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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 950 Documents

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Peran Perempuan Amerika dalam Agama Juliasih Kusharyanto; Siti Chamamah- Soeratno; Stephanus Djawanai
Humaniora Vol 16, No 3 (2004)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Education for women, which is at first intended to transform them to be good mothers in raising their children, especially in providing basic education of religion for them, has become a boomerang. Religion and education transform women into religious and intellectual figures. They start to realize and think of their existence. They are different from men only physically, but it does not necessarily mean that they are also intellectually different. They prove themselves that they are able to develop their intellectuality if there is the opportunity. They become women who are thinking, confident, brave, and self-sufficient. Their role and activities in religion show their potency.

Kajian Sosio Budaya Kumpulan Sajak Madura "Akulah Darahmu" Karya D. Zawawi Imron Teguh Santoso
Humaniora Vol 16, No 3 (2004)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Cultural complexity predicts not only more color terms in a society, but also a larger number of general terms for classifying plants and animals, for example, the poems written by Zawawi Imron who has Madurese background. One way a society's language may reflect its corresponding culture in its lexical content, or vocabulary. Experiences, events or objects singled out and given simple or single morph names may be a result of cultural characteristics.

Persejajaran Unsur-unsur Autochton dalam Cerita Panji Angreni dengan Cerita PantunMundinglaya Dikusumah Anung Tedjowirawan
Humaniora Vol 16, No 3 (2004)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Panji Angreni is a popular Panji story while the others besides Mundignlaya Dikusumah poem story a well known Sunda poesm, besides Lutung Kesarung, Ciung Wanara, and Nyi Sumur Bandung. Lirk common poems, Mundinglaya Dikusumah story belongs to a series of sacred stories or legends and is connected with traditional ceremonies such as children circumcision or marriage. The connection between Panji story with Padjajaran King. Fact of that Prabu Surya Amiluhur as a figure Panji story, will be the King of Padjajaran in the future. Poerbatjaraka and Berf claimed that Panji stories have historical background Poerbatjaraka placed the figure, in the era of Kediri while Berg placed them during the region of Hayam Wuruk in Majapahit Kingdom by Hayam Wuruk King. Rases Anthropology Structure Analysis of Panji Angreni Story and Mundinglaya Dikusumah poem story explained that both of the stories contained autochton principles which include; a)Totemisme, b) Classification System, c) Myte, 4) Cross Caussine, e) Stamheros and f) Intitation.

Sejarah Trah Yudanegaran Sugeng Priyadi
Humaniora Vol 16, No 3 (2004)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The interesting free-family of yudonegara of Banyumas can be traced from various historical texts about Banyumas. It is known that Yudonegara I until Yudonegara V had ruled Banyumas. The power of Surakarta kings were so great and they had strong influence in the changes of power. The Yudonegara V free family ended after Yudonegara V was forced to leave his power by external factors. Banyumas was then split into two parts, namely Kesepuhan and Kanoman.

Bentuk dan Isi Mantra Edi Suwatno
Humaniora Vol 16, No 3 (2004)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Mantra (magic formula) is a speech that invites an inscrutable power to heal, to expel ghost, ask rain, deliver accident, etc. Based on poetic principles, mantra is structured from words order element such as poetry like rhyme, song; that is considered as elements of inscrutable power spoken by dukun or pawang to protect from other inscrutable power. Mantra manifests to various things/ways. It could be poetry, pantun (traditional poetry), kidung, song, or lyrics, and lyric prose. Mantra also has various content or functions such as healing diseases, raising seedlings of rice plant, postponing rainm, etc.

Dari Ritual Ke Panggung Pertunjukan: Perkembangan Tari Dalam Kehidupan Masyarakat Tati Narawati
Humaniora Vol 16, No 3 (2004)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

There are three primary functions of dance in human life, i.e., for ritual,for personal entertainment, and for aesthetic presentation. All dance experts believe that the oldest function of dance in human life is for ritual. Dance is needed on the occasion of birth, circumcision, marriage, death, war, changes of the moon and sickness. Bali is the richest island of dance in Indonesia and known as "paradise in the world of arts. The Balinese dance ritual dances for gods, for spirits of the ancestors, for religious seers, for human beings, and also for the underworld spirits. Indonesia is rich in dance for personal entertainment, such as tayuban in Central and East Java, Jaipongan in West Java, gandrung in East Java, joget in Bali, ronggeng Melayu in Sumatera, etc. The development of urban population with sufficient income has influenced the development of dance as aesthetic presentation, because the urban people, categorized as the cultural consumers, need some aesthetic entertainment for their leisure time. The best country in the world whose amazing development of her dance as aesthetic presentation is the United States of America and New York is widely known as "the mecca of performing arts"

Problem Pemukiman Pascarevolusi Kemerdekaan: Studi tentang Pemukiman Liar di Kota Surabaya 1945-1960 Purnawan Basundoro
Humaniora Vol 16, No 3 (2004)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Perkembangan Surabaya menjadi kota metropolis diikuti oleh pertumbuhan populasi yang dikarenakan banyaknya perpindahan penduduk ke Surabaya. Ironisnya, pertumbuhan penduduk ini tidak sama dengan ketersediaan lahan untuk pemukiman. Dampaknya, banyak penduduk yang tinggal secara liar, tanpa ijin pemerintah.

SŪRYA DALAM PRATIṢṬHĀ DAN RASAVYAÑJAKA: HERMENEUTIK BHĪṢMA DALAM KAKAVIN AMBŚRAYA MENURUT TEORI DHVANI ĀNANDVARDHANA Manu J. Widyaseputra
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article explores the existence of Bhīṣma in theAmbâśraya Kakavin with applying the Dhvani theory ofĀnandavardhana in his book Dhvanyāloka. Dhvani isbasically a hint, a silent suggestion, and works merethrough evocation than through implication. Whatever isimplied can be arrived at merely from an analysis of theimplying statement or gesture. Not so with dhvani. Noamount of analysis can be lay bare the dhvani-effect, ifthe hearer/reader does not have a special qaulity thatattunes him to it. Whereas an implication can be pin-pointed, and even expressed, dhvani can never be pin-pointed, much less can it be expressed in words. It can atbest be merely pointed at through figures speech of OldJavanese kakavin but its precise content evadesformulation.

ROMAN PERGAOELAN, PENULISAN SEJARAH, DAN KANONISASI SASTRA INDONESIA Sudarmoko Sudarmoko
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The history of Indonesian Literature mainly based on canonical works established by scholars and critics. In this condition, literary works published by private and periphery publishers are ignored from the history of Indonesian literature. This paper discusses a private publisher, Penjiaran Ilmoe (1938-42), which published a series of literary works called Roman Pergaoelan in correlation with the writing of the historyIndonesian literature. The discussion presented in this paper is based on the sociology of literature, exploring the extrinsic and intrinsic aspects of Roman Pergaoelan. The discussion is hoped to give a contribution in the development of writing the history of Indonesian literature by considering literary works published in out side centre of authority and categorized as popular or dime literature.

TRANSFORMASI LINTAS GENRE: DARI NOVEL KE FILM, DARI FILM KE NOVEL Heru S. P. Saputra
Humaniora Vol 21, No 1 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article is aimed at scrutinizing the ecranisation in thetransformation across genre, that is from novels to films, and viceversa. It was found that the ecranisation process from novels tofilms is a process envolving the reactualisation from the writtenlanguage to the audio visual language. The implication of thatprocess is that there are some efforts to shrink, add, or alter partsof the story for various goals. Seen from the perspective of thesociology of literature, this effort could initiate the low readingmotivation to the high watching motivation. In the context ofaesthetic idealism, ecranisation actually exposes an author’sdepression due to his lack of ability to articulate his audio visuallanguage in representing the written language. In contrast, filmshas been de-ecranised into novels. An across genre transformationprocess is thus made, that is from the audio visual tradition,wrapped by advanced technology, to the reading-writing tradition.The latter tradition phenomena is different from the former,specifically in its perspective of the social function of literature.Unfortunately, both cannot avoid the hegemony of industrialisation.Literature and films are no more concerned with easthetic values.Rather they mingle in industrialisation, in particular theentertainment industry.

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Home Page

OAI Link

Editorial Team

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Reviewer

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Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

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Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA