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(JSM) Jurnal Seni Musik
Published by Universitas Negeri Semarang
ISSN : -     EISSN : 25032860     DOI : https://doi.org/10.15294/jsm
Core Subject : Art,
Arts
Jurnal Seni Musik [p ISSN 2301-4091 | E ISSN 2503-2860] is a peer reviewed journal. Jurnal Seni Musik welcomes articles which report on and discuss research and methodological issues from the point of view of philosophy, sociology, psychology and comparative studies. The journal is concerned with the dissemination of ideas relating to practical and theoretical developments in the field.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 25 Documents
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Modernization the Cinema Medium through Visual Transformation of NOAH’s Album Remake Version Teddy Afriansyah; Meyrasyawati, Dewi; Dwi Riyanto, Edi
Jurnal Seni Musik Vol. 14 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/3dpv9n37

Abstract

This research discusses how NOAH gave a modern change (modernization) sentiment in video clips, so it can be enjoyable by fans of NOAH. The objectives are, 1) Explain the visual modernization change in NOAH’s video clips remake version; and 2) Explain the visual modernization that is able to reconstruct NOAH's identity. This research uses a qualitative method with a musicological approach. The research data was collected through virtual observation from video clips of NOAH’s remake music video. This research showed that 1) a visual comparison was conducted across six NOAH music videos comparing original and remake versions, such as "Bintang di Surga," "Khayalan Tingkat Tinggi," "Yang Terdalam," "Di Atas Normal," "Menghapus Jejakmu," and "Kota Mati." The analysis identified significant transformations across five dimensions: a) technological implementation, b) visual aesthetics, c) narrative structure, d) performer roles, and e) symbolic representation. Other than, 2) the modernization elements present in NOAH's remake album successfully reconstructed the band's identity as a cross-generational act through three strategic approaches: an aesthetic transition from "organic" to "digital" paradigms, implementation of visual hybridity strategies, and symbolic reinterpretation. So, the visual modernization effectively bridges generational divides, the transformation has not been without criticism from segments of NOAH's fanbase.
Arrangement of The Stambul Baju Biru Song By The Tjong Young Gita Citra Alam Keroncong Community Hunafa, Kinanthi Wedhatu; Rachman, Abdul
Jurnal Seni Musik Vol. 14 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v14i1.26391

Abstract

The Keroncong Community of Tjong Young Gita Citra Alam represents a successful effort to preserve the cultural heritage of keroncong music through experimental arrangement innovations, without losing the traditional character of the keroncong stambul style. This study aims to identify and describe the harmonic arrangement of Stambul Baju Biru by Tjong Young Gita Citra Alam. Data collection techniques employed a qualitative methodology with a musicological approach, including non-participant observation, interviews, and document studies. The findings reveal that the arrangement of Stambul Baju Biru incorporates additional sections such as an intro, a coda, and a solo voorspél, with the harmonization expanded experientially. From these findings, it can be concluded that the harmonization of Stambul Baju Biru is dominated by variations of chromatic chords, inversions, and slash chords, which are seamlessly connected vertically and horizontally. This harmonic complexity supports the expressive range of the song and facilitates smooth chromatic transitions between its sections.  
Cultivating Congregational Music Talents: Band Training Strategy in GKJ Sampangan Kradenan Ramaputra, Nathaniel Dhiar; Susetyo, Bagus
Jurnal Seni Musik Vol. 14 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v14i1.26786

Abstract

This research examines the band music training strategy at GKJ Sampangan Kradenan, Semarang, as a community learning phenomenon without a permanent trainer and formal curriculum. The phenomenon shows how the church community can nurture the musical talents of the congregation through a flexible, collaborative, and participatory approach. The research used a descriptive qualitative method through a case study, using participatory observation, interviews, and documentation techniques. The results show that the band music training in this church relies on the spirit of cooperation, collective responsibility, and shared learning practices that demonstrate the principles of Community of Practice (Wenger, 1998). Although informal, this strategy proved effective in building team cohesiveness, improving musical quality, and fostering active participation from various layers of the congregation in church music ministry.
The Effectiveness of Musical Accompaniment as a Medium for Vocal Instruction at Hafid Vocal Academy Asmarani, Kidung Sukma; Bahtiar, Hafid Zuhdan
Jurnal Seni Musik Vol. 14 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v14i1.29488

Abstract

This study aims to determine the effectiveness of using musical accompaniment as a medium for vocal instruction at Hafid Vocal Academy. The data were collected using a qualitative case study approach, employing several techniques including observation, interviews with vocal instructors, and documentation of learning activities. Data analysis was conducted through data reduction,  presentation, and conclusion drawing. The validity of data was strengthened through triangulation techniques. The study's findings show that using musical accompaniment as a medium for vocal instruction at Hafid Vocal Academy has proven effective in enhancing several aspects. Based on the findings, these aspects include: first, increased student motivation and enthusiasm in participating in the lessons; second, improved vocal technique; third, enhanced expression and song interpretation through musical accompaniment; and finally, increased student engagement in the learning process.       
Organology of Gong Gumbeng Instrument in Wiringanom Village Sambit Ponorogo Sari, Monika Dewi Indah; Nur Salim, Muhammad
Jurnal Seni Musik Vol. 14 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v14i1.29792

Abstract

This research aims to determine the organology of making Gong Gumbeng from the beginning until it can be used. The problem focuses on (1) the process/stages for selecting the materials and tools. (2) Second, what is the process of making Gong Gumbeng  (3) Third, what is the process of aligning the Gong Gumbeng (4) Fourth, what is the function of the Gong Gumbeng in the Wringinanom community. To approach this problem, a theoretical reference from Sri Hendarto entitled Organology and Acoustics I&II is used, which in the book reveals the materials and tools used in making a musical instrument, the process of making a musical instrument, tuning musical instruments, and the function and role of musical instruments. The method used in this research is qualitative research with descriptive analysis. Data was collected through observation, interviews, and literature study. This study concludes that the Gong Gumbeng is an important musical instrument for the Wringinanom people. This research also reveals the process of making the Gong Gumbeng musical instrument, the tools and materials used, the tuning process, and the role and function of the Gong Gumbeng musical instrument for the Wringinanom community.                               

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