Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi
Maha Widya Duta: Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi memfokuskan pada bidang penerangan agama, pariwisata budaya, dan ilmu komunikasi. Pemikiran-pemikiran ilmiah yang terpublikasi dalam jurnal ini diharapkan memberikan kontribusi positif bagi pengembangan ilmu pengetahuan. Jurnal ini terbit setahun dua kali yakni pada bulan April dan Oktober. dikelola dan dikembangkan oleh Jurusan Dharma Duta STAH Negeri Mpu Kuturan Singaraja.
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135 Documents
<![CDATA[Penetrasi Jurnalisme Pasraman di Media Sosial Pada Era Digital ]]>
<![CDATA[I Ketut Putu Suardana]]>;
<![CDATA[Rieka Yulita Widaswara]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 5, No 1 (2021) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v5i1.1244
<![CDATA[The influence of media digitization has led to the development of journalistic media so rapidly. Initially only conventional media experienced disruption to digital. The birth of social media is a concrete form. Besides being used as a medium for uploading thoughts, social media is also used as a publication media such as conventional journalism media. This activity is also carried out by the pasraman. This encourages descriptive qualitative research. Research on the penetration of pasraman journalism that is studied is the activity of pasraman in West Lombok Regency through social media in the digital era. This qualitative research data obtained by the method of observation, interviews and documentation. From the research conducted, it is illustrated that pasraman activities in West Lombok Regency are not very active in social media. A total of 26 (twenty six) pasraman in West Lombok Regency. Only 46.15% use Facebook, 7.69% use Instagram and 7.69% also use Youtube. From December 2020 to February 2021 the most active pasraman on Facebook is Pasraman Yowana Dharma Sastra, on Youtube is Pasraman Widya Giri Malaka, while on Instagram no one has ever uploaded anything.Keywords: Pasraman Journalism, Social Media]]>
<![CDATA[PARIWISATA BALI DALAM HIMPITAN DIALETIKA BUDAYA ]]>
<![CDATA[I Ketut Manik Astajaya]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 3, No 2 (2019) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v3i2.739
<![CDATA[The development of Bali Tourism has implications for the process of cultural transformation and cultural change. In the perspective of cultural dialectics, changes occur largely in the outer structure, whereas in the damal structure it is clear that there is continuity and preservation of culture; (2) The development of tourism, especially the type of tourism developed in Bali, essentially brings the Balinese people squeezed between the two poles of power. On the one hand, they are obliged to maintain their cultural traditions and customs which are commodities that can be 'sold' in tourism. On the other hand, tourism sometimes collides local culture with the modern world. This provides a great opportunity because of the unpreparedness of the community, resulting in local culture with the modern world. This provides local will be swept away in the swift waves of global culture. Phases of local people's attitudes towards tourism start from: (1) Eupharia, which is sympathy because people have high hopes for the development of tourism; (2) Apathy, which is starting to disturb his life because of social disparities as a result of tourism development; (3) Annoyance, that is, people are getting bored and even people feel disturbed by the existence of tourism; and (4) Antagonism, which has begun to openly show its displeasure with the existence of tourism.Keywords: Bali, Tourism, Dialetika Culture]]>
<![CDATA[PERANAN IDA PEDANDA MADE SIDEMEN DAN IDA PEDANDA MADE KEMENUH DALAM MENINGKATKAN SRADHA DAN BAKTI UMAT HINDU ]]>
<![CDATA[Suweta I Made]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 1, No 1 (2017) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v1i1.667
<![CDATA[Hindu priests in Bali have an important role in the concept of the pupils. In the concept of the pupils contained the meaning of the relationship between teachers and students. What is meant by teachers in this case is the pastor, while the intended disciple is a Hindu who needs the spiritual guidance services of the priest in question. Associated with the relationship of the students there is a masurya term that merupankan esteem as a priest honor the bonds of the relationship of the students. While the term solar as a denominator of the pastor is a pronoun of honor to the pastor as a spiritual teacher. The formulation of the problems that need to get the discussion as follows: (1) How Hindu priests exist as capable of ceremonial leaders and provide a religious quality in the transformation of Balinese culture ?, (2) What is the form of Hindu priests’ activity in improving the quality of Hindu religiousity in Balyarsakat Bali? ) How is the role of the Hindu priest in the effort to improve the quality of Balinese Hindu religiosity? Each research activity is inseparable from the desired goal. Similarly, this research has the following research objectives: (1) To know the existence of the phenomenon of changing various aspects of socio-culture of Balinese society as a logical consequence of modernisation, globalization, and economic transformation, (2) To know the importance of socialization of Hindu religion values Which is reflected in the teachings of philosophy, ethics, and ceremonies as an anticipatory step for the Balinese in the cultural trasisi period; From agrarian culture to industrial culture and modernization, and (3) to know how far the function of Hindu priests in trying to give the weight of Balinese faith. Anything as the findings of this study is as described below. Ida Made Sidemen and Ida Made Made Kemenuh are two prominent Hindu figures who have concretely worked in a concerted effort to give a weight of faith to the Hindu community in Bali. Ida Pedanda Made Sidemen gives the weight of faith to the Hindu community in Bali through literary works. While Ida Pedanda Made Kemenuh disseminate the beliefs of faith to the Hindu community through religious lectures (dharma discourse). From the literary works of Ida Pedanda Made Sidemen is studied the conception of faith from the manuscript of his work (1) Kidung Pisacarana, (2) Kakawin Candraberawa, and (3) Geguritan Salampah Laku. While Ida Pedanda Made Kemenuh studied the conception of the faith of his lectures on (1) Fungsi Agama, (2) Dasa Sila Hindu Bali, and (3) Fungsi Pura. Keywords: Pastor, Faith, Religious Quality]]>
<![CDATA[Pola Kepemimpinan Hindu Dalam Teks Gaguritan Niti Raja Sasana ]]>
<![CDATA[I Wayan Sudiarta]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 4, No 2 (2020) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v4i2.863
<![CDATA[The Gaguritan text of Niti Raja Sasana contains a leadership pattern that describes the duties as a leader. However, in its current application, there has been a shift in leadership patterns, the Hindu community in general, not many people know the teachings of this leadership. So it is deemed necessary to conduct research related to leadership patterns in the Gaguritan text of Niti Raja Sasana. The method in this research uses literary research methods with mitopic and mimetic approaches. the type of data used is qualitative, primary and secondary data sources. The data collection method used is the method of recording documents or literature. The data processing method is descriptive with induction and argumentation techniques. The Gaguritan text of Niti Raja Sasana which was the object of the study was a text written in a Lontar entitled Niti Raja Sasana. This text is packaged in Gaguritan form which uses several kinds of Pupuh. The leadership patterns contained in the Gaguritan text of Niti Raja Sasana include Asta Brata.Keywords: Hindu Leadership Pattern, Gaguritan Niti Raja Sasana]]>
<![CDATA[AKULTURASI BUDAYA DALAM PUJAWALI DI PURA BENCINGAH, DESA AMBENGAN KECAMATAN SUKASADA, KABUPATEN BULELENG ]]>
<![CDATA[I Putu Mardika]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 3, No 1 (2019) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v3i1.693
<![CDATA[Pura Bencingah, Sukasada Sub-District, Buleleng Regency has the historical value of the struggle of the Balinese people, especially in Buleleng, established because of a vow (promise) of fighters in terms of seizing independence from invaders to the Almighty God. So that it has a very thick acculturation at the time of praising which is very interesting to study. This study aims to find out philosophical values, pujawali procession and cultural acculturation found in Pura Bencingah. In this study, problems were examined using the theory of Social Change, Religious Theory and Cultural Acculturation. The results showed that the philosophical value of the Bencingah temple was founded on the feeling of obtaining a sense of security (raksanam) from Ida Sang Hyang Widi Wasa when fighting and liberating the Indonesian nation from the shackles of colonialism, as a form of state and religion. The procession at the preliminary ceremony was held at Soma Kliwon Wuku Kuningan (Soma Macekan Agung) in Bencingah Temple led by Pura Bencingah Jro Mangku Dalem Chief witnessed directly by pemedek and veteran fighters using banten facilities such as banten for offal, banten for sekonghe gong and help caru. Cultural acculturation that can be seen in this pujawali is when the process of mepurwa daksina (walking around the main monument) while carrying a red and white flag 2 stalks of the arena followed by approximately 15 people rotating 3 times. This procession was accompanied by a bell / bajra sound by the Bencingah temple langang. At this time, the pemedek who came to pray joined in singing a great Indonesian song accompanied by the sound of Gong (gambelan "longgoran" at the time murwa daksina) and after that continued with a moment of silence. Keywords: Cultural Aculturations, Pujawali, Desa Ambengan]]>
<![CDATA[KAJIAN TRI HITA KARANA PADA PEMBERITAAN KOLOM TAKSU PORTAL BERITA ANTARA BIRO BALI ]]>
<![CDATA[I Made Bagus Andi Purnomo]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 2, No 2 (2018) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v2i2.658
<![CDATA[The government is currently incessantly eradicating hoaxes that are widely circulated on social media. Hoax news is spread not only on media with maenstrems media background, but also sometimes on media with large platforms. Unfortunately, nowadays people are hard to tell which news is factual (real) and can educate and hoax (hoax). Previous research conducted by I Gede Riana (2011) entitled The Impact of Tri Hita Karana (THK) Culture Application on Entrepreneurship Orientation and Market Orientation and Its Consequences for the Business World (Study on Small and Medium Silver Businesses in Bali) in the form of the level of impact of THK culture application only and has not touched the realm of THK material sources in the form of books or reading sources in the form of news. Besides that the research of Dewa Nyoman Westika entitled Application of the Tri Hita Karana Concept in Housing Planning in Bali (2005) needs to be complemented by the carrying capacity of mass media content that provides news that contains elements of THK. Therefore, this study will attempt to assess the value of THK in reporting on one of the media in Bali. It is expected that the research conducted can provide information to the public about the content of THK values in the news on the News Agency portal between the Bali Bureau. Keywords: Study, Tri Hita Karana, Antara News Agency Portal]]>
<![CDATA[THE NEED FOR DEVELOPMENT OF TOURISM COMPONENTS IN LINGSAR TEMPLE WEST LOMBOK DISTRICT ]]>
<![CDATA[Ni Putu Rika Sukmadewi]]>;
<![CDATA[Komang Sriyasa]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 3, No 1 (2019) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v3i1.684
<![CDATA[Lingsar Temple is a historical heritage and is a cultural preserve that is still maintained. Lingsar Temple has several very unique cultural potentials, such as the heritage of historical buildings such as temples, spring pools used for melukat and cultural acculturation. This study aims to determine the components of tourism in the development of Lingsar Temple as an effort to increase tourist visits. The method used in this study is a qualitative research method. The development of tourism in an area is strongly influenced by the level of supply of tourism components, namely something to see, something to buy, and something to do. In this study it can be concluded that Lingsar Temple has fulfilled the three tourism components, namely something to see, something to do and something to buy, but further management and cooperation between the local government and local communities is needed to manage Lingsar Temple as an effort to attract tourist visits. Keywords: Development, Tourism Components, Lingsar Temple]]>
<![CDATA[SUBAK SEBAGAI PARIWISATA BUDAYA DENGAN KONSEP TRI HITA KARANA ]]>
<![CDATA[IG Agung Jaya Suryawan]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 2, No 1 (2018) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v2i1.45
<![CDATA[Bali develops Subak as a Cultural Tour, because culture is the most potential for people’s lives in bali. The basic capital of cultural tourism is the culture of normative and operational functions. As a cultural normative role is expected to be able and potential in providing identity, basic handling, controlling pattern, so that the balance and culture ketahana also expected to be the main attraction for the increase of tourism. It gives a clue how important the role of culture in tourism development. So it does not mean culture for tourism but otherwise tourism for culture. Subak for the Balinese is not just an irrigation system, but also a life philosophy for the Balinese themselves. In view of the Balinese, Subak is a direct reflection of the Hindu philosophy of Tri Hita Karana (the three causes of goodness), which encourages harmonious relationships between individuals and souls (parahyangan), human (pawongan), and nature (palemahan). As a system of living together, Subak can survive for a century more because people are loyal to the ancestral tradition. Water distribution is done fairly, all issues are discussed together, even up to the time of planting and the type of rice. Sanctions against all forms of offenses will be determined by the residents themselves through a ceremony performed at the temple. Harmonization of life is the key to preserving Subak culture.Keywords: Subak, Cultural Tourism, Tri Hita Karana]]>
<![CDATA[TUMBUH DAN BERKEMBANGNYA SAMPRADAYA DI BALI ]]>
<![CDATA[I Wayan Sudika]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 4, No 1 (2020) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v4i1.781
<![CDATA[Sampradaya in earlier times better known as a sect which is a group of religious beliefs that specializes in worshiping the desired god or god.to get to the path of God. Nowadays the Sampradaya group is often mentioned as a spiritual college and some say it is a flow of belief in God Almighty. The growth and development of Sampradaya based on the theory of relative deprivation, is as a result of a sense of social deprivation in human life. Adaptation theory explains that the choice of community members to join the Sampradaya group, is an appropriate choice, both regarding the objectives to be achieved and the ways in which the pattern of action. Whereas based on the transcendental-praxis reference theory, that sampradaya grows from a transcendental reference that is the transcendence of daily experiences in the natural environment, which can give birth to a knowledge that is spiritual. The principle of sampradaya's teaching is implementing Titi, Tata. Said, Peace purely and consistently. Titi is astiti to Sang Hyang Widhi and parents. Tata is learning to organize, respect for older people, subject to village provisions, or the government. The speech is the words of the priest, leaders and saints or to those who understand better even though they are younger. While Peace is a condition that is based on patience. The practice of teaching is carried out through practice in family life, and practice in life in the communityKeywords: Sampradaya, Bali]]>
<![CDATA[Rekam Jejak Kebudayaan Hindu di Indonesia (Perspektif Artefaktual) ]]>
<![CDATA[I Kadek Edi Palguna]]>
<![CDATA[ Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 5, No 1 (2021) ]]>
Publisher : <![CDATA[Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja ]]>
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DOI: 10.55115/duta.v5i1.1249
<![CDATA[Hinduism originated from the Indian region which came to Indonesia since early AD. This is the basis for this paper, in order to find out the traces of Hindu culture from the beginning of its arrival to its development until now. There are quite a lot of historical relics related to Hinduism culture. These relics are certainly evidence of Hindu civilization from the beginning of its arrival until now. On this occasion, we will briefly review the track record of Hindu culture in Indonesia based on archaeological or material remains. The data presented is library data collected from various sources, either in the form of books or journal writings. The data collected is in the form of qualitative data then analyzed and presented descriptively. The results of the discussion on the development of Hindu culture in Indonesia have actually developed since the beginning of AD, but in writing it is known that it began in the 4th century AD, based on the Yupa inscription data in Kutai. There are various forms of culture in the form of abandoned objects, namely inscriptions, statues and temples. These various forms of heritage have different styles and forms based on the styles that influenced them.Keywords: Hindu Culture, Artifactuals and Religions]]>
