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I Putu Udiyana Wasista
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udiyanawasista@isi-dps.ac.id
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citakara@isi-dps.ac.id
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Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
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INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 230 Documents
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Tari Sanghyang Dedari Sebagai Ide Penciptaan Seni Lukis Kariasa Putra, I Komang; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1849

Abstract

Balinese dance is a variety of dances originating from the island of Bali. Balinese dance does not always depend on the storyline. The main goal of Balinese dancers is to dance each stage of movement and sequence with full expression. Sang Hyang Dedari dance is a Balinese dance that is used as a religious tool. Balinese people still believe that when girls aged 9-12 years dance this dance, they will be possessed by the holy spirit of an angel. Usually, the Sang Hyang Dedari Dance is played or danced before the rice harvest around April to resist disease outbreaks, and this dance has been designated as an endangered cultural heritage. By taking the theme of Sanghyang Dedari Dance, it is hoped that it can represent ideas in the creation of painting. The writer's interest in this dance is because this dance is very sacred and unique because starting from the headdress and the clothes used are very simple, and the flowers used are also colorful and easy to get and so that the younger generation in particular to know and preserve Balinese culture, that in some areas still do this tradition. At the visualization stage, the author emphasizes the decorative flow. In addition, it also uses the method of creation, namely Exploration, Improvisation, Formation, and Final Completion. And through these stages, 6 works were created entitled: 1) "Sanghyang Dedari Dance", 2) "Ngukup", 3) "Dancer Possessed by Sanghyang Dedari", 4) "Sanghyang Dedari Dancer", 5) "Aci Bethara Sri", 6 )"Rolling". In the end, a work was created which was appointed to the title "Sanghyang Dedari Dance as an Idea for Painting Creation". The author hopes that the Balinese people are more familiar with the Sanghyang Dedari Dance.
Usaha Pemanfaatan Kain Kanvas dan Perca Endek sebagai Tas yang Bernilai Seni Komalayakti, Diah; Gunawan, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1850

Abstract

Endek is a traditional Balinese cloth that has a variety of motifs such as stylization of flora and fauna. Now many endek fabrics are also designed into clothing such as official clothes and so on. So, in the process of making these clothes, of course, there will be a lot of leftover patchwork for making clothes. Therefore, innovation in the form of using patchwork with canvas is an effort to preserve the existence of endek with bag products as a fashion complement. Bags are a fashion item that cannot be separated from the daily style of teenagers. The creation of bag products is done by self-manufacturing. So, of course, has a high artistic value. The selected bag design is a consideration of the uniqueness and tastes of the community, especially teenagers. The process of creating something so that it can add value in the economy is the meaning of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of endek textiles and patchwork into a product in the form of a bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of endek in the midst of modern times that orient modern culture as a fashion trend can be done by collaborating with emerging trends.
Perca Endek Sebagai Inspirasi Kolaborasi Pouch Lukis Yang Bernilai Seni Tinggi Apriliani, Sari; Gulendra, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1851

Abstract

Adding surface designs or paintings to traded products is one way to increase the value of the goods, the value in question is aesthetics and selling price. Agung Bali Collection as a writing partner in MBKM Entrepreneurial activities, provides knowledge about the canting massage technique which can be used as an additional technique in making surface designs. HOLD ME is a form of Start-Up business that the author created personally, this business is engaged in the fashion sector, with canvas bags and endek patchwork as the main raw materials for making strong and environmentally friendly products, as well as the use of endek patchwork in the Agung Bali Collection as a form of cultural preservation and processing of patchwork waste will make goods have high selling power. Until now, HOLD ME has produced six pouch product models and is planning to expand its business. The product that has been produced is a canvas cloth bag in collaboration with endek patchwork and there is a surface design with brush and massage techniques with use of glitter which can create unique, beautiful, and special bag products, consumers not only enjoy the product through visual beauty but also can be enjoyed from the functional or usability aspect of the product.
Makna Warna pada Shio sebagai Implikasi Objek Karya Seni Lukis Raphael Tan, Joseph; Gulendra, I Wayan; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1852

Abstract

Myth is not fictional like novels that is read every day, however a reality that is believed to have happened and continues to contribute to human life and destiny. Likewise with the myths that exist in the sub-ethnic groups in the world, namely the Chinese. Chinese tribes in the world have various kinds of myths that are consciously embedded in human life. One of the most trusted is about the Chinese zodiacs. In everyday life, the majority of Chinese people believe in and adhere to the Chinese zodiac in all decisions that must be made. Shio is often used in calculating a person's luck in a year, to determine a person's name, to choose a wedding or funeral date and to read a person's character. Not infrequently, often zodiac signs are also used as a benchmark to determine the "compatible" mate. Shio is believed to be something that is able to determine and has its own meaning for everyone who believes in it. The zodiac is symbolized by the animal symbol, starting with the Rat zodiac and the last zodiac being the Pig zodiac. The method that the author took to make this work is a qualitative method with interviews and observations. The author made this work with the aim of understanding more deeply the meaning of colors and the meaning of the zodiac both in terms of astrology, the characteristics of a person's personal nature and psychology.
Penataan Ruang Pameran Seni Lintas Batas Mahendra, I Komang Aditya; Sujana, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2329

Abstract

The arrangement of an exhibition space is the main focus raised in the writing of this thesis with the title "Spatial Arrangement of Cross-border Art Exhibitions" from an observation of spatial arrangement in the previous exhibition "Makna Murni; Two Sides” in terms of spatial planning, display, lighting and circulation which is carried out without being organized. From these problems the author finally wrote an article which contained procedures for designing exhibition space arrangements, room and work lighting, work display, and circulation of exhibition visitors and also discusses making spatial planning not only display and arrange the room but also manipulate the mood of exhibition visitors so that they get the impression when visiting the exhibition that the author designed, the purpose of this thesis work is to provide an understanding of spatial arrangement, work, light and visitor circulation and also Hopefully it will be useful in the arrangement of exhibition space. The design of this art exhibition was carried out at the Arshika hotel, an exhibition room with a different type and using natural and artificial lighting to illuminate the works on display.
Daun Sukun dalam Ekspresi Karya Seni Lukis Putra, I Made Adi Sumarjaya; Gunawan, I Wayan; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2331

Abstract

This MBKM Independent Project Report, with the title "Breadfruit Leaves in the Expression of Painting Art", departs from a breadfruit tree in I Made Sumadiyasa's studio which sparked the writer to create works of painting. The problem is how to visualize breadfruit leaves in each work. In its visualization, the writer uses the methods and techniques obtained from the MBKM process. The purpose and benefits are to develop the creativity of the writer in expressing imaginary forms and images/photos that are edited according to the needs of the writer in the work process. the author chooses I Made Sumadiyasa and I Ketut Budiana who are his favorite artists and uses his creation method which includes several stages, namely, contemplation, basic research, exploration, experimentation, execution, completion. From this process the author produced 7 works entitled: 1) "Voyage", 2) "Imagination", 3) "The Garuda", 4) "Soekarno", 5) "My Mother", 6) "Raincarnation", 7) " Zoom”. It can be concluded that the author created the work based on his interest in Breadfruit leaves, with ideas originating from phenomena captured in I Made Sumadiyasa's studio and reading reference sources from the internet. At the processing stage, the writer combines the techniques from the MBKM results and the techniques that the writer gets on campus, to be realized in a 2-dimensional form. It is hoped that from all these processes one can find identity in work.
Bentuk-Bentuk Topeng Bali Sebagai Sumber Inspirasi Penciptaan Seni Lukis Jayadwiana, I Made; Karja, I Wayan; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2332

Abstract

The writing of the MBKM Independent Study report takes ideas or ideas about Forms of Balinese masks as Inspiration for the Creation of Painting Artwork, from phenomena that the author encounters in mask performances during barong and keris dance performances and during piodolan ceremonies at Pura Dalem Segara, as well as at Pura Batubulan village center, observation of mask and tapel craftsmen at Br. Puaya and Jeleka Batuan Sukawati and the tapel collection that the author personally owns. The author has a view on masks Balinese traditional masks, that beautiful object shapes can make masks a source of inspiration in this Independent Study work, therefore the author chose Wiradana art studio as a place to study as well as a second studio to deepen skills and broaden imagination. Of course, with the guidance of Mr. Made Wiradana, he directs the writer in his work and forms the character of the tips in the works that will be made to answer what is the goal of this work, the creation method is by exploring, improvising, and shaping. By composing art elements, and going through the stages of exploration, improvisation, and the formation stage, as well as combining them with ideas and ideas so as to create 6 works entitled: 1) “jatayu and Barong ket”, 2) “Rangda”, 3) “Naga Basuki” , 4) "Bebondresan Mask", 5) "Hard Mask", 6) "Hanoman". In the embodiment of the work, the author will use several technical references from partners.
Interpretasi Aci Usaba Sumbu dalam Karya Seni Lukis Silasana, I Putu Arya; Budiaprilliana, Luh; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2333

Abstract

The creation of works in the Independent Study MBKM program in this paper takes ideas or ideas about the interpretation of Aci Usaba Sumbu in Pakraman Timbrah Village in works of painting. The phenomenon of a religious ritual in Timbrah Village called Aci Usaba Sumbu which has its own uniqueness from the ceremonial facilities used in these religious activities. Banten Sumbu, which resembles a towering tower and the banten be guling which is offered by local villagers, is unique from a visual standpoint. The objects at the ceremony have their own meaning, the creator interprets them into life and social values through works of painting. The process of creating this work adopts the theory and methods of Alma M Hawkins. The creation method goes through 3 (three) stages, namely, the exploration, improvisation, forming stages. In the embodiment of the work, the ideas obtained created 6 works entitled: : 1) “Pengendalian Diri” , 2)”Keharmonisan” , 3)”Penyatuan”, 4)”Tri Kaya Parisudha”, 5)”Pohon Sumbu” 6)”Naga Sumbu”. The works created are a form of interpretation of Aci Usaba Sumbu along with the objects contained in the ceremony. With the creation of these works, it is hoped that they will be able to convey a message about the turbulence of the creator's feelings that have been observed.
Motif Etnik (Lampung dan Bali) Pada Tas Kanvas Untuk Kaula Muda Apriliani, Sari; Utami, Ni Made Purnami; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2334

Abstract

Adding surface designs or paintings to merchandise is one way to increase the value of goods, the value in question is aesthetics and selling price. Agung Bali Collection as the writing partner in the MBKM Entrepreneurial activity, provided knowledge about the massage canting technique which can be used as an additional technique in making surface designs.HOLD ME is a form of Start-Up business that the author created himself, this business is engaged in fashion and art, with canvas bags and endek patchwork as its main products. Endek canvas and patchwork are the main raw materials for making products because the materials are strong and environmentally friendly, as well as the use of endek patchwork in the Agung Bali Collection as a form of preserving traditional culture and patchwork waste processing makes goods have high selling power. Until now, HOLD ME has produced six models of bag products and is planning to expand its business. The product that has been produced is a canvas cloth bag that is collaborated with endek patchwork and has a surface design with a brush technique and massage canting with the use of glitter which can make the bag product unique, beautiful and also special so that consumers do not only enjoy the product through visual beauty but also can be enjoyed from the functional aspect or usability of the product.
Tas Kanvas Lukis dengan Perca Endek Bali dan Kain Motif Khas Lombok yang Bernilai Seni dan Ekonomis Komalayakti, Diah; Mustika, I Ketut; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2335

Abstract

The process of creating something so that it can have added value in the economy is the notion of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of textile materials in the form of canvas, endek patchwork and typical Lombok fabrics into a product in the form of a painted bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of traditional fabrics such as Endek fabrics and typical Lombok fabrics in the midst of modern times that lead to modern culture as a fashion trend can be carried out by collaborating with current trends. Endek is a traditional Balinese cloth that has a variety of motifs. Many endek fabrics are also designed to be clothing, so there is a lot of patchwork left. Meanwhile, typical Lombok fabrics are generally only used for certain activities as traditional clothing, but with creativity the two types of traditional fabrics can become unique works in the form of painted bags in collaboration with canvas as the main material. Bags are a fashion item that cannot be separated from the daily lifestyle of teenagers. The creation of bag products is carried out on a self-manufactured basis. So, of course it has high artistic value. The chosen bag design is a consideration of the uniqueness and tastes of the general public

Page 5 of 23 | Total Record : 230

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