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Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan
Published by Universitas Negeri Padang
ISSN : -     EISSN : 29866546     DOI : https://doi.org/10.24036/ag.v1i1
Core Subject : Humanities, Education, Art,
Arts Humanities Education Other
Avant-garde: The Scientific Journal of Performing Arts Education is published periodically three times a year, namely in February, June and October, is a forum for channeling thoughts and disseminating knowledge in the realm of Performing Arts (drama, dance and music) and learning in the form of research articles, review articles/literature studies, case report articles, and conceptual or policy articles. Editors accept manuscripts that have never been published in other media from researchers, lecturers, students, and performing arts practitioners with the writing requirements as listed on the Author Guidelines page. Manuscript submissions will be evaluated and edited for uniformity in format, terms and other procedures.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 190 Documents
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PELAKSANAAN EKSTRAKURIKULER TARI GALOMBANG DI MTsN 6 SOLOK SELATAN Alfiyah Zahara; Syeilendra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in progress)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/65kf5391

Abstract

This study aims to examine the implementation of the Galombang dance extracurricular activities at MTsN 6 Solok Selatan. This research is qualitative in nature with a descriptive method employed. The research instrument is the researcher themselves, assisted by supporting instruments such as writing tools and a camera. Data was collected through literature study, observation, interviews and documentation. The steps for analysing the data are data collection, data analysis and data reduction. The results of the study indicate that the implementation of the Galombang dance extracurricular activities was well-coordinated according to the programme created by the Coach, including the schedule, timing and objectives of the programme. The Galombang dance extracurricular activities were held six times, on Thursdays and Saturdays each week. The implementation of extracurricular activities can run well and strives to be as effective as possible according to the schedule, although there are some challenges with a few students being less disciplined. This, of course, becomes an obstacle in the execution of extracurricular activities, so support from the school is needed to overcome these challenges. In addition, teachers also motivate students so that they are enthusiastic, always present, and energetic at every meeting. Based on the evaluation results, the students' success in each training session continues to improve, and the achievement of training targets is also met. Even after six sessions, students are already able to perform the Galombang dance, which is demonstrated by their performance during the talent and interest show.
KEGIATAN EKSTRAKURIKULER SENI TARI KREASI DI SMKS NUSATAMA PADANG Kurnia, Dandi; Ayuthia Mayang Sari
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/rmx07r25

Abstract

This study aims to describe the implementation of creative dance extracurricular activities at SMKS Nusatama Padang, including the objectives of the activities, the training process, and the challenges faced along with the solutions implemented. This research uses a qualitative approach with a descriptive method. The research subjects consist of extracurricular mentors and students participating in creative dance activities. Data collection techniques were conducted through observation, interviews, and documentation. Data analysis was carried out through data reduction, data presentation, and drawing conclusions. The results of the study show that the creative dance extracurricular activities at SMKS Nusatama Padang consist of three stages: the planning stage, the implementation stage, and the evaluation stage. The planning of creative dance extracurricular activities at SMKS Nusatama Padang consists of a schedule of implementation, training materials, and activity objectives which have been clearly designed so that the activities can proceed according to the established plan. The implementation of creative dance extracurricular activities begins with student registration to participate in the creative dance extracurricular, conducting independent practice using YouTube, repeating dance movements that have been learned, and performing dances at guest welcoming events. These creative dance extracurricular activities are showcased at school farewell events, national day commemorations, guest welcoming events and art performances. However, in its implementation, there are several obstacles, such as limited practice time, differences in student abilities, lack of facilities, and uneven student motivation. To overcome these obstacles, the instructor managed time more effectively, provided varied practice methods, and enhanced student motivation through a communicative and appreciative approach. Thus, the creative dance extracurricular activities at SMKS Nusatama Padang play an important role in developing students' non-academic potential and supporting the formation of students' creative, disciplined, and confident character.
UPAYA PELESTARIAN KESENIAN RANDAI MINANG SAIYO DI NAGARI LUBUK GADANG UTARA KECAMATAN SANGIR KABUPATEN SOLOK SELATAN Yunita, Utri; Asriati, Afifah
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/h9m53q48

Abstract

This research aims to reveal and describe the efforts to preserve Randai Minang Saiyo art in Nagari Lubuk Gadang Utara, Sangir District, South Solok Regency. This type of research is qualitative using a descriptive method. The research subject is the researcher themselves, assisted with writing tools and a camera. The types of data in this research are primary and secondary data. The data collection techniques in this research are literature study, observation, interviews, and documentation. The data analysis techniques in this research are data collection, data reduction, data presentation, and finally drawing conclusions.Research results show that efforts to preserve the Randai Minang Saiyo art are carried out through two aspects, namely the development of quantity and the usefulness of training outcomes used in art performances at Padang Aro Green Open Space. Quantity development is carried out by increasing the number of performers through regular training activities involving the younger generation and holding performances in art events at Padang Aro Green Open Space. Through this effort to increase performers, it has been proven capable of revitalising Randai activities and attracting public interest, especially among the younger generation.
STRUKTUR DAN FUNGSI TARI KEJEI DALAM UPACARA PERKAWINAN DI KELURAHAN TALANG ULU  KABUPATEN REJANG LEBONG Putri Sari Rezaki; Nerosti
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/bt6s7d12

Abstract

This study aims to describe and analyze the Structure and Function of the Kejei Dance in Wedding Ceremonies in Talang Ulu Village, Rejang Lebong Regency. This type of research is qualitative research with a descriptive analytical method. Data was collected through direct observation of the Kejei Dance performance in wedding ceremonies, structured and unstructured interviews with relevant informants, as well as documentation studies. The main research instrument is the researcher themselves, assisted by supporting tools such as cameras and writing instruments. This study aims to describe and analyze the structure and function of the Kejei Dance in wedding ceremonies in Talang Ulu Village, Rejang Lebong Regency. The focus of this study is to examine the relationship between movement structure and its function in wedding ceremonies. The research results indicate that the structure of the Kejei Dance performance consists of several important elements, namely the ceremonial actors, the structure of movement presentation, floor patterns, costumes, makeup, props (penei table), and accompanying music. The sequence of presentation begins with a welcoming dance performed by 5 female dancers, followed by Rejang-style silat by 2 male dancers accompanied by 2 guards behind the dancers, serving to welcome the arrival of the bride and groom and as a customary form of reception for the bride and groom entering the ceremonial arena. Next, the event continues with duduk nyambei, which functions as a joint deliberation and reflects the social values of the Rejang community, such as harmony and togetherness, before entering the core ritual of the Kejei Dance, where the bride and groom join the line of dancers so that the total number of dancers becomes odd. The movements of the Kejei Dance include the sambah menari movement, the bederap salah pinggang movement, the metik jari movement, the patah dayung movement, the sambah penyudo movement, and the mendayung movement.
BENTUK PERTUNJUKAN TARI PILIN SALAPAN DI KENAGARIAN AIR BANGIS KECAMATAN SUNGAI BEREMAS KABUPATEN PASAMAN BARAT Febriani, Lili; Fitri, Hasminda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/2af6sy91

Abstract

This study aims to describe and analyse the form of the Pilin Salapan Dance Performance in Kenagarian Air Bangis, Sungai Beremas District, West Pasaman Regency. This type of research is qualitative with a descriptive method. It uses primary and secondary data, with the main researcher being the researcher themselves, supported by instruments such as writing tools and a camera. Data collection techniques are conducted through literature study, observation, interviews, and documentation. The steps of data analysis are data collection into classifications, data analysis, data interpretation and drawing conclusions. The research results show that the Pilin Salapan Dance performances are often displayed within the community. The Pilin Salapan Dance is frequently performed at events organised by the local community such as weddings, festivals, birthdays in West Pasaman and the welcoming of the West Pasaman regent, performed at the request of the West Pasaman tourism office and at competition events.
PEMBELAJARAN MENYANYI LAGU DAERAH DITINJAU PADA ASPEK TEKNIK VOKAL DI KELAS VIII.4 SMP MUHAMMADIYAH 5 PADANG Claudia Eka Putri; Robby Ferdian, Robby Ferdian
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/zpewff55

Abstract

This study aims to describe the process of learning regional songs in class VIII.4 at SMP Muhammadiyah 5 Padang and to describe students' understanding of the basic aspects of vocal techniques taught. This research is a qualitative study with a descriptive method. The research instrument is the researcher themselves, assisted by writing tools and a camera. Data was collected through literature study, observation, interviews and documentation. The steps in analysing the data are data reduction, data presentation and drawing conclusions from the data. The results show that the process of learning regional songs in class VIII.4 at SMP Muhammadiyah 5 Padang, in terms of vocal techniques such as breathing, intonation, articulation, resonance and expression. Eighteen out of 25 students (72%) are still unable to properly control their breathing, causing their voice to often break when singing long phrases. In terms of intonation, 16 out of 25 students (64%) still produce inaccurate pitches, especially in parts of the melody with large interval jumps. Most students have never received specific vocal technique guidance in class, and the most dominant difficulties they face are in breathing and intonation. Although there is a gap between the ideal music learning and the actual conditions in the field, both teachers and students have a strong awareness and hope for improving the quality of learning. Teachers acknowledge the importance of vocal technique as a foundation for performing regional songs and express a desire to integrate vocal technique exercises more evenly in the future. Students also hope for more directed vocal technique guidance, especially before singing activities begin.
ANALISIS GAYA TARI GANDAI SILAUT PESISIR SELATAN Naurah Rania Husni; Nerosti
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/6w1dj118

Abstract

This study aims to describe and analyze the dance style of Gandai Dance in Silaut District, Pesisir Selatan Regency. The research employs a qualitative approach with a descriptive method. Data was collected through observation, interviews, literature study, and documentation. Data analysis was conducted using the interactive model of Miles and Huberman, which includes data collection, data reduction, and data presentation. The results show that Gandai Dance has a performance structure consisting of opening, core, and closing sections, with six main movement variations forming structured movement motifs. The dance style is characterized by simple, rhythmic, and communicative movements with an emphasis on interaction between dancers, reflecting values of togetherness and politeness. In terms of movement dimensions, the dance utilizes one-, two-, and three-dimensional space, indicating varying levels of movement complexity. The elements of action and effort demonstrate a combination of light and strong energy, creating balanced movement dynamics. Supporting elements such as costume, floor patterns, and musical accompaniment including edab, sunai, and bapambak vocals further strengthen the character and identity of the dance. Overall, Gandai Dance functions not only as entertainment but also as a medium for preserving cultural values within the community.
PELESTARIAN TARI JOGET SONDE SANGGAR RIZA MANDAU DI KOTA DURI PROVINSI RIAU Aznel, Maharani; Susmiarti
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/mv4a0v90

Abstract

Sonde Dance at the Riza Mandau Studio. The type of research used is qualitative research with a descriptive method. The research instrument is the researcher themselves, assisted by writing tools and a camera. Data is collected through literature studies, observation, interviews and documentation. The steps in analysing the data are data collection, data reduction, data presentation, and drawing conclusions. The research results show that the preservation strategy of the Sonde Dance implemented by the Riza Mandau Studio is carried out through two main approaches, namely internal preservation and external preservation. The internal preservation strategy is realised through regular coaching and training activities for studio members, especially the younger generation. In this process, the instructor not only teaches dance movement techniques but also instills the cultural values contained in the Joget Sonde Dance. In addition, internal preservation is also evident in efforts to maintain the authenticity of the dance form, the accompaniment of traditional music, and the interaction patterns within the performance. This activity demonstrates that the preservation strategy focuses on the process of cultural transmission directly from generation to generation within the studio environment. Meanwhile, the external preservation strategy is carried out through the studio's involvement in various activities outside the internal environment, such as performances in cultural events, festivals, and government activities, as well as collaboration with educational institutions and related agencies. Through this activity, the Joget Sonde dance is introduced to the wider community, thereby increasing its appreciation and existence amidst the developments of the times. Support from external parties also becomes an important factor in strengthening the sustainability of its preservation.
BENTUK PENYAJIAN TARI PEGAWAI DALAM PESTA PERKAWINAN DI KAMPUNG HULU PASA MALINTANG NAGARI INDERAPURA TENGAH KECAMATAN PANCUNG SOAL KABUPATEN PESISIR SELATAN Maysa Anggelia Putri; Susmiarti
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/fwngvg48

Abstract

This study aims to describe and reveal the presentation form of the Employee Dance in wedding celebrations in Kampung Hulu Pasa Malintang, Nagari Inderapura Tengah, Pancung Soal District, South Coastal Regency. This type of research is qualitative with a descriptive method. The research instrument is the researcher themselves, assisted by writing tools and a camera. Data were collected through literature studies, observation, interviews and documentation. The steps in analysing the data are collecting data, reducing data, presenting data, and drawing conclusions. The research results show that the form of presentation of the Employee Dance in wedding celebrations in Kampung Hulu Pasa Malintang includes various interconnected elements that form a cohesive and meaningful performance, including movements, floor design, music design, dancers, costumes, props and the performance venue. The movements of the Employee Dance consist of Long Step movements, right side movements, left side movements, and Ninjau movements. The floor pattern of the Employee Dance is merely a development of a straight line. The accompanying music of the Employee Dance consists of musical beats and chants. The musical instrument used is the rebana. The Employee Dance is performed by seven male dancers who are either adults or middle-aged. The dancers wear batik clothes freely without specific patterns or colour requirements, while their lower attire consists of neatly wrapped sarongs in place of trousers. The property used in the Employee Dance is a long cloth. The Employee Dance is performed inside the house where the traditional wedding ceremony takes place, specifically in front of the bride and groom standing on a prayer mat.
PENGGUNAAN RONGGIANG DALAM ACARA MALATI ANAK   DI NAGARI AIA GADANG KABUPATEN PASAMAN BARAT Fitri Nadhia, Fitri Nadhia; Tulus Handra Kadir
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 2 (2026): June (in press)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/z7s30d13

Abstract

This study aims to understand and reveal the use of ronggiang in the Malati Anak event in Nagari Aia Gadang, West Pasaman Regency. This type of research is qualitative research with a descriptive analytical method. The research instruments are self-conducted studies assisted with stationery, a camera and an audio recorder. Data is collected through library studies, observation, interviews and documentation. The steps for analysing data are data collection, data presentation and drawing conclusions. The results of the research indicate that the use of Ronggiang in the Malati Anak event in Nagari Aia Gadang, West Pasaman Regency, consists of Ronggiang and Malati Anak. Ronggiang elements consist of musical instruments, costumes, performers/actors, movements, songs, performance times and venues, and the audience. Musical instruments used include gandang, violin, microphone, horn, boto kaco, and tambourine. The costume worn consists of the Ronggiang art troupe's uniform and a sash. The Ronggiang performers consist of 12 members. The movements in this Ronggiang dance consist of three parts: the opening movement, the advancing greeting movement, and the advancing greeting movement with position changes. The songs performed are generally traditional Ronggiang art songs, including Pulau Pisang, Ronggiang Ka Berang, and Sikambang. The performance usually begins in the afternoon, with the venue depending on the host's agreement. This Ronggiang performance can be watched by all ages, from children, teenagers, adults, to the elderly, with the majority being elderly. The use of Ronggiang in Malati Anak consists of the Turun Mandi event and the wedding event. The Malati Anak Turun Mandi event is held by the bako side, usually performed by the child's grandmother, and is enlivened by Ronggiang music, while the Malati Anak wedding event is held by the bako side, usually performed by the child's amai, and the event takes place at their home with modest arrangements, only enlivened by Ronggiang art.

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