cover
Contact Name
I Putu Udiyana Wasista
Contact Email
udiyanawasista@isi-dps.ac.id
Phone
+6281805597040
Journal Mail Official
citakara@isi-dps.ac.id
Editorial Address
Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
Location
Kota denpasar,
Bali
INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Articles 230 Documents
Visualization Of The Barong Landung Of The Abiantuwung Tabanan Village In Paintings Budiana, I Putu; Karja, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3294

Abstract

Bali has many types of dances. In Bali you can find many types of dance, such as the barong dance. One of them is Barong Landung, which is the embodiment of a human or giant. With the presence of barong landung, Balinese people interpret it as a force that is believed to provide safety. The research problem focuses on the form of barong landung in the Abiantuwung Traditional Village, Barong Landung has a symbol of connection with Pura Dalem Balingkang. The research uses qualitative methods with analysis of interview and observation data. From the research results, it was found that the Barong Landung in the Abiantuwung Traditional Village is different from the barong landung in general in Bali. Barong landung is the embodiment of the Almighty Creator himself, which undagi in the past was certainly created in accordance with the conditions of the time at that time, namely when intercultural marriage between China and Bali was hot. The charm of this dance can generally only be enjoyed at special moments such as religious holidays in Bali which are usually called Piodalan which are held at certain temples. However, the barong landung in the Abiantuwung Traditional Village is only performed on certain days, such as at certain sasihs where the barong landung goes around at night without lights.
Product Development Start Up Roumy (Shoes Blend Painting And Patchwork) Abdini, Ni Gusti Ayu Arum; Gulendra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3297

Abstract

Implementation of MBKM Entrepreneurship Final Project with Mitra Agung Bali Collection which is engaged in the fashion industry on the development of weaving designs for weaving feed or endek fabrics with characteristics of air brus technique and surface design. In the development of surface design, Agung Bali Collection prioritizes creativity and innovation as well as artistic skills in gold, silver, pearl and glitter colors with massage canting techniques. During the MBKM process of the Entrepreneurship Final Project, the author developed a painting shoe product with a combination of patchwork. Different old and new product stitching techniques are intended to create an impression of different aesthetic values in the shoes chosen as a medium. The marketing that the author does is based offline and online, with promotions through whatsapp, Instagram, and shopee. The types of research methods used are included in quantitative research and observation as data collection methods. The results obtained were 9 shoe products combining patchwork endek with the titles Roro, Water Waves, Ginkgo Leaves, Viewpoint, Whale, Galaxy, My Cat, Koi Place and Ladybug.
Penyesuaian Diri Dan Komunikasi Interpersonal Pendatang Baru Sebagai Ide Penciptaan Seni Lukis Digital Saraswati, Intan; Utami, Ni Made Purnami; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3301

Abstract

The purpose of this writing is to describe the visualization process which includes: concepts, themes, techniques and forms of painting works with the title Self-Adjustment and Interpersonal Communication for Newcomers as Ideas for Creating Digital Painting Art. The methods used in creating digital painting works of art are exploration, experimentation and execution. Exploration in creating digital works of art includes research, theme exploration and model exploration, namely combining themes and concepts and determining the poses of female figures by means of observation. The experimental method was carried out to discover new things such as the use of effects in the Adobe Photoshop application and to apply ideas and notions to the creation of digital works of art by applying filters to the photo images that will be used, then continuing with experiments on combining the drawn figures. with photo images that have been edited in the Adobe Photoshop application. The execution stage is carried out by moving the sketch to a new layer. After the discussion and creative process, it can be concluded: 1.) The concept in creating digital painting works of art is to express thoughts and feelings into digital works of art by using female figures as the main objects as symbols of feelings that have meaning regarding each event that occurs. experienced by the author related to the phenomenon of adapting to a new environment and visualized with a surrealistic approach. 2.) The concept in creating digital painting works of art is to express experiences or phenomena related to interpersonal communication and self-adjustment experienced by artists in their lives. 3.) The manufacturing technique uses the Adobe Photoshop application and the IbisPaint digital drawing application and later combines photo images and figure drawings drawn manually. 4.) The form in the painting visualization displays a self-portrait painting with a surrealistic style and is inspired by the Art Nouveau art style which depicts female figures and other objects as symbols arranged by adjusting the composition so that it looks harmonious.
Farmer Activities In Mekar Jaya Village As An Idea In The Creation Of Painting Raharja, I Gusti Nyoman; Karja, I Wayan; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3371

Abstract

This Independent project study report raises the theme of farmer activities as an idea for creating paintings. Starting from personal experience who was born and raised in a farming family. By combining certain techniques, materials and references to achieve the desired goals and meaning. The problem faced is how to translate the visuals of farmers' activities into painting to support ideas so that the work looks attractive. The aims and benefits are to provide a reflection of farmers who carry out activities in the fields. To answer what is the aim of this work, the creation method involves exploration, experimentation, preparation and formation. By compiling elements of fine art through the stages of exploration, experimentation, preparation, and formation stages and combining them with ideas, 6 works were created entitled "Plowing Rice Fields, Numbeg, Nyemai Padi, Nyabut Bulih, Planting Rice, and Harvesting." In realizing the work the author will use technical references from other artists. By combining melting techniques, wet techniques and combining contour lines. It is hoped that it can produce quality work and become the identity of creation.
Anatomy Of The Human Body As an Expression Of Painting Creation Putra, Kadek Win Mahesa; Ruta, I Made; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3372

Abstract

In this Independent Project MBKM TA report, the author raises the title “Anatomy Of The Human Body As an Expression Of Painting Creation” which originated from the author’s daily activities when looking in the mirror in front of glass cabinet of the room which finally sparked the author’s idea to create works of painting. The problem is how to visualize the anatomical form of the human body in each work. In realizingit, the author uses methods and techniques obtained during the MBKM process. The purpose and benefits are to develop the author’s creativity in expressing expressive and semi-realist forms in the process of creating works. As well as using a method of creation that includes several stages, namely, contemplation, exploration, improvisation, realization/formation. From this process  the author produced six works entitled : 1) “Walking”, 2) “Behind”, 3) “Grasping”, 4) “Leaning”, 5) “Hearing”, 6) “ Trail II”. It can be concluded that the author created the work based on his interest in the anatomical form of the human body, with ideas that come from the author’s daily experience through direct observation and digital media sources. In the realization stage, the author combines techniques from the results of MBKM and teaching obtained on campus, to be realized in the form of two dimensional works. From all processes, the author tries to get characteristics in painting.
Self-Introspection as an Idea in Creating Paintings Kepakisan, Gede Agung Nugraha Arya; Yudha, I Made Bendi; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3375

Abstract

This thesis contains a description of the creation of works of painting with the theme "Self-Introspection as an Idea in Creating Works of Painting". This thesis discusses the significance of introspecting oneself on past mistakes in order to achieve a more positive impact in the future. Self-examination enables learning from mistakes, personal improvement, self-development, improved social relationships, and increased mental well-being. In conclusion, self-introspection is an important step on the journey towards better personal development and achieving a more positive impact in the future. The results of the application of the past are felt through the five senses, reason and true feelings which combine harmoniously and the more aware you are, the more you understand the life scenario. This is the grand design to bring us to continue evolving towards perfection.
Calonarang Mythology Putra, I Putu Deva Maha; Jodog, I Made; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3383

Abstract

Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mythology research problems in creation. This is the concept of painting that depicts the Calonarang Mythology, what is the process of creating a work of painting depicting mythology Calonarang, and how Calonarang Mythology paintings look like. Method The research used in this writing is text analysis and study literature. The results of this research are works of art with a mythology theme Calonarang with an explanation of the concept, origins of Calonarang mythology, characteristics main characters, and important events in the story are realized in paintings.
Visualization of the Impact of the Development of the Industrial Revolution in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3487

Abstract

Revolusi industri adalah transformasi besar perkembangan teknologi dan pengetahuan pada manufaktur dengan mengubah sistem produksi dari cara tradisional menjadi lebih efktif, efisien, dan ekonomis. Perkembangan Revolusi Industri sudah terjadi sebanyak empat kali dimulai dari abad ke-18 sampai abad ke-21, mengalami dampak yang sangat pesat yang berdampak pada proses produksi dan reproduksi. Revolusi industri memiliki dampak positif yaitu membantu manusia menjalani kehidupan dengan teknologi yang baru dan juga ada dampak negatif yaitu manusia akan kehilangan lapangan pekerjaan karena sudah digantikan oleh teknologi dan robot yang dipekerjakan. Maka dari itu, fenomena ini sangat menarik saya untuk mengambil judul “Visualisasi Dampak Perkembangan Revolusi Industri Dalam Seni Lukis Digital” bertujuan agar dapat membuat karya seni lukis digital dari dampak revolusi industri, metode yang digunakan adalah metode penciptaan yang bersifat kualitatif di uraikan secara deskriftiv. Hasil dari pembahasan dampak revolus industri yang divisualisasikan menjadi seni lukis digital membahas tentang satu konsep, dua penciptaan karya, dan tiga deskripsi karya, empat estetika karya, dan kelima keotentikan karya. Penciptaan karya ini dilakukan distudio Antara Putra dari bulan Agutus sampai Maret menghasilkan enam karya seni digital yang berjudul karya 1 Revolusi 1.0, karya 2 Takterkendali, karya 3 Manusia dan teknologi, karya 4 Bali revolusi 55.0, karya 5 Serangan saiber, dan karya 6 AI.
Pujawali Pura Dalem Tungkub Mengwitani Sebagai Inspirasi Penciptaan Karya Lukis Prayoga, I Made Adi Putra; Setem, I Wayan; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3500

Abstract

Pujawali is a day to celebrated by Hindus as a form of gratitude to God. Furthermore, the pujawali at Dalem Tungkub Mengwitani temple includes several processions, including the process of ngias sumpang, going to the purification, give the blabaran, mamendet, murwa daksina, joint prayer, napak pertiwi, and nyineb. The aim of creating this work and writing is to find the author's unique painting style inspired by pujawali activities using expressionist techniques. The method used in the process of creating this work of painting is the writing method by Hawkins, including the stages of exploration, improvisation and formation. The results of this activity correspond to the stages carried out, namely (1) in the exploration stage relevant ideas and studies related to the work created are produced; (2) the improvisation stage produces sketches in a sketchbook; and (3) the formation stage produced six works of painting according to the pujawali plot at Pura Dalem Tungkub Mengwitani.
The Impact Of Deforestation As An Idea In The Creation Of Painting Nataprawira, Muhammad Rafli Ramdhani; Mustika, I Ketut; Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3628

Abstract

This thesis contains a description of the creation of a work of painting with the theme "The Impact of Deforestation as an Idea in The Creation of Painting" which was inspired by reading a book which reminded the author of his visit to Kalimantan. This will discuss the impact of deforestation in Indonesia. Indonesia is the largest archipelagic country in the world, with its vast territory, Indonesia is known for its very diverse cultural, ethnic and natural riches, and as the Lungs of the World. However, the serious problem currently facing Indonesia is deforestation. Deforestation is the activity of cutting down forests where the land is converted for non-forest use. This change in forest land causes disruption of environmental conditions such as natural disasters, extinction of flora and fauna, global warming and climate change. The aim to be achieved in creating this work is to understand the impact of deforestation in Indonesia through creativity and imagination in the form of paintings using various techniques, media, considering the elements and principles of fine art. From the theme above, there are 6 (six) works that can be realized from the impact of deforestation which can provide an overview of the impact of deforestation in Indonesia.