cover
Contact Name
Indarti
Contact Email
journalfashion@unesa.ac.id
Phone
+6281218448862
Journal Mail Official
journalfashion@unesa.ac.id
Editorial Address
Jurusan PKK, Fakultas Teknik, Kampus Ketintang, Jalan Ketintang, Surabaya 60231 Universitas Negeri Surabaya
Location
Kota surabaya,
Jawa timur
INDONESIA
BAJU: Journal of Fashion and Textile Design Unesa
ISSN : 27472574     EISSN : 27472574.     DOI : https://doi.org/10.26740/baju
Core Subject : Humanities, Social,
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
Articles 109 Documents
Penerapan Kain Kain Songket Palembang dan Sashiko pada Busana Modest Fashion Fatmawati, Yuni Zhaafira; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p1-10

Abstract

Abstract The aim of this research is to determine the process and results of applying Palembang songket and sashiko embroidery to modest fashion. Palembang songket is a form of original Indonesian cultural heritage, combined with sashiko which is original Japanese culture. The implementation of this project was carried out using the double diamond method. The process of applying Palembang songket and sashiko to modest fashion clothing went through several phases. In the discover phase, the author conducted trend research, namely ITF 2024 with the Fusion theme and Borderless sub-theme. Next, in the define phase, the author determines the source of the idea for the burgundy clematis flower, which has meaning as a symbol of protection from evil and good luck. In the Develop phase, the author carried out design development, selecting designs, colors and songket patterns which were realized in modest fashion clothing. At the Deliver stage, the author created clothing by going through several discussions and evaluations. The result was that the application of Palembang songket and sashiko to modest fashion clothing is in accordance with the plan, including women's clothing consisting of 3 parts, namely a dress with a full circle skirt, an outer and a layer that used sashiko embroider that can be removed and reused. Men's clothing consists of a suit which used a combination of plain and songket fabric. Keywords: Songket Palembang, sashiko, modest fashion
Perancangan Pakaian Siap Pakai Dengan Kombinasi Teknik Melukis Diatas Air Dan Eco Print Angdawuni, Nabila Azzahra; Sarwono, Sarwono
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p77-88

Abstract

Industry players are required to be more creative and innovative in developing textile products with various manufacturing techniques. The development of textile products that did not produce textile waste and did not adversely affect the environment to make ready-made clothing for women. The purpose of this design is an update in the combination of Painting on Water and Eco Print techniques, which is for the development of textile products that do not produce textile waste if produced into ready-made clothing. The method used in the creation of artwork according to SP. Gustami. The result of three stages of creation analysis is the observation of Eco Print Ramban Ayu in Temanggung and Painting On Air Mangsi Kelir which originated in Bandung, the design by creating various combinations of designs from both techniques, and the embodiment of being used as ready-made clothing for female teenagers. The results of the design resulted in motif design and ready-made fashion design. With Painting Techniques on Water as the basis of dyeing and Eco Print as the main motif. The design resulted in the design being realized as a ready-to-use fashion product for female teenagers aged 15 to 23 using the color palette trend 2023.
PENERAPAN TIGA MOTIF KAIN TRADISIONAL PADA BUSANA WANITA DENGAN TEMA TRANSCULTURAL PADA AJANG MALANG FASHION WEEK 2023 Farika, Sephia; Nafiah, Annisau
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p89-98

Abstract

Indonesia has a variety of cultural heritage. One of the ancestral legacies is wastra, which is still preserved today. Wastra cloth is one of the works of art which is poured on traditional patterns. In this research, three different Indonesian fabric patterns used to a product in the form of women's clothing. The cloth uses three wastra fabrics including Batik Parang, Jumputan, and Lurik. The aim of making this clothing is to find out how to combine three different fabric patterns to make it look harmonious. The method used in this research is the creation designs. There are three stages in clothing-making: determining the concept, drawing the design, and sewing the clothes. The clothing consists of four items: the blazer using Jumputan fabric and the trousers using two patterns, namely Batik Parang and Lurik.
Inovasi Men’s Fashion: Pengaplikasian Teknik Arsir Silang pada Ilustrasi Relief Candi Menggunakan Digital Printing Damayanti, Putri; Suhartini, Ratna
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p64-76

Abstract

This research is to find out the process of men's shirts using the idea of ​​the Surowono temple relief by combining elements of traditional art with modern technology to create a unique and interesting product. Inspired by the relief which depicts the story of a stork's neck being clamped to death by a crab. Using cross-hatching techniques to make illustrations have a unique and bold appearance. Then the illustrations are printed using digital printing techniques. The use of digital printing makes it possible to print temple relief illustrations with a high and accurate level of detail on men's shirts. The method used is the double diamond model which consists of 4 stages discover, define, develop and deliver. The process starts with making a moodboard as a source of ideas, making illustrations, then applying the motif to the shirt design and then a product prototype. The results of the research are a cross-hatched illustration and a men's shirt with a temple relief motif that was applied digitally using a cross-hatched technique that has clear detailed motifs. It is hoped that this research will contribute to expanding the boundaries of menswear design, combining traditional elements with modern technology. The resulting product is expected to attract the interest of consumers who are looking for clothing with unique and different characteristics.
Inspirasi Harimau Sebagai Sumber Ide Busana Pesta Sulistyadewi, Mirza Aulia; Yulistiana, Yulistiana
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p99-109

Abstract

The tiger is unique in its silhouette, fur and pattern. The purpose of the research is to describe the process and find out the finished result of tiger inspiration as a source of party fashion ideas. Party dress inspired by tiger and refers to the theme of boderless cushion from Fashion Trend Forecasting Resilient 2023/2024. the inspiration is applied to manipulating fabric screen printing, slashing and embroidery. The process of making this party dress starts from extracting the source of the idea to the design process, followed by the process of making clothes and manipulating fabric. The silhouette and model in this outfit were inspired by the uniqueness of Scottish traditional clothing. The application of slashing and embroidery is found on the outer part of the women's clothing while the application of screen printing is placed on the back and front of the men's suit.
Y Inang Prihatina Inspirasi Kerang Pada Busana Pesta Menggunakan Tenun Dan Slashing Subagyo, Alma Primadora; Prihatina, Yuhri Inang
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p51-63

Abstract

The purpose of this study was to determine the manufacturing process and finished results of seashell inspiration in party fashion using slashing and men's clothing using screen printing. Inspired by shells because it has a philosophy that can be applied in life. Shells from a visual point of view have a unique symmetrical and connected shell shape so that it is interesting to be used as a source of ideas in making fashion works. Jepara torso woven fabric was chosen because it has traditional motifs and strong fabric properties in accordance with slashing techniques. Duchesse satin fabric was chosen to reinforce the glamorous impression of party attire. The method used in this study is double diamond. Includes 4 processes, namely discover, define, develope, and deliver. The shape of the distilled shells becomes a slashing motif on the torso jepara woven material into a skirt layer. The results of the Shell Inspiration in Party Clothing and Men's Clothing, in terms of design placement manipulating fabric, namely slashing in party clothes, and polyflex flock screen printing in men's clothing with seashell motifs make the center of interest in party clothing and men's clothing, and give a thick ethnic impression but do not leave a luxurious impression.
PENCIPTAAN BRIDAL GOWN MUSLIM INSPIRASI DARI BURUNG KAKAKTUA Antika, Defi Dwi; Russanti, Irma
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n2.p211-218

Abstract

The creation of a bridal gown is inseparable from inspiration, which is the prose of creative thinking. In this study, inspiration is drawn from the beauty of the cockatoo, an endemic Indonesian fauna. The double diamond method is used for the creation process, which includes the stages of discovery, define, develop, and deliver. The discovery stage involves the search for ideas from the inspiration of the cockatoo, while the define stage involves elaborating themes in a moodboard. The develop stage produces design concepts, including feather embroidery that realizes the inspiration. The deliver stage involves product testing, resulting in bridal gowns and men's suit sets. The bridal gown, inspired by the cockatoo, combines traditional elements with modern touches, while the men's suit sets highlight uniqueness in classic design. The overall work reflects the beauty of Indonesian nature and innovative elements in wedding fashion.
Sebuah Inspirasi Bunga Anemone sebagai Sumber Ide Penciptaan Modest Fashion dan Busana Pria Shaumu, Elma Madani; Yulistiana, Yulistiana
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n2.p227-240

Abstract

Anemone flowers are ornamental plants, they have several beautiful colors, one of which is burgundy. The purpose of writing this article is to describe the manufacturing process and finished results in creating modest fashion and men's clothing using the idea of ​​Anemone flowers. The method used in this writing is the Double Diamond Design Process consisting of the stages: discover, define, develop and deliver. The initial stage of discover, design which includes searching for inspiration. The second stage, define, creates a moodboard after determining the source of the idea. Develop stage, making the development of five basic designs for modest fashion and men's clothing. The final stage of delivery, the stage of applying details and decorations, is in modest fashion, applying the A silhouette, embroidery details and tucking inspired by the wave shape of anemone flowers. Details on men's clothing, applying asymmetrical shapes to. The detailed application of the Palembang songket cloth refers to the borderless theme, namely a combination of east and west styles. The results are modest fashion and men's clothing as expected, having a smart and casual style with an elegant look and a center of interest that is realized in the clothing details.
PENERAPAN MANIPULATING FABRIC CREPING PADA EVENING GOWN DAN ACCESSORIES Karina, Andani Warda; Wahyuningsih, Urip
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p117-122

Abstract

The aim of the research is to find out the results of applying manipulating fabric creping to Evening Gowns and Accessories. Using organza and duces fabric as the main material. Inspired by the source of the idea taken. The process of applying manipulating fabric creping begins with determining the application of manipulating creping on the evening gown, after which the manipulating is made using marble binding and boiling techniques. The silhouette used in this clothing is the L silhouette, namely the shape of a wide mermaid dress at the bottom, and is equipped with accessories. The application of manipulating fabric creping is found on the sleeves, body of the clothing and accessories, giving a unique and boldly different impression. This research uses the double diamond model research method which has 4 stages, namely discover, define, develop, and deliver. The result of this research is the application of manipulating creping on evening gowns and accessories.
Perancangan Busana Avant Garde dengan Inspirasi Bunga Titan Arum Lie, Sherly Sanjaya; Renaningtyas, Luri; Yessica, Evania
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n2.p160-172

Abstract

Fashion in Indonesia is also increasing, where fashion itself is used as a means of self-expression which is through avant garde.  The need for avant garde fashion itself is quite increasing, but avant garde fashion designers are still rarely found in Indonesia. Avant garde fashion has become a necessity, especially in the showbiz sector, such as artists and influencers who need attention from the public through unique and attractive clothing. In line with the concept of avant garde fashion, this fashion collection inspired by Indonesian flora Titan Arum which has a quite unique shape. The Titan Arum flower is a type of corpse flower native to Indonesia whose existence is threatened and is still protected. Based on the government's efforts to preserve Indonesian flora, this design highlights the Titan Arum flower as an inspiration and also to increase awareness of Indonesia's endangered flora. Based on these problems, this design adopts an avant garde concept which has a unique form of meeting fashion needs in Indonesia as well as attracting the public to increase public interest in Indonesia's endangered flora. The method used in this design is design thinking and qualitative methods by collecting data through books, news, interviews, and so on.

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