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SASDAYA: Gadjah Mada Journal of Humanities
Published by Universitas Gadjah Mada
ISSN : 25483218     EISSN : 25493884     DOI : https://doi.org/10.22146/sasdaya
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
SASDAYA: Gadjah Mada Journal of Humanities is a scientific journal on the sciences of the Humanities Sciences, especially related to Literary and Cultural issues (archaeology, history, economics, geography, language, law, political science, anthropology and religious studies) especially about Southeast Asia.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 40 Documents
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Pelestarian Kesenian Debus Banten di Padepokan Maung Pande Yosef Calasanza; Gunawan
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 1 (2023): 2023 Nomor 1
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.6891

Abstract

Debus is one of the popular arts in Banten society. During the Banten kingdom, in the past Debus art became well-known. Initially, Debus became a medium for spreading Islam in Banten. During the colonial period, debus used against colonial troop. Debus perpetrators who are aware of their immunity to sharp weapons and bullets form a force to confront the colonial army. After independence, Debus developed into an art that is often staged in various events at the regional and national levels. However, recently its popularity has waned. Debus art is not much staged and known in the community. This circumstance has prompted Banten hermitages to promote and preserve Debus arts. This article aims to describe the activities of the hermitage in maintaining the existence of debus as well as activities to preserve the Banten debus art by Padepokan Maung Pande. The data collection method was carried out using qualitative research methods by focusing on data collection on member of the Maung Pande hermitage. The results of the study show that the conservation efforts carried out by the Maung Pande hermitage are carried out by collaborating with schools in Banten province.
Hermeneutika Dialogis sebagai Basis Filosofis dalam Fiksyen dan Sejarah, Suatu Dialog Karya Umar Junus Suharmono
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 1 (2023): 2023 Nomor 1
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.7107

Abstract

This study aims to explain dialogical hermeneutics, one of the scientific paradigms that can bridge the confusion of thinking in explaining the relationship between literature and reality/history. The material object used is Fiction and History of Dialogue, while the formal object is the dialogical hermeneutic paradigm in the book. The purpose of this study is to describe the basic assumptions; model; and the concepts that make up dialogic hermeneutics. The theoretical framework and method used as the basis for the analysis are Thomas Khun's thoughts related to paradigms. The results of the research show that Fiction and Dialogue History books criticize in discussing fiction which is dominated by mimetic and semiotic concepts as well as history which is seen as something that is often contrasted with fiction. Junus offers an alternative idea in the form of dialogue (hermeneutics) as a new way of looking at the relationship between fiction and history/reality. Junus uses an analogy model to see the relationship between fiction and history/reality. The concepts put forward include the Concept of Definition of Fiction; The Nature of Reality in Stories; Fiction and Heurmenetics; Fiction Shapes Reality; Perspective of Fiction and Reality of Writers and Readers; and Fiction and History.
Disharmoni Sosial Masyarakat Kampung Kota di Era Demokratisasi (Konflik dan Disharmoni Sosial di Yogyakarta Pada Pilpres tahun 2019) Arifin, Muhammad
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 1 (2023): 2023 Nomor 1
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.8621

Abstract

Democracy that has lasted so far is not only understood as an effort to build a better government system but is also intended as an effort to create citizen participation in building a good political and governance system. But in reality, it does not produce a sense of security, peace, order and social order. This paper is intended to look at the phenomenon of democracy, especially election practices, not only from a political and power perspective, but also to see how elections actually create social disharmony in the Yogyakarta city community. This paper is based on one argument, namely: that democracy is intended to build a more open, just, peaceful and prosperous society that does not work properly because the understanding and practices of democracy that have been practiced so far have actually led to increased resistance and social disharmony. This paper uses a qualitative analytical method with data sourced from direct observation and from local newspapers. From this research it was found that (1) social conflict in villages, especially in Yogyakarta is getting higher and social resistance is increasing; (2) Community grouping, and segregation tend to be based on religious and political affiliations; and village gangs (3) Villages that used to be administratively separated, were instead claimed as the village of certain groups which referred to certain religious-based groups or parties. From this paper it can be concluded that the conflicts that occurred in the city of Yogyakarta during the 2019 presidential election were more caused by village-based sentiments and solidarity of certain parties and groups rather than conflicts between elites.
Menilik Ulang Resiliensi: Covid-19 dan Pariwisata di Kaliurang Yogyakarta Mulyasari, Runavia
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 1 (2023): 2023 Nomor 1
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.8717

Abstract

The process of recovering when experiencing disasters and crises is often considered an individualised process. The Covid-19 pandemic in the past two years has had a major impact on various sectors of the world, and the most affected is tourism. Many studies on pandemic conditions and tourism have been conducted with a focus on the impact of the pandemic. For this reason, it is necessary to look back at the resilience process carried out by tourism actors and the tourism community in dealing with the pandemic. Yogyakarta, especially Kaliurang, is the most affected area due to the pandemic. This study attempts to invite a revisit of tourism resilience in Kaliurang. Ethnography is used to capture the resilience efforts made by the community and tourism actors in Kaliurang. The research shows a change in community structure and agency development at the individual and group levels. Both structure and agency simultaneously help the process of community resilience, which is then developed into resilience in the tourism sector.
Bertahan di Tengah Krisis: Kesinambungan Pabrik Gula Kebon Agung di Malang 1930an - 1958 Dwi Meya, Ramadhani; La Ode, Rabani
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 1 (2023): 2023 Nomor 1
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.8933

Abstract

This study discusses the continuity of the Kebon Agung Sugar Factory from the crisis period in 1930 until it was nationalized in 1960. The economic crisis that hit Europe and the world had an impact on the collapse of most of the sugar industries in the Dutch East Indies. Kebun Agung Sugar Factory managed to survive in the midst of a global crisis that began towards the end of 1929. Throughout that period, various crises hit the world and Indonesia such as economic, social, and political crises. This research uses historical methods with the following stages; topic selection, heuristics, interpretation, data analysis, and historiography. The results showed that the Kebon Agung sugar factory was part of the history of the sugar industry in the colonial period which contributed to the increase in sugar production in the Dutch East Indies. This sugar factory was able to survive the crisis that accompanied its history because of its efficiency strategy, production reduction, and cooperation with other sugar factories in terms of utilizing pre-existing infrastructure such as no longer building railways and roads for the transportation of raw materials (sugarcane) to the factory. In the midst of the crisis and the threat of bankruptcy, the Kebon Agung Sugar Factory still survived and continued to carry out production activities until the sugar factory was nationalized in 1958. Thus, the Kebun Agung Sugar Factory also recorded its history by contributing to efforts improve the state economy.
Dolorosa Sinaga: Sang Maestro Pematung Perempuan Husain, Sarkawi B.
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 2 (2023): 2023 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.9070

Abstract

Pada kira-kira abad ke enam Sebelum Masehi, hiduplah seorang pelukis terkenal Yunani yang bernama Apelles. Konon, dia suka bersembunyi di balik pameran lukisannya untuk mendengarkan kritik penonton. Suatu ketika seorang tukang sepatu bernama Sirrah mengeritik bahwa lubang kancing sepatu yang dilukis oleh Apelles kurang satu. Maka diperbaikilah lukisan itu dan dipamerkan kembali. Si tukang sepatu melihat kritiknya ditanggapi oleh Apelles, sehingga si tukang sepatu semakin gencar melakukan kritik.
Kompetisi dan Posisi Tubuh Perempuan dalam Iklan Rokok: Analisis Wacana Kritis Pada Novel “Gadis Kretek” Karya Ratih Kumala Indriani, Laillia Dhiah
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 2 (2023): 2023 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.9838

Abstract

Using women's bodies in product marketing advertisements is nothing new. The female body is deliberately presented as a marketing strategy. In practice, it is not uncommon for women to be categorized into three trinities, namely, girl, wife, and entertainer. What's worse, this is justified and reproduced by various media. The Gadis Kretek novel is a literary work that juxtaposes the female body with cigarette advertisements. This research was conducted to uncover how women's bodies are selected, used, and displayed for marketing activities of cigarette products that are attached to men by society and become a symbol of masculinity. The method that will be used as a data analysis tool is Norman Fairclough's critical discourse analysis, which focuses on aspects of linguistic practice, discursive practice, and social practice. The results of this study indicate that in product promotion, the female body is used as a desire production machine that will attract potential buyers. Women in ad frames are also categorized based on the Girl-Wife-Entertainer trinity, where the three of them have their own identities but are still presented as complements to men. From this research, it can be seen that literary works also commodify discourses on beauty and the female body. The female body seems to be an affirmation of the construction of masculinity.
Konsepsi Otonomi Daerah Dalam Pola Relasi Mandala Kedatuan Sriwijaya Trinanda, Ghea Anissah
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 2 (2023): 2023 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.10029

Abstract

The Srivijaya Kingdom, in its historical journey, showed a strong commitment to giving more independence to the regions under its control. This meant that these regions could manage their own local matters, taking into account their unique characteristics. This idea played a vital role in boosting the economy and stability of the entire kingdom, making the "kadātuan" system a crucial part of their successful government. The principles of decentralization in Indonesia, based on these historical ideas, have been incorporated into changing laws and regulations, forming a key part of how different areas in Indonesia govern themselves. This paper aims to explore how the concept of local government or decentralization worked in the Srivijaya Kingdom's history. We use a qualitative method that helps us understand complex ideas. By comparing modern decentralization ideas with how the Srivijaya Kingdom managed its decentralization using a "mandala" structure, we see important similarities and connections between the two. The results in this paper show a historical pattern where decentralization were set up and led by a datu. This allowed powers to be shared from the central government to these decentralization regions, which were closely supervised by the central government. This reveals how the idea of decentralization has deep roots in Indonesia's history and is a critical basis for how decentralization works in the country today.
Bahasa dan Identitas Kelompok dalam Pernyataan Tokoh Politik: Sebuah Studi Sosiolinguistik Fadlilah, Afi; Utari, Rini; Iskandar, Denny
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 2 (2023): 2023 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.10200

Abstract

This research aims to analyse the lingual forms of political figures' statements and their correlation to the speakers' identity from a sociolinguistic perspective. This research used a qualitative approach with descriptive data type. The object of this research is Megawati's statement in a live broadcast on the BKKBN Official YouTube account on 16 February 2023 in the event "Kick Off Pancasila in Action of the Universal Planning Movement to Prevent Stunting" and several political figures' speeches on social media. Data collection techniques in this study, namely by using documentation methods and literature studies. The results showed that language and political communication used by political figures can show the identity of a group. Communication patterns and speech code choices used by political figures when viewed from a sociolinguistic perspective are influenced by the relationship between participants and the situation that surrounds them. The results of the study can be used as additional insight into group identity identified from language use.
Perempuan dan Semer Mendem: Kajian Sejarah, Strategi pemasaran dan Budaya di Kota Palu Triawati, Komang; Saudo, Fatma; Khotimah, Khusnul
Sasdaya: Gadjah Mada Journal of Humanities Vol 7 No 2 (2023): 2023 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.10214

Abstract

The historical background of women in Palu City choosing to sell Semar Mendem stems from culinary businesses related to sticky rice in Central Sulawesi since the 1930s. The introduction of Semar Mendem in 2017 experienced swift popularity among the people of Palu, leading to a substantial increase in demand from 7 to 30 outlets by 2021-2023.This qualitative study explores the marketing strategy of traditional culinary delights in Palu City, emphasizing the historical context of Semar Mendem sales, the evolution of marketing strategies, and the cultural influences surrounding this culinary delight. The research employs a historical approach with a qualitative method involving five stages, focusing on emotional and intellectual closeness. Data collection involves primary and secondary sources, on-site interviews, direct observation, and documentation within Palu City, Central Sulawesi.Four major marketing strategies - product, price, promotion, and place - have contributed to the success of Semar Mendem in Palu City. The study highlights the significance of relationships in business, emphasizing power relations through production, family, and knowledge, illustrating how Semar Mendem has become ingrained as a cultural symbol. The findings illustrate the cultural significance and success of Semar Mendem, portraying its relevance in the historical narrative of Palu City's culinary landscape. Understanding the cultural and historical context of this culinary delight serves as a testimony to preserving traditions and fostering successful marketing strategies for similar local products.

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