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Sugih Nugroho
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Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 301 Documents
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Asem, Sawo, Kelapa, dan Masyarakat Kota Serang Tustiantina, Diana
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
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Abstract

Representation of community identity can be displayed through the diversity of culture and traditions. The result of a growing culture one of which is the culinary community. Representation identity is shown through herbs and materials used in processing. This study tries to assess and explain the meaning through symbols and markings on the tree represents Identity society through semiotic approach Danesi and Perron (1999, 94-95), which is done through three stages: (1) denotative, (2) connotative, and (3 ) annotation. Primary data in this study is the meaning of the coconut trees, Tamarind trees and Sapodilla trees. The collection of data and information is done by library research, interviews and focus group discussions. The method used in this research is qualitative descriptive which researchers describe the findings of data and data processing. The results showed that tamarind, coconut and sapodilla be a representation of the community’s identity when it is used as a flavouring and food ingredients typical culinary of Serang city, as well as unique souvenirs of Serang city. Tamarind, coconut and sapodilla interpreted as a spice, food, and souvenirs that are typical for the Serang city. The third symbol is the representation of the identity of the Serang city as peculiar, cultural factors, and bound historical background. Representation of the identity of the Serang city can provide representation through three trees, the tamarind tree, coconut tree and sapodilla tree.
Mencipta dengan Menghancurkan: Signifikasi Semiotis Kekerasan dan Reproduksi Identitas Sosial Riyanto, Geger
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
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Abstract

In this article, I want to show the semiotic signification of violence which made its representation profoundly essential in cultural life. My argument is we cannot fully comprehend the social nature of violence provided we view it merely as an act to satisfy the desire to harm the other or to seize a contested scarce resource. As it gave off the impression of negating the others, violence, whatever its motive, tend to be interpreted as the sign of one’s commitment toward his/her group while considerably strengthening the group’ sense of identity. It is this semiotic signification of violence, I argue, which made it being reproduced prevalently in our cultural imaginations. I will be arguing this by examining cases in which the representation of violence being actively exhibited and exploited to invoke a particular sense of identity.
Pola Konsumtif Masyarakat Urban dalam Perspektif Semiotik dan Budaya Zaman, Saefu
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
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Abstract

Urban people who are migrants from rural or small town to the city have a high consumption behaviour. Consumer behaviour conducted by the urban is constituted by several reasons, such as following the metropolitan lifestyle, competing with others, improving social status, and the ease of credit card by the owners of capital. The social behaviour of people in a semiotic perspective is seen as a collection of signs. Signifier and signified is a component contained in the sign based on the views of structuralism (Saussurian). This process of understanding consumption activities does not stop at the stage of the initial or primary system. In meaning, advanced meaning or secondary system always appear. The meaning of the sign is no longer limited to the denotation meaning with a high convention but produces connotations meaning that is the result of interpretation of society. How consumption based on effort get a higher social status is a clear example of secondary meanings of consumption activities. Consumption of the particular material objects is no longer just based on the original function of the object, but rather an attempt to represent themselves to the material objects.
UKP (Indonesian Translators’ Qualification Exam) in Relation to Legal Translation Practice in Indonesia Its History, Roles, Debates and Challenges Dewi, Haru Deliana
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
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Abstract

This paper aims to describe the history and roles of UKP (Indonesian Translators’ Qualification Examination) in relation to legal translation practice in Indonesia and to discover the debates and challenges of this certification test. The method applied is a qualitative method, and the data were obtained from primary data via questionnaires and in-depth interviews, and from secondary data, such as from some published books, articles, and online sources. The results of the study are expected to provide a preliminary and comprehensive explanation of all matters related to UKP. As academic sources discussing this type of exam are not easily found, this paper could be one of the fruitful references on this topic.
“Kekerasan Dapat Dimaknai Berbeda-Beda”: Ragam Pemaknaan atas Kekerasan Terhadap Perempuan dalam Praktik Gerakan Sosial Aliansi Laki-Laki Baru Ramadhan, Febi Rizki
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 2
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Abstract

This article examines the variety of meaning towards violence against women in Aliansi Laki-laki Baru’s social movement practice as a social movement that focuses on issues regarding male engagement in ending violence against women and achieving gender equality. Using ethnographic methods, I argue that social movement, particularly Aliansi Laki-laki Baru, could not be understood as monolithic and homogeneous entity because its participants could have various meanings on violence against women. While violence against women could be contextualized as Aliansi Laki-laki Baru’s main focus, participants in ALB could construct their own meaning on ‘violence against women’ as a sociocultural phenomenon. Furthermore, I argue that the variety of meaning towards issue on violence against women could be caused by ALB’s participants’ subjectivity and their own personal experiences.
Pilihan Kata dan Konstruksi Perempuan Sunda dalam Majalah Manglè: Kajian Linguistik Korpus Diakronik Yuliawati, Susi; Hidayat, Rahayu Surtiati; Rahyono, F X; Kwary, Deny A
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 2
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Abstract

Gender identity, one of the most important social categories in people’s lives, is socially constructed, and language is claimed to have a significant role in constructing the gender identity. This paper studies the construction of Sundanese women through five Sundanese nouns referring to women found in the corpus of Manglè magazine, published between 1958–2013. The research employs a mixed-method design in which quantitative analysis is combined with qualitative analysis to investigate how the nouns referring to women are used to construct Sundanese women from the periods of Guided Democracy (1958–1965) to Reform Era (2004–2013). The quantitative analysis is used to examine the frequency of word occurrence diachronically. The frequency of word occurrence is subsequently interpreted qualitatively by considering social and cultural contexts, such as the norms of speech levels in Sundanese, Sundanese belief about marriage, and gender issues. The result of analysis shows that women are constructed in various identities by every noun referring to them. The lexical choices used to construct women are greatly influenced by the social and cultural contexts.
Tanda Dinamis Sedaap dan Dimensi Budaya Media Led dalam Respon Bersisi Dua Remaja Harmayanthi, Vera Yulia
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 2
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Abstract

The media today is characterized as scene and space evolution of advertising. LED Media (Light-Emitting Diode as advertising displays) is one of popular outdoor media spaces to advertise kinds of products’ scenes, such as drinks and foods. Cultural dimension of LED media is attractive, conventional media with advance technology and creative works. There are the creations of words which include visual pictures in moving appearance applied and appropriated into LED media landscape. It delivers the persuasive messages to individuals. Messages are pointed and adapted to individuals in age levels as the target. That is the most important to know their responses on those messages to be effectiveness. Perspective semiotics, Peirce theory, was used in this qualitative study as the way to know the level of individuals’ responses to products’ messages on LED media’s cultural dimension. The data were collected from teenagers who have experiences to the product. It is included external indicators like as age and sex in two-sided responses to some dynamical signs. They are both words and visual pictures offering a product messages Mie Sedaap on LED media, January 2017 in South Jakarta area. The results show, 1) dynamical signs of Sedaap in the relationship between representamen, object, and interpretant; 2) the relationship of dynamical signs Sedaap to cultural dimension on LED media; and 3) the levels of teenagers’ responses in two-sides like and dislike up to their decisions to buy products. All of them give values to show the effectiveness messages of cultural dimension on LED media, especially for teenagers.
Pemaknaan Ruang pada Masjid Kubah Emas: Kajian Semiotik Ruang Zaman, Saefu
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 2
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Abstract

Golden Dome Mosque is located in Depok City. Gold plating on its dome is the hallmark of this mosque. The purpose of building this mosque is as a symbol of Islamic glory in Indonesia. The purpose of this study is to describe how these meanings are built on the Golden Dome Mosque, both from mosque constructors and from people around the mosque. The method the writer uses is analysis of Danesi and Perron about cultural marks, known as three-dimensional analysis which includes temporal, notational, and structural analysis. The result of this research shows that the mosque creators and the people make the meaning of this mosque in its thirdness level, which is annotative in the notational dimension, analogical in structural dimension and dynamic in the temporal dimension. The conclusion of this research is the meaning of a cultural sign is on its thirdness level where it is based on individual free interpretations.
Tuturan Ritual Hambor Haju pada Masyarakat Manggarai Sebuah Kajian Linguistik Kebudayaan Raru, Gregorius
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 1
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This study explores the cultural imagery in “ritual speech Hambor Haju at Manggaraian society: a cultural linguistic study”, with two problems that should be researched. Those problems are (1) verbal symbols in ritual speech Hambor Haju; (2) imagery in ritual speech Hambor Haju. This qualitative research was carried oiut in Maggarai Regency, Flores, East Nusa Tenggara province. The data were obtained through observation, interview, documentation study, listening, recording, and note taking. The result of the data analysis is informally reported and verbally described. The data were analyzed using a number of theories and paradigms, particularly cultural linguistics theory from Gary B. Palmer. The results of the study indicates that (1) esthetic form of ritual speech Hambor Haju consists of parallelism and metaphor; (2) verbal symbols of ritual speech Hambor Haju includes grammatical aspects, literary style, and discourse scenario; (3) imagery in ritual speech Hambor Haju consists of (a) esthetics imagery; (b) unity/togetherness imagery; (c) respecting imagery; (d) deliberations imagery; (e) sacred imagery; (f) act imagery; (g) loyalty imagery; (h) ideology imagery; (i) emancipation imagery; (j) seriousness imagery; and (k) pro-existence imagery.
Studi Tentang Partisipasi Perempuan dalam Pengambilan Keputusan Musyawarah Leo di Kabupaten Rote Ndao Tulle, Kiki Else Dorline
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 1
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Abstract

Women participation in decision making is a manifestation of equality between men and women. Public arena is dominated by men meanwhile the women were put mainly only on domestic domain and almost didn’t have any access to the public arena. Main issue of this research was the women participation in decision making in Leo discussion at Rote Ndao district. This was a descriptive qualitative research with phenomenological and cultural approaches. Data collection techniques used were interview with informants, observation and document analysis. From this research it was known that the women participation in Leo discussion was limited only on giving comments and advices, final decision was then made by the male, because tradition said that men had the rights on decision making. Although still dominated by men, there were some women participation in Leo discussion, women could made decision which related to technical means issues in Leo discussion. Public area were still dominated by men and its domestic counterparts were still fully done by the womens. Women were heard if they were highly educated, women were respected when they were experienced, oldest, had life character which put in high regard, not arrogant, motherly, mildly resolute, and used to public appearances.

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