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I Kadek Widiantana
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UHN I Gusti Bagus Sugriwa Denpasar Jl. Ratna No.51, Tonja, Kec. Denpasar Utara Kota Denpasar, Bali 80237
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Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra
Published by Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
ISSN : 1979634X     EISSN : 26860252     DOI : https://doi.org/10.25078/kalangwan
Core Subject : Education,
Education Languange, Linguistic, Communication & Media
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra merupakan jurnal ilmiah yang memiliki misi memperluas kajian bidang bahasa dan sastra daerah sebagai referensi dalam mewujudkan pendidikan bahasa dan sastra daerah sebagai bagian dari kekayaan budaya lokal Nusantara. Penguatan pendidikan bahasa dan sastra daerah penting untuk dioptimalkan, tidak hanya di lingkungan keluarga maupun pendidikan formal saja, tetapi juga melalui kajian-kajian ilmiah hasil penelitian maupun hasil pemikiran yang mengacu pada kaidah-kaidah ilmiah. Tujuannya adalah untuk menjadikan pendidikan bahasa dan sastra daerah sebagai landasan dalam mewujudkan masyarakat yang bermartabat, cerdas, humanis dan berwawasan multikultural.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 163 Documents
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ANALISIS MAKNA SIMBOL, GAYA BAHASA, DAN PESAN DALAM LIRIK LAGU KUANGAN BAYUHAN : KAJIAN SEMIOTIKA ROLAND BARTHES Ketut Manik Asta Jaya; I Ketut Tanu
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol.16 No. 2 Tahun 2026
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/kalangwan.vi.7162

Abstract

This study aims to analyze the symbolic meanings, stylistic devices, and moral messages in the lyrics of the Balinese pop song "Kuangan Bayuhan," employing Roland Barthes' semiotic approach and stylistics. A qualitative research method was used, utilizing content analysis of the song lyrics as the primary data source. The analysis reveals that symbols such as kuangan bayuhan (an incomplete purification ritual offering), kuangan baten otonan (an incomplete birthday ritual offering), a failed engagement, and rhetorical questions regarding one's face and appearance connotatively construct a cultural myth concerning the interplay of fate, spirituality, social acceptance, and identity crisis within Balinese society. Dominant stylistic devices include rhetorical questions, repetition, hyperbole, metaphor, and irony; these serve to intensify the protagonist's emotional expression while enhancing the lyrical aesthetics. The moral messages conveyed include the importance of avoiding excessive self-blame, a critique of the social stigma faced by individuals with failed relationships, the value of loyalty and commitment, resilience in the face of adversity, and a rejection of judgments based solely on physical appearance. The study's novelty lies in the simultaneous integration of Roland Barthes' semiotics and stylistics to uncover the connections between cultural symbols, stylistic choices, and moral messages in Balinese pop lyrics an integrated approach rarely applied in the study of Balinese-language regional songs. Thus, "Kuangan Bayuhan" functions not merely as entertainment but also as a cultural text reflecting how Balinese society interprets romantic relationships, fortune, and life through a system of signs embedded in the collective consciousness.
ESTETIKA VISUAL DALAM DESAIN PARIWISATA KOTA DAN RESPON SOSIAL MASYARAKAT TERHADAP NILAI TAMBAH EKONOMI KREATIF BANDUNG: TINJAUAN AGAMA, BAHASA, DAN SASTRA SUNDA Inggi Lestari
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol.16 No. 2 Tahun 2026
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/kalangwan.vi.7236

Abstract

This study aims to dissect the relationship between the Dynamics of the Urban Space Design Process (X1) and the Effectiveness of Sustainable Tourism Infrastructure Development (X2) through the lens of linguistics, literature, and Sundanese religious cosmology in Bandung. An explanatory sequential Mixed Methods approach was used by distributing questionnaires to 400 respondents in Braga, Cihapit, Dago, and Cilaki, followed by in-depth interviews based on literary discourse analysis. Statistical data processing using SPSS showed that the correlation between X1 and welfare recovery (Y) had a positive influence with a determination coefficient of $R^2 = 0.082$ and significance $p = 0.087$. Qualitatively, spatial planning that ignores local language toponymy and the philosophy of Tri Tangtu di Buana triggers social resistance. Modern urban design often erases the traces of oral literature and the religious memory of communal societies. This study found that successful tourism infrastructure is not only determined by the ergonomics of asphalt and concrete but by the spatial layout's ability to maintain the dialectic of silih asih, silih asah, silih asuh. The integration of the Sundanese Linguistic Landscape and inclusive design is the main key to the resilience of tourism MSMEs. Therefore, urban revitalization must restore the spiritual soul of the area to avoid cultural uprooting.
REPRESENTASI BUDAYA BALI DALAM LONTAR LUBAK JENGGOT Ni Komang Ayuk Lilis Saputri; I Kadek Widiantana
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol.16 No. 2 Tahun 2026
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/kalangwan.vi.7609

Abstract

This study aims to analyze the representation of Balinese culture in the *Lontar Satua Lubak Jenggot* by examining its narrative structure, depictions of social life, use of humor as a vehicle for social criticism, and cultural significance through the lens of literary anthropology. The research employs a qualitative method with a descriptive approach. Data consist of events, character actions, and narrative segments that reflect cultural representations within the lontar text. Data collection was conducted using reading-and-notetaking techniques alongside documentation, while data analysis involved selection, categorization, interpretation, and the drawing of conclusions. Cultural representation is manifested through household economic activities, social interactions, and the portrayal of characters based on their social and religious standing. Humor serves both to create amusement and to open a space for critical interpretation regarding the social status and behavior of the characters. This suggests that the Lontar Satua Lubak Jenggot can be re-examined critically to understand cultural representation in traditional Balinese literature and its ongoing relevance to contemporary society.

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