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Eva Y
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Faculty Of Fine Arts and Design Institut Seni Indonesia Padang Panjang Jl. Bahder Johan, Guguk Malintang, Padang Panjang Timur, Kota Padang Panjang, Sumatera Barat 27118
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INDONESIA
ARTCHIVE: Indonesia Journal of Visual Art and Design
Published by Institut Seni Indonesia Padang Panjang
ISSN : 26550903     EISSN : 2723536x     DOI : http://dx.doi.org/10.53666/artchive.v1i2
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Indonesia Journal Of Visual Art And Design welcomes full research articles in the area of Visual Art and Design from the following subject areas: Design History, Art History, Visual Culture, Design Methodology, Design Process, Design Discourse, Design and Culture, Sociology Design, Design Management, Art Critism, Anthropology of Art, Artifact Design, Industrial Design, Visual Communication Design, Photography, Interior Design, Craft, Architecture, Film, Multimedia, Creative Industry, Design Policy, and other historical, critical, cultural, psychological, educational and conceptual research in visual art and design.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 81 Documents
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Case Study of Embroidery Craft Application in Barung-Barung Balantai, Koto XI Tarusan Subdistrict, South Pesisir Regency, West Sumatra: Gus Fitri's Embroidery House Mahmudah, Fitriah; Yusmerita, Yusmerita
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 1 (2024): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i1.4111

Abstract

This study aims to describe the motifs and techniques of embroidery application at Gus Fitri's Embroidery House, Barung-Barung Balantai, Koto XI Tarusan Subdistrict. The research method used is descriptive qualitative, with primary data obtained through direct interviews with the owner and workers at Gus Fitri's Embroidery House. Data collection was conducted through interviews, observations, and documentation, with data validity verified through triangulation and member checks. Data analysis was carried out through data reduction, data presentation, data verification, and conclusion drawing. The results show that the embroidery application motifs at Gus Fitri's Embroidery House are generally plant motifs, such as jasmine flowers, orchids, bamboo, sunflowers, and lotuses. The embroidery application technique includes the design of the motif, the determination of the motif placement, the transfer of the motif onto the fabric, the attachment of the motif to the material, the basting stitch, and the backstitch. This study provides insight into the uniqueness and diversity of embroidery application motifs in Indonesia, especially in West Sumatra, and highlights the importance of preserving and developing traditional crafts as part of cultural heritage.
Reading Between The Shadows: Barthes' Semiotic Analysis of 'The Monstrumologist' Cover Design Hendratno, Hendratno
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 1 (2024): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i1.4551

Abstract

The book cover design plays a crucial role in attracting readers' attention and conveying the essence of the story within. This article analyzes the cover of "The Monstrumologist" by Rick Yancey, designed by Olvyanda Ariesta, using Roland Barthes' semiotic approach. The analysis explores three levels of meaning: denotation, connotation, and myth. At the denotation level, visual elements such as a dark road, large shadow, red blood, and a big clock are identified and described. At the connotation level, these elements reveal deeper meanings related to themes of horror, threat, and the tension of time. At the myth level, the combination of these visual elements reflects profound cultural and social values about the struggle between good and evil, as well as human fear of the unknown. Furthermore, this article discusses the influence and experimentation of the designer in achieving an engaging and meaningful final design. Through a qualitative approach with an emphasis on literature studies, this article presents a comprehensive analysis of how the visual elements on the cover of "The Monstrumologist" not only attract attention but also convey deep themes within the story. The results of the analysis show that this cover design successfully creates a rich visual narrative and enhances readers' experience of this horror novel.
STUDI MAKNA LOGO INDONESIA HALAL INDUSTRY AWARDS (IHYA) TERHADAP PERSEPSI PELAKU INDUSTRI KOTA PADANG PANJANG Inayah, Alifia Rifki; Ditto, Anin; Yanti, Eva
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 4, No 2 (2023): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v4i2.4072

Abstract

Reasearch for analyze meaning of Indonesia Halal Industry Awards (IHYA) logo using the semiotic theory of Charles Sanders Peirce and Roland Barthes, to see how the semiotic elements in the logo represent halal industry, on the views of halal industry players in Padang Panjang city. IHYA logo carries halal value by redefining the meaning. This study uses descriptive qualitative methods, using visual perception theory, Peirce's and Barthes’ semiotics. With visuals that redefine the meaning of halal, it produces the perception of halal industry players in the city of Padang Panjang which causes prejudice against the IHYA logo, because of the lingering old ethics about the iconic halal identity. So the analytical approach of Peirce's semiotic theory that reveals signs, objects, interpretants with further meanings of Barthes' semiotic theory in the meaning of the level as an effort to clarify the true meaning of the IHYA logo.
A Study of Didung Putra's Painting "Opera Of Dreams" In The Philosophy of Art By Susanne K. Langer Rahayu, Mardina; Lestari, Wahyu; Sunarto, Sunarto; Y., Eva
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 1 (2024): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i1.4078

Abstract

Didung Putra is a painter who combines realistic and cubistic styles in his artwork. Each of his works emphasizes symbols believed to have subjectivity in expression. This contrasts with Susanne K. Langer's view, which argues that expression is something comprehensive and not just the subjectivity within the artist. This study aims to reveal Susanne K. Langer's philosophy of art as applied to Didung Putra's work titled "Opera of Dream," focusing on the analysis of expression and symbols. The research method used is descriptive qualitative research, with an art criticism approach to Didung Putra's work. Data collection techniques include observation, interviews, and documentation. The stages of the research include data collection, classification, processing, and finally, result analysis. The research findings are as follows: (1) Didung Putra is a painter who uses body language as an aesthetic subject and symbols as expressions in each of his works. (2) Didung Putra's work, "Opera of Dream," expresses a state from a general situational perspective and the artist's personal experiences. AbstrakDidung Putra merupakan seniman lukis yang memiliki kecenderungan menggabungkan gaya seni lukis realistik dan kubistik dalam penciptaan karya seni lukisnya. Setiap karya cenderung mengedepankan simbol-simbol yang diduga memiliki subjektivitas dalam berekspresi. Bertentangan dengan pandangan Susanne K Langer, yang berpendapat bahwa ekspresi merupakan sesuatu yang sangat luas dan bukan hanya subjektivitas dalam diri seniman. Tujuan penelitian untuk mengungkapkan filsafat seni Susanne K Langer terhadap karya Didung Putra yang berjudul “Opera of Dream” yang terpusat pada analisis ekspresi dan simbol. Metode penelitian yang digunakan adalah penelitian deskriptif kualitatif, dengan pendekatan kritik seni pada karya Didung Putra. Teknik pengumpulan data penelitian dilakukan dengan cara observasi, wawancara, dan dokumentasi. Tahapan yang dilakukan dalam penelitian yang pertama adalah pengumpulan data, yang kedua klasifikasi data, tahapan ketiga pengolahan data, dan yang terakhir analisis hasil. Hasil yang dicapai dalam penelitian adalah: (1) Didung Putra seorang seniman lukis, yang menggunakan Bahasa tubuh sebagai subjek estetik dan simbol sebagai ungkapan ekspresi pada setiap karya seninya. (2) Karya Didung Putra yang berjudul “Opera of Dream” mengungkapkan sebuah keadaan dari pandangan situasi secara umum, serta pengalaman pribadi yang dialami oleh seniman.    
REFLEKSI ATAS TUBUH DALAM KARYA PUTU SUTAWIJAYA “ENERGI TUNGGAL” Pamungkas, Didung Putra; Y., Eva
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 4, No 2 (2023): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v4i2.4060

Abstract

"Analyzing Putu Sutawijaya's painting titled "Energi Tunggal" (Single Energy) portrays the body as a central focus, through documentation and direct observation of his paintings, which are then analyzed using Roland Barthes' semiotic approach, Foucault's genealogy of the body, Ponty's Phenomenology, Heidegger's Existentialism, and Freud's Psychoanalysis. Roland Barthes' semiotic approach divides signs into denotation and connotation. At the denotative level, Putu depicts a figure's movement with the burdens surrounding it. At the connotative level, it explains that the burden on the social and value systems binds and does not liberate its people. Then Foucault describes the body as a soft body. Putu shows the absence of freedom that a free person owns over his own body. In Ponty's Phenomenology, the world is available to individuals. Thus, the relationship between humans and their world is never genuinely distant but needs to be more dialectical. Heidegger's Existentialism views the relationship of the body with its world. In his paintings, Putu sees that culture always constructs an individual, showing the form of a person's relationship with his world. Freud's Psychoanalysis on libido, there is a form of individual freedom to actualize themselves that is always limited by rules, values, and norms. Putu's work depicts efforts to break free but are still burdened by social considerations. This study on the painting is to spur the spirit of creating art and enrich new discourses in the Indonesian visual arts world.
PERANCANGAN PROMOSI DESA WISATA APAR SEBAGAI UPAYA MENINGKATKAN AWARENESS PUBLIK Oktaviandi, Jimmi; Sudiani, Yoni; Rahman, Fadlul
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 4, No 2 (2023): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v4i2.4073

Abstract

Documentary Film Production as a Promotional Medium in Nagari Pasilihan, Solok Regency. Fadilla, Siti; Rikarno, Riki; Marhen, Marhen; Ilham, Afdi Nur; Hulum, Fuadil
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 1 (2024): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i1.3944

Abstract

Indonesia has a wealth of diverse cultural heritage, which is spread from sabang to merouke. One of them is the culture in Nagari Pasilihan, Solok Regency. Nagari Pasilihan is one of the Nagari that has natural resources that produce wealth to be able to promote its territory to the rest of the world. This article aims to discuss how natural resources through documentary film production. This documentary film production is based on the theory of film, documentary film, cinematography, and editing. Data collection was carried out using observation, documentation and interview methods. The data collection technique is done by analyzing and presenting it in a documentary film. This article produces a documentary film with a duration of 12 minutes that reveals the essence of natural resources so as to promote Nagari Pasilihan, Solok Regency.
MITOS ILUSTRASI FOTO FERDI SAMBO DALAM PEMBERITAAN MEDIA ONLINE Nofrizaldi, Nofrizaldi; Alika, Shintia Dwi
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 4, No 2 (2023): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v4i2.3866

Abstract

In today's information technology era, modern society is greatly spoiled by the ease of access to news. One of the information media is online media reporting, which offers news content in written form as well as color photo illustrations, making it easier for readers to understand the content of the news. However, photo illustrations as news content can sometimes be confusing, such as in the reporting of the premeditated murder committed by Ferdi Sambo. Therefore, it is important to deeply understand the meaning of the photo illustrations from the news content about Ferdi Sambo so as not to be trapped in a superficial interpretation of a news story. The interpretation of Ferdi Sambo's photo illustrations in online media uses a qualitative methodology with a semiotic approach by Roland Barthes regarding denotation and connotation meanings. The results of the analysis conducted on the photo illustrations of Ferdi Sambo in online media reporting indicate that some objectives and interests can be concluded as resistance or defense conducted through body gestures and fashion to address the case being faced.
APLIKASI SENSOR MOISTURE PADA KAYU DI ROTRA FURNITUR TAHUNAN JEPARA Susila, Dwi Agus; Mohammad, Gunawan; Fitrianto, Muhammad Ilham Adji; Said, Aminudin
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 4, No 2 (2023): ARTCHIVE : Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v4i2.4074

Abstract

The drying oven is a primary support in the furniture manufacturing business, which is carried out using simple and natural techniques, namely the use of solar heat. Based on findings at the partner's location, this collaborative research between lecturers and students will focus on wood drying as the main issue with the aim of helping to increase the potential benefits of wood dryness at Rotra Furniture Annual Jepara in order to maximize furniture production. This research is related to the Product Design Study Program roadmap through the development of education, culture, and creative industry that will be implemented at Rotra Furniture, especially in relation to the use of wood raw materials with a national standard dryness level of 12%, which is suitable for the needs of furniture design that is now developing again. The target of this research is to investigate and report the basic principles of the technology for installing moisture sensor devices with the recommended technological concept, targeting TKT at level 1 within one year. This research will continue to TKT targets at levels 2 and 3 with the readiness for implementation and proof of concept of technology on wood furniture business operators directly. The methodology used is experimental to collect performance data based on time and the rate of drying in the wood oven. The experiment was carried out using local teak wood that was wet after sawing division until it reached a level of dryness that was ready to become furniture production material. This study also involves data collection techniques with field study approaches through direct surveys in the field and interviews with the owners of the Rotra Furniture business. The data analysis technique used in this research is an interactive model, including data collection, data reduction, data analysis, and conclusion drawing. This research has been carried out up to 70% of activities and will be continued with further research with the support of various competent parties.
Human Interest Photography "Maragat" Traditional Drink "Tuak" as an Idea for Photography Creation Siahaan, Simon Jitro; Sihite, Onggal; Kurnia Azis, Adek Cerah; Sari, Dwi Mutia
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 2 (2024): ARTCHIVE: Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i2.4827

Abstract

Karya fotografi ini berfokus pada human interest, menampilkan aktivitas paragat tuak dan lingkungan masyarakat Batak. Tujuan pembuatan karya fotografi human interest ini adalah untuk menyatukan ide atau gagasan penulis tentang aktivitas paragat tuak sebagai media untuk mencatat dan menyampaikan nilai-nilai yang terkandung dalam aktivitas tersebut. Proses penciptaan ini menggunakan empat fase: 1). Fase persiapan, di mana setiap aktivitas paragat diamati; 2). Fase pengeraman, di mana seseorang membuat referensi dan memainkan komposisi pada suatu objek; 3). Fase inspirasi, di mana seseorang bereksperimen dengan karya foto; dan 4). Fase pengelolahan, di mana karya dengan objek utama aktivitas paragat tuak dihasilkan. Karya tersebut berfokus pada penampilan aktivitas paragat tuak. Karya dibuat menggunakan format potret masing-masing menampilkan ciri-ciri dari aktivitas paragat tuak. Hasilnya menunjukkan bahwa proyek studi ini dapat memasukkan ide dan gagasan penulis tentang aktivitas paragat tuak ke dalam karya fotografi yang bersifat human interest. Selain itu, proyek studi ini juga dapat digunakan sebagai alat untuk mendokumentasikan dan memberikan informasi kepada khalayak tentang kegiatan paragat tuak dari orang Batak.

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