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INDONESIA
Widyanatya: Jurnal Pendidikan Agama dan Seni
Published by Universitas Hindu Indonesia
ISSN : 20888880     EISSN : 26565773     DOI : https://doi.org/10.32795/widyanatya.v2i01
Core Subject : Religion, Education, Art,
Religion Arts Education
Journal Widyanatya is an open access published by Education Society of Universitas Hindu Indonesia. The main objective of Widyanatya is to provide a platform for the regional, national, and international scholars, academicians and researchers to share the contemporary thoughts in the fields of religious and art. It is also aimed at promoting interdisciplinary studies in religious education and art, religious and art teaching. The journal publishes research papers in the all the fields of religious education and art, religious and art teaching such as: Paedagogy Contemporary education Religious education Arts education Traditional education Sociology of education Psychology of education Philosophy of education etc
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 135 Documents
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ESTETIKA HINDU PADA TARI GANDRUNG DALAM UPACARA PIODALAN DI PURA DALEM, BANJAR TAMBAWU KELOD, DESA TAMBAWU, KELURAHAN PENATIH, KECAMATAN DENPASAR TIMUR I Made Sugiarta; Ni Luh Putu Wiwin Astari; I Gusti Putu Wulan Santika Puspita
WIDYANATYA Vol 3 No 1 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i1.1684

Abstract

Hinduism is the main source of the values ​​that animate Balinese culture, therefore every result of cultural creativity, including art, cannot be separated from noble values, especially aesthetic values ​​that come from Hinduism. In the implementation of religious activities, art has always been an important part of the success of the religious ceremonies that are held. In Tambawu village, we never miss to carry out the yadnya ceremony, this is based on the awareness of the community that everything is based on the gift of Ida Sang Hy ang Widhi Wasa. In carrying out the Dewa Yadnya ceremony, it is not only poured out in an offering in the form of Upakara but also presented sacred arts generation. Existence Gandrung dance is one type of sacred dance that is functioned in the bebali art setting during the Piodalan ceremony at Pura Dalem , Tambawu Village, which is presented every six months, on Tilem day after Buda Kliwon Paang . The problems at this writing include; 1) B How can the form of offering dance Infatuated , 2) What Functions dance gandrung , and 3) Is the Hindu aesthetics (tattva, ethics, ritual) in dihadirkannya dance gandrung on Piodalan at Pura Dalem , Tambawu village. The conclusion of its cover; (1) The form consists of dancers dance Infatuated , Range of motion , structure pe rsembahan dance Infatuated , Tata makeup and clothing, Upakara , music accompaniment, and place dihadirkannya . (2) The functions of tri Gandrung are Religious Functions, Social Functions , Hindu Religious Education Functions , and Cultural Preservation Functions. While the values ​​contained in the offerings of the Gandrung dance are the values of tattwa , morality and ceremonies
KLATKAT SEBAGAI SARANA UPAKARA/ UPACARA YADNYA Ida Ayu Putu Sari; I Nengah Artawan
WIDYANATYA Vol 3 No 1 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i1.1685

Abstract

Hinduism is known as a religion that has many ceremonies. The existence of ceremonies in Bali cannot be separated from the means of ceremony, and one of them is the Klakat. Klakat in Balinese Hindu teachings can also be philosophized as 3 frameworks of Balinese Hinduism where if we can combine these things, harmony in life will be able to feel good for ourselves and also our families and the vibrations will extend to the entire universe. frameworks in Balinese Hinduism include:Tatwa: In short, tatwa is the way we carry out religious teachings by deepening religious knowledge and philosophy.Moral: is the way for us to be religious by controlling our daily thoughts, words and actions so that they are in accordance with religious principles. Ceremony: is a religious activity in the form of the Yadnya ritual, which is known as the PancaYadnya: Dewa, Rsi, Pitra, Manusa, and Bhuta Yadnya. The ceremonial activities are seen to be carried out more by Hindus in Bali, while the aspects of Tattwa and Susila are not given much attention, whereas according to Weda Sruti, the way of religion in each "yuga" is different. Yuga is a cycle of times whose time in each era is uncertain. The era of the existence of the universe is divided into four yuga, namely Kerta Yuga, Tritya Yuga, Dwipara Yuga, and Kali Yuga. Each period (yuga) is associated with the main elements. The balance of population (humans) with nature (kamadhuk). The influence of the times on human nature. Available natural sources.The Kerta period is said to be the most stable era, namely the small population, good / positive human characteristics, and the availability of abundant natural resources. This stability was further reduced so that in the age of Kali things were much different, especially regarding the diminishing natural resources and human behavior that was further away from dharma. Therefore Hyang Widhi through the Supreme Rsi reminded mankind that the implementation of religious teachings is not the same in every era.
SENI LUKIS WAYANG KOPANG PERSPEKTIF PENDIDIKAN SENI RUPA HINDU I Kadek Sumadiyasa; I Wayan Arissusila; I Putu Gede Padma Sumardiana; Ni Luh Putu Trisdyani
WIDYANATYA Vol 3 No 1 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i1.1687

Abstract

Kopang Puppet Art Painting in Kopang Workshop Kerambitan Village Tabanan Regecy is a work of fine art education and Hindu ornament which is very unique that was inherited traditionally. It is uniquely researched with title Kopang Puppet Art Painting Perspective of Hindu Fine Art Education. With problem, 1) How are the form, function and values of Fine Art education and Hindu Ornaments in it. The result of research analysis found about how is the form of Kopang puppet art painting in Kerambitan village Tabanan that is the form of puppets for Human, God and Goddesses, animal, giant, etc. In the form of tall and big/Landung which consist of 3 parts such as Main (Head of puppet), Madya/Body of the puppet, Nista/Foot of the puppet), With Flat Symmetrical Balanced Composition Arrangement, Simple Dark Color. Materials and tools; canvas, brush, pencil, Ornaments; simple. Process; sketch, ngorten, coloring, nyawi, decorating. The function of Kopang puppet art painting; Religion as Srada Bakti, Culture as classic fine art preservation, Education as character education of Hindu fine art, as well as functioned as identity. The educational values of fine art and Hindu ornaments in Kopang puppet art painting; Educational, sincerity, creativity, unity values.
YOGA SURYA NAMASKARA SEBAGAI MEDIA MENINGKATKAN IMAN DAN IMUN DI MASA PANDEMI COVID -19 Nengah Artawan; Komang Agus Triadi Kiswara
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2106

Abstract

Yoga is a sport that involves both physical and psychological. Defining yoga, Yoga Citta Vertti Nirodha. that is, controlling thought movements, or ways to control the behavior of thought patterns that tend to be wild. In facing global challenges, young Hindus must be fortified with religious values ​​so that they are able to understand and realize the religious teachings contained in the Hindu scriptures as a reflection in people's lives during the Covid-19 pandemic. Of course, this challenge becomes very difficult considering the current COVID-19 outbreak that has hit almost all corners of the country. Restrictions on various activities will certainly have an impact on the attitudes of the younger generation, especially in relation to the cultivation of religious values. On the other hand, as a form of preventing the spread of COVID-19, an effort is needed to increase the body's immunity. Therefore, an effort is needed that can increase faith and also the body's immune. One solution is to do Surya Namaskara Yoga.Surya Namaskara Yoga is very important to do as a way to live healthy (immune) and spiritual (faith). Based on this thought, the article is presented, because Surya Namaskara Yoga is able to increase faith and immunity during the covid -19 pandemic, because yoga asana is a perfect sadhana, which consists of asanas, pranayama, and meditation techniques. During the COVID-19 pandemic, you must be able to do sports, breath, and taste to increase your faith and immunity. The logical method used in this research is a qualitative method where the data collected is presented in a descriptive way. The results of this study are these reveal as follows; (a) health, (b) self-control, (c) spiritual awareness. Surya Namaskara Yoga is an activity that connects and unites body movements, breathing exercises, and concentration of mind to gain faith and immunity. Yoga is a practical way of realizing the teachings of Tattwa Jnana. Asana-Pranayama-Pratyahara-Dharana-Dhyana-Taraka-Samadhi.
EKSISTENSI SENI PERTUNJUKAN TARI REJANG SARI DI DESA SUMERTA KECAMATAN DENPASAR TIMUR Ni Made Ayik Bulan Agustina Maha Dewi; I Gede Gusman Adhi Gunawan
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2108

Abstract

Rejang Sari was created by I Ketut Rena in 2017 and is still being preserved by the community. The Rejang Sari dance was first performed at the odalan in Banjar Pande and was first published during the Calonarang performance at the Sumerta Village Temple. With the publication of media, the existence of this dance can be known by the public, especially in Sumerta Village. The research used is qualitative research, using data collection methods based on the results of observations, interviews, and literature studies. The data sources used are primary and secondary data sources. Furthermore, data analysis methods are used which include data reduction, data presentation, and drawing conclusions.The result of the research is the existence of the performing arts of Rejang Sari Dance until now its existence is still maintained by the supporting community. Judging from several religious ritual activities in Sumerta Village, this dance is still performed, which functions at the time of ngider bhuana and memendak. Likewise, when there are ritual activities in several banjars in Sumerta Village, they perform the Rejang Sari Dance using full make-up and clothing, some only use traditional prayer clothes. The factors that make this dance still survive, namely the existence of internal factors and external factors, so that without realizing it through this Rejang Sari performance and accompanied by media publications can make Rejang Sari Dance still exist today.
KONSTRUKSI PEMBENTUKAN KARAKTER PADA KELUARGA SUKHINAH DI GRAHA PASEK BANJAR KAJA KELURAHAN SESETAN KECAMATAN DENPASAR SELATAN KOTA DENPASAR Ni Made Surawati; Ida Ayu Putu Sari; A.A Ketut Raka
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2109

Abstract

The family is the first and foremost place of education for children. However, due to the influence of globalization and modernization, the phenomenon of materialistic and consumerist lifestyles has emerged, so that true happiness is measured by material (artha). Such a lifestyle can certainly cause a shift in the meaning of the family, such as the rise of divorce rates, family disorganization, lack of parental attention to children, domestic violence, MBA, and degradation of the younger generation. It is feared that people's lives can cause the values ​​of social wisdom, spiritual values, and the duties of parents in building character in children to be neglected. Related to that, there is a family phenomenon in the city of Denpasar, namely the Graha Pasek family which is thought to be able to educate good character in their sons, and is suspected of being able to maintain the value of harmony between other family members, so that researchers are interested in conducting a deeper study of "Construction of the Formation of Characters in the Sukhinah Family at Graha Pasek Banjar Kaja, South Denpasar District, Denpasar City”. This study is intended to answer problems that include the basis, form, and implications of the construction of character formation in the sukhinah family at Graha Pasek Banjar Kaja, Sesetan Village, South Denpasar District, Denpasar City. There are three theories used to dissect the problem, namely the Humanistic Theory proposed by Abraham Harold Maslow, Constructivism Theory by Jean Piaget, and Character Theory by Thomas Lickona. This research is a type of qualitative research, so the data is obtained through observation, interviews, and document studies. Based on the analysis and study of the data, the findings were obtained as a result of the study, including: (1) The basis for the construction of character formation in the sukhinah family at Graha Pasek Banjar Kaja, including: the Marriage Law and marriage according to Hinduism, the criteria for the sukhinah family, and the pattern of marriage. foster a Hindu perspective. (2) The form of character building construction for the Sukhinah family at Graha Pasek, namely: Implementation of the selection of the Sukhinah family at Graha Pasek, the character education model for the Sukhinah family (dharmika, subhiksa, mahatmya, kertasanta) accompanied by the principles of openness and sincerity (lascarya), and the process the construction of character building in the sukhinah family which includes the embodiment of the Hindu perspective parenting style, the transformation of values, and the practice of husband-wife swadharma (obligations). (3) The implications of the construction of
EKSISTENSI TARI BARIS MATI DALAM UPACARA PIODALAN DI PURA DESA ADAT MANTRING TAMPAKSIRING KECAMATAN TAMPAKSIRING, GIANYAR I Made Sudarsana; Komang Dedi Diana; A.A Dwi Dhirgantini
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2114

Abstract

The existence of Baris Dance in Bali always gives a nuance that reflects local wisdom. In particular, the Baris Mati dance which is located in the Mantring Traditional Village and is also a guardian dance which is believed to be a dance to ward off reinforcements and Pamuput at the Piodalan Ceremony at the Desa Temple, the Mantring tradition of Tampaksiring, Gianyar. So based on this description, the problem of this research is focused on revealing and explaining the existence of the Baris Mati Dance in the piodalan ceremony at the Mantring Traditional Village Temple. With further problems can be formulated in the form of questions as follows: How is 1).existence, 2).form and function of the Baris Mati Dance at the Piodalan Ceremony of the Mantring Traditional Village Temple? This study was designed with a qualitative approach and then with a qualitative descriptive technique. Data analysis includes Data Reduction, Data Presentation, Conclusions, using Structural Functional theory, Aesthetic Theory, Religious Theory, Behavioristic Theory.The results of data analysis show the conclusion: Baris Mati Dance in the Mantring Traditional Village, Tampaksiring has four structures that are interrelated and support each other including: motion, composition, clothing, and accompaniment and have four functions, namely: Guardian Function, Religious Function, Social Function and Function Culture.
ETIMON PAN *MANUK ‘AYAM’ DALAM DUNIA KE-SIAP-AN DI BALI Dwi Mahendra Putra; I Putu Permana Mahardika; Ni Made Ari Dwijayanthi
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2115

Abstract

This research describes the ecology of etymon PAN *manuk in Balinese based on the theory of Historical Linguistics Comparative and Ecolinguistics. This research is to obtain a comprehensive inheriting of etimon PAN *manuk in the world of siap in Balinese culture. The data was taken from Balinese spoken and Proto-Austronesia languages. The data collected by direct observation and combined with note-taking. The collected data was analyzed by applying the theory of Historical Linguistics Comparative and Ecolinguistics. The results of this study indicates that etymon PAN *manuk creating forms of synonymous and compositing creations in order to remain inherited. Based on the analysis conducted, it was found that the etymon *manuk reflecting the interaction of Balinese speakers with siap 'chicken' lexicon that has the same meaning field as etymon PAN *manuk.
PERUBAHAN SISTEM WARNA MENJADI WANGSA, LABELING KASTA PADA MASYARAKAT BALI I Gusti Ketut Widana; I Gede Widya Suksma
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2116

Abstract

At least there are some ties that make Balinese people's lives strongly bound, such as the "Color" system, which later developed into "Wangsa", which apparently cannot be separated from "Soroh", a kind of grouping of people based on blood relations by following the "Purusa" lineage vertically. In subsequent developments, the existence of "Color, House, and Soroh" is often identified, even explicitly mentioned as a form of "Casta", moreover it is also equipped with the appendages of "titles/titles" for each along with a hierarchical structure that is so well known and recognized. accepted as it is in the midst of Balinese society who incidentally is Hindu. This change in the Color system to Wangsa then became a kind of labeling the existence of a caste system in Balinese society.
KEBERADAAN GAMELAN BATEL DI ERA GLOBALISASI I Nyoman Surianta
WIDYANATYA Vol 3 No 2 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i2.2117

Abstract

Today's art, in terms of quantity, has grown tremendously. However, this tremendous development was not followed by several other arts. On the one hand, there are those that are experiencing tremendous development, on the other hand, there are arts that are experiencing marginalization, which is caused by the lack of attention to these arts. Gamelan Batel is one of the arts that has become an art that is experiencing a shift. The existence of this art is very concerning, where the cause of the shift is the arts that grow and develop in society. The shift in the art of batel is caused by the performers of the arts themselves, one of which is the dalang. The puppeteers in the current era of globalization prefer other gamelan to join and as an accompaniment in wayang performances. The marginalization of the Batel Gamelan in Sibanggede Village can be seen by the decline in the values ​​of traditional arts in the community, the displacement of traditional arts, the secularization of traditional arts, the narrowing of the space for performing traditional arts.

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