Articles
295 Documents
<![CDATA[Harmonization of human life in the concept of jagad gedhe and jagad cilik of Javanese society ]]>
<![CDATA[Nugroho, Yohanes Dwi]]>;
<![CDATA[Riyanto, Armada]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 29, No 2 (2024) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v29i2.68921
<![CDATA[This study investigates the symbolic meanings within the concepts of jagad gedhe and jagad cilik in Javanese society, emphasizing the harmonization of human relationships with others and the environment. A qualitative descriptive method based on literature studies was employed, utilizing Ernst Cassirer's philosophy of symbols. Data were collected through reading and note-taking, and their validity was ensured through source triangulation. The findings reveal that the concepts of jagad gedhe (macrocosm) and jagad cilik (microcosm) underscore the importance of balance among humans, their peers, and nature. By applying symbolic philosophy, these concepts provide practical solutions such as promoting positive cultural expressions, considering socio-ecological impacts, and fostering sustainable development. The study emphasizes that human life harmonization can be achieved by cultivating ethical awareness through cultural symbolic meanings. Practical implications include balanced human-nature relationships, promoting cultural values, and supporting sustainability as the foundation of ethical living.]]>
<![CDATA[Palestine-Israel conflict in the perspective of Habermas' public space theory ]]>
<![CDATA[Al Fauzi, Andika Fariq]]>;
<![CDATA[Chatlina, Chiara Dewi]]>;
<![CDATA[Putri, Devina Aulia Surya]]>;
<![CDATA[Marshanda, Rachma Ayu]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 29, No 2 (2024) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v29i2.69016
<![CDATA[The escalating Palestine-Israel conflict has captured global attention, especially within digital public spaces. This study analyzes public communication regarding the conflict through Habermas' public sphere theory, focusing on platform X as a digital discussion arena. The research employs a descriptive qualitative approach, combining literature reviews and online observations on platform X. Findings reveal that platform X serves as a key medium for individuals and institutions to express opinions and share information about the conflict. Dominant hashtags such as #FreePalestine and #FreeGaza reflect widespread global concern. However, platform X imposes content moderation, limiting freedom of expression and indicating a lack of communication democracy in the digital public sphere. This study highlights the importance of fostering inclusive and unrestricted public spaces that align with Habermas' principles of democratic communication.]]>
<![CDATA[Titi mentawai: Refutation of the oldest mentawai tattoos in the world ]]>
<![CDATA[Tulius, Juniator]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 29, No 2 (2024) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v29i2.72246
<![CDATA[Mentawai traditional tattoos are often claimed to be the oldest in the world, sparking debates among academics and controversies within the Mentawai community. This study aims to evaluate such claims by analyzing their theoretical and empirical foundations. A qualitative descriptive method was used, incorporating literature reviews from various sources, including Ady Rosa's thesis and prior research reports. The findings reveal that, while Mentawai tattoos are among the oldest traditions characterized by simple motifs and unique techniques, no historical evidence supports the claim that they are the oldest globally. This conclusion underscores the need for critical examination of cultural claims to prevent misinterpretation or misuse in public policy. The study emphasizes that while Mentawai tattoos hold significant historical and aesthetic value, the assertion of their primacy as the oldest tattoos lacks scientific support.]]>
<![CDATA[The discourse of technological acceleration: The development of vision pro through the lens of Paul Virilio ]]>
<![CDATA[Pratama, Tito Ari]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 29, No 2 (2024) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v29i2.72706
<![CDATA[This study examines the potential and impact of Virtual Reality (VR), focusing on Apple's Vision Pro innovation. A phenomenological approach was employed to analyze the social and cultural implications of VR adoption through surveys, interviews, and online observations. Findings reveal that while VR holds significant potential in education and communication, its adoption in Indonesia faces barriers due to limited public understanding. Vision Pro blurs the boundaries between the real and virtual worlds, raising ethical and social challenges. Using Paul Virilio's concept of dromology, the study evaluates the rapid technological acceleration that influences identity and social interactions. The study concludes that public awareness and appropriate supervision are essential to ensure the safe and beneficial use of VR. Technologies like Vision Pro have immense potential, but their management must address social and cultural implications to mitigate negative impacts.]]>
<![CDATA[The intersection of dakwah message and social expression in the lyrics of the song "Judi" by Rhoma Irama ]]>
<![CDATA[Hidayat, Yogi Fery]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 29, No 2 (2024) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v29i2.72881
<![CDATA[The song "Judi" by Rhoma Irama critiques gambling through its preaching and social criticism. Released during the New Order era, it highlights the negative impacts of widespread gambling on individuals and communities. This study examines the intersection of preaching messages and social expressions in the song's lyrics using a sociolinguistic approach. The research employs qualitative methods, analyzing social, cultural, and linguistic aspects. Findings indicate that the song critiques the moral and financial harm caused by gambling. Culturally, it emphasizes values such as hard work and integrity. Linguistically, Rhoma Irama uses simple yet persuasive language, making the preaching message accessible to all audiences. The song delivers a strong religious message, prohibiting gambling while highlighting its detrimental effects on life and faith. In conclusion, "Judi" serves not only as social criticism but also as a preaching medium, remaining relevant today by promoting moral and religious values in society.]]>
<![CDATA[The dynamics of tourism village development: The development of ‘Sumber Jenon’ tourism through the lens of Lefebvre space production theory ]]>
<![CDATA[Nur Fatimah, Sekar Wulan Noventyas]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 30, No 1 (2025) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v30i1.74871
<![CDATA[: Sumber Jenon is one of the natural attractions in Malang Regency. Tourism which is managed directly by BUMDes Lumbung Argo Tirto in its development through various dynamics that also involve the community. This study focuses on the dynamics of Sumber Jenon's tourism development, and will then be analyzed with Henri Lefebvre's space production concept. In an effort to obtain data, researchers use data collection techniques in the form of interviews, observations and documentation. This research uses qualitative methods with a case study approach. The analysis in this study uses Lefebvre's space production glasses which have three main concepts, namely spatial space, spatial representation and representation space. The results obtained in this study show that in tourism development there is a dynamic, where dynamics arise due to differences in interests between various groups. The dynamics that arise not only aim to fight over material aspects, but also non-material aspects such as public image. The construction of the Jenon Source can be classified into three stages. The stages can be further analyzed using Lefebvre's three concepts of space.]]>
<![CDATA[Globalization and cultural diversity on campus: A study of intercultural interactions ]]>
<![CDATA[Belianti, Inaya Dwi]]>;
<![CDATA[Surya, Rachmad Iqbal]]>;
<![CDATA[Sya'bana, Sya'rifatus]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 30, No 1 (2025) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v30i1.68717
<![CDATA[Globalization has had a significant impact on various aspects of life, including in the context of higher education. This study aims to explore intercultural interactions in regional student communities at the Faculty of Social and Political Sciences (FISIP) of Sunan Ampel State Islamic University (UIN) Surabaya, as a response to the phenomenon of globalization and cultural diversity. The method chosen in this research was to gain an in-depth understanding of intercultural interactions in the academic area student community at UIN Sunan Ampel Surabaya. Case study research on research subjects related to globalization which brings changes in student interactions. Intercultural interaction among students in the era of globalization is a specific or typical phase of the overall personality. The results of the research show that globalization has made positive and negative contributions to intercultural interaction at FISIP UIN Sunan Ampel Surabaya. On the one hand, the exchange of ideas and experiences between students and lecturers from various cultures has enriched the academic experience. On the other hand, there are challenges in managing cultural differences that may cause conflicts or misunderstandings.]]>
<![CDATA[Philological study and nationalism values in Pangudarasa manuscript ]]>
<![CDATA[Febrian, Andika Rizky]]>;
<![CDATA[Ekowati, Venny Indria]]>;
<![CDATA[Wulan, Sri Hertanti]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 30, No 1 (2025) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v30i1.82736
<![CDATA[The Pangudarasa script contains the importance of maintaining national identity to avoid arrogance. This research aims to describe the values of nationalism in the Pangudarasa manuscript. This research uses a descriptive method with primary data from the Pangudarasa manuscript collection of the National Library of the Republic of Indonesia with code number NB 1076.The research data consists of linguistic units in the text that contain values of nationalism. Data collection was conducted through heuristic and hermeneutic readings. The main instrument in the research is the human instrument. Data analysis is conducted using descriptive analysis. Data validation was carried out with validity and reliability. Based on the research results, the values of nationalism found in the Pangudarasa text include: a) maintaining the unity and integrity of the nation, b) loving and using domestic products, c) preserving the reputation of the nation and state, d) committing to defend the country from foreign threats, e) using the national language correctly and properly, f) prioritizing the interests of the nation and state above personal interests, and g) loving and preserving local culture. The values of nationalism in the Pangudarasa text can serve as an example as a foundation for living a life of nationhood and statehood.]]>
<![CDATA[Sufism in the lyrics of the song "Mardatilla" by Rhoma Irama: An analysis of Sufistic metaphors ]]>
<![CDATA[Hidayat, Yogi Fery]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 30, No 1 (2025) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v30i1.78176
<![CDATA[Sufism plays a very important role in today's era. Amid the busyness and complexities of modern life, many people feel lost and confused in their search for meaning and purpose in life. This study aims to analyze the Sufi metaphors found in the lyrics of the song "Mardatilla" by Rhoma Irama, which conveys messages about Sufism. The analysis method used in this research is Sufi metaphor analysis, which refers to Sufi theories and the understanding of metaphor as a means to gain deeper insight into spiritual concepts or truths. The data analyzed consists of the lyrics of "Mardatilla," selected based on the richness of Sufi metaphors contained within. The results of the study show that the lyrics of "Mardatilla" contain many Sufi metaphors representing spiritual concepts and experiences in Sufism, such as worship, spiritual experiences, love and loyalty to God, and transcendental experiences. Thus, this study can contribute to the understanding of Sufism through the analysis of Sufi metaphors found in popular art forms such as music.]]>
<![CDATA[Semiotic analysis of song lyrics entitled “Nanti Kita Seperti Ini” ]]>
<![CDATA[Anjelika, Sela]]>
<![CDATA[ Jurnal Penelitian Humaniora Vol 30, No 1 (2025) ]]>
Publisher : <![CDATA[Direktorat Riset dan Pengabdian kepada Masyarakat UNY ]]>
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DOI: 10.21831/hum.v30i1.80841
<![CDATA[This article examines the meaning of happinness in the lyrics of the song “Nanti Kita Seperti Ini” by Batas Senja through Roland Barthes’ semiotic analysis. Roland Barthes’ semiotic theory is used to explain the denotation, connotation, and myth of the meaning of happiness contained in the song lyrics. The research method used is a qualitative descriptive approach with an interpretative model. The data collection technique used in this research is a document study technique through tracing various sources relevant to the topic being analyzed. The results of Roland Barthes; semiotic study on the lyrics of the song “Nanti Kita Seperti Ini” by Batas Senja are as follows. The denotation meaning shows the feeling of great love and the desire to interpret happiness together. The connotation meaning relates to the human connection in nterpreting happiness armed with faith in God. Meanwhile, the myth contained in the song lyrics is cooperation in relationships to define happiness itself.]]>
