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Sphatika: Jurnal Teologi
Published by Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
ISSN : 27228576     EISSN : 27228576     DOI : https://doi.org/10.25078/sphatika.v13i1.1123
Core Subject : Religion,
Religion
Sphatika: Jurnal Teologi (ISSN Online 2722-8576 dan ISSN Cetak 1978-7014) diterbitkan oleh Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar dan dikelola oleh Program Studi Teologi Hindu Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar adalah jurnal ilmiah bertujuan untuk mewujudkan tipologi dan pengetahuan Hindu yang lebih konkret dan meyakinkan untuk ilmuwan dunia. Institut Hindu Dharma Negeri Denpasar sebagai salah satu lembaga pendidikan ilmiah, bertanggung jawab untuk mengungkap semua khazanah pengetahuan Hindu, mengeksplorasikan, dan mensosialisasikan pengetahuan Hindu sehingga dapat berkontribusi terhadap kemajuan sumber daya Hindu. Sphatika: Jurnal Teologi, berfokus pada bidang : 1) Teologi; 2) Studi Agama; 3) Sastra Agama; dan 4) Ilmu Budaya.
Arjuna Subject : Seni dan Humaniora - Studi Agama
Articles 102 Documents
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Makna Representasi Ekologis Dalam Kakawin Sangutangis Savitri, Putu Diah; Suarka, I Nyoman; Erawati, Ni Ketut Ratna
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3532

Abstract

Representation is a way to describe something that someone has seen or experienced. The ecological representation contained in Kakawin Sangutangis includes images of nature which will be depicted through direct depictions of nature itself and wrapped in linguistic style (in kakawin it is called alaṃkara). However, in this research the meaning of ecological representation in Kakawin Sangutangis will be investigated. The aim of this research is to find out the meaning stored behind the ecological representations in KST. So that the general public can understand the meaning of KST. This research is classified as qualitative research with a literary ecology approach assisted by Michael Riffaterre's semiotic theory. Meanwhile, the research methods and techniques that will be used in this research are divided into three parts, namely (1) data collection methods and techniques using library study methods assisted by script transfer, language transfer and note-taking techniques; (2) data analysis methods and techniques that use content analysis methods assisted by analytical descriptive techniques; (3) methods and techniques for presenting data analysis results using formal methods. The results of this research will reveal the meaning stored behind the ecological representations in KST. The meanings found include the meaning of nature conservation and the meaning of self-control. The findings of this research will be useful for motivation in everyday life.
Mitos Basma Rah Di Desa Adat Taman Pohmanis: Kajian Struktur, Fungsi, Dan Nilai: Kajian Strukutur, Fungsi, dan Nilai Yanti, Ni Luh Made Candra Kristina; Sulibra, I Ketut Ngurah; Mulyawathi R, Tjok Istri Agung
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3539

Abstract

This research on the "Basma Rah Myth in the Taman Pohmanis Traditional Village: Study of Structure, Function and Value" aims to describe the structure contained in the Basma Rah Myth, analyze the functions contained therein, and analyze the Basma Rah Myth in terms of literary value. The theory used in this research is structural theory which is Nurgiantoro's opinion. Function theory which is a combination of the opinions of Wallek and Warren, William R. Bascom, and Sibarani, and the value theory according to Atmaja. The methods and techniques used are divided into three stages, namely (1) the stage of providing data using the listening method with observation and interview techniques, recording techniques and note-taking techniques, as well as the proficient method with basic fishing techniques and advanced proficient techniques, (2) the data analysis phase using qualitative methods assisted by analytical descriptive techniques, (3) the data analysis results stage uses informal methods supported by deductive techniques. The structure that builds in this research is a narrative structure. The incident began with I Gede Macaling issuing a bisama or promise to look for prey. The groove used is a straight groove. The main character in the Basma Rah Myth is I Gede Macaling. The setting used is generally a place in the residential area. The legend of Bukit Putung has a magical and religious theme, and has a mandate not to say words that will cause other people to suffer disaster. The aesthetic function contained in the Basma Rah Myth is the result of interviews with legends using Balinese, which is the mother tongue of the Balinese people. The pragmatic function of the Basma Rah Myth is as a source of knowledge and confirmation of one's superiority. The ethical function of the Basma Rah Myth is related to the ethics and norms that apply and are applied to community life. The historical function of the Basma Rah Myth is as an antidote to the danger issued by I Gede Macaling when he visited the village. The position of the Basma Rah Myth in literary value is as a form of gratitude and respect for the ancestors who have protected them. Caru and butuan pigs are used in ceremonies aimed at bringing bhuta kala and dengen to life.
PERAN PEREMPUAN DALAM LINGKUNGAN ALAM PADA KOMIK LUH AYU MANIK MAS: KAJIAN EKOFEMINISME: Kajian Ekofeminisme Dewi, Ni Made Candra; Sulibra, I Ketut Ngurah; Sutika, Nyoman Duana
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3541

Abstract

This research discusses seven series in the comic entitled Luh Ayu Manik Mas, namely Komik Luh Ayu Manik Mas Series 1 (Tresna Ring Alas), Komik Luh Ayu Manik Mas Series 2 (Ngae Mobile Library), Komik Luh Ayu Manik Mas Series 3 (Environmental Hero ), Comic Luh Ayu Manik Mas Series 4 (Fighting Plastic Luu), Comic Luh Ayu Manik Mas Series 5 (Local Mamula Woh-Wohan), Comic Luh Ayu Manik Mas Series 6 (Ngalahang Legu Poleng), and Comic Luh Ayu Manik Mas Series 7 (Ngrejek Village Virus Monster). This research aims to determine the structure and explain the role of women in the Luh Ayu Manik Mas Comic Series one to seven. This research uses structural theory, ecofeminist theory and feminist theory. This research is a type of qualitative descriptive research. The methods and techniques used in this research are the listening method with reading techniques and note-taking techniques. Next, data analysis uses qualitative methods assisted by analytical descriptive techniques. The stage of presenting the results of data analysis using a formal presentation method assisted by deductive techniques. The narrative structure that builds the story from the comic is incident, plot, character, setting, theme and message. The plot/plot uses a forward or progressive plot. The theme used is women's struggle to save the environment. One of the messages to be conveyed is to always preserve the environment. Furthermore, the role of women in the comic, namely Komik Luh Ayu Manik Mas, is the movement to care for the environment, the movement to preserve the environment, the movement to save the environment with the supernatural power of Luh Ayu Manik Mas, and the movement to keep the
FENOMENA MEMBELI TIRTHA PADA UPACARA NGABEN DI BALI: (Studi di Kabupaten Tabanan) Girinata, I Made; Giri, I Putu Agus Aryatnaya; Settings I Komang Dian Adi Purwadi
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3553

Abstract

The phenomenon of buying tirthas at cremation ceremonies in the Tabanan Regency area is deemed necessary to carry out research, considering that among the community there are pros and cons and even complaints because it is seen as something burdensome. Through this research, it is hoped that we will find the reasons that cause the phenomenon of buying tirtha at the cremation ceremony. The approach used in this research is a phenomenological approach. The data collected comes from primary data and secondary data. Data was collected using techniques: observation, interviews, and document study. Next, it is analyzed using qualitative descriptive and interpretative methods, then the final stage is presenting the research results. The research results show that the reasons for the phenomenon of "buying tirtha" at the cremation ceremony are: (1) the material aspects of making Tirtha Pangentas are difficult to obtain, (2) the authority and legality of the process of making Tirtha Pangentas only rests with Sulinggih/Siwa, (3). Tirtha Pangentas contains meaning as a means of freeing the spirit from worldly attachments and a guide to the spirit's journey to heaven according to its karma, (4) for practical and economic reasons, and (5) because of differences in perception in interpersonal communication.
EKSISTENSI TARI PENDET LANANG DALAM PIODALAN DI PURA PUSEH, DUSUN BAJING, DESA TEGAK, KLUNGKUNG Suryawan, I Gde; Aprilia, Ni Nengah; Yanti, Ni Luh Gede Mega
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3559

Abstract

The Pendet Lanang dance in Bajing Hamlet, Klungkung is a guardian dance or sacred dance which is part of religious ceremonies, especially in the piodalan at the Puseh temple in Bajing Hamlet, Klungkung which is held at the rahina Buddha Wage Klawu. The Pendet Lanang dance is danced in groups consisting of five adult men as dancers. The tools used by the dancers are a bowl which contains a pair of canang sari which means to invoke the strength of Ida Sang Hyang Widhi and its manifestations and a pair of incense which is symbolized as the God Agni which means as a witness and intermediary to connect people with Ida Sang Hyang Widhi. The uniqueness of the Pendet Lanang Dance is that this dance is only performed during piodalan at Puseh Temple, the dancers must be adult men who are members of the Puseh temple community in Bajing Hamlet who have gone through a purification process, one of the dancers must be a pinandita lanang from Puseh Temple. The aim of this research is to determine the existence of the Pendet Lanang dance in the piodalan at Puseh Temple, Bajing Hamlet, Tegak Village, Klungkung. This research data collection used unstructured observation techniques, interviews, documentation studies and literature studies. It is known that the Pendet Lanang dance is part of the implementation of Piodalan at Puseh Temple and is symbolic of welcoming the descent of the Gods during the Piodalan and is a form of offering before Ida Sang Hyang Widhi Wasa in the form of sacred performance art.
Pementasan Calonarang Gabos di Desa Bongkasa: (Kajian Estetika Hindu) Sari, Ni Luh Ratna; Perni, Ni Nyoman; Brahman, I Made Adi
Sphatika: Jurnal Teologi Vol 15 No 1 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i1.3652

Abstract

Calonarang Gabos is one of the performing arts which is staged at the Piodalan ceremony at Griya Sakti Manuaba Temple, Bongkasa Village as a medium of transcendental communication between worshipers and those who are worshiped, so Calonarang Gabos is called a sacred art that is full of sacred, tenget, religious and magical values to neutralize negative power. The Satyam, Sivam, Sundaram trilogy becomes a harmonious whole in the Calonarang Gabos performance, so that it is able to achieve a balance between sekala and niskala. This research uses Religious theory, Aesthetic theory, and Structural Semiotics theory to discuss the overall problem formulation in this study. The research method used in this study is a qualitative research method that emphasizes extracting information in the field by observation and describing it in narrative form that emphasizes theological, aesthetic values and the implications arising from the staging of Gabos Calonarang on the community in Bongkasa Village. The religiosity of the Calonarang Gabos performance is reflected in the religious emotions that are still very strong in the Bongkasa Village community which is able to become the basic foundation for the staging process to take place. Apart from the religious emotions, the Calonarang Gabos performance is also supported by a strong belief system in the power of Ida Bhatari Dalem, which is supported by the ritual system and the surrounding community, who are still consistent in maintaining the preservation of the arts through staging events. The Hindu aesthetic values contained in the Calonarang Gabos performance are Satyam, Sivam, and Sundaram. As well as the meanings contained in the Calonarang Gabos performance are theological meanings, social meanings, educational meanings, and balance meanings.
TEOLOGI KEBUDAYAAN PADA RELIEF PURA DALÊM SANGSIT DESA SANGSIT KECAMATAN SAWAN KABUPATEN BULELENG I Wayan Sunampan Putra; Ni Made, Yunitha Asri Diantary; Windya, Ida Made
Sphatika: Jurnal Teologi Vol 15 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i2.4051

Abstract

The purpose of this study is to study and analyze Pura Dalêm Kêlod Sangsit which has uniqueness in the form of symbols. Where in general Pura Dalêm is identical with scary things. However, Pura Dalêm Sangsit actually displays an erotic dimension. Departing from this gap, Pura Dalêm Kêlod Sangsit will be studied with cultural theology. The method used in this study is to use a qualitative research type with a cultural theology approach. The type of data is qualitative through the collection of observation data, interviews, and literature studies. Then analyzed using data analysis techniques. The results obtained are that Pura Dalêm Sangsit has a unique form of symbols that have erotic nuances, but erotic symbols as a cultural aspect not only have material aspects but also have spiritual and theological dimensions. So that there is a relationship between culture in the form of symbols with aspects of theology. From this, it can be concluded that the erotic symbols in Pura Dalêm Sangsit as a form of culture have theological meaning.
A, The PADAGINGAN DALAM TEKS DEWA TATWA (Perspektif Teologi Hindu): PADAGINGAN DALAM TEKS DEWA TATWA (Perspektif Teologi Hindu) Wedha, I Wayan Putu Artha; Harsananda, Hari; Suciartini, Ni Nyoman Ayu
Sphatika: Jurnal Teologi Vol 15 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i2.4069

Abstract

Hinduism is such a complex religious teaching that has such a wide range of teachings to learn and will continue to grow with time. One that testifies to the rich teachings of Hinduism is the literary work of religious teachings that is the basis for the execution of every ceremony, behavior, and conduct of human life. One of the most published texts is the text of the god tattwa that contains the teaching of the mekiis ceremony, ngusaba nini, establishes a sanggar tawang, and padagingan at palinggih. The palinggih comes in various shapes to suit the purpose of its construction, but not all of the buildings constructed may be listed as the most palinggih. What might be called the most palinggih is the building that has gone through the sacred stage and given by the spirit into the building. The text of the dewa tattwa is a text that refers to earlier texts of widhitattwa and candi narmada tattwa. It explains how important the blending of the most sophisticated building is. Where the aggregate is a symbol of spirit and an incredible entity that provides a positive vibrational. In practice it isa given material element that can serve as a medium for connecting humans to god.Padagingan is itself composed of components that are wholly meaningful as a symbol of realities that will be intertwined. These symbols are incorporated into a single entity which symbolizes so many manifestations of God that all come from one unthinkable. The symbol provides a basis for confidence in the people who hold such beliefs. The padagingan existence of an outside alloy as a means that brings positive vibrations as well as a medium to increase belief and firmness in carrying out religious teaching.
Ngurit: Ritual Awal dalam Tradisi Pertanian Bali untuk Menghormati Bumi dan Kehidupan: Ritual Awal dalam Tradisi Pertanian Bali untuk Menghormati Bumi dan Kehidupan Gaduh, Acyutananda Wayan; Widyawati, Anak Agung Ayu Alit
Sphatika: Jurnal Teologi Vol 15 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i2.4219

Abstract

Traditional Balinese agricultural practices are rooted in the life philosophy of the Hindu community, which emphasizes harmony between humans, nature, and spirituality, aligning with the Tri Hita Karana philosophy. The Subak, Bali's traditional agricultural organization, manages a farming system rich with agricultural rituals. Among these is the Ngurit ritual, a crucial part of the rice cultivation cycle, performed before the planting season to seek blessings from Dewi Śrī and Dewi Pṛthvī for a bountiful crop. Beyond tradition, Ngurit symbolizes respect for nature as a source of life. Amid modernization and global challenges such as climate change and shifts in younger generations' focus, traditional farming practices face significant pressures threatening their continuity. Through a holistic and regenerative approach, Ngurit also offers valuable perspectives on environmental conservation and sustainable agriculture. This article highlights the need to preserve the spiritual and ecological values embedded in traditional Balinese farming practices to ensure the well-being of Bali’s environment and the lives of future generations.
Soteriologi dalam Bhagavad Gītā Jelly, Ni Kadek; Saitya, Ida Bagus Subrahmaniam; Kurniarini, Ni Nyoman Yunike
Sphatika: Jurnal Teologi Vol 15 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v15i2.4232

Abstract

The Bhagavad Gītā, which is part of the Bhishmaparva and also part of the epic Mahabharata, is the most famous religious poem in Sanskrit literature. The Bhagavad Gītā was chosen as the object of research study because the Bhagavad Gītā emphasizes the knowledge of God Almighty, namely the teachings of salvation or soteriology which contains the ultimate goal of human life. The problem formulation found in this research is related to the form, function and meaning of soteriology in the Bhagavad Gītā. This research uses the theory of Hermeneutics. The method used in this study is a qualitative research method with several stages, namely: determining the type of research, looking for data sources both primary and secondary data, determining research instruments, collecting data using literature study methods, document studies, observation methods, and online data search methods. The forms of salvation teachings or soteriology in the Bhagavad Gītā consist of Bhakti Marga Yoga, Karma Marga Yoga, Jnana Marga Yoga, and Raja Marga Yoga. The function of soteriological teachings in the Bhagavad Gītā is that it has two functions, namely a religious function and a social function. And the meaning of soteriology in the Bhagavad Gītā has the meaning of theology, namely God who is seen in the form of Nirguna Brahman and Saguna Brahman. The meaning of Cosmology is that everything that exists comes from God and will be preserved and returned to God. And the meaning of liberation is that it can be achieved if you let go of all the results of worldly actions and ties and by practicing the spiritual path, namely yoga, focusing your mind on God.

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