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana Jalan Pulau Nias 13, Sanglah, Denpasar Bali Indonesia 80114
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Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang
Published by Universitas Udayana
ISSN : 26231328     EISSN : 26230151     DOI : https://doi.org/10.24843/JS.2019.v01
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Jurnal SAKURA : Sastra, Bahasa, Kebudayaan dan Pranata Jepang, merupakan jurnal yang memuat artikel hasil penelitian serta kajian ilmiah di bidang sastra, linguistik, kebudayaan dan pranata Jepang. Terbit dua kali dalam setahun, pada bulan Februari dan Agustus. Jurnal SAKURA bertujuan menjadi wadah bagi para peneliti, dosen, mahasiswa dan para praktisi di bidang Sastra, Linguistik, Kebudayaan dan Pranata Jepang untuk mempublikasikan karya ilmiahnya secara luas
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 11 Documents
 1   2 
Search results for , issue "Vol 4 No 1 (2022)" : 11 Documents clear
Persona EMIYA dalam Anime Fate/Stay Night Unlimited Blade Works Karya Takahiro Miura Sandhi Prasetio Atmiko
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p09

Abstract

This research discusses persona EMIYA in the anime fate/stay night unlimited blade works by Takahiro Miura. The purpose of this research is to describe the persona of EMIYA's character such as the source, development, and persona transformation experienced by EMIYA. The research method used is descriptive qualitative. The data collection technique used the note-taking technique. The theory used is Carl Gustav Jung's personality theory regarding persona archetypes. The results of EMIYA's persona analysis brought destruction upon itself. EMIYA is too busy with his own world, following his own impulses, hopes, desires, and fantasies to realize his ambition, the idealism of the hero of justice. EMIYA also over-identifies with persona, adapts and satisfies the social world such as helping people around him with the idealism of his justice hero persona so that he believes that the image he builds is his true personality which ends in his regrets because reality, destiny slaps, the situation he faces changes.
Kanyouku Dengan Unsur Tumbuhan Pada Media Sosial Twitter I Gusti Ngurah Dwija Parnatha; I Made Budiana; Renny Anggraeny
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p05

Abstract

This study only determine the meaning, type and process of forming plant based kanyouku using posts on Twitter from Japanese users in 2020 as a data source. This research used kanyouku formation theory from Miharu and the semantic theory from Chaer which is supported by kanyouku meaning by Inoue. The data accumulation method used in this research is the observation method, by observing the use of language on Social Media Twitter. Then, the methods used in data analysis are the split method and the equivalent method.. The results obtained in this study are first, based on the lexical meaning of plant based kanyouku on Twitter social media consists of the lexical meanings of ki, hana, kusa, take, sakura, momiji. The most used lexical meaning is Hana. Second, based on the idiomatic meaning, it is divided into five types of idiomatic meaning, namely, 1) the meaning of kanyouku which state the senses of feeling or emotion, 2) the meaning of kanyouku which state the state of the body, nature/character, behavior/attitudes, 3) the meaning of kanyouku which state behavior, motion, and actions, 4) the meaning of kanyouku which state conditions, levels and values or prices, 5) the meaning of kanyouku which state society, culture, and life. Third, there are three ways to form plant based kanyouku on Twitter social media, namely verb idioms, noun idioms, and adjective idioms. Fourth, there is kanyouku with two different idiomatic meaning, namely kime ga komakai idiom. Fifth, there are different kanyouku while having the same idiomatical meaning, namely hatake suiren and ki ni yorite sakana o motomu kanyouku.
Makna Mitos Pada Karakter Hewan Dalam Film Mononoke Hime Rizka Anindita; Ely Triasih Rahayu; Diana Puspitasari
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p11

Abstract

The objective of this study was to describe the meaning contained in the animal characters in the Mononoke Hime movie and then correlated it to Japanese folklore. Type of this study was descriptive qualitative. The data collection technique used was the note taking technique. The researcher watched the Mononoke Hime movie and recorded dialogues related to the study theme. The data analysis technique was conducted by analyzing the dialogues in the Mononoke Hime movie related to the meaning of animals based on Ronald Barthes' semiotic concept. The results of this study showed that there were 4 animal characters that contained mythical meanings based on the analysis of the Mononoke Hime movie and the Youkai reference book. The results of this study showed 4 animals found in the data source, namely deer, wolf, boar and monkey. Each animal had the following characters; The God of deer had the meaning of regulator of living things’s lives in the forest, the god of wolf and the god of boar had the meaning of protecting the forest, and the god of monkey had the meaning of fertility by caring for the god of deer’s forest.
Penerapan Prinsip Kerja Sama Pada Tuturan Yang Mengandung Alih Kode Dalam Komunikasi Karyawan Biro Perjalanan Wisata Di Kabupaten Badung, Bali Deco Widi Permana; Ni Made Andry Anita Dewi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p01

Abstract

This research determine the application of the principles of cooperation behind the communication of Travel Agents employees in Badung. This research used theory of cooperation principles by Grice and code switching theory by Wardhaugh. The methods and techniques used in data collection are observation methods and tapping techniques. For data analysis are descriptive qualitative methods and descriptive techniques. The data presentation stage used an informal method. The results obtained in this research are 5 pieces of data including the type of situational code switching. In this research was found that 1 data on the application of the maxim of quantity, 1 data as a form of application of the maxim of quality, 1 data on the application of the maxim of relevance, 1 data on the application of the maxim of relevance, and 1 data on the application of the maxim of implementation.
Teknik Dan Metode Penerjemahan Tuturan Ekspresif Bahasa Jepang Dalam Subtitle Film Paradise I Made Agus Nugraha Arta Wiguna; Ni Nengah Suartini; Putu Dewi Merlyna Yuda Pramesti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p06

Abstract

This study aims to describe the techniques and methods of translating expressive speech act in the subtitle of Paradise Kiss, which was translated by Island Fansubs. To analyze the data of this study using glossing techniques and translational equivalents. Based on the results of the study, it was found that there were 6 types of Japanese expressive speech act. The types of expressive speech act found were then translated using 8 types of translation techniques, amplification, discursive creation, established equivalent, generalization, linguistic amplification, literal translation, particularization and reduction. Expressive speech act translation techniques are dominated by linguistic amplification. Finally, there are 4 types of translation methods, word for word translation, idiomatic translation, free translation and communicative translation. The translation method is dominated by the free translation method.
Daya Perlokusi pada Implikatur Percakapan dalam Anime Tsuki Ga Kirei Ni Made Yunita Widya Kusuma; Ngurah Indra Pradhana
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p02

Abstract

The goals of this research are to find and describe the kinds of conversational implicature and the power of perlocutionary effect on conversational implicature in Anime Tsuki Ga Kirei. The theories that are used come from Yule about classification of implicature and perlocutionary act from Austin. The method that used is descriptive qualitative method. The result shows that particularized conversational implicature were found to be more than generalized conversational implicature. Because, the additional knowledge possessed by each character was not equal. Meanwhile, scalar implicature and conventional implicature were not found. The perlocutionary effect on generalized implicature is in line with the implications of utterance. Then, perlocutionary effect in particularized conversational implicature are 11 data know the special knowledges and in line with the implications of utterance, 3 data know the special knowledges but not in line with the implications, and 1 data did not know the special knowledges and not in line with the implications.
Kesepadanan Penerjemahan Kosakata Bermuatan Budaya pada Anime Sen to Chihiro no Kamikakushi Ni Kadek Purwantini; Ni Nengah Suartini; Kadek Eva Krishna Adnyani
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p07

Abstract

This study aims to describe the equivalence of translating Japanese cultural terms into Indonesian in the anime Sen to Chihiro no Kamikakushi and the translation procedures applied in translating SL (source language) into TL (target language). This research is a qualitative descriptive study using data cards. The theory used is the category of cultural terms by Newmark (1988), the theory of equivalence by Nida and Taber (1974), and the theory of translation procedures by Newmark (1988). There are 38 data which are Japanese cultural terms and its translations in Indonesian. The results showed that 30 data reached equivalence and 8 data did not reach equivalence. Then, there are 7 translation procedures applied, including cultural equivalent, synonym, neutralization, additional explanation, modulation, transposition, and reduction and expansion. Cultural equivalence and synonyms are the most frequently applied procedures.
Struktur dan Makna Tarian Yosakoi Yussy Talitha Khairunnisa; Ely Triasih Rahayu; Muammar Kadafi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p10

Abstract

The purpose of this study was to determine the structure and meaning of movements contained in the yosakoi dance. The yosakoi dance is a traditional dance that was first introduced in 1954 in Kochi prefecture. The kochi yosakoi dance was first performed in a summer festival, with the basic dance was called seicho. Seicho yosakoi is danced with the yosakoi naruko odori song and uses a musical instrument called naruko. Besides at Kochi prefecture, yosakoi also has expanded to the Hokkaido area. Yosakoi dance in Hokkaido is known as yosakoi soran. Yosakoi soran was first created by Hasegawa Gaku in 1992. Different from kochi yosakoi, yosakoi soran was first introduced with the traditional song soran bushi. The type of this study was descriptive qualitative. The data source of this study was the movement of yosakoi dancers, namely the Iroha and Yuujou Taiko groups. The method of this study used literature study, observation and interview. The data analysis technique was conducted by analyzing the movement structure and meaning of the seicho and soran bushi dances based on the semiotic concept of Roland Barthes. The results of this study showed that there were 5 movement structures in the seicho yosakoi dance that contained connotative meanings, and there were 14 movement structures in the soran bushi dance. The conclusion from the structure and meaning of these two dances are that they only have connotative meanings. In the seicho dance, it contains the meaning of an invitation for people to come and have fun during the summer at the yosakoi festival. While in soran bushi, this dance has the meaning of describing how fishermen go to sea to catch fish.
Mobilitas Sosial pada Kelompok Zainichi Korean di Jepang Ni Putu Luhur Wedayanti; Ni Made Andry Anita Dewi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p03

Abstract

This study has a purpose to examine wether any social mobility occurred within Zainichi Korean in Japan. Zainichi Korean is a minority group that came to Japan since 1910 when Korean Peninsula was annexed by Japanese. Korean who came to Japan that time worked as daily worker in farming area, ship building, contruction site or other places. After World War II was ended, part of those Korean stayed remain in Japan, until this moment for fourth or fifth generatons. Decades ago, discrimination against Korean immigrants made it difficult for them to earn a decent living, as they struggled to find a decent work. They could only work as day laborers. However, due to various supporting factors such as opportunities and good cooperation, most of these Korean immigrants were able to own a Pachinko business, and even almost controlled the jewelry shop business in Osaka as the center of a settlement of the most Korean immigrants in Japan. This change shows the social mobility of Korean immigrants to a higher socioeconomic class. On the other hand, the factor that hinders the occurrence of mobility is the discriminatory attitude towards Zainichi Korean.
Ideologi Di Balik Mitos Dalam Cerpen Akagaeru Karya Shimaki Kensaku: Kajian Semiologi Roland Barthes Ni Luh Putu Ari Sulatri; Silvia Damayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p08

Abstract

This article examines the ideology of Shimaki Kensaku in the short story Akagaeru. This study is qualitative research by applying the hermeneutic method. This study uses the semiology theory of Roland Barthes with a two-level sign interpretation model. The results of the study show that at the language level, the signifier of akagaeru refers to the signified of reddish-brown type of frog endemic to Japan. The signified at the language level become the signifier of connotation at the myth level which refers to the signified of connotation namely 1) return to the original Japanese ideology; 2) the failure of communist ideology to develop in Japan; 3) acceptance of the destruction of communist ideology in Japan; and 4) persistence of admiration for communist ideology. These signified of connotations form a myth that is connected with Shimaki Kensaku's ideology, namely suichoku tenk? 'vertical tenk?'

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