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Sphatika: Jurnal Teologi
Published by Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
ISSN : 27228576     EISSN : 27228576     DOI : https://doi.org/10.25078/sphatika.v13i1.1123
Core Subject : Religion,
Religion
Sphatika: Jurnal Teologi (ISSN Online 2722-8576 dan ISSN Cetak 1978-7014) diterbitkan oleh Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar dan dikelola oleh Program Studi Teologi Hindu Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar adalah jurnal ilmiah bertujuan untuk mewujudkan tipologi dan pengetahuan Hindu yang lebih konkret dan meyakinkan untuk ilmuwan dunia. Institut Hindu Dharma Negeri Denpasar sebagai salah satu lembaga pendidikan ilmiah, bertanggung jawab untuk mengungkap semua khazanah pengetahuan Hindu, mengeksplorasikan, dan mensosialisasikan pengetahuan Hindu sehingga dapat berkontribusi terhadap kemajuan sumber daya Hindu. Sphatika: Jurnal Teologi, berfokus pada bidang : 1) Teologi; 2) Studi Agama; 3) Sastra Agama; dan 4) Ilmu Budaya.
Arjuna Subject : Seni dan Humaniora - Studi Agama
Articles 102 Documents
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Komodifikasi Tari Sanghyang Dedari di Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar, Provinsi Bali Harsana, I Ketut Gede; Mancapara, I Gede Pasek
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.2990

Abstract

Abstract This article examines and analyzes the Sanghyang Dedari Dance which has experienced commodification in Bona Village. As one of the sacred arts performed in a state of trance, at first the Sanghyang Dance was performed only for spiritual purposes, but now the Sanghyang Dance has experienced commodification in the era of globalization in line with the development of tourism and science and technology. The method used in this study is qualitative with a phenomenology approach. The results showed that the Sanghyang Dance in Bona Village was only the Sanghyang Dedari dance, this dance is still performed regularly from the past until now only at the Bona Village Temple, apart from that as a tourism need the Sanghyang dance is also staged in hotels as a dance performance. reconstructed with the presence of additional elements such as accompaniment of Kecak. Broadly speaking, there are similarities and differences in the Sanghyang dance as a sacred dance and as a performance dance. The similarities are that the dancers are selected according to the criteria of being pure and the clothes used are the same, while the difference lies in the preparation process until the dance is performed, the instruments used, the duration and the accompaniment. Keywords: Reconstruction, Sanghyang Dedari Dance, Commodification.
Dimensi Aksiologis pada Tata Letak Bangunan di Bali Berdasarkan Lontar Asta Kosala Kosali Siswadi, Gede Agus; Dwiputri Maharani, Septiana
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.3038

Abstract

Bali is unique in its traditions, culture, religious practices, and architecture. All of these are a legacy from generation to generation. The form of Balinese architecture is strongly influenced by the values that are always maintained to remain the identity and uniqueness of the Balinese people. This research aims to explore the value system that develops in Balinese society, with how the value system frames the various cultural diversity owned by Bali, including Balinese architecture. This research uses a qualitative descriptive method with a phenomenological approach. The results of this study show that Balinese design and architecture are strongly influenced by the concept of Tri Hita Karana, a concept in Balinese society as a process of maintaining balance and harmony between God, humans and nature. The concept of Tri Hita Karana is then applied in Balinese architecture in the form of Tri Mandala, which is three spaces that divide one yard. Balinese architecture in Lontar Asta Kosala Kosali is also influenced by the concept of Sanga Mandala as a form of application of the concept of Dewata Nawa Sańga. Then the axiological dimension in the building layout in Bali has religious value, eco-theological value, aesthetic value, and also cultural value. Then, the challenges of Balinese architecture in this era of globalization position that the concept and layout of buildings in Bali still use concepts and also philosophical values that develop in Balinese society, despite regional limitations, but the axiological dimension on a small scale can still be maintained.
Kontribusi Pura Dasar Buana Amerta Jati Siwa Buda dalam Pengembangan Bahan Ajar Prodi Teologi Hindu STAHN Mpu Kuturan Singaraja: Kontribusi Pura Dasar Buana Amerta Jati Siwa Buda dalam Pengembangan Bahan Ajar Prodi Teologi Hindu STAHN Mpu Kuturan Singaraja Dewi, Ni Made Evi Kurnia; Kariarta, I Wayan; Heri, Komang Heriyanti
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.3053

Abstract

Dasar Buana Amerta Jati Siwa Buda temple is a temple located in Tajun Village, Kubutambahan District, Buleleng Regency. The location of this temple is between a cliff and a forest. However, the uniqueness of the temple is reflected in the presence of different cultures in one temple area. In the innards of the temple there is a Meru building as a symbol of Hinduism and a stupa as a symbol of Buddhism. Until now there are still Buddhists who are active in praying to Dasar Buana Amerta Jati Siwa Buda temple, especially when the piodalan day arrives. Thus Dasar Buana Amerta Jati Siwa Buda temple provides space for Hindus and Buddhists to develop an attitude of tolerance. Moving on from this, the Dasar Buana Amerta Jati Siwa Buda temple has contributed to the development of teaching materials at the Hindu Theology Study Program STAHN Mpu Kuturan Singaraja. Contributions can be seen in the development of teaching materials for Shiva Siddhanta, Social Theology, and Hindu Cultural History courses. With the Dasar Buana Amerta Jati Siwa Buda temple as a learning medium, students do not only learn in theory. Both lecturers and students find it easier to develop learning activities.
MENGENAL TIKA SEBAGAI KALENDER BALI KUNO DALAM KAITANNYA DENGAN ILMU JYOTISHA Pratama, I Putu Wahyu; Sari, Anggy Paramitha
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.3054

Abstract

A calendar is one item whose function and use is very important at home or in the office, because from the calendar humans get information related to the time period of the day, date, month and year. One of them is the past calendar system used by the ancient Hindu community which used a calendar system known as the Tika Calendar. The Tika calendar is an object that is generally made of wood to see the day, rest and determine the dewasa ayu or auspicious days by using various special signs to determine the time period of the dewasa ayu. To read Tika, knowledge of Wariga science and understanding of special signs in the form of images or symbols that are displayed on the Tika are needed. The basic form of Tika is a picture of 30 wuku columns and 7 rows depicting the 7 long days of each wuku. The seven days in the basic image of Wuku are the homes of Sapta Wara, wewaran whose cycle is 7 days. In general, the Tika section consists of 30 wuku columns located at the top. Then on the side there are eight lines. Seven lines of the day or Saptawara and the eighth line is Ingkel. The shape of Tika also varies, some are made of wood, paper and cloth. The connection between the Tika Calendar and Jyotisha as the Science of Hindu Astronomy and Astrology which are very closely related to the all activities of Balinese Hinduism.
Menggali Fungsi dan Makna Bale Gading dalam Upacara Dewa Yadjna: Kajian Bentuk, Fungsi, dan Makna Widyawati, Anak Agung Ayu Alit; Gaduh, Acyutananda Wayan
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.3107

Abstract

Hindus in Bali in carrying out the yajna ceremony still adhere to the teachings passed down by their ancestors and sometimes do not know the function and meaning of the ceremony. This is starting to be shaken by the critical minds of the younger generation who are starting to question why a ceremony is being carried out, therefore this research was conducted to discuss one of the types of ceremonies used in a yajna ceremony, namely the use of ivory bale in the god yajna ceremony. The form, function and meaning of using the ivory bale in the Dewa Yajna ceremony was studied using a qualitative descriptive method in which data were obtained from observation, document studies and interviews. The discussion begins with the definition and mythology of the ivory bale. Bale ivory is a small white and yellow bale whose function is to honor Sang Hyang Semara Ratih and has theological meaning, sociological meaning and ethical or ethical meaning in living life.
AGAMA DAN FILSAFAT ANTARA TEOLOGIS DAN FILOSOFIS: Antara Teologis dan Filosofis Diputra, Gede Bagus Wira
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3110

Abstract

In essence, every human being must have the desire to know the truth about the existence of God, but to show this evidence is not easy, because it is abstract. Even though they want to express their experiences while seeking God, but it was still very difficult for him to express God in words. Due to different concepts of divinity this creates many ideas about the figure of God. God is the universe itself and has an abstract nature. To understand the abstract we need to understand the essence of God through understanding the nature of the birth of the self. In philosophy, especially religious philosophy, it has taught and introduced God to humans through the logic of critical thinking, then the truth that is found is in accordance with what is written in religious books, which in the end can increase their trust and confidence in the Creator. Through this research, we will emphasize philosophy as the basis for an in-depth study of the existence of God in this life.
Membangun Gerakan Moderasi Beragama Melalui Seni Pertunjukan Arimbawa, I Komang Suastika
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.3120

Abstract

Exclusive religious viewpoints and attitudes will ultimately give birth to various destructive practices in the form of religious intolerance and violence. This cannot be allowed to continue to grow and develop. This is the sacred duty of every component of the nation. Arts education institutions or arts groups can take a role in efforts to realize the principle of moderation in religion in order to safeguard and maintain the integrity of the nation, by conducting studies, socializing and internalizing the principle of moderation so that it can give birth to education. education. a big movement called the movement for religious moderation through the medium of performing arts. The religious moderation movement stems from (1) the development of extreme religious views, attitudes and practices, (2) the development of subjective truth claims and coercion of will over religious interpretations, and (3) the development of religious enthusiasm that is not in accordance with religion. according to religion. in line with national love within the framework of the Unitary State of the Republic of Indonesia. A responsive attitude towards the phenomenon of social change will ultimately be able to produce 'renewal'. The renewal here is not a religious renewal, but rather an intellectual tradition. Where intellectual traditions are usually dynamic, creative and innovative so that religion becomes lasting and actively provides solutions to various life problems. This is where art can be an effective catalyst in the movement for religious moderation. Universal art can provide space to foster religious moderation. The existence of art from various Indonesian cultures should be able to play a role in developing and maintaining a moderate attitude as a glue and unifier of the nation.
Implementasi Konsep Tri Hita Karana Dalam Upaya Penguatan Nilai Gotong Royong Pada Sekha Teruna-teruni Mekar Sari Putra, Kadek Dwi Sentana
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3150

Abstract

Tri Hita Karana is the concept of balance between humans and God, humans and each other, and humans and the environment. This concept is not about subjugating nature and each other, but rather becomes a harmonization between humans, who are called Bhuana Alit, and the universe, which is called Bhuana Agung. This concept of balance will lead to happiness or prosperity. This type of research is descriptive qualitative, using data collection techniques such as: observation, interviews, literature and documentation. The research entitled Implementation of the Tri Hita Karana Concept in Efforts to Strengthen Mutual Cooperation Values ​​in Sekha Teruna-Teruni Mekar Sari, Pakraman Apit Yeh Village, Bangli Village, Baturiti District, Tabanan, shows the efforts made by Sekha Teruna-Teruni Mekar Sari to strengthen the values mutual cooperation in every activity or work program carried out based on the Tri Hita Karana Concept. In the field of Prahyangan, efforts to strengthen the value of mutual cooperation are implemented through ngayah activities. In the Pawongan sector, to foster a sense of mutual cooperation, togetherness, building good interactions between Sekha Teruna-Teruni members is implemented through joy and sorrow programs and regular meetings. Lastly, in the Pabelasan sector, to foster a sense of unity, helping is carried out through routine community service activities every 2 weeks. Every activity from all elements of Tri Hita Karana is attempted to construct or stimulate the value of mutual cooperation.
Membangun Kesadaran Pelestarian Air : Kontradiksi Ajaran Hindu dengan Perilaku Pencemaran Air di Bali (Kajian Teo-Ekologi): Kontradiksi Ajaran Hindu dengan Perilaku Pencemaran Air di Bali (Kajian Teo-Ekologi) Adisastra, I Nyoman Surpa; Prabawa, Bagus Ade Tegar
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3151

Abstract

Water is an important subject in Hinduism, including in Bali. The Bhagawad Gītā, Mānava Dharmaśāstra, and a number of manuscripts in Bali teach water conservation. However, there is currently water pollution in lakes, rivers, and the sea. This is a cause for concern, because Bali has been famous for its natural beauty and sustainability. The main cause of pollution is human activity, such as garbage and waste disposal, which affects water quality. This is contrary to Hinduism, which teaches the preservation of nature, including water. Before the pollution gets worse, it is necessary to build awareness of water conservation. The government and traditional villages have issued various regulations. This needs to be implemented by the community for the sustainability of the environment, especially the quality and quantity of water in Bali. The method used in this paper is qualitative with literature review. Several research results on water in Bali were collected and then analyzed. The author also took information from mass media and books. The results  from this article reveal that the reality of pollution in several lakes in Bali contradicts Hindu teachings, which emphasize the importance of water conservation. This scientific article is expected to inspire all interested parties to jointly preserve water for nature and human life.
GAMELAN BALI DALAM KONSTELASI FILOSOFIS DAN ESTETIK Sari, Anggy Paramitha
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3153

Abstract

Substantially, creativity cannot be separated from the elements of reason and the elements of human taste. Various arts and traditions that were born from human creativity eventually became the salience from each region of their maker. Gamelan is one of the many traditional Indonesian riches that was born from various considerations of thought, idea, notion, taste, and creativity of humans. Gamelan is a group of musical instruments with different beat patterns that are used in playing songs / ending. The emergence of the gamelan began when Hindu-Buddhist culture started to dominate the archipelago. There are several types of gamelan including Javanese gamelan, Sundanese gamelan, Banjar gamelan, Minang gamelan, and Balinese gamelan. All types of gamelan have their own uniqueness according to the area where it is developed. Gamelan is not only used as a musical accompaniment in traditional arts but is also used in various religious rituals. In Bali, almost all religious activities, especially in Hindu religious ceremonies, always use gamelan accompaniment. Balinese gamelan is one of the elements of the five voices (panca suara) that are always present in every yajna ceremony in Bali. These five voices cannot be separated from the Hindu aesthetic concept where each sound produced has a philosophical meaning. Balinese gamelan that is present in various Hindu rituals in Bali is not only for entertainment but also has a magical value that can vibrate the atmosphere. This article will discuss the philosophy of Balinese gamelan in aesthetic constellations.

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