Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

Humaniora

jurnal-humaniora
Website

Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 12 Documents

1 2

Search results for , issue "Vol 29, No 1 (2017)" : 12 Documents clear

Reflection on the Production of Knowledge: From Postmodernism to Pseudoscience Daud Aris Tanudirjo
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

In the last few years, the Indonesian government has impelled academics and higher education institutions as the centre of knowledge production to publish their works in reputed international journal. This policy is necessary to elevate the position of Indonesian higher education institution in the World University Rankings. In fact, such a policy will not only have impact on the status of the higher education institution but also in the course of human culture and society. This article tries to reflect on the impact of the implementation of the policy in the wider cultural context. Predictably, new knowledge will only be circulated among the elite academics and the higher education institutions will become inaccessible ivory tower for the society. On the other hand, the society will tend to consume more pseudoscientific knowledge which is more attractive and easier to understand. Ultimately this will have a significant impact on the course and quality of human culture.

The Mobilization of Using Cultures and Local Government’s Political-Economy Goals in Post-Reformation Banyuwangi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article deals with an ethnic identity-based-power through the mobilization of Using cultures in Banyuwangi under local government policies in post-Reformation. By juxtaposing Foucauldian discourse, Gramscian hegemony, and political economy perspective, we discuss some cultural projects conducted by two Banyuwangi regents in post-Reformation periods, Samsul Hadi (2000-2005) and Abdullah Azwar Anas (2010-2015 and re-elected for 2016-2021 period). With different emphasized aspects, both of them created programs, which incorporated and mobilized Using cultures for accomplishing their political economy goals. Samsul legalized Using cultural expression, such as a local dance and language, as the way to strengthen the dominant-ethnic identity and reach consensus for his political authority. In more sparkling activities, Anas has transformed Using identity into various carnival programs, which, in one side, have supported tourism industry and, in other side, have helped him in gaining consensus for his hegemonic position. However, in the context of real cultural empowerment, those programs have not given positive effect for the cultural worker in the grass root.

Social-Economic Immobility: A Study of Fishermen’s Struggle among Corporation Powers in the East Coast of Kalimantan, Indonesia Setiadi Setiadi; Agus Yuliono; Sonyaruri Satiti
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

A majority of fishermen in the coastal areas of Bumi Seribu Nyiur Melambai, East Kalimantan, Indonesia, are migrants from other islands of Indonesia. This paper presents results from a research of the fisherman community. Most of the fisherman came from lower-middle-class families. Both lower-and lower-middle-class fisherman have access to the development program, aids and others resources delivered by government and international corporate. This paper describes how most fisherman see and believe that Bumi Seribu Nyiur Melambai is an area of battle for many actors to upscale their economic and social mobility through accumulation of wealth and social status. Many fishermen express the ambiguity, uncertainty, and marginality of their social-economic status. The marginal status is caused by (i) Long Story of Unequal Social Structure; (ii) elite capture of programs and aids (iii) uncertainty and the loss of fishing area due to the presence of the company; (iv) Their technology are not able to resist the change of seasons. Data in this research are collected by qualitative and quantitative method, such as a participatory observation, in-depth interview, FGD, and survey.

The Tradition of Melayokaken in Using Society: The Causal Factors and Its Impacts Akhmad Haryono; Akhmad Sofyan; Samudji Samudji
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article discusses the tradition of Melayokaken, the causal factors, and the impacts of the tradion on Using Society in Banyuwangi. Melayokaken, as a tradition of elopement, had been maintained by Using community for a long time. For some Using People in Banyuwangi (UPB), this tradition was regarded as a pride because it could help to maintain the tradition that had been formed since the time of their ancestors. But on the other hand, melayokaken tradition is considered violating the norms followed by Using people, namely religious norms, anti conflicts and living in peace. The method used in this study is qualitative method. Data were collected through participatory observations, interviews, notings, and recordings. The method of analysis used in this research is descriptive qualitative method. This research resulted in the finding that there is a factor that can maintain the tradition of melayokaken, namely as an alternative means to resolve the impasse communication in entering the marriage, for example due to: differences in status and social class, educational factors, the bride family may not marry more than one time in a year, the bridegroom candidate has not got a job yet, the candidates of the bride and the bridegroom are not yet old enough, the birth dates of the two are not good and matched, the marriage must not precede an older sister marriage, the bride candidate has already been betrothed by parents.This entails two impacts of the tradition, namely positive and negative. The positive side proves that melayokaken can penetrate the gap in status and social class between the two families and the things which are recognized less rational in the contemporary perspective. And the negative side proves that melayokaken had violated the norms, ethics, and religious values embraced by Using society although there was no significant impact on the doers’ social lives and in the community.

Redefining The Term of Dukun Sartini Sartini; Heddy Shri Ahimsa-Putra
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Dukun, wong pinter, and other terms, commonly constitutes to the term of shamanism, are often interpreted in the same way. In particular, the dukun and wong pinter are generally understood as persons who have extraordinary or even supernatural powers, are capable of communicating with spirits and understanding the unseen, can generally help resolve issues faced by members of their communities, including illnesses, spiritual disturbances, lost items, unfortunate fates, etc. They are also predicated to charge to the patient and even willing to help witchcraft to harm other people. In fact, not all shamans have negative behaviors. In Temanggung, Central Java, though this general understanding is still common, there is distinction in the specific details and characteristics of the dukun and wong pinter. Dukun are often understood negatively, meanwhile the wong pinter has more positive connotations. Because of the different principle meaning the both terms should not be generalized and used appropriately and wisely. Improper use can cause discomfort in the community, and academically the both term actually refers to a completely different subject characteristics.

The Aesthetics of a Three-Way Pattern: The Musical Concept of Talempong Renjeang and The Social System of The People of Luhak Nan Tigo Minangkabau Andar Indra Sastra
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The goal of this article is to discuss the aesthetics of the three-way pattern in the musical concept of talempong renjeang (tenteng) and the social system of the people of Luhak Nan Tigo Minangkabau. The musical concept of talempong renjeang is formed by 3 (three) pairs of talempong: talempong Jantan, talempong Paningkah, and talempong Pangawinan. As the ‘leader’, the talempong Jantan maintains the consistency and integrity of the theme and danyuik (tempo) of the playing, the talempong Paningkah follows the lead of the talempong Jantan using different playing motifs, and the talempong Pangawinan has the role and authority to make the guguah (melody) of the talempong complete – creating a three-way aesthetical pattern. The social system of the people of LuhakNan Tigo was created by three legendary figures, namely Dt. Katumangguangan, Dt. Parpatiah Nan Sabatang, and Dt. Nan Sakelap Dunia (RajoBabandiang). From these three figures, the concept of tali tigo sapilin, tungku nan tigo sajarangan was born (a philosophy of harmony). The method used for the research is based on qualitative data which was collected through observation, interviews, and documentation. The data analysis focuses the talempong renjeang as a musical and the social system of the Minangkabau community which began with two legendary Minangkabau figures. The results of the study show that talempong as a musical system corresponds to, or synchronizes with, the social concept of the people of Luhak Nan Tigo Minangkabau.

Common Discourse Patterns of Cross-diciplinary Research Article Abstracts in English Tofan Dwi Hardjanto
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Because of its important role in the advancement of science, attempts have been made to investigate research article abstracts in terms of both their discourse patterning and their linguistic characteristics. This research is an attempt to examine their rhetorical patterning. More specifically, it addresses the questions what common discourse patterns research article abstracts have and whether abstracts from different disciplines show different patterns. The research corpus contained 50 research article abstracts collected from five international journals published in the fields of biology, engineering, linguistics, medicine and physics. The data were analyzed using a four-move abstract structure developed by Hardjanto (1997). The results showed that Moves 1, 3 and 4 were found in most abstracts, and were, therefore, considered as obligatory moves in the abstracts. The most common pattern was found to be a pattern containing all the four moves in the order of 1-2-3-4, especially in abstracts from medicine and linguistics. Another common pattern was a 1-3-4 pattern, found especially in abstracts from biology and physics, whereas abstracts from engineering did not show any preference for a specific pattern even though 40% of them had a 1-2-3-4 pattern. These results suggest that there is a significant disciplinary variation in English research article abstract patterning.

Integration of French Lexicons in New Caledonian Javanese Subiyantoro Subiyantoro; Marsono Marsono; Wening Udasmoro
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

One of the peculiarities of New Caledonian is its French nuance, especially on the many French lexicons that either have integrated in the Javanese variant or are only borrowed. This study tries to answer the questions of what underlies the use of the French lexicons and how these lexicons integrated in New Caledonian Javanese. The data for this study were obtained through speech recordings as well as live interviews with a number of representative informants in New Caledonia. The data were collected through a qualitative manner in February 2013. Theories on language contacts, in particular with regards to loanwords, were implemented to analyze the data. The findings of this study indicate that the use of the French lexicons are caused by, firstly, the nonexistence of their equivalents in the recipient language (Javanese), secondly, Javanese speakers’ motivation to distinguish themselves from other speakers, and the tendency of the Javanese to find the practical and easier way in dealing with the French lexicons.

Packaging Differences of News Content on Title Atiqa Sabardila; I Dewa Putu Wijana; Suhandano Suhandano
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study investigates anything that underlie the differences of the variation on the packaging variation of the news content on the title that is based on the topicalization, the materials of news title writing, clarity and complexity of the news content, reference shifting from the title to the body of the news, roles of the mediator and the source of the news, maintaining the local value of the news, comparison between the news content on the prior text, and the ideology of the news. The analysis was conducted through pragmatic identity method, referential identity method, and traditional identity method. The data were analyzed by employing discourse approach (: micro-structure), especially the connectivity between the title to the body of the news.There are many things that underlie the differences of news content packaging on the straight news. From the structure of the news element, it can be found the several topicalizations such as the topicalization of what, who, where, when, cause, manner, or the combination of two or more elements of the news. A clear and complex package of a news content on the title gives an ease to the reader to understand the news content. However, in a package which does not put the clear reference on the title, the readers are suggested to continue to read the body of the news. Then, in a package which put the source of the news and its utterance on the title, the journalist tries to enclose the relation of the reader to the source of the news. Meanwhile, in a package which put the journalist as the mediator, the readers are invited to understand the content of the news based on their understanding and interpretation. As a commodity, any packages are utilized so that the news papers are not left behind by the readers. In a news which contains local value, the local utterances are maintained for the readers from other area to learn. Finally, in the package of the news content, the selection of the news topics becomes the ideologies which are harmonized with their vision-mission.

Creative Industry: Two Cases of Performing Arts Market in Indonesia and South Korea Juju Masunah
Humaniora Vol 29, No 1 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article explores the concepts and practices of performing arts market, one of the fifteen sub-sectors of creative industry in Indonesia. This study discusses two performances namely Indonesia Performing Arts Market (IPAM) 2013 in Indonesia and Performing Arts Market in Seoul (PAMS) 2015, South Korea. The data were collected through participatory observation, interview, literature review, and personal reflections. The data were analyzed by using triangulation, member check, compare and contrast, and interpretation. The findings of this research show that the similarity of the two performing arts markets lies in their concept of globalization in regards to world society. The performing arts markets share two similar targets, festival in the country and tour abroad. The main differences between IPAM and PAMS are the scope of the event and the institution holding the event. IPAM showcased the works of Indonesian performing arts, while PAMS showcased the works of Korean performing arts and the arts from other countries. IPAM 2013 was organized by the central government, while PAMS 2015 was organized by Korean Arts Management Services (KAMS) that was financially supported by the central government of South Korea.

Page 1 of 2 | Total Record : 12

1 2

Filter by Year

2017 2017

Filter By Issues

All Issue Vol 37, No 1 (2025) Vol 36, No 2 (2024) Vol 36, No 1 (2024) Vol 35, No 2 (2023) Vol 35, No 1 (2023) Vol 34, No 2 (2022) Vol 34, No 1 (2022) Vol 33, No 3 (2021) Vol 33, No 2 (2021) Vol 33, No 1 (2021) Vol 32, No 3 (2020) Vol 32, No 2 (2020) Vol 32, No 1 (2020) Vol 31, No 3 (2019) Vol 31, No 2 (2019) Vol 31, No 1 (2019) Vol 30, No 3 (2018) Vol 30, No 2 (2018) Vol 30, No 1 (2018) Vol 29, No 3 (2017) Vol 29, No 2 (2017) Vol 29, No 1 (2017) Vol 28, No 3 (2016) Vol 28, No 2 (2016) Vol 28, No 1 (2016) Vol 27, No 3 (2015) Vol 27, No 2 (2015) Vol 27, No 1 (2015) Vol 26, No 3 (2014) Vol 26, No 2 (2014) Vol 26, No 1 (2014) Vol 25, No 3 (2013) Vol 25, No 2 (2013) Vol 25, No 1 (2013) Vol 24, No 3 (2012) Vol 24, No 2 (2012) Vol 24, No 1 (2012) Vol 23, No 3 (2011) Vol 23, No 2 (2011) Vol 23, No 1 (2011) Vol 22, No 3 (2010) Vol 22, No 2 (2010) Vol 22, No 1 (2010) Vol 21, No 3 (2009) Vol 21, No 2 (2009) Vol 21, No 1 (2009) Vol 20, No 3 (2008) Vol 20, No 2 (2008) Vol 20, No 1 (2008) Vol 19, No 3 (2007) Vol 19, No 2 (2007) Vol 19, No 1 (2007) Vol 18, No 3 (2006) Vol 18, No 2 (2006) Vol 18, No 1 (2006) Vol 17, No 3 (2005) Vol 17, No 2 (2005) Vol 17, No 1 (2005) Vol 16, No 3 (2004) Vol 16, No 2 (2004) Vol 16, No 1 (2004) Vol 15, No 3 (2003) Vol 15, No 2 (2003) Vol 15, No 1 (2003) Vol 14, No 3 (2002) Vol 14, No 2 (2002) Vol 14, No 1 (2002) Vol 13, No 3 (2001) Vol 13, No 1 (2001) Vol 12, No 3 (2000) Vol 12, No 2 (2000) Vol 12, No 1 (2000) Vol 11, No 3 (1999) Vol 11, No 2 (1999) Vol 11, No 1 (1999) Vol 10, No 1 (1998) No 9 (1998) No 8 (1998) No 6 (1997) No 5 (1997) No 4 (1997) No 3 (1996) No 2 (1995) No 1 (1995) No 1 (1994) No 3 (1991) No 2 (1991) No 1 (1989) More Issue

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA