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All Journal Sumatra Journal of Disaster, Geography and Geography Education Musica: Journal of Music Scoring: Journal of Film Music
Bambang Wijaksana, Bambang
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Arts Education

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Composition of Song Child as Mitigation of Earthquake and Tsunami Disaster on Coastal Areas in Pariaman City and Padang Pariaman District West Sumatra Province Munafri, Sastra; Wijaksana, Bambang
Sumatra Journal of Disaster, Geography and Geography Education Vol 1 No 2 (2017): Sumatra Journal of Disaster, Geography and Geography Education Volume 1 Number 2
Publisher : Sumatra Journal of Disaster, Geography and Geography Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (196.731 KB) | DOI: 10.24036/sjdgge.v1i2.93

Abstract

The objective of this research was to compose the child song as the mitigation of earthquake and tsunami disaster to build the character and mental to elementary School student in the coastal city of Pariaman and Padang Pariaman district, West Sumatra Province. This research was conducted in eight (8) Elementary School (SD) in the Pariaman city and Padang Pariaman district. The research method was a survey method with purposive sampling the elementary school is located ± 1 km from the coast. The research was done to collect the data base and characteristics of sample, compose song lyrics, compossing music, the song arrangements and recording process. The data were analyzed descriptively, questionnaires were used to test the understanding of the child at the beginning of the study. The results showed that a total 477 elementary students, 256 men and 191 women, in general, the elementary school students are afraid of the earthquake and tsunami and the action was taken screaming and istigfar. Only 41.39% of respondents who had received education about disaster mitigation efforts of NGOs and BPBD. The kids love the songs and music of 90%, but their knowledge of local music is very low. Lyrics composed by the popular pop style. Composition of song lyrics consisting of five verses of four lines (sentences). The first about geografis condition, the second educating the earthquake and tsunami, the third self-control, the fourth contains the actions to be taken and the fifth verse is the climax, action and pray.
Digital Music Composition in the Soundscape Concept of ISI Padang Panjang Sukria, Eki; Murniati, Murniati; Sina, Ibnu; Hendri, Yon; wijaksana, Bambang
Scoring: Journal of Film Music Vol 2, No 1 (2024): Scoring Jurnal of Film Musik
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i1.4191

Abstract

The ISI Padangpanjang Sounds work is a digital music composition with a soundscape concept created from the sounds of activities around the ISI Padangpanjang campus which were recorded using the Zoom H1n Handy Recorder mic device. The sound recordings of activities and objects around the campus will be sampled and processed using Digital Audio Work Station (DAW) Studio One 5. This work tells about activities on the ISI Padang Panjang campus. On this campus there are two faculties, namely the performing arts faculty and the fine arts and design faculty. In the Suara ISI Padangpanjang work there are 3 parts with a duration of 7.10 minutes, the first part is morning activities, the second part is afternoon activities and the third part is evening activities which closes with afternoon activities. the sound of the Isha call to prayer at the end.
Changes in The Use Of Gending Kebo Giro To Hadrah Shalawat Nabi Mahallul Qiyam In Temu Manten Tradition in Bumi Mulya Kuantan Singingi Regency Riau Province Sari, Renita; Sriwulan, Wilma; Awerman, Awerman; Wijaksana, Bambang
Musica: Journal of Music Vol 4, No 1 (2024): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v4i1.4367

Abstract

Temu Manten is a tradition in the traditional Javanese wedding procession. Temu Manten in Javanese means bring together bride and groom at the bride's residence in a part of traditional wedding processions. When the Temu Manten procession takes place, used Gending Kebo Giro as a music accompaniment at Temu Manten tradition. Gending Kebo Giro is played starting from the beginning of the procession until the Temu Manten tradition ends. Over time, the Temu Manten tradition in Bumi Mulya has undergone several significant changes, one of which is the change of musical accompaniment to the Temu Manten procession. Musical accompaniment which usually uses Gending Kebo Giro is currently replaced by Hadrah Sholawat Nabi Mahalul Qiyam. This study uses a qualitative research method using ethnography as a  approach. Data collection was carried out through literature study, observation, and interviews. Through the theory of change by Gerth and Mills as the main theory, the research results show that: changes in the use of gending to hadrah are caused by several factors including inter-ethnic marriage, the influence of Malay culture, and reasons for spending much amount of material.
Musicological Study Of Famözi Göndra in Si’ulu Death Ceremony in Bawömataluo Nias South, North Sumatera Noverman, Fajar; Emridawati, Emridawati; Hendri, Yon; Wijaksana, Bambang
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4985

Abstract

This article is the result of research into the Si'ulu death ceremony in the village of Bawömataluo, South Nias, Sumatra, Indonesia which uses Nias customs using the traditional art of Famözi Göndra which has a melodic interweaving of percussion instruments. This traditional music research is a qualitative research with a descriptive analysis method to analyse the musical elements found in the community of Bawömataluo Village, South Nias. Data coded from various performances of Famözi Göndra, in the form of musical elements, were reduced, then presented descriptively. The elements of traditional Famözi Göndra music include instruments and performers. In addition to musical elements such as: Rhythm, Melody, Timbre, and Tempo can be enjoyed by the audience.
Pertunjukan solis gitar dengan repertoar Elogio de la Danza, Nurlela, dan It's A Beautiful Day Fajri, Ihsan; Yusnelli, Yusnelli; Awerman, Awerman; Wijaksana, Bambang; Hendri, Yon
Musica: Journal of Music Vol 4, No 2 (2024): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v4i2.4702

Abstract

Pertunjukan musik dari berbagai zaman seperti klasik, modern, melayu dan popular dibalut kedalam sebuah pertunjukan solis gitar dengan menggunakan teknik pertunjukan musik yang mengandung kaidah konvensional. Pertunjukan ini terdiri dari beberapa repertoar dari zaman yang bebeda. Repertoar pertama berasal dari zaman modern yang berjudul Elogio de la danza dengan komposer Leo Brower yang diciptakan pada tahun 1964. Repertoar kedua yaitu Nurlela yang dipopulerkan oleh Bing Slamet. Repertoar ketiga berjudul It’s a beautiful day dengan komposer Tohpati yang diciptakan pada tahun 2013. Penyaji mengaplikasikan berbagai teknik seperti tirando, arpegio, harmonic, apoyando, slur, golpe, dan rasgueado untuk mewujudkan pertunjukan yang sempurna.Kata Kunci: Pertunjukan; Gitar Klasik; Solis
Penerapan Lagu Dinda Dalam Genre Koplo Dengan Format Ansambel Musik Di SMAN 3 Padangpanjang Mardin, Kalingga Laksana; Sriwulan, Wilma; Awerman, Awerman; Syahputra, Ade; Wijaksana, Bambang
Musica: Journal of Music Vol 5, No 1 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i1.5205

Abstract

Penelitian yang berjudul “Penerapan Lagu Dinda Dalam Genre Koplo Dengan Format Ansambel Musik” ini bertujuan untuk mengetahui sejauh mana kemampuan peneliti dalam memberikan pembelajaran di bidang musik kepada siswa/i SMAN 3 Padangpanjang. Lagu Dinda ini diaransemen kembali ke dalam format ansambel musik dengan beberapa instrumen seperti bellyra, pianika, gitar elektrik, gitar bass, gendang koplo, dan drumset. Metode penelitian yang digunakan adalah metode kualitatif dalam bentuk penelitian tindakan (Action Research), dengan tujuan untuk memecahkan masalah yang ditemukan dalam proses pembelajaran di lapangan. Dalam proses penelitian dan pengajaran tersebut, peneliti memakai teori musik dari Aaron Copland yang dipergunakan sebagai alat untuk memahami elemen dasar musik, seperti melodi, harmoni, dan ritme. Pembelajaran yang diajarkan sesuai dengan ilmu musik konvensional sehingga dapat meningkatkan kemampuan siswa/i dalam memainkan musik dengan baik dan benar. Hasil penelitian dari pengajaran tersebut adalah dipertunjukkannya Lagu Dinda dalam genre koplo oleh siswa/i SMAN 3 Padangpanjang di Gedung Pertunjukan Hoeridjah Adam Institut Seni Indonesia Padangpanjang. Kata kunci : Penerapan, Lagu Dinda, Genre Koplo, Ansambel
Interpretation and Expression of Violin Soloist in Playing: Concerto In E Major, My Heart Will Go On, and Laila Canggung Nasrullah, M.; Sidik, Hadaci; Wijaksana, Bambang; Enida, Delfi; Dary, Mohammad
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5551

Abstract

Performances of musical repertoire from various eras, such as classical, modern, Malay, and popular, are wrapped into a solo violin performance in the form of interpretation and expression of works using musical performance techniques that contain conventional rules. This performance consists of several repertoires from different eras. The first repertoire is a repertoire that originates from the baroque era or the 16th century, entitled Concerto in E Major No. 1 Spring, with a combination of Antonio Vivaldi, which was created in 1725. The second repertoire is My Heart Will Go On, which is popular. The third repertoire is Laila Awkward, which Hamid and Amardi Raga created. Presenters interpret and express their repertoire by applying techniques such as arpeggios, trills, legato, and slurs to create a perfect performance.
Co-Authors Ade Syahputra Awerman Awerman Dary, Mohammad Delfi Enida Emridawati Emridawati Fajri, Ihsan Hendri, Yon Ibnu Sina M. Nasrullah Mardin, Kalingga Laksana Murniati . Noverman, Fajar Sari, Renita Sastra Munafri, Sastra Sidik, Hadaci Sukria, Eki Wilma Sriwulan Yusnelli, Yusnelli