cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Sugih Nugroho
Contact Email
paradigmafib@gmail.com
Phone
+62217863528 ext. 107
Journal Mail Official
paradigma@ui.ac.id
Editorial Address
Faculty of Humanities, Universitas Indonesia Gd 2, Lt 2, Depok 16424, Indonesia
Location
Kota depok,
Jawa barat
INDONESIA
Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 289 Documents
 4   5   6   7   8 
A Research Paper Questionnaire Based on Library Research Dewi, Haru Deliana
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Makalah ini membahas aturan-aturan dan tantangan-tantangan dalam membuat suatu kuesioner dalam mengumpulkan data untuk makalah penelitian. Ada beberapa pertimbangan dan isu-isu etis yang perlu kita perhatikan ketika menyusun suatu kuesioner. Selanjutnya, tahapan dalam membuat dan memilih pertanyaan akan dibahas untuk membuat survei kita efektif. Makalah ini memasukkan, membandingkan, dan mengkontraskan pendapat-pendapat para ahli yang menulis tentang pembuatan pertanyaan untuk suatu kuesioner. Selain itu, makalah ini juga dilengkapi dengan contoh- contoh kuesioner yang baik dan benar yang terdapat pada lampiran.
Upaya Pelestarian Natoni (Tuturanadat) dalam Budaya Timor Dawan (Atoni Meto) Banamtuan, Maglon Ferdinand
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research were aimed to describe natoni traditional speeches which were the reflection of Timor Dawan culture. This research used qualitative phenomenological approach. The research method used were antropological with survey means: observations and interviews. Results gained from this research were; natoni had been around since ancient time and still passed down to today’s generations; complete traditional costume were used when performing natoni. Regarding time and place to do natoni, data showed that natoni could be done at any time or place; natoni doers were traditional figures which understands natoni. Natoni is traditional speech in the form of poem which performed reciprocally; the aim of Natoni were as a homage and introduction to local culture; the values of natoni were universal. The structure of Natoni begins with initial phase which contained preparation and ended on closing phase with additional event of souvenir presentation. People were making efforts by continuosly presenting natoni performances in the communities so that natoni would become community custom.
Representation of Indonesia in Wonderful Indonesia’s Feeling is Believing Tourism Advertisement: A Critical Discourse Analysis Poyk, Sisilana Diah Mariastuti; Pandjaitan, Yasmine Anabel
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel ini membahas representasi Indonesia dalam iklan pariwisata Wonderful Indonesia versi Feeling Is Believing (2012) melalui pendekatan analisis wacana kritis terhadap nation branding yang diwacanakan dalam iklan. Korpus penelitian ini adalah sebuah iklan pariwisata yang dikeluarkan oleh Kementrian Pariwisata Republik Indonesia pada tahun 2012. Tujuan dari penelitian ini adalah untuk melihat apakah wacana representasi Indonesia yang dibangun dalam rangka nation branding melalui iklan pariwisata Wonderful Indonesia: Feeling Is Believing sudah sesuai dengan tujuan dibuatnya iklan. Pendekatan analisis wacana kritis yang digunakan dalam penelitian ini ialah tiga dimensi communicative events analysis yang dirumuskan oleh Fairclough (1995). Hasil penelitian ini menunjukkan bahwa representasi Indonesia dalam nation brand Wonderful Indonesia pada wacana iklan belum sesuai dengan tujuan dibuatnya iklan karena elemen-elemen wacana iklan dan interaksi antarelemen tersebut belum mampu membangun nation brand yang dituju oleh pemerintah Indonesia.
Kesesatan Berpikir dalam Konteks Hukum dan Masyarakat: Studi Kasus Politik Elektoral dan Budaya Media Sosial di Indonesia Sebastian, Tanius
Paradigma: Jurnal Kajian Budaya Vol. 9, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article investigates the phenomena of electoral politics and culture of social media in the context of Indonesian law and society through a case study of Jakarta Gubernatorial Election in 2017. The main argument of this article is that the connection between electoral politics and culture of social media shows a fallacious logical thinking in the form of bias and ad populum reasoning. Those two forms of fallacy refer to sectarian politics and ideological polarization. In analyzing the fallacious thinking in some events of the 2017 Jakarta Gubernatorial Election, this article also shows how emotion, anxiety, and hate operate within the reasoning of the relation of the Indonesian state and society. This article primarily aims at identifying the argumentative situation in the case of the 2017 Jakarta Gubernatorial Election, which contains the fallacious thinking. In the end, the ultimate aim is to evaluate an implication that stems from that identification for an adequate conception of legal reasoning in the Indonesian context.
Batik dan Industri Kreatif: Sebuah Proses Kreatifitas Manusia dalam Kajian Studi Humaniora Meliono, Irmayanti
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper would like to discuss that batik has three types consist of kain batik tulis, kain batik print and batik fabrics and their variety of motifs. The scope of research on batik originated from the area of Bandung, Cirebon, Pekalongan and Yogyakarta-Surakarta (Solo) . This research analyzed with Peirce’s triadic semiotic approach with a sign that has an icon, index, and symbol. Analysis a sign motif of batik is related to with an icon in the form of of cloth, and the index element in the form of color motifs of batik. Symbol is always related to with the naming of batik , such as Parang Barong, Sida Mukti, Mega Mendung and the Indonesian cultural background. The results of this research indicate that the batik has egalitarian value, functional value, economic value, and symbolic value. These four values are used by industry to improve the community through the creative industries and innovative creativity in the face of the global market. Through the imaging of batik will be formed social harmony for the global community.
Hubungan Kekuasaan pada Tokoh Superhero dan Supervillain dalam Film Iron Man 3 (2013): Sebuah Kajian Tematik Tobing, Marco Alexandro
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research discusses how superhero and supervillain characters in the fi lmIron Man 3 (2013) shows a power relation as a form of superhuman superiority. The power relation that occur through the confl ict between characters are seen as an establishment of social stratifi cation among superhuman and normal human / society as cultural study. This study is conducted thematically through characterizations analysis method by comparing the defi nition and ideology on the superhero and supervillain in superhero characters, Iron Man and the Iron Patriot, and supervillain character, Mandarin. This study aims to fi nd the root of power relation to the establishment of class structures in the society. By reviewing the defi nition and ideology on these characters, this study is expected to give a broader view of superhuman characters and help the reader to understand the value delivered from superhero character. As a conclusion, the potrayals of the superhero and supervillain characters in the fi lm Iron Man 3 (2013) as the highest power owner have a function to limit and control the values in the society.
Ambiguitas yang Mencerminkan Rasisme dalam Film The Princess and The Frog Oktarina, Rizki Nurmaya
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Princess fairy tales have made the Disney Corporation so famous. At fi rst, Disney princesses were white skinned. As time goes by, Disney started fi lming animated movies with colored princesses. In 2009, Disney released a movie based on an African-American princess named Tiana in ‘The Princess and the Frog’ (2009). Ambiguities in terms of understanding black appear in the fi lm. To help analyzing this movie, Barthes’ semiotics theory will be used. By using that theory, the writer proposes that on one hand, Disney conveys that America has become “color blind,” but on the other, blacks are positioned as lower class. This movie refl ects Disney’s belief in what is true and ideal about the American society, but here we see that the notion “all men are created equal” writt en in the declaration of Independence is not fully implemented in the American society.
Narsisme sebagai Wujud Eksistensi Diri dalam Novel “My Name is Red” Karya Orhan Pamuk Irnawan, Raden Dibi
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper discusses about socio-psychological dimension in paintings pictured in Orhan Pamuk’s novel My Name is Red. The novel shows us fi ne examples about how paintings can be a media of painters who lived in a repressive era of Sultan Murat III which established rigid rules adopted from Islamic principles of how a painting should be done. This idea manifested in the characters’ behaviour, especially Velijan Eff endi, who hold the Islamic or East principles, but dilemmatically fond of Western principles as an aesthetic way of painting. This kind of dilemma born from the presence of East and West principles intertwined in Turkey at the era pictured in the novel. Results determined that Velijan Eff endi is narcistic as a result of his needs to be acknowledged, to exist in his repressed life. He uses his paintings as the media of expressing his needs.
Pola Sintaktis Lakon Jaka Sukara Munawarah, Sri
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The history of Malay language has been going through a long way. Kridalaksana (1991:5) divided the development period of Malay language into four: the Melayu Kuna era (the 7th-14th century CE), the Melayu Klasik/Tengahan era (the 14th-18th), the Melayu Peralihan era (the 19th), and the Melayu Baru era (the 20th century). The Betawi language is the only Malay language that existed in Java Island. Dullaurier, as quoted by Hollander (1983;1984), said that the Malay language is divided into two groups: Malay language Malaka accent and Betawi accent (Muhadjir, 1999:21). In this research, the script of Lakon Jaka Sukara became the data source to find the characteristic features of Malay Betawi language syntax that is written in the script. Lakon Jaka Sukara is one of the scripts assumed to have been written by the Betawi people. In this case, the script of Lakon Jaka Sukara will be analyzed in its syntactic pattern. The research of the Betawi language writing variety, especially the ancient script has rarely been done. That case became important for this research to be conducted. After seeing the whole script, there is syntactic patterns that became the characteristic features of the writing variety of the Betawi language. That syntactic pattern is that there is construction property or possessive phrase, collocation [kasi], [beri], or [kerja] that is followed by verbs, construction [apa] that is followed by nouns, construction [barang] that is followed by [di mana], construction [pun] that is in front of male pronouns, and construction [pun] that is on the back of female pronouns.
Airlangga: His Relations to Kings in South and South-East Asia Susanti, Ninie
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

After 1,000 years of C.E, it was the most crucial period in the journey of Southeast Asian ancient history. Many fundamental transitions happened, which were caused by disturbances from the outside of the Southeast Asian countries, as well as, from the countries within Southeast Asia. Casparis was a scholar who wrote about King Airlangga’s rule in Java (1019 – 1043 C.E) and who called him “A True Personality” because he succeeded in helping his people going through difficult times when the state faced devastation. Coedès placed Airlangga in a position equal to that of other kings of mainland Southeast Asia, such as King Suryawarman (who ruled Khmer from 1002 to 1050), and King Aniruddha of Pagan (1044 – 1077). The content of King Airlangga’s inscriptions reflected his broad networks in politics, economy, and religion to many kings in Southeast Asia. Furthermore, his reforming ideas was – believed – inspired by his networks. During his ruling period, his ideas of reformation had granted him as a great king. He managed to raise his kingdom from the devastation caused by Pralaya in 1016 by using as an analogy, a policy which was formed through the political, economic and religious conditions implemented by other neighboring kings, to his domestic problem. The result of which is that it was an intense relationship between the kings in Southeast Asia and South Asia and King Airlangga during the spice route network and other products. This relationship continued until Majapahit era in Java, according to the inscriptions.

Page 6 of 29 | Total Record : 289

 4   5   6   7   8 

Filter by Year

2010 2025


Reset
Filter By Issues
All Issue Vol. 15, No. 2 Vol. 15, No. 1 Vol. 14, No. 3 Vol. 14, No. 2 Vol. 14, No. 1 Vol. 13, No. 3 Vol. 13, No. 2 Vol. 13, No. 1 Vol. 5, No. 1 Vol. 12, No. 3 Vol. 12, No. 2 Vol. 12, No. 1 Vol. 11, No. 3 Vol. 11, No. 2 Vol. 11, No. 1 Vol. 10, No. 3 Vol. 10, No. 2 Vol. 10, No. 1 Vol. 9, No. 3 Vol. 9, No. 2 Vol. 9, No. 1 Vol. 8, No. 2 Vol. 8, No. 1 Vol. 7, No. 2 Vol. 7, No. 1 Vol. 6, No. 2 Vol. 6, No. 1 Vol. 5, No. 2 Vol. 4, No. 2 Vol. 4, No. 1 Vol. 3, No. 2 Vol. 3, No. 1 Vol. 2, No. 2 Vol. 2, No. 1 Vol. 1, No. 2 Vol. 1, No. 1 More Issue