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Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer
Published by Universitas Jember
ISSN : 30217393     EISSN : 29630835     DOI : https://doi.org/10.19184/rolling.v6i2
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Rolling Journal is a peer-reviewed academic journal and also open to submissions and responses from any academy who concentrate in media and culture issues. We take seriously the need to move ideas outward, so that our cultural debates may have some resonance with wider political and cultural interests. Each issue is organised around a one word theme and is edited by one or two guest editors with a particular interest in that theme. Rolling Journal provides a forum for the presentation of research and discussion concerning the media within their political, economic, cultural and historical contexts. The journal is interdisciplinary, regularly engaging with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 76 Documents
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Analisis Semiotika Roland Barthes: Visualisasi Kelas Sosial dalam Sinematografi Film The Handmaiden (2016) Agustin, Yuli Ayu; Setiawan, Ikwan; Sukmawati, Ni Luh Ayu
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53697

Abstract

The Handmaiden is an exotic-thriller film by Park Chan-wook which tells the story of Korean people who disguise themselves to deceive Japanese nobles. In the storyline regarding the fraud, there is a storyline that involves the issue of social class being an important thing in it. A social class is a group of people divided based on education, occupation, property ownership, and lifestyle. The purpose of this research is to show how social class is visualized in The Handmaiden film. The type of research used is qualitative research using Roland Barthes semiotic analysis method in film cinematography. The research focuses on how upper and lower social classes are visualized. The results show that the visualization of social classes is divided into 3 (three) categories. The first is visualisation of the upper social class who have power and lifestyle through clothing. Second, the visualisation of the lower social class that is highlighted very small in cinematography so that it represent the character as powerless or weak. Third, the representation of the lower social class that fights back by destroying the barrier between classes to save one of the upper-class characters.
Peran MIise en Scene dalam Membangun Adegan Humor pada Film The Big 4 Karya Timo Tjahjanto Felina, Khoirina Diva Nadelia; Hartanto, Denny Antyo; Wajihuddin
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53699

Abstract

Film combines narrative and cinematic elements, with mise-en-scene playing a crucial role in shaping visual storytelling. This research examines how mise-en-scene contributes to humor in The Big 4 by Timo Tjahjanto, analyzing aspects such as setting, costumes, makeup, lighting, and staging. Using Bordwell et al.'s mise-en-scene theory and Arthur Asa Berger's humor techniques—Language, Logic, Identity, and Action—this qualitative study divides the film into four scenes to identify dominant humor techniques. Examples include dialogue-based teasing (Language), absurd situations (Logic), identity contrasts, such as Alpha's transformation (Identity), and physical comedy, like Dina’s poisoned antics (Action). The findings highlight how visual elements and humor techniques work together to enhance storytelling and character development, demonstrating the integration of mise-en-scene and comedic elements in creating an engaging cinematic experience. This study emphasizes the role of mise-en-scene in supporting humor and enriching audience engagement.
Penulisan Naskah Web Series Manusia dan Cerita Sampai Bertemu Cahaya Menggunakan Teori Positive Character Arc Sebagai Penunjang Dramatik Iqlimabelle, Salsa Bila; Kartika, Bambang Aris; Zoebazary, Ilham
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53701

Abstract

The rise of suicide and bullying today is the basis for the creation of a work entitled Humans and Stories Until Light Meets. This work is a web series script that discusses the relationship between the role of parents in children's lives and children's mental health. This script tells about a child's journey in achieving true happiness or can be referred to as the maturation process. This script uses the positive character arc theory assisted by save the cat technique in its preparation. The purpose of making this script is provide information that parenting has a close relationship with children's mental health, suicide, and bullying behavior in children.
Disillusionment Arc pada Perubahan Karakter Paul Baumer dalam Film All Quiet on The Western Front (2022) Wafi, Boni Hibatul; Zamroni, Muhammad; Rozi, Romdhi Fatkhur
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53702

Abstract

This study aims to identify and explain how Paul Bäumer's character transformation is constructed through the combination of Todorov's three-act structure and Weiland's Disillusionment Arc. The research employs a qualitative descriptive method with a descriptive-analytical approach. Data collection techniques include visual narrative observation, story structure analysis, and literature review to strengthen the theoretical foundation. The object of this study is the film All Quiet on the Western Front (2022), focusing on Paul Bäumer’s transformation from an idealistic young soldier to a disillusioned individual overwhelmed by the harsh realities of war. The theoretical framework integrates Todorov’s three-act narrative structure, K.M. Weiland’s Disillusionment Arc, and narrative elements from Bordwell & Thompson. The findings indicate that the combination of these narrative structures effectively identifies key moments in Paul’s emotional journey, progressively shaping his negative character arc in accordance with the Disillusionment Arc pattern.
Kajian Psikoanalisis Karakter Rara Pada Film Imperfect CahyaPutra, Dhandy Perkasa CahyaPutra; Kartika, Bambang Aris; Suharijadi, Didik
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53704

Abstract

Imperfect is a film directed by Ernest Prakasa and based on his wife Meira's book called Imperfect: A Journey to Self-Acceptance airing on December 19, 2019. Imperfect tells the story of a woman named Rara (Jessica Milla), an employee at a cosmetics company who doubts her body shape because she doesn't meet the beauty standards of others. The method used in this research is a qualitative research method using Sigmund Freud's psychoanalytic theory as the main theory and Bordwell's mise en scene theory as a supporting theory in analyzing Rara's character in the film Imperfect. The division of scenes is based on the mise en scene aspect and considers the physical changes in Rara's character as a comparison for changes in attitude and character.  This research identifies two forms different of Rara's character present in the 8 scene. Provides a deeper understanding of how visual elements in film, such as setting, costume and makeup, lighting, and staging, collaborate to construct a powerful concept of psychoanalytic character within a scene. The conclusion of this research reveals that mise-en-scene plays a pivotal role in shaping the perceived emotional Rara's character into audience. The demands of beauty standards dominate most segments in this scene. Rara's determination to make physical changes is supported by the mise-en-scene aspect. The results of the physical changes made Rara's career dreams come true. Physical changes and appearance also dominate Rara's character, becoming selfish and arrogant, thereby losing the people around her.
Peran Mise en scene Memvisualisasikan Sensualitas Tokoh Utama pada Film Charlie's Angels Rilis Tahun 2000: Analisis Male Gaze Mochtar, Muhammad Gilang Maulana; Astuti , Soekma Yeni; Suprapto , Deddy
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53705

Abstract

Charlie’s Angels is an action comedy film released in 2000. The film tells the story of three beautiful women or called Angels (Natalie, Dylan and Alex) working in a private detective agency by highlighting very strong sensuality. Sensual visualization caused by the lewd environment and the choice of Angels’ clothing shows a connection between mise en scene and the male gaze. Cinematic visualization influences the interpretation of sensuality in the film and what happens in the film. This study uses Bordwell’s mise en scene theory in examining the sensuality of the male gaze to understand the conception of mise en scene by integrating the structure of three levels of the male gaze. Dividing the form of sensuality based on voyeurism, scopophilia and narcissism, the visualization of the Angels’ characters can be more visible in each scene. The research was conducted descriptively qualitatively with data collection techniques through the stages of observation, documentation, and literature study. Data obtained from observation were then reduced. Scenes that show the sensuality of the Angels characters became the limitations of the study. 6 scenes were obtained that were considered to have a major influence in the depiction of mise en scene and showed forms of sensuality based on three aspects of recognizing the male gaze: voyeurism, scopophilia and narcissism. Sensuality is seen through mise en scene with four aspects: setting, costume and make up, lighting and movement of the actor who is able to provide a visual form in the development of sensuality experienced by the Angels characters. Mise en scene is able to influence the sensuality of the male gaze in the film Charlie's Angels (2000) which uses women as sexy objects and erotic objects for visual purposes in the movie.

Page 8 of 8 | Total Record : 76

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