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Yoga Sudarisman
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Lt. 3 Gedung Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung Jl. AH. Nasution No. 105 Cipadung Cibiru Bandung 40614 Telp. (022) 7810790 Fax. (022) 7803936
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INDONESIA
Saksama: Jurnal Sastra
Published by UIN Sunan Gunung Djati Bandung
ISSN : -     EISSN : 29864550     DOI : https://doi.org/10.15575/sksm
Core Subject : Humanities, Art,
Arts Humanities
Saksama: Jurnal Sastra is a twice-yearly open access journal starts on the structural, post-structural, post-modern, comparative and post-colonial approaches to the critical analysis and interpretation of literature, with a special preference given to underrepresented works. Articles submitted should offer a critical viewpoint on modern works and contribute to ongoing literary discussions.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 8 Documents
 1 
Search results for , issue "Vol 1, No 2 (2022): Saksama" : 8 Documents clear
REFUTATION OF LAURA MULVEY'S 'MALE GAZE' THEORY IN FILM LITTLE WOMEN (2019) Virgiena Salsabila; Lili Awaludin; Hasbi Assiddiqi
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (810.409 KB) | DOI: 10.15575/sksm.v1i2.23899

Abstract

Film, along with other literary works such as books, poetry and theater, is one of the mediums used in the contemporary day to communicate messages to society. Greta Gerwig adapted the film Little Women (2019) from the novel Little Women (1868) by Louisa May Alcott. This film shows a breakthrough over the prejudice and discrimination towards women in 19th-century cinema. The subject of female gaze has received attention since, up to this point, women have frequently only been shown as passive narrative objects, or even as the principal sexual objects in movies. Analyzing by comparing Laura Mulvey's theory regarding female gaze and male gaze through the phenomena contained in the film Little Women, which narrates the lives of five young women during their adolescent years. The image of women in the film Little Women does not appear as an object but a subject, the characters in the film Little appears strong, ambitious and optimistic. Little Women proves that Mulvey's theory of the patriarchal world is neither permanent nor obligatory.
PICARESQUE NOVELS IN CANNERY ROW, CANDIDE OR OPTIMISM, AND DON QUIJOTE Muhamad Ghifari Muharam; Tenny Sudjatnika; Pepen Priyawan
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (673.297 KB) | DOI: 10.15575/sksm.v1i2.25098

Abstract

The research compared rascals in three Picaresque novels: Cannery Row, Candide or Optimism, and Don Quijote. It used Picaresque theories from Clarence Hugh Holman (1972), as well as Gustavo Pellon and Julio Rodriguez-Luis (1986), that specified rascal or rogue. This understanding explains how some Picaresque novels feature rascal characters who are silly, stupid, reckless, rude and have other negative traits, but they also have qualities of kindness, a good heart, and attentiveness hidden behind them. Mack and the boys, Candide, and Don Quijote are all depicted as rogues. The Picaresque element is used as a formula in the story to determine and exemplify rascal values. The researcher stated two problems related to Picaresque rascal: what are the similarities between Picaresque rascals in Cannery Row, Candide or Optimism, and Don Quijote? In addition, the purpose of this research is to identify Picaresque rascals in three objects. Furthermore, this research utilizes Ian Dey's (1993) literary criticism method, namely qualitative analysis. It is used to decipher the data of each object one by one and to obtain information about the Picaresque. The researcher then used Susan Bassnett's (1999) comparative method to compare topics. The similarities between the three objects are the results of this research. The similarities are rascals, education, instability of personality, criminality, and themes.  Keywords: Comparative Literature 1; Elements 2; Novel 3; Picaresque 4; Rascal 5
ELEMENTS OF POETRY THROUGH ROMANTIC PERSPECTIVE IN A NOVEL “LELAKI HARIMAU” BY EKA KURNIAWAN Natia Nur Aropah
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (703.911 KB) | DOI: 10.15575/sksm.v1i2.22996

Abstract

Literary works cannot be separated from the activity of thinking, imagining or observing sensitivity the author and his environment. This means that literary works are the result of an author's expressive feeling with full strength of heart, intuition and imagination. It's the same as the romantic criticism which prioritizes aspects of the heart, intuition and soul in expressing the natural context in literary work. This research aims to examine that how element of poetry through romantic perspective play a role in expressing the natural context in the novel Lelaki Harimau by Eka Kurniawan. This novel is beautifully conveyed by Eka about the beauty of nature until the reader feels it for real. For the element of poetry in this research thorough romantic perspective is nature was often presented as a work of art itself, constructed by a divine imagination, in emblematic language, and a nature full of wildness, irrational reason. Common life situation or rural life unite with the nature is a mature life landscape and a natural life according to Romantic perspective. However the next element of poetry is colouring imagination, something that is considered ordinary must be brought into our minds to be an unusual aspect. Making objects that we generally know are displayed uncommon. And the last element is prophetic intelligence how great the author is in processing text with the power of his words in a text that feels real, carried the reader into the soul and carried away by the atmosphere.Keywords: Romanticism; element of poetry ; nature
ETNISITAS SUNDA DALAM NOVEL PEREMPUAN BERNAMA ARJUNA 6 KARYA REMY SYLADO Riyandi Riyandi; Miftahul Malik; Wachyudin Wachyudin
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (806.707 KB) | DOI: 10.15575/sksm.v1i2.22817

Abstract

Indonesia merupakan negara yang heterogen terdiri dari berbagai macam kebudayaan, bahasa dan juga etnis. Setiap etnis di Indonesia memiliki nilai budaya yang dapat dipelajari. Memahami nilai budaya dalam etnis tentunya menjadi hal yang sangat penting sebagai penguatan terhadap nilai-nilai lokal yang menjadi ciri khas bangsa Indonesia. Etnisitas sebagai bagian dari muatan lokal sangat penting untuk diajarkan. Dalam Permendikbud no 79 tahun 2014 pasal 6 butir (e), muatan lokal dapat diajarkan melalui pembelajaran yang relevan. Sastra dapat menjadi media pembelajaran dalam menggali nilai-nilai etnisitas. Penelitian ini bertujuan untuk mendeskripsikan etnisitas dalam novel Perempuan Bernama Arjuna 6 karya Remy Sylado. Metode yang digunakan adalah metode deskriptif kualitatif. Hasil penelitian yang diperoleh yaitu dapat disimpulkan bahwa etnisitas Sunda yang tergambar dalam novel Perempuan Bernama Arjuna 6 karya Remy Sylado yaitu, nama daerah, salam sapaan, rumah adat, metafora, bentuk bahasa, bentuk seni, dan tradisi lisan
EDUCATIONAL LACK OF WOMEN IN OKKY MADASARI’S ENTROK Nurul Rahmawati; Dian Nurrachman
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (613.982 KB) | DOI: 10.15575/sksm.v1i2.22759

Abstract

This research is aims to know how educational lack of women in the novel entitled Entrok by Okky Madasari. Entrok is a novel by Okky Madasari which contains various issues, one of which is the issue of feminism. This novel also shows life in old tradition in a village where everything is far from modern, where women are completely blocked by the tyranny of men and labeled as 'weak'. The theory used in this research is theory feminism by Mary Wollstonecraft. And the result showed that not everyone can get an education, like Sumarni and Simbok in this Entrok novel. And more than that, the position of a woman when she does not have an educational background, she will be increasingly under men and make her have a 'weak character'. This be accordance with Mary Wollstonecraft, she expressed her view that the 'weakness' of women is due to the lack of education that women get and women's pleasure in reading or watching picisan. So that makes women put their feelings first.
THE NOVELTY OF PLOT IN LEILA S CHUDORI'S PULANG Viona Gita Kusaeri
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (608.087 KB) | DOI: 10.15575/sksm.v1i2.23933

Abstract

Literary works are built from the harmony of intrinsic elements such as theme, plot, characterization, setting, point of view, style, and mandate. Plot is one of the crucial elements in a story which can combine all the elements in a story to become harmonious. From the plot, we can know the events of the character’s characteristics and the conflicts faced by the story. It can clearly describe the storyline that wants to create by the writer. Pulang by Leila S Chudori is one of the novels that have a unique plot which is created from the letter’s media. The new way of conveying the plot is called novelty.  The novelty is created for avoiding monotony in a story. Every stage of plot such as exposition, inciting moment, rising action, conflict/climax, falling action and denonement can be made to make a surprise so that the reader feels interested and curious about the next stage of plot. This is what Leila does to build her plot more interesting and unique. Leila in Pulang uses a regressive plot because the sequence of events told in fiction is not chronological, the story starts from the middle stage when Dimas Suryo is already in Paris. Besides the letter media that Leila uses in the story, she also used novelty for the renewal of the written media based on the developments of electronic media from 1965-1998. Through this kind of novelty, Leila succeeds in getting the reader to be influenced by Indonesia’s dark history which is written from a different perspective.
REDUCTION OF PLOT IN NOVEL IF BEALE STREET COULD TALK (1974) BY JAMES BALDWIN INTO FILM IF BEALE STREET COULD TALK (2018) BY BARRY JENKINS Nanda Amelia Handaeni; Ika Yatmikasari; Yoga Sudarisman
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (626.266 KB) | DOI: 10.15575/sksm.v1i2.24500

Abstract

The objectives of this study are to (1) describe the ecranisation process in terms of plot reduction and (2) explain the function of the ecranisation process that appears in the plot of James Baldwin's novel If Beale Street Could Talk (1974) to the film If Beale Street Could Talk (2018) by Barry Jenkins. This study employs ecranisation theory by Eneste (1991) to analyze the transformation from novel into Film If Beale Street Could Talk. Descriptive qualitative data analysis was employed in this study. Data collecting methods based on a review of the literature because the medium utilized to create novels and films are different, the results of this study show that the ecranisation process happens in the plot. The reduction of plot from components that aren't as crucial for display causes a general reduction.
ACTION OF ADVENTURE FORMULA IN MULAN 2020 Zulfa Nur Azizah; Siti Awalia Maryani; Siti Hotimah Afriani
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v1i2.27823

Abstract

Films that have action and adventure genres appeal to the audience by displaying scenes that have a sense of tension due to murders, resistance, and extreme actions played by the characters.  This research focuses on the narrative and analysis formula fiction. The analysis conducted on the film Mulan 2020 aims to understand the fiction of action and adventure formula, as well as what the action functions in the adventure formula. The research data is in the form of information about film units related to the formulation of the problem which includes John G. Cawelti’s four formulaic fictions, namely storylines, characters, settings, and situations contained in the animated film Mulan 2020. The data collection technique used in this study is the method of observation and literature study. The film Mulan 2020 is an adaptation of one of Disney’s animated live-action films of the same name. Overall, this film presents action and adventure that amazes and attracts the audience by displaying the martial arts skills of the main character. In each of her struggles, this film gives us a deep understanding of how the character Mulan fights for truth and freedom. And more interestingly, Mulan is a strong woman.

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