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177 Documents
<![CDATA[Representasi Figur Burung Garuda yang Digunakan sebagai Lambang Negara ]]>
<![CDATA[Oentoro, Yurica]]>
<![CDATA[ Nirmana Vol 14, No 1 (2012): JANUARY 2012 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.14.1.47-64
<![CDATA[There are three coat of arms which have high level of similarities, such as Indonesia, Romania, and United Arab Emirates. These three nations the use bird figure as their coat of arms. These three nation’s perception for the meaning of the bird is same. However, the depiction of the bird’s form is different for each nation. It’s because each nation is using a different species of birds. The differences in perception also includes what is shown in the coat of arms. This research used Visual Methodologies from the site of image itself with compositional interpretation and Peirce’s semiotics to analyze these three coat of arms. The purpose of this research is to know the meaning behind the three coat of arms which have high level of similarities.]]>
<![CDATA[PERSPEKTIF PENALARAN FUNGSIONAL DESAIN VISUAL IKON ]]>
<![CDATA[Pranata, Moeljadi]]>
<![CDATA[ Nirmana Vol 4, No 2 (2002): JULY 2002 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.4.2.
<![CDATA[Iconic interface design concerns the use of images to convey the system states%2C commands%2C or processes for human-computer interaction. While icons play an increasingly important role in iconic interface%2C many aspects of icon design are not well understood. The present study intends to help designers to choose a proper design concept for the icon at an early design stage. Abstract in Bahasa Indonesia : Desain bentuk ikon berkaitan dengan penggunaan image untuk menyampaikan perintah atau proses interaksi antara manusia dengan komputer. Sementara ikon melakukan peranan yang penting dalam bentuk ikon%2C banyak aspek dalam desain pesan visual ikon tidak dipahami dengan baik. Tulisan ini dimaksudkan untuk membantu desainer memilih sebuah konsep desain ikon yang baik. icon design%2C visual feature%2C functional reasoning.]]>
<![CDATA[SIMBOL BUDAYA SEBAGAI REPRESENTASI POSITIONING DALAM IKLAN PRODUK MOBIL EROPA DAN MOBIL JEPANG ]]>
<![CDATA[Dektisa Hagijanto, Andrian]]>
<![CDATA[ Nirmana Vol 5, No 2 (2003): JULY 2003 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.5.2.
<![CDATA[Understanding advertising is not as simple and short as looking at it. Besides it is used as visual approach to create persuasif communication%2C advetisement can be created with something pointed to reality and hyperreality. Complexity can be more felt whenever cultural symbol is used as aplication in positioning approach. Abstract in Bahasa Indonesia : Memahami iklan tidak sesederhana dan sesingkat menikmati iklan tersebut. Selain dipakai sebagai pendekatan visual untuk menciptakan komunikasi persuasif%2C iklan dapat dikreasi dengan citraan yang mengacu kepada realitas dan bahasa realitas semu (hiper-realitas). Kompleksitas ini makin terasa lagi ketika simbol budaya yang dipakai sebagai pendekatan aplikasi posisioning. Positioning representation%2C cultural symbol%2C car advertisement.]]>
<![CDATA[METROSEKSUALITAS DALAM IKLAN SEBAGAI WACANA GAYA HIDUP POSMODERN ]]>
<![CDATA[Tri Handoko, Cons.]]>
<![CDATA[ Nirmana Vol 6, No 2 (2004): JULY 2004 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.6.2.
<![CDATA[Nowdays Metrosexual is becoming an interesting topic not just in the fashion field but also in the public. Metrosexual is the product of consumption-advertisement-lifestyle hegemonic. The growing of Metrosexual lifestyle because of synergic cooperation between producers of postmodern culture and media also advertising to create new needs for male. In advertisements%2C metrosexual models are appeared to promote products of consumption lifestyles%2C spectacle%2C body (taste) and image. Clearly%2C advertisements no longer offer product functions but also relate to image of surface and style%2C with the result that nowdays metrosexual identity not just a trend but has become a new social identity. Abstract in Bahasa Indonesia : Metroseksual saat ini menjadi wacana aktual di dunia fashion juga di masyarakat luas. Metroseksual adalah produk dari hegemonitas konsumsi-iklan-gaya hidup. Gaya hidup metroseksual ini tumbuh dan berkembang tidak lepas dari adanya sinergi antara produsen ‘ideologi’ budaya posmodern dalam ‘kerjasamanya’ dengan media serta iklan untuk menciptakan kebutuhan baru pada kaum pria. Dalam iklan-iklan tersebut%2C sosok metroseksual dihadirkan untuk menawarkan produk dari gaya hidup konsumtif%2C tubuh (cita rasa)%2C dan citra. Jelasnya iklan tidak lagi menjual fungsionalitas produk namun juga telah dikaitkan dengan tampilan permukaan dan gaya%2C sehingga saat ini identitas metroseksual menjadi tidak hanya sekedar trend namun telah menjadi sebuah identitas sosial yang baru.]]>
<![CDATA[GAYA INDIES: GAYA DESAIN GRAFIS INDONESIA TEMPO DOELOE ]]>
<![CDATA[Riyanto, Bedjo]]>
<![CDATA[ Nirmana Vol 7, No 2 (2005): JULY 2005 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.7.2.
<![CDATA[Indies Graphic Design Style emerged in the Dutch Colonial Era%2C had reached the top artistically around 1930s. Indies Graphic Design Style developed by Dutch graphic designers%2C was a mixture between European modern design style of the early 20th century and traditional local art%2C especially wayang%2C the masterpiece of Javanese culture. Nowadays%2C the combination has created a new design style with Indonesian taste and become an inspiration in creativity for todayÂ’s graphic designers. Abstract in Bahasa Indonesia : Gaya desain grafis Indies berkembang di masa kolonial Hindia Belanda dan mengalami puncak perkembangan artistiknya di tahun 1930-an. Gaya Desain Grafis Indies yang dikembangkan para perancang grafis Belanda merupakan perpaduan antara gaya desain Modern yang berkembang di Eropa awal abad ke-20 dengan seni rupa tradisi terutama wayang yang merupakan produk budaya adi luhung masyarakat Jawa. Perpaduan itu membentuk suatu gaya desain yang berciri khas Indonesia dan menjadi sumber inspirasi bagi kreativitas perancang desain grafis masa kini. indies graphic design style%2C eclectic%2C hybrid.]]>
<![CDATA[PERANAN CYBORG DALAM FILM “I, ROBOT“ ]]>
<![CDATA[Hartanto, Deddi Duto]]>
<![CDATA[ Nirmana Vol 8, No 2 (2006): JULY 2008 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.8.2.pp. 99-106
<![CDATA[Cyborg is a human reconstruction with the use of sophisticated technology. Cyborgs are made to move just like real humans. The application of cyborgs is through futuristic movies. This technology is the basis of our dreams that is beyond that also a detailed representation illustrated by the film directors and producers that try to bring people to step into the future's reality. The film I Robot gives detail about the robot-human relationship, where human involvement is replaced by the robots, and it is the humans' fault that the robots are able to fight them. Abstract in Bahasa Indonesia: Cyborg adalah salah satu hasil rekayasa manusia dengan menggunakan teknologi canggih. Cyborg dibuat digerakkan seperti manusia secara real. Aplikasi dari cyborg munculnya film–film dengan menggambarkan suasana masa depan . Teknologi inilah yang menjadi dasar impian manusia tidak hanya mimpi saja, tapi sebuah presentasi yang dipaparkan secara detail oleh para sutradara dan produser film mencoba mengajak manusia menginjak realitas masa depan. Film I Robot memaparkan bagaimana hubungan robot dan manusia, dimana peran manusia tergantikan peran robot, karena kesalahan manusialah robot bisa melawan manusia. Kata kunci: cyborg, representasi cyborg.]]>
<![CDATA[ELEMEN-ELEMEN DALAM DESAIN KOMUNIKASI VISUAL ]]>
<![CDATA[Suharto Cenadi, Christine]]>
<![CDATA[ Nirmana Vol 1, No 1 (1999): JANUARY 1999 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.1.1.
<![CDATA[In the recent information and technology globalization era%2C the role of Visual Communication Design has become important and it has become a hot topic which is inescapable from our daily lives. Almost every day%2C everwhere we go%2C we will encounter different forms of Visual Communication Design. Unfortunately%2C most of us have not yet realized the objectives and purposes of the Visual Communication Design. This paper will discuss about what the functions%2C purposes%2C elements and fields of the Visual Communication Design are. Abstract in Bahasa Indonesia : Dalam era globalisasi informasi dan teknologi seperti sekarang ini%2C Desain Komunikasi Visual berperan penting dan menjadi topik hangat yang tidak dapat terlepas dari kehidupan kita sehari-hari. Hampir setiap hari%2C kemanapun kita pergi%2C kita akan menjumpai bentuk-bentuk dari Desain Komunikasi Visual. Sayangnya%2C banyak diantara kita yang belum sadar akan tujuan dan manfaat dari Desain Komunikasi Visual itu sendiri. Tulisan ini akan membahas mengenai apa tujuan%2C manfaat%2C elemen dan lapangan kerja dari Desain Komunikasi Visual]]>
<![CDATA[MAKNA TANDA PADA FESYEN PENGANTIN JAWA BERGAYA MODERN ]]>
<![CDATA[Aryanto, Hendro]]>
<![CDATA[ Nirmana Vol 10, No 1 (2008): JANUARY 2008 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.10.1.pp. 26-31
<![CDATA[With the advancement of time, traditional wedding fesyen has gone through development and modification. The changes can be observed through the make-up techniques, materials of the gowns, and the hair-dos, such as sanggul. This article is focused on the shift of the meaning in modern style Javanese wedding fesyen because of its development and modification. The analysis method uses Roland Barthes’ sign analysis. The conclusion shows that modern traditional Javanese wedding fesyen is a representation of cultural shifts and an accumulation of established values and modernization effects. The goal is to develop a higher self-image by reproducing the current situation and condition. Abstract in Bahasa Indonesia: Seiring dengan perjalanan waktu, fesyen pengantin tradisional mengalami perkembangan dan modifikasi. Perubahan bisa terlihat dari tata rias wajah, bahan gaun yang dipergunakan, dan sanggul. Fokus tulisan ini mengangkat tentang masalah pergeseran makna pada fesyen pengantin Jawa bergaya modern dikerenakan perkembangan dan modifikasi. Metode analisis menggunakan analisis tanda dari Roland Barthes. Hasil analisis menunjukkan bahwa fesyen pada pengantin tradisional bergaya Jawa modern, adalah representasi pergeseran budaya dan perpaduan dari nilai-nilai yang sudah pakem dengan efek modernisasi. Tujuannya adalah membangun citra diri yang lebih tinggi dengan mereproduksi kondisi dan situasi yang ada. Kata kunci: makna, tanda, fesyen, pengantin, jawa, modern.]]>
<![CDATA[KOMPOSISI DALAM FOTOGRAFI ]]>
<![CDATA[Yuliadewi, Lesie]]>
<![CDATA[ Nirmana Vol 2, No 1 (2000): JANUARY 2000 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.2.1.
<![CDATA[At the first time%2C Frederick Scott Archer found collodion%2C an element of photography%2C that covered the glasses and can be put it on obscura camera to have the picture. This methode has used before%2C in all European and American countries. The photographer%2C at that time%2C had not cared about the quality of the picture. Meanwhile together advanced technology%2C human discovered some elements that can make a picture became more sharply. From that point%2C photographers become more appreciate with photography work. All sorts of aspects that can give more value for the picture%2C has been more attractived%2C ie: composition that can help to discover a better quality of photography work. Abstract in Bahasa Indonesia : Pada mulanya Frederick Scott Archer menemukan collodion%2C bahan baku fotografi%2C yang dilapiskan ke kaca dan langsung dipasang pada kamera obscura untuk menghasilkan gambar. Cara ini digunakan untuk memotret di seluruh Eropa dan Amerika. Para fotografer pada zaman itu masih belum memperhatikan kualitas gambar. Namun%2C seiring dengan perkembangan zaman dan kecanggihan teknologi%2C manusia menemukan bahan yang dapat membuat sebuah gambar menjadi tajam%2C dan penggemar fotografi pun mulai memperhatikan nilai lebih karya fotografi. Berbagai aspek penunjang keberhasilan yang memberikan nilai lebih mulai diperhatikan%2C antara lain komposisi yang dapat membantu terwujudnya suatu karya fotografi yang bermutu. photography%2C composition]]>
<![CDATA[Komparasi Destination Branding dalam Official Website Negara Singapura-Malaysia-Indonesia ]]>
<![CDATA[Sutanto, Ryan Pratama]]>;
<![CDATA[Natadjaja, Listia]]>;
<![CDATA[., Erandaru]]>
<![CDATA[ Nirmana Vol 12, No 1 (2010): JANUARY 2010 ]]>
Publisher : <![CDATA[Institute of Research and Community Outreach - Petra Christian University ]]>
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DOI: 10.9744/nirmana.12.1.9-19
<![CDATA[High profit income has attracted South Asian countries to compete in the fields of tourism marketing. Destination branding as a differentiating factor is an alternative approach in marketing communication. The purpose of this research is to make a comparison study of destination branding application in Singapore's, Malaysia's and Indonesia's tourism official websites. Destination branding in websites as part of promotion campaigns is a strategy used by each country to promote tourism to consumers worldwide. This research uses qualitative method, and involves experts in the fields of Information Technology (IT) and Visual Communication Design. Each website's elements contributes in the success of a country's destination branding and influences its brand image.]]>
