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Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan
Published by Universitas Negeri Padang
ISSN : -     EISSN : 29866546     DOI : https://doi.org/10.24036/ag.v1i1
Core Subject : Humanities, Education, Art,
Arts Humanities Education Other
Avant-garde: The Scientific Journal of Performing Arts Education is published periodically three times a year, namely in February, June and October, is a forum for channeling thoughts and disseminating knowledge in the realm of Performing Arts (drama, dance and music) and learning in the form of research articles, review articles/literature studies, case report articles, and conceptual or policy articles. Editors accept manuscripts that have never been published in other media from researchers, lecturers, students, and performing arts practitioners with the writing requirements as listed on the Author Guidelines page. Manuscript submissions will be evaluated and edited for uniformity in format, terms and other procedures.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 144 Documents
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Teachers' Efforts to Increase Students' Creativity in Mixed Ensembles in Class X SMAN 3 Padangpanjang Zikri, Afriza Aidil; Syeilendra, Syeilendra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 3 (2024): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.140

Abstract

The purpose of this study is to describe the teacher's efforts in increasing student creativity in class X mixed material of Science 1 SMAN 3 Padangpanjang. This type of research uses qualitative research using descriptive methods. The stage of application of cultural arts learning consists of 2 learnings, namely. 45 minutes per hour. Which is divided into three activities consisting of 15 minutes of opening or opening activities, 60 minutes of core activities and 15 minutes of closing or closing activities. Learning went well. However, when applied in the classroom, researchers observed a difference, namely the lack of student discipline in the implementation of learning, causing some students not to understand the previously completed learning until the teacher had to explain. prior learning so that students really understand the whole mix.
Learning Cultural Arts (Musik) in Class XI IPS SMA S PSM Bukittinggi Pratama, Bima Eko; Hadi, Harisnal
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 3 (2024): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.149

Abstract

The research aims to describe how the Learning Process of Cultural Arts (Nusik) in Class XI IPS SMA S PSM Bukittinggi. The type in this research is qualitative using a descriptive method. The instruments in this study are the researcher himself and assisted by other instruments such as stationery, cameras and voice recorders. This research uses data collection techniques, namely observation, interviews, documentation and literature studies. The steps to analyze the data in this study are collecting data, identifying and inferring. The results obtained in the research conducted by researchers at SMA S PSM Bukittinggi, that there are 2 factors that affect the learning process in class XI IPS SMA S PSM Bukittinggi which include attention, learning readiness and student interest. Meanwhile, teacher factors include nusik art learning methods and media. Based on the discussion and conclusion of the research results, several suggestions were conveyed, including: to students to be more serious and focused in following the learning process of cultural arts (nusik). To teachers to use the methods and media that have been designed in the lesson plan so that learning is more interesting and not boring.
Upaya Pelestarian Musik Tradisional Canang Limo dan Canang Anam di Nagari Abai Kabupaten Solok Selatan Wansah, Faisal; Syeilendra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 3 (2024): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.150

Abstract

Program The purpose of this research is to find out how the Abai community efforts in preserving the traditional music of canang limo and canang anam in Abai nagari, South Solok Regency. This type of research is qualitative research with a descriptive method of analysis. The research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. The data in this study uses primary data and secondary data. Data collection techniques are carried out by means of observation, interviews, and documentation. The steps of analyzing data are data collection, describing data and concluding data. The results of the study show that efforts to preserve Canang Limo and Canang Anam have been carried out well by a female artist named Mak Maraya who has participated in various traditional events in Nagari. The art of Cnang Limo and Canang Anam, a traditional art of the community that has been passed down from generation to generation from the ancestors of.
Implementation of Dance Self-Development Activities at SMPN 2 Kandis, Kandis District, Siak Regency Umrintha, Dinna; Ayuthia Mayang Sari
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 3 (2024): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.152

Abstract

This study aims to find and describe the planning of dance self-development activities and the implementation of dance self-development activities in SMP Negeri 2 Kandis, Kandis District, Siak Regency. This type of research is qualitative research with a descriptive method. The instruments of this study are the researchers themselves and are assisted by supporting instruments such as stationery, flash drives and cameras. Data were collected through literature studies, observations, interviews and documentation. The steps of analyzing data are data reduction, data presentation and data inference. The results of the study show that dance self-development activities at SMPN 2 Kandis consist of planning, implementation and appreciation of coaches. The planning of the dance self-development activity program at SMPN 2 Kandis has been well coordinated and appropriate according to the plan made by the coach, starting from the schedule, time, in accordance with the purpose of the program. The implementation of dance self-development activities at SMPN 2 Kandis has gone well and the coaches are trying their best to make the students who participate in the activity practice well according to the schedule and place. The appreciation of the coach by displaying the students' dance works is one of the motivations for students to continue practicing so that they are more confident in displaying the results of exercises that have been done well.
Application of Traditional Minangkabau Dance Techniques in Implementing Students' Self-Development at SMA Negeri 1 Matur Tessa Makhmuddah; Ayuthia Mayang Sari
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 3 (2024): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.155

Abstract

This study aims to describe the application of traditional Minangkabau dance techniques to improve the dance ability of SMA Negeri 1 Matur students. This type of research is a qualitative research with a descriptive method. The researcher's own research instruments are assisted by supporting instruments such as stationery, cameras, and flash drives. Data collection techniques are carried out through literature studies, observations, interviews, and documentation. Data analysis techniques are data collection, data reduction, data presentation and conclusion drawn. The results of the study show that the application of basic techniques of traditional dance movements can be an effective model for the self-development of students' dance arts in improving the dance ability of students' creations at SMA N 1 Matur. The methods used in the self-development of the art of plate dance creations are demonstrations, lectures and practice methods. The application of basic techniques of traditional Minangkabau dance movements using the demonstration method can be proven effective in improving the dance ability of students' creations at SMA N 1 Matur. Teaching the basic movements of traditional dance is a strong foundation for developing a variety of creative dance movements. During the performance, it was also seen that the students' ability to dance creative dances in accordance with the dance techniques that had been taught was also increased. In addition, support from various parties and adjustments in the implementation of training are needed to achieve optimal results. These results support the research hypothesis and provide important implications for the development of dance programs in schools.
BENTUK PENYAJIAN SILEK PANGIAN DALAM ACARA BAKAUA ADAT (BAKATOMPAT)DI NAGARI SUNGAI LANSEK KECAMATAN KAMANG BARU KABUPATEN SIJUNJUNG Yendi Putri, Shakila; Kadir, Tulus Handra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/wagr0x79

Abstract

This research aims to describe and unveil the presentation of Silek Pangian in the Bakau Adat (Bakatompat) event in Nagari Sungai Lansek, Kamang Baru District, Sijunjung Regency. This type of research is qualitative with a descriptive approach. The research instrument is the researcher themselves, assisted by supporting instruments such as writing materials and a camera. Data was collected through literature study, observation, interviews, and documentation. The steps in data analysis include data collection, data classification, data description, and data conclusion. The research results show that the form of Silek Pangian presentation in the Bakaua Adat (Bakatompat) event in Nagari Sungai Lansek, Kamang Baru District, Sijunjung Regency includes movement, accompanying music, floor patterns, makeup and costumes, and the time and place of the performance. The movement of Silek Pangian resembles a prayer, with greetings, four-step motions, slicing movements, thrusting actions, punching movements, upward strikes, locking movements, and closing actions. In the Silek Pangian performance, traditional Minangkabau instruments such as the talempong pacik (canang), gandang tambuah, and krincing are used as accompaniment, along with a layout of straight and circular patterns that depict the interaction between the martial artist and opponent. The Silek Pangian performance also features traditional Minangkabau attire comprising a black kurung shirt, side cloth, galembong, and peci, and is held outdoors in the evening. This performance is not merely entertainment but also a medium for education and the transmission of cultural values and identity to the younger generation, embodying strong spiritual, social, and cultural significance
BENTUK PERTUNJUKAN MUSIK PANCARAGAMDALAM ARAK-ARAKAN PENGANTEN DI KECAMATAN PAUH KOTA PADANG Nisa, Hafiza Nurul; Wimbrayadi
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/4qkxt912

Abstract

This research aims to describe the form of the pancaragam music performance in the wedding procession in Pauh sub-district, Padang City. The type of research used is qualitative with a descriptive method. The instruments for this research are the research themselves, supported by additional instruments such as writing tools and a camera. Data is collected through literature studies, observation, interviews, and documentation. The steps for analysing the data are collecting data, identifying data, clarifying data, describing data, and concluding data. The results of the research show that the form of the Pancaragam music performance in Pauh sub-district is flexible and does not have a fixed song structure. The performance is adjusted to the rhythm of the procession, consisting of an introduction, main theme, and transitions of songs that change spontaneously according to the mood or requests of the audience. The music played is repetitive in nature, using main instruments such as saxophone, trumpet, trombone, baritone, and drums as the main accompaniment for the procession. The style of the music ensemble performance demonstrates a distinctive musical hybridity, which is the fusion of Minangkabau traditional music, popular music such as dangdut and modern pop, as well as Western music elements. This style is reflected in the techniques of playing instruments, improvisation during performances, and the interaction between players and the audience which creates a dynamic and festive atmosphere. The music ensemble not only serves as entertainment in traditional ceremonies but also acts as a symbolic medium to strengthen social relationships within the Pauh community, as well as reinforce local cultural identity amid the influences of global culture.
KAJIAN BENTUK DAN KOMPOSISI GERAK TARI IYO-IYO  DI MASYARAKAT TANJUNG PAUH MUDIK  KABUPATEN KERINCI Oktania, Rahma; Indrayuda, Indrayuda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jtd39y67

Abstract

This research aims to describe and analyse the form and composition of the Iyo-Iyo dance in the community of Tanjung Pauh Mudik. This study is qualitative research with a descriptive method. The instruments for this research are the researcher themselves, assisted by supporting instruments such as writing tools, audio-visual media, and a camera. Data were collected through literature study, observation, interviews, and documentation. The steps for analysing the data include data collection, data reduction, data presentation, and data verification. The results of the research indicate that the form of the Iyo-Iyo dance in the community of Tanjung Pauh Mudik, Kerinci Regency, consists of space, time, and energy, while the movement composition of the Iyo-Iyo dance includes motif, phrase, sentence, and cluster. The spatial aspect of the Iyo-Iyo dance is limited yet meaningful, where simple floor patterns such as straight lines or semi-circular formations are used to create order and symbolise balance within the customary social structure. The temporal aspect of the Iyo-Iyo dance moves at a moderate to fast tempo, with a repetitive rhythmic pattern that aligns with traditional accompanying musical instruments, thus creating a meditative atmosphere filled with cultural awareness. The energy aspect of the Iyo-Iyo dance uses moderate energy that is conveyed gently and controlled. The movement composition of the Iyo-Iyo dance consists of three parts: the opening, the core, and the closing. The opening part features gestures of respect and welcoming, the core part conveys the essential values or messages of the customs, and the closing part marks the end of the performed rite. This arrangement not only clarifies the structure of the performance, but also demonstrates the narrative continuity that has been maintained from generation to generation. It can be concluded that the form and arrangement of the Iyo-Iyo dance movements are a true reflection of the social, spiritual, and aesthetic values that thrive within the indigenous community of Kerinci. The profound lyrical movements and the dominance of hand usage make this dance not only visually beautiful but also culturally meaningful. Therefore, the Iyo-Iyo dance deserves to be preserved and continually introduced to the younger generation as part of the cultural heritage that enriches the identity of the Indonesian nation.
MANAJEMEN SANGGAR SENI BU'DEWI PRODUCTIONDI KABUPATEN PADANG PARIAMAN Aulia, Hia; Syeilendra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/y267yk84

Abstract

This research aims to describe the organisational management at Sanggar Seni Bu'dewi Production, which has four functions: planning, organising, mobilising, and monitoring, located in Nagari Sicincin, Padang Pariaman Regency. This study uses qualitative descriptive methods with data collection techniques including observation, interviews, and documentation. The results indicate that the organisational management of Sanggar Seni Bu'Dewi Production encompasses four main functions: planning, organising, mobilising, and monitoring. Planning is carried out through deliberation by the leaders and management, organisation is shown through a clear organisational structure, mobilisation is done through motivation and regular training, and supervision is conducted directly by the leaders. This structured and collaborative management plays a crucial role in maintaining the existence of the studio, enhancing the productivity of artistic works, and strengthening the role of the studio as a centre for the preservation of local culture.
NILAI-NILAI BUDAYA PADA TRADISI ACARA POTANG BALIMAU  MASYARAKAT MELAYU DI KECAMATAN UJUNGBATU Rupiana; Wimbrayadi
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 3 No. 1 (2025): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/1s95gq53

Abstract

This research aims to describe the values contained in the Balimau Potang traditional event in the Malay community of Ujung Batu District. This type of research is qualitative with a descriptive analytic method. The instruments for this research are the researcher themselves, supported by writing tools, a flash drive and a camera. Data collection techniques include literature study, observation, interviews, and documentation. The steps in data analysis are data collection, data reduction, and drawing conclusions. The research results show that the Balimau Potang tradition in Ujung Batu District contains various important values that reflect the richness of culture and the social life of the community. The cultural values of the Balimau Potang event tradition are a blend of spiritual, ethical, moral, norms, and customs. The spiritual values in this tradition foster a spirit of self-purification in the lead-up to Ramadan. Balimau reflects a symbol of repentance and inner and outer cleansing that strengthens the relationship between humans and God. Moral and ethical values teach the importance of maintaining good behaviour, courtesy, especially when gathering together for religious and cultural activities. The social normative values of balimau reinforce the community's adherence to religious and social norms, such as dressing modestly, respecting elders and community leaders, and maintaining order during events. The values of togetherness and mutual cooperation in the potang balimau event illustrate the solidarity of the community through collective participation in preparing the event, both physically and spiritually, reflecting local wisdom and the spirit of unity. The values of customs in this tradition embody the preservation of local culture that is passed down through generations. Cultural values are reflected in the implementation of professions, the use of regional languages, performing arts, and the active role of cultural figures (ninic mamak).

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