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Panggung
Published by Institut Seni Budaya Indonesia Bandung
ISSN : -     EISSN : 25023640     DOI : 10.26742/panggung
Core Subject : Humanities, Education, Art,
Arts Humanities Education
Panggung is a peer-reviewed journal focuses art studies and their cultural contexts with various perspectives such as anthropology, sociology, education, religion, philosophy, technology, and others. Panggung invites scholars, researchers, and students to contribute the result of their studies in the areas related to arts and culture with interdisciplinary approaches.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 474 Documents
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Keser bojong: Idealisasi Pencitraan Jaipongan Karya Gugum Gumbira Edi Mulyadi; Lalan Ramlan
PANGGUNG Vol 22 No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.34

Abstract

Gugum Gumbira’s Jaipongan as a dance genre has been more than ten repertoires, among oth- ers, are: Keser Bojong, Rendeng Bojong, Toka-Toka, Iring-Iring Daun Puring, Setra Sari, Senggot, Sonteng, Ringkang Gumiwang, Pencug Bojong, Rawayan, Kawung Anten, etc. However, among those works, Gugum Gumbira states his Keser Bojong’s dance repertoire as having the most ideal image. The question is, what aspects build that ideal image? Clearly, this is related to various value dimensions attributed to that dance repertoire. To discuss this issue, the writers use Richard E. Palmer’s Hermeneutics as interpretation system to reveal the “hidden” meaning beyond the texts (1969: 16-31). The scope of discussion covers dimension of concept and dance construction as well as other artistic devices. Keywords: Jaipongan, Keser Bojong, Image, Gugum Gumbira. 
Tari Wayang Karakter Satria Ladak Lilis Sumiati
PANGGUNG Vol 22 No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.35

Abstract

Wayang dance is a dance expressing events in the stories of wayang. The events here among oth- ers are dances revealing the background of the story, theme, the name of the dance, characters, and philosophical elements. Of those various elements, the scope in this study is limited into matters of satria ladak character.Wayang dance satria ladak character living in several areas contains some significant differences in several aspects. The term differing the specialty of wayang dance is called sejak. The scope of se- jak is more for one’s style in dancing dance genre from the same ethnic. Therefore, the term sejak is firstly come out when seeing one’s performance in dancing, either referred to her/his choreography or to her/his specialty in performing the dance. Then, sejak owned by the individual is spread among his/her surrounding, so that it can be an icon in respective areas.The quantity of Wayang dance satria ladak is varied in each areas, such as sejak Sumedang is Dipati Karna dance. While Sejak Garut is Bambang Somantri dance, and sejak Bandung is Arayana dance. These materials are chosen as samples for comparative and interpretative study.Keywords: Wayang Dance, Satria Ladak, Sejak, comparative, interpretative.  
Pathêt: Ruang Bunyi dalam Karawitan Gaya Yogyakarta Hanggar Budi Prasetya
PANGGUNG Vol 22 No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.36

Abstract

This research aims to answer a question of why two Javanese gamelan pieces (gending) of differ- ent pathêt (modes) cannot be performed consecutively without grambyangan lead. The data of this research were obtained from in-depth interview and observation of karawitan (gamelan performanc- es), focusing on karawitan training process, wayang performances, and karawitan performances for pleasure or uyon-uyon. Using phenomenology method, it can be concluded that pathêt is a space of sound. Two gamelan pieces having different modes are similar to two gamelan pieces in different spaces. There is a link between spaces that can be opened by the sound of gender or grambyangan. As a space, karawitan has three spaces of sound, i.e. space of pathêt nem, space of pathêt sanga, and space of pathêt manyura. Keywords: gending, pathêt, ruang bunyi, karawitan Jawa.
Memahami Makna dan Tanda dalam Objek Visual Arsitektur Ruang Publik Tendy Y. Ramadin; Deddy Mulyana
PANGGUNG Vol 22 No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.37

Abstract

This brief study focuses on proxemic study approach for public spaces which brushed the reflec- tion of aspiration and collaboration of the artists, designers and their public as phenomenon on the spirit of today (zeitgeist). The study also reads the environmental effect on people’s habitude and its surroundings.The study is intended to obtain facts about objects on public spaces ever-evolved, e.g. Cihampelas Avenue Bandung, to identify recent problems and practices implied on tendency of using visual sign as allure. It is also intended to compile ideas about visual signs through relevant proxemic study approach, so that it could be processed into temporary conclusion to advice entrepreneurs, local au- thorities, academics and commoners.Keywords: public space, architecture, visual signs, communication science, proxemic approach  
Implementasi Konsep Langendriya Mandraswara terhadap Seniman Muda Sutarno Haryono
PANGGUNG Vol 22 No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.38

Abstract

Culture, especially the arts of the palace, is understood to be court arts full of symbols and com- plexity, representing the philosophy of the king with high values and meaning. Langendriya Man- draswara first appeared in the Mangkunegaran, during the reign of Mangkunegara IV (1853-1881), integrating verbal and non-verbal components, with effective, communicative, expressive, and aes- thetic meaning. The spirit of Langendriya Mandraswara is a source of inspiration for young artists. Keywords: Langendriya Mandraswara concept, Verbal and non-verbal Language.
Pergeseran Fungsi dan Bentuk Ronggeng di Jawa Barat Anis Sujana
PANGGUNG Vol 22 No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.39

Abstract

Generally the term ronggeng is used to call female performer, ‘being paid’, and is usually i- maged badly. However, in the other side, ronggeng also performs in fecundity rituals and becomes the source of blessing. It can be seen here that ronggeng has double function and role.This writing is aimed at seeking for functions and types of ronggeng arts in western Java. The result shows that in many cases socio-culturally ronggeng is on profane functions, that is, as enter- tainers. Related to their performance techniques, there are several functions: 1) as audience partners in social intercourse dance; 2) as actors in some traditional theatres; 3) as dance performers and‘single’ singer as well as jester; 3) as song performers (sinden) in wooden puppet; 5) as performers in magic performance; and 6) as performers in helaran performance. On the other side, ronggeng also has sacred function, that is as the rites performers, especially on fecundity ones; in this case, ronggeng has ambiguous functions, that is as rites performers in one side, and on the other side as entertainers. Keywords: ronggeng, function and type, entertainment, rites.
Visualisasi dan Transformasi Kebertubuhan Dalam Film Animasi Planes (Ke Arah Pembentukan Mitos Baru) Acep Iwan Saidi; Agung Eko Budiwaspada
PANGGUNG Vol 25 No 4 (2015): Representasi, Transformasi, Identitas dan Tanda Dalam Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i4.41

Abstract

ABSTRACTThis research is entitled “Visualization and Transformation of Embodiment in the Film of Planes Animation”. As an animation film, Planes is interesting because it is using inanimate objects, in this case the planes, as characters. This fact indicates that the character transformation is done by an animator, from the character of inanimate objects in to live character. By using the methods of structural and semiotic analysis, found that the transformation is done not only for personification (it is made as if the inanimate objects becomes alive). In the Planes, “the living things” not only exist in the mind as imagination, but it is exist out of the mind, as an autonomous reality. Based on that, Planes is the animation film which opens space for creating a new myth in the history of culture. Like the fable as a myth in the tradition of primary orality, Planes allows the formation of myth in digital oral tradition.Key Words: Transformation, visualization, embodiment, personification, metaphor, tradition, myth ABSTRAKPenelitian ini bertajuk “Visualisasi dan Transformasi Kebertubuhan dalam Film Animasi Planes”.Sebagai film animasi, Planes menarik karena menggunakan benda-benda mati, dalam hal ini pesawat, sebagai tokoh cerita. Fakta ini mengindikasikan dilakukannya transformasi karakte r ole h animator, yakni dari karakte r “yang mati” ke “yang hidup”.Dengan menggunakan metode analisis structural dan semiotik, ditemukan bahwa transformasi tersebut dilakukan melampaui sarana retorika personifikasi (membuatseolah- olah yang mati menjadi hidup).Di dalam Planes, “yang hidup” itu tidak berada di dalam pikiran dan imajinasi apresiator sebagai yang seolah-olah, melainkan hadir di luar pikiran, berdiri sendiri sebagai realita sotonom. Berdasarkan hal itu, Planes merupakan film animasi yang membuka ruang bagi terciptanya mitos baru dalam sejarah cerita. Jika fable merupakan mitos dalam tradisi kelisanan primer, Planes memungkinkan terbentuknya mitos dalam tradisi lisan digital.Kata kunci: transformasi, visualisasi, kebertubuhan, personifikasi, metafora, tradisi, mitos.
Kembalikan Lagu Anak-anak Indonesia: Sebuah Analisis Struktur Musik Ardipal Ardipal Ardipal
PANGGUNG Vol 25 No 4 (2015): Representasi, Transformasi, Identitas dan Tanda Dalam Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i4.42

Abstract

ABSTRACTIt appears there are two opposing poles of art music once intertwined within Indonesian society. That is music as art development in certain environments and music as commercial art. In terms of commercial music, almost two decades this song children disappear in the mass media. Was replaced by the song of adults. This certainly influenced the development of psychological, physical, and mental children. Theoretically, this problem this can be seen from the production of music through approach (1) konfik (hegemony) and (2) the interpretation / meaning. This study aimed to compare the musical structure of children's songs and musical structures adults. Data taken from children's songs and pop songs adults. The method of analysis is focused on the features songs based on the structure of the music and effects. Is a key instrument in the researcher's own research and auxiliary instruments in the form of codification guide data. Then describe the elements contained in some of the songs of children and adults. To maintain the validity of the data, performed data triangulation activity. Activity data analysis starts from the stage of selecting and codify the data, analyze the data according to the music features of each, and draw conclusions as well as the verification stage. From the data tracks taken as a sample, it appears that the pattern of rhythmic, melodic, intervals, tempo, tone range is not worthy to be sung by children. Coercion of children to imitate the song can be fatal as damage to the vocal cords, jaw muscle cramps. Finally, it is suggested that participants of art, and also Likewise art network infrastructure, must be able to have the same view and strong in the development of the art of music in Indonesia, especially for a children's song.Keywords: children song, patriotic song, adult song, music structure.ABSTRAKTerlihat ada dua kutub seni musik yang bertentangan sekaligus berjalin di dalam masyarakat Indonesia. Yaitu musik sebagai pengembangan seni di lingkungan tertentu dan musik sebagai seni komersial. Dari sisi musik komersial, hampir dua dekade terakhir ini lagu anak-anak menghilang di media massa. Digantikan oleh lagu orang dewasa. Hal ini tentu mempengaruhi perkembangan psikologis, fisik, dan mental anak-anak. Secara teoritik, masalah ini hal ini dapat ditinjau dari produksi musik melalui pendekatan (1) konfik (hegemoni) dan (2) interpretasi/ makna. Penelitian ini bertujuan untuk membandingkan struktur musik lagu anak-anak dan struktur musik orang dewasa. Data diambil dari lagu anak-anak dan lagu pop orang dewasa. Metoda analisis difokuskan pada fitur lagu berdasarkan struktur musik dan dampaknya. Instrumen kunci dalam penelitian adalah peneliti sendiri dan instrumen pembantu berupa panduan kodifikasi data. Kemudian mendeskripsikan unsur-unsur tersebut yang terdapat dalam beberapa lagu anak-anak dan dewasa. Untuk menjaga keabsahan data, dilakukan kegiatan triangulasi data. Kegiatan analisis data dimulai dari tahap memilih dan mengodifikasi data, menganalisis data sesuai dengan fitur musiknya masing-masing, dan tahap menarik kesimpulan serta verifikasi. Dari data lagu yang diambil sebagai sampel penelitian, terlihat bahwa pola ritmis, melodis, interval, tempo, hingga rentang nada belum laik dinyanyikan oleh anak-anak. Pemaksaan anak-anak untuk meniru lagu tersebut dapat berakibat fatal seperti kerusakan pita suara, kram otot rahang. Akhirnya, disarankan agar partisipan seni , dan juga Demikian juga jaringan infrastuktur seni, harus dapat memiliki pandangan yang sama dan kuat dalam pengembangan seni musik di Indonesia, khususnya untuk lagu anak-anak.Kata Kunci: lagu anak-anak, lagu perjuangan, lagu orang dewasa, struktur musik 
Metode Transformasi Kaidah Estetis Tari Tradisi Gaya Surakarta Bekti Budi Hastuti; Supriyanti Supriyanti Supriyanti
PANGGUNG Vol 25 No 4 (2015): Representasi, Transformasi, Identitas dan Tanda Dalam Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i4.43

Abstract

ABSTRACTThis paper focuses on the analysis of the transformation method of the Surakarta style dance tradition of the aesthetic rules. The transformation of this traditional dance aesthetic rules cannot be separated from the characteristic of dance i.e. endhel or lurah and oyi or lanyap for female dance, and of fine male dances i.e. luruh and lanyap, madyatayo or katongan, and of strong male dances, i.e. kambeng, kalang kinantang, bapang kasatriyan and bapang jeglong. The characteristic of each dance has its own dance pose patterns i.e. ten dance pose patterns, namely merak ngigi, sata ngetap, swiwi, kukila tumiling, branjangan ngumbara, mundhing mangundah, wreksa sol anggiri gora, pucang kanginan, sikatan met boga, and ngangrang bineda. These dance pose patterns should fol- low the body pose disciplines, i.e adeg doran katangi, ulat tajem, jangguh, jangga, jangga nglung gading, jaja mungul, pupu merendah, cingklok angglong and dlamkan malang. The basic elements of dance i.e. wiraga, wirama, and wirasa described by the aesthetic norms of Hasta Sawanda, i.e. pacak, pancat, ulat, lulut, wilet, luwes, wirama and gendhing has the deep philosophical value of sengguh, lungguh and mungguh.Keywords: hastha sawanda, aesthetic, choreography, dance traditions ABSTRAKTulisan ini difokuskan pada analisis metode transformasi kaidah estetis tari tradisi gaya Surakarta. Transformasi kaidah estetis tari tradisi ini tidak dapat dipisahkan dengan perwatakan tari seperti endhel atau branyak dan oyi atau luruh untuk tari putri, tari putra alus adalah luruh dan lanyap, madyataya atau katongan, dan tari putra gagah yaitu kambeng, kalang kinantang, bapang kasatrian, dan bapang jeglong. Setiap perwatakan tari itu memiliki sikap laku tari, yaitu sepuluh patrap beksa: merak ngigel, sata ngetap swiwi, kukila tumiling, branjangan ngumbara, mundhing mangundah, wreksa sol, anggiri gora, pucang kanginan, sikatan met boga, dan ngangrang bineda. Sikap laku tari ini harus mengikuti disiplin sikap tubuh yaitu: adeg doran katangi, ulat tajem, janggut, jangga, jangga nglung gadung, jaja mungal, pupu merendah, cingklok angglong, dan dlamakan malang. Elemen dasar tari, yakni wiraga, wirama, dan wirasa yang dijabarkan oleh norma estetis Hastha Sawanda, yaitu: pacak, pancat, ulat, lulut, wilet, luwes, wirama, dan gendhing, yang memiliki kedalaman nilai filosofis sengguh, lungguh, dan mungguh.Kata kunci: hastha sawanda, estetis, koreografi, tari tradisiKata kunci: hastha sawanda, estetis, koreografi, tari tradisi
Aktualisasi Mitos “Sangkuriang” dan “Lutung Kasarung” dalam Novel “Déng” Karya Godi Suwarna Deri Hudaya; Lina Meilinawati Rahayu; Hazbini Hazbini Hazbini
PANGGUNG Vol 25 No 4 (2015): Representasi, Transformasi, Identitas dan Tanda Dalam Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i4.44

Abstract

ABSTRACTMyth and novel are two kinds of literatures which are different. Myth arised from oral tradition, spiritual art, and primordial of human belief. While novel arised from written tradition that grows from modern culture which identifies the rasio. This research is conducted to see the relationship between myth and Sundanesses novel, and also to know the actualization of myth Sangkuriang and Lutung Kasarung which are retold by Déng’s novel from Godi Suwarna.Keyword: lutung kasarung, sangkuriang, déng, myth, novel ABSTRAKMitos dan novel merupakan dua bentuk karya sastra yang berbeda. Mitos berangkat dari tradisi lisan, seni spiritual, dan kepercayaan masyarakat primordial. Sementara Novel berangkat dari tradisi tulis, berakar pada kebudayaan modern yang bercirikan rasio. Penelitian ini dilakukan untuk melihat pertemuan antara mitos dan novel Sunda, aktualisasi mitos Sangkuriang dan Lutung Kasarung yang diartikulasikan melalui novel Déng karya Godi Suwarna.Kata kunci: lutung kasarung, sangkuriang, déng, mitos, novel

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