cover
Contact Name
Indarti
Contact Email
journalfashion@unesa.ac.id
Phone
+6281218448862
Journal Mail Official
journalfashion@unesa.ac.id
Editorial Address
Jurusan PKK, Fakultas Teknik, Kampus Ketintang, Jalan Ketintang, Surabaya 60231 Universitas Negeri Surabaya
Location
Kota surabaya,
Jawa timur
INDONESIA
BAJU: Journal of Fashion and Textile Design Unesa
ISSN : 27472574     EISSN : 27472574.     DOI : https://doi.org/10.26740/baju
Core Subject : Humanities, Social,
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
Articles 109 Documents
Tumbuhan Lotus sebagai Inspirasi Pembuatan Motif Digital Printing Outerwear Zero Waste Nabilah, Fiqrotun; Suhartini, Ratna
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The research objective was to find out the finished product of making the outer using the zero waste concept with decorative motifs inspired by the lotus applied to the fabric using digital printing techniques. Pattern making using the zero waste concept was chosen because, the increasing production of ready-to-wear clothes makes the industry produce more textile which can have a negative impact on the environment due to excessive waste disposal. Lotus as a motif on the outer has the local name seroja classified in the family (Nelumboceae), is a plant that lives in water and originates from India, however, the existence of the lotus plant grows almost in Asian countries such as China, Thailand and others. The lotus is often referred to as a waterlily even though it has differences in shape and how it grows, a lotus that grows with flowers rising from the bottom of the water does not float above the water like a lotus. As time goes on, making decorative motifs uses more modern techniques or are called with digital printing techniques. Motifs from the lotus inspiration are applied to cloth using digital printing techniques to speed up the process of embodiment of motifs on cloth.
Trend Fashion Masyarakat Indonesia saat Menghadiri Konser Musik K-Pop Adrian, Regia Aulia Putri; Falah, Asep Miftahul
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v4n2.p190-198

Abstract

A music concert is an event or performance held by musicians for music lovers as an appreciation for the music they create. Currently, Indonesian people are being inundated by music concerts held in various regions of Indonesia. Not only domestic musicians but also from abroad. Fashion is now an important part of watching music concerts. Not only as a music concert event but now the music concert event as a venue for art lovers to show their best fashion. Everyone has their own sense of fashion, so at the music concert event people wear a variety of fashions. From simple-looking fashion to fashions that look crazy-looking. The fashion trend of watching music concerts is now familiar, someone has their own concept when dressing up for a music concert. K-Pop or Korean Pop is a genre of music from South Korea, which is now widely loved by Indonesians from all walks of life. The enthusiasm of the Indonesian people to watch a music concert, especially a K-Pop music concert, is very high. The research method that will be used in this research is a qualitative method, distributing questionnaires to Indonesian people who like K-Pop music, by using the Phenomonology theory approach. Keywords: Fashion, Concert, Music, Indonesia, K-Pop.
Kupu-kupu dengan Laser Cut sebagai Sumber Ide Penciptaan Busana Pesta Jinan, Nisa El; Wahyuningsih, Urip
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

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Abstract

Butterfly has a unique beauty, this unique beauty makes those who see it interested. The purpose of this research is to describe the process of making and finished dresses with the source of the idea, namely butterflies, using the laser cut technique. This research method uses a three stages design process approach or three stages of the design process. This method consists of 3 stages of research: problem definition and research, creative exploration and implementation. In the early stages of determining the design direction, namely making women's dresses with butterfly inspiration made for young women with the art of beat type. In the second stage, the researcher made a moodboard and developed 10 sketch designs for dresses in the form of one piece dresses. The two selected designs were created using construction and draping patterns. The implementation stage is by applying laser cut butterflies and ruffles as the center of interest in the party dress. The process of making a laser cut starts from preparing the leather jahard fabric that has been laser cut in the shape of a butterfly, then it is pinned according to the design. The result of the party dress is as expected, namely a dress that can fit the body properly for an art of beat type woman and applies laser cut decoration and ruffles certain parts that apply the center of interest design principle.
Pewarnaan Alami Benang Katun Menggunakan Angkak (Monascus Purpureus) Yuditira, Syafira Tasya; Santoso, Ratna Endah
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v4n2.p152-161

Abstract

Natural dyes can be obtained from plants, animals, minerals, and microorganisms. The microorganism that has the ability to produce pigment is Monascus Purpureus. Angkak, or Monascus purpureus, is the result of the fermentation of rice with the mushroom Monascus Sp. Monascus purpureus mushrooms can produce large amounts of carotenoid pigment, resulting in a red colour. Angkak is often used as a traditional medicine, a food base, and especially as a natural food colourant. However, the knowledge and application of natural dyeing for textiles are still very rare, especially on cotton yarn. This research refers to experimental methods carried out based on data collection in the form of literary studies, trials, observations, and interviews. The process of natural colouring cotton ropes with angkak is carried out in several stages and using several techniques. The natural colouring of the cotton yarn produces varying nude colours. The study resulted in 16 colour variations of 16 combinations of mordant and fixation materials. The results of this study can provide more insight into the natural colouring potential of cotton, thus making it an environmentally friendly and sustainable textile colouring alternative in the textile industry.
Perancangan Jaket Menggunakan Material Limbah Benang dan Pakaian Bekas dengan Teknik Manipulasi Kain Sumirat, Suci
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p11-22

Abstract

In the ongoing era of the fashion industry, there are major challenges related to the environmental impact produced. One of the issues that needs to be resolved immediately is the problem of textile waste. This design aims to develop a jacket design that uses waste yarn and used clothes by applying fabric manipulation techniques. This design uses the design method of SP. Gustami's three-stage six-step design method. The process of this design is assisted by water soluble stabilizer as a thread stabilizer during the embroidery process. The results of this design are expected to be a guide in designing jackets that have high environmental value as well as attractive and creative designs. The design results of using waste yarn and used clothes as the main material in designing jackets can help reduce the amount of textile waste generated by the fashion industry. In addition, the fabric manipulation technique with embroidery also gives the jacket a creative touch and enhances the aesthetic value and uniqueness of the design. In conclusion, this research presents an innovative approach in jacket design by utilizing waste yarn and used clothing through the application of fabric manipulation techniques. By combining design creativity and textile waste utilization, this jacket can provide a sustainable solution in the fashion industry.
Perancangan Tekstil Burung Hong dan Bunga Meihua pada Cheongsam Modern dengan Teknik Sublim Printing Devinta, Nathasya Alin; Dartono, Felix Ari
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p23-30

Abstract

Indonesia and China have been closely related since ancient times. The purpose of this design was the development of two-cultural acculturation motifs that were applied in a fashion design work that gave rise to a new, unique and meaningful blend of motifs, as well as education to the public about cultural acculturation.This method of design uses an approach in the creation of artwork according to Bram Palgunadi (2008). The approach has three main processes: exploration, extraction and termination.The result of this design was an exploration of motifs that resulted in a new motif combining the Hong Bird and the Meihua Flower. Visualization of this motif is applied in fashion products, namely Cheongsam / traditional women's clothing in modern China. The technique used to realize this product is batik printing. The colors used are those commonly used in Chinese culture in fashion products such as red, green, and blue, where each color has its own meaning and philosophy.
Transformasi Busana Pengantin Perempuan Lampung dalam Perancangan Adibusana Pratama, Romi; Santoso, Ratna Endah
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v4n2.p171-180

Abstract

The story behind this work is because there are many people who misinterpret the use of Haute Couture, the term is protected under the Federation de la haute couture et de la mode, even though Indonesian itself has the same term, namely adibusana. Apart from that, the factor behind this design is that there are many generations now who do not know or even leave the tradition of advanced fashion at the level of the shallot bone tribe. The lack of exploration of the wedding dress is the background for the transformation in adibusana design. The design method used is Transforming Tradition by Adhi Nugraha, there are eight important points that can be combined or selected, namely the ATUMICS method. Based on the design process carried out, the results of the collection were obtained with 6 evening dress designs and 4 shoe design to be realized, and 2 bags. This collection required approximately 400 meters of gold thread, 1258 meters of textile pipe, 480 individual chrysolite flowers from textile pipes, thousands of sequins and swarovski, and took approximately 2000 hours to put together the garments.
Upcycling Perca Brokat dengan Tule Menggunakan Metode Sirkular Resource-Pressure Hafidzah, Serena; Santoso, Ratna Endah
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p31-40

Abstract

The majority of textiles today are inorganic waste that requires a lengthy processing process to decompose. Although there are various methods and stages for processing textile scraps, there are still limited techniques used for processing brocade and tulle scraps. This design represents one sustainable waste utilization option using the practice of upcycling brocade scraps into vests, based on the resource-pressure circular design method designed according to six design parameters, namely product mass, primary material content, product lifespan, manufacturing waste, recycling, and decomposition. The objective of this method is to maximize the utilization of secondary raw materials (waste) in production, transforming brocade and tulle scraps into vest garments that serve as versatile and unisex complements for various occasions.
Revitalisasi Kain Tenun Baduy Melalui Adibusana: Peran Inovasi Dalam Melestarikan Warisan Budaya Noor, Farzana Amatul
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p41-50

Abstract

Baduy, as one of the tribes in Indonesia, has a tradition of woven fabric that is rich in cultural and aesthetic values. Combining traditional wisdom with modern fashion trends is expected to strengthen Indonesia's cultural identity in the fashion world. The main purpose of this article is to explore and analyse the potential for innovation in the development of Baduy woven fabric as a ready-to-wear or couture material. This article aims to identify the opportunities and challenges in integrating local wisdom into the modern fashion industry, as well as provide a foundation for further developments in this field. The writing of this article is based on a literature study that involves searching for literature related to the history, manufacturing techniques, and meanings of Baduy woven fabrics. In addition, the literature study also includes literature on global fashion trends and the concept of haute couture. Data and information from reliable sources will be used to detail the innovative potential of Baduy woven fabric in the context of ready-to-wear, as well as discuss its impact on cultural preservation and the development of the fashion industry in Indonesia.
Penciptaan Busana Ready To Wear Deluxe Terinspirasi dari Geometri pada Matematika Sari, Arien Dwi Julieta; Rahayu, Sri Eko Puji; Hidayati, Nurul
BAJU: Journal of Fashion and Textile Design Unesa Vol. 4 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v4n2.p181-189

Abstract

Ready to wear deluxe clothing is ready to wear clothing using patterns that are not too complicated, but are more complex than ready to wear, and differ in that the manufacturing process takes a little longer and requires the help of other people to wear Anggraeni, A.A.I.B., dkk. (2021). Geometry is a branch of mathematics that is abstract but can still be realized in a semi-real or semi-concrete way. This science focuses on the combination of points, lines, angles, planes, flat shapes and spatial shapes Muhandis, M.A. (2020). Some of the geometries that will be applied to ready-to-wear clothing include: circle, trapezium, frustum of cone, and torus. The aim of creating this clothing is to find out the application of the concept of geometric shapes and apply striking colors that depict the Tech Paradox, which is a sub-theme of Trend Forecasting 2023/2024. The results of this clothing creation were inspired by geometric ideas which can be seen through aesthetic visualization, shape and color selection, which can be seen on the sleeves, and the trousers appear striking in the application of geometric shapes. The characteristics of each design will be made more modern and simple with a combination of the typical Solo clove jumputan fabric with a circular geometric pattern.

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