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Hijratur Rahmi
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Scoring: Journal of Film Music
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 30218764     DOI : http://dx.doi.org/10.26887/scoring
Core Subject : Art,
Arts
Scoring: Journal of Film Music, an academic journal published by the Department of Film Music, Faculty of Performing Arts, Institut Seni Indonesia Padangpanjang twice a year. This journal publishes original articles focusing on the results of studies in the field of film music. The coverage of topics in this journal includes: Music in moving picture Composition or Arrangement for film music History of film music Theory of Film Music or Analysis Music Technology Music Studies
Arjuna Subject : Seni dan Humaniora - Musik
Articles 6 Documents
 1 
Search results for , issue "Vol 2, No 2 (2024): Scoring Jurnal of Film Music" : 6 Documents clear
The Teaching of The Song Zapin Imam Berempat in The Form of a Mixed Ensemble In High School 1 Pinggir Yanda, Martha Febri; Hendri, Yon; Awerman, Awerman; Syaputra, Weldi
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4991

Abstract

Learning Zapin Imam Berempat in the form of a mixed ensemble in high school N 1 Pinggir. The song is orchestrated using four kinds of instruments, piano, ballet, guitar, and kajon. This research uses the Action Reseach method. In data collection using the Kemmis and Mc Taggart models of a spiral model in which there are Cycles 1 and Cycles II, when the problem is not solved then proceed to the next cycle until the problem has been solved. This research is done through phases, planning, action, observation, and reflection in each cycle. The results of this study show that the pupils in receiving learning are happy. I'm so excited, because this song of Zapin Imam Berempat is easy to accept by pupils. The students gained musical knowledge in particular in the form of an ensemble, so that the students were able to present Zapin Imam Berempat songs in an ensemble form in front of the audience.
Blues Of Sampelong Tamiba, Gion; Enida, Delfi; Hidayatmi, Hidayatmi
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.3861

Abstract

AbstrakKomposisi musik Blues of Sampelong adalah komposisi musik yang berangkat dari unsur musikal musik tradisional Minangkabau yaitu Sampelong. Unsur musik yang utamanya nada, dipadukan dengan gaya musik blues. Untuk mewujudkan itu, metode komposisi yang digunakan pada penggarapan musik ini adalah merujuk pada apa yang dikemukakan olah Alma M. Hawkins. Metodenya terdiri dari tiga tahap yaitu, tahap eksplorasi, tahap eksperimen dan tahap pembentukan. Tujuan dari penggarapan komposisi musik dengan metode ini adalah terciptanya kombinasi rasa baru suatu komposisi musik untuk orkestra atas paduan kesenian tradisional Minangkabau yaitu Sapelong dengan gaya musik blues. Hasil dari komposisi musik diberi judul  Blues of Sampelong, di dalam komposisi bentuk musik tiga bagian ini, dengan berbaurnya rasa dari nada-nada sampelong dengan gaya blues memberikan nuansa baru yang unik untuk Orkestra.
Musicological Study Of Famözi Göndra in Si’ulu Death Ceremony in Bawömataluo Nias South, North Sumatera Noverman, Fajar; Emridawati, Emridawati; Hendri, Yon; Wijaksana, Bambang
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4985

Abstract

This article is the result of research into the Si'ulu death ceremony in the village of Bawömataluo, South Nias, Sumatra, Indonesia which uses Nias customs using the traditional art of Famözi Göndra which has a melodic interweaving of percussion instruments. This traditional music research is a qualitative research with a descriptive analysis method to analyse the musical elements found in the community of Bawömataluo Village, South Nias. Data coded from various performances of Famözi Göndra, in the form of musical elements, were reduced, then presented descriptively. The elements of traditional Famözi Göndra music include instruments and performers. In addition to musical elements such as: Rhythm, Melody, Timbre, and Tempo can be enjoyed by the audience.
Structure of Nang Gumalunsang Angka Laut Toba Batak Song in Sisolu-Solu Village, North Sumatera Pintu Batu, Wanda; Wati, Rosmega; Aluna, Aluna
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4908

Abstract

The song 'Nang Gumalunsang Angka Laut' is one of the popular Batak Toba songs that is often performed at certain events such as church services, mourning ceremonies, and entertainment. The research location was in the village of Sisolu-solu, Sumbul District, North Sumatra. The song studied was performed in the SATB choral format and arranged by Mr. Edy Dh Siahaan, S.Th. This research aims to analyze the structure of the choral song titled 'Nang Gumalunsang Angka Laut'. This research uses a qualitative method with a descriptive analysis approach, with the intention of revealing and describing the analysis of the structure of the choral song. The data collection techniques used were observation, interviews, and documentation. The data analysis techniques include data reduction, data presentation, and conclusion drawing. The result of this research is the revealing of the form of the song 'Nang Gumalunsang Angka Laut', which in this research consists of three parts form song , with a melodic line that has similarities (parallel), and has an irregular phrase (more than 4 bars).
Tambua Tansa Performance Form By Sanggar Shimpony Badantiang In Nagari Lubuk Basung, West Sumatera Fikratul, Nesa Ulya; Anggraini, Nora; Munafri, Sastra
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4895

Abstract

Tambua Tansa is a Minangkabau tradition passed down from generation to generation in West Sumatra. One area that still pays attention to the existence of Tambua Tansa is Lubuk Basung, under Sanggar Shimpony Badantiang, founded by Marisha Isman in 2012. The focus of this research is on the form of Tambua Tansa performance developed by Sanggar Shimpony Badantiang, as well as the existence of this studio in Nagari Lubuk Basung. This research uses qualitative research methods, using a theoretical approach to performance forms and existence theory as supporting theories in examining the existence of Sanggar Shimpony Badantiang. The characteristics of the Tambua Tansa game use simple musical motifs which are then developed into songs. The songs that are often played in performances are divided into two songs, namely; Pangka Matam and Atam Panjang. The existence of Sanggar Shimpony Badantiang has been able to be maintained until now due to good organizational governance as well as creativity and innovation carried out by artists.
Performance of Laksmana Raja Di Laut Arranged by Julyani for Solo Marimba and Vibraphone Youlanda, Mayank Rizkia; Marh, Fahmi; Herdianto, Ferry; Zaidi, Ahmad
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4714

Abstract

Laksamana Raja Di Laut is a Malay song composed by Datuak Suhaimi (Pak Ngah) in 1993, which was popularized and sung by Iyeth Bustami. This song was rearranged by Ijunk for marimba solo and vibraphone, with Big Band accompaniment format. The accompaniment format for marimba solo with vibraphone is complemented by traditional Malay drums. The musical arrangement of this song into a solo, uses a new musical concept that offers hybrid music (mixed music), through the naming of a new genre by the arranger, namely Progressive Malay, by adapting a free-form approach and variations of the theme. The arrangement of Admiral Raja di Laut uses a tighter notation with thirty-second notes to display the arranger's imagination with vibraphone and marimba about the sea and the prowess of a sailor from the Malay lands.

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