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Dwi Suryani
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CMES (Center of Middle Eastern Studies)
Published by Universitas Sebelas Maret
ISSN : 2085563X     EISSN : 25021044     DOI : https://doi.org/10.20961/cmes
Core Subject :
The CMES (Center of Middle Eastern Studies) journal is a distinguished peer-reviewed academic publication dedicated to advancing rigorous scholarly research on Middle Eastern studies. It publishes high-calibre research articles, theoretical studies, and critical reviews that engage with both contemporary and historical issues relevant to the region, employing a multidisciplinary approach. The CMES journal serves as a dynamic intellectual platform for researchers, academics, and practitioners to exchange innovative findings and perspectives, advancing Middle Eastern studies through a multidisciplinary framework grounded in the epistemological foundations of the humanities and social sciences. In the humanities, the journal emphasises linguistics, literature, and Middle Eastern culture. At the same time, the social sciences focus on politics, economics, education, religions, and the social dimensions of Middle Eastern societies. CMES encourages scholarly work that engages these disciplines through monodisciplinary inquiry, interdisciplinary synthesis, or transdisciplinary dialogue, fostering conceptual integration and methodological interaction across disciplinary boundaries. Manuscripts submitted to CMES must be pertinent to Middle Eastern studies and demonstrate clear engagement with the epistemic traditions of their respective fields. Submissions are expected to exhibit rigorous methodology, original insights, and significant contributions to regional studies, while appealing to a global academic audience.
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Articles 163 Documents
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ESTETIKA SUFISTIK DAN ESTETIKA TAUHIDIK: PERSPEKTIF FILOSOFIS KOMPARATIF Muh Farkhan M
CMES (Center of Middle Eastern Studies) Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44563

Abstract

This article discusses the concept of Islamic aesthetics, which is the view of art and beauty according to Ismail Raji Al Faruqi and Seyyed Hossein Nasr, the representation of the two intellectual figures is seen as representing a pattern of religious understanding, especially with regard to the perspective of art objects in Islam. The aim is to explain descriptively the comparative views of the two modern Islamic thinkers and examine how Muslims respond to their thoughts in the Islamic art world today. furthermore, the article explain conceptually how religious art thought is believed and chosen as a basis in determining the direction and expression of art in the socio-cultural space. The method used in this study is descriptive qualitative analytic, with a religious philosophical approach to Islam, while data collection techniques are carried out through literature that is described qualitatively. The results show that aesthetics built on Sufistic conception and spiritual appreciation so distinctively in it’s paradigm. The Sufistic paradigm emphasize how art is able to strengthen one's psyche without debating legal status, while monotheistic aesthetics built on the basis of the legal text and dogmatism emphasize the exoteric level as legally considered by Islamic Islamic law. Thus the social responsibility and the selection of aesthetic views are sectarian in accordance with their religious beliefs.
ANALYSIS OF THE IRAN PRESIDENTIAL HELICOPTER CRASH: TECHNICAL, OPERATIONAL, AND EXTERNAL FACTORS Ruben Cornelius Siagian; Michael Haratua Rajagukguk
CMES (Center of Middle Eastern Studies) Vol 17, No 2 (2024)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.17.2.88555

Abstract

This study investigates the helicopter crash that killed the Iranian President and seven others during a dam inauguration near the Azerbaijan border on May 9, 2024. The research examines factors contributing to the accident, including technical failures, weather conditions, human error, and potential external involvement, within the frameworks of aviation safety theory, geopolitical analysis, and crisis management. Using a multidisciplinary approach and secondary data analysis, the study identifies causal factors, evaluates their implications for aviation policies, and explores the political dynamics arising from the incident. Findings indicate that severe weather conditions, challenging topography, and possible operational errors contributed significantly to the crash. Additionally, speculation about external interference highlights the geopolitical tensions surrounding the event. The incident underscores the need for enhanced aviation safety measures and effective crisis management strategies, particularly in politically sensitive regions like the Middle East.
INFLEKSI VERBA DASAR BERPOLA FA‘ALA-YAF‘ULU DALAM KAMUS AL-MUNAWWIR ARAB-INDONESIA: TINJAUAN MORFOLOGI Fathiyaturrohmah, Tri Yanti Nurul Hidayati
CMES (Center of Middle Eastern Studies) Vol 9, No 1 (2016)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.9.1.11726

Abstract

The changing process of word occured in three forms :  the basic forms , the lexical identity , and the word category status. The process that resulted other forms of the word with sama lexical identity is caled by flexion and inflexion , or at-tashrif in arabic term. There are supporting processes in the changing of Arabic verb such as i‘lal (vocalization), idgham (elipsis), dan ibdal (mutation). The research explains about changing of the basic verbs of form patterned faala–yaf'ulu in inflection in al-Munawwir Arabic-Indonesia dictionary. The providing of data in this research through observation by using languages of basic trilitteral verbs in al-Munawwir  Arabic-Indonesia dictionary is using taking apart as basic technique, and noted as advanced techniques. Distributional methods were used to analyze the data, by using the technique for direct items as the basic techniques, as well as the technique of disappeared and change as advanced technique. The result of the basic verb inflection patterned fa'ala-yaf'ulu in al-Munawwir ArabicIndonesia dictionary itheproces of changing the form of verbs in fa'ala-yaf'ulu patterned inflection is i‘lal "defection‟ and idgham ‘incorporation‟. As for the least amount found on the letter waw number of 2 verbs, and there are two letter with no verb fa'ala-yaf'ulu those are letter zha' and ya'.
RELIGIOSITAS TOKOH UTAMA DALAM TEKS KHALĪL AL-KĀFIR (1908) DALAM ANTOLOGI CERPEN “AL-ARWĀCH AL-MUTAMARRIDAH” KARYA JUBRĀN KHALĪL JUBRĀN (KAJIAN SOSIOLOGI SASTRA) Heny Nur Faizah, Tri Yanti Nurul Hidayati
CMES (Center of Middle Eastern Studies) Vol 11, No 1 (2018)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.11.1.26006

Abstract

Penelitian ini membahas tentang struktur teks cerpen “Khalīl al-Kāfir” (1908) karya Jubrān Khalīl Jubrān berdasarkan teori struktural dan gambaran religiositas tokoh utama yang tergambar dalam teks cerpen “Khalīl al-Kāfir” (1908) karya Jubrān Khalīl Jubrān berdasarkan teori sosiologi sastra. Metode penelitian yang digunakan dalam penelitian ini adalah penelitian kualitatif deskriptif. Adapun hasil penelitian ini dapat disimpulkan beberapa hal sebagai berikut: Pertama, diperoleh unsur-unsur struktur yang membangun teks“Khalīl al-Kāfir” (1908) karya Jubrān Khalīl Jubrān antara lain (1) Tema, yaitu pemahaman agama yang benar akan berdampak pada sikap religius yang baik dan benar; (2) Cerita terdapat 11(sebelas) rangkian peristiwa; (3) Plot yang digunakan adalah plot (alur) maju; (4) Tokoh, terdapat 5tokoh yaitu Khalil, Syeikh Abas, Rahil, Maryam, dan Khuri Ilyas,(5) Latar (latar tempat, waktu); dan (6) Sudut Pandang yaitu sudut pandang persona ketiga gaya “dia”. Kedua, diperoleh tiga gambaran religiositas tokoh utama berdasarkan dimensi religiositas yang terdapat pada cerpen“Khalīl al-Kāfir” (1908) karya Jubrān Khalīl Jubrān, yaitu dimensi pengalaman, dimensi pengetahuan agama, dan dimensi pengamalan dengan memanfaatkan teori sosiologi sastra Rene Wellek dan Austin Warren.
IKLAN KOMERSIAL MEDIA CETAK: TINJAUAN TEKS DAN KONTEKS Moh. Masrukhi
CMES (Center of Middle Eastern Studies) Vol 9, No 2 (2016)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.9.2.15148

Abstract

Advertising is the means the company to introduce, promote products, and sell them to the public. Print ads generally use verbal element of the display (text) and nonverbal elements (contexts). These two elements with sales messages conveyed to the reader or potential consumers. Therefore, the problem is how to link these elements to form a whole discourse in commercial advertising (IKOMES), especially in the print media in Egypt. What is the structure of these elements and how the meaning or message(s) contained in it, and how the meaning or message that contained therein. So, thereader can understand what the advertiser wishes. A number of research data is collected from various newspapers and magazines that published in Egyptwhich containelements of verbal and nonverbal as well as having elements as Leech concepts. Therefore, commercial advertisements containing text and context of the local culture and contain sales messages to the audience.The data were analyzed with advertising discourse by utilizing several theories simultaneously. The theories will be used are the theory of discourse, pragmatic theory, and the theory of semiotics. The results of the research that has been done is as for the message is delivered in IKOMES more through nonverbal elements because more interesting. Nevertheless in advertising, to explain the nonverbal elements, at least one verbal element must be displayed, namely al-khaththur-raīsi or headline.
TRANSFORMASI “ALFU LAILAH WA LAILAH” Eva Farhah
CMES (Center of Middle Eastern Studies) Vol 12, No 1 (2019)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.12.1.34868

Abstract

This research tries to discover and reveal the transformation works from “Alfu Lailah wa Lailah”. The purpose of the discovery and disclosure of the works of transformation is to know the reader's attitude to the work "Alfu Lailah wa Lailah". The theory used in this research is intertextual theory with descriptive qualitative research method. The results show that the work "Alfu Lailah wa Lailah" has inspired writers, musicians, and choreographers, and literary enthusiasts to give birth to other similar works. The work of transformation in the form of prose found a number of 12 manuscripts, in the form of music of a number of 2 works, in the form of choreography of ballet 1, and in the form of film and animated film totaling 3 film.
Media Point of View on 10 Years of Syiria Conflict: A Functional Grammar Isti'anah Isti'anah; Abdul Muta'ali
CMES (Center of Middle Eastern Studies) Vol 15, No 1 (2022)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.15.1.60406

Abstract

As a source of information, the media can have an influence on its readers, both positive and negative influences. The influence gained by the reader actually comes from the writer who consciously or not forms a certain point of view. As is the case with the news of Syrian conflict that has occurred for a long time. Through transitivity analysis, it is hoped that it will be able to provide an overview of how the media views the event. The purpose of this study was to determine the results of transitivity analysis which was able to describe the media’s point of view on a news story. The data sources used in this research are aljazeera.net and ahram.org.  The theory used to analyze the data is the three elements of transitivity from Halliday and Matthiessen, namely process, participant, and circumstantial. The results of this study indicate that there is a difference int the dominance of the use of the process between the two media. Al-Jazeera is more dominant in using material process and Al-Ahram is dominant in mental process. Both media portray participants from the same angle, namely to make Iran dan Rusia as active participants or actors.
IBNU MADHĀ DAN REVOLUSI NAHWU ALA MADZHAB ANDALUSIA Afnan Arummi
CMES (Center of Middle Eastern Studies) Vol 8, No 1 (2015)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.8.1.11630

Abstract

This research is aimed to investigate the penetrations in Nahwu’s (Arabic Syntax) thoughts toward one of Nahwu’s school that was centered in Spain during the Islamic Caliph (Andalusia). One of the prominent figure in this era was Ibnu Madha. Thus, the problems in this research will be focused in some cases such as: (1) what is the revolutionary thoughts belong to Ibnu Madha in his work to develop the Arabic Syntax (Nahwu) based on Andalusia School? (2) what is the main reason that was underlaid by the thought of Ibnu Madha? To elaborate the answers of these cases, the researcher has used some approachs, such as the literature approach, then, to strengthen the data analysis descriptively, the researcher has used and pointed into the descriptive analysis method on behalf to find the conclusion in every single cases before finally doing the last conclusion comprehensively.
KEPRIBADIAN TOKOH DALAM CERPEN ANAK ‘UMĀRAH DENGAN PENDEKATAN PSIKOLOGI JUNG Nurul Fadhilah, Eva Farhah
CMES (Center of Middle Eastern Studies) Vol 8, No 2 (2015)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.8.2.15848

Abstract

This research reveals the aspects of personality of the characters contained in the children‟s short story entitled, 'Umārah. The theory used in this research is Jung's psychology of personality, while the method is qualitative descriptive. According to Jung's theory, the personality concept is totally psychia events, whether consciously or unconsciously. The research concludes that the personalities of characters are tasterintrovert, thinker-introvert, taster-extrovert, thinker-extrovert.
حركة العودة إلى المسج د في الموسيقى التصويرية الأصلية لفيلم خمس زوايا المساجد Nur Hidayah
CMES (Center of Middle Eastern Studies) Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44558

Abstract

This article discusses the concept of Islamic aesthetics, which is the view of art and beauty according to Ismail Raji Al Faruqi and Seyyed Hossein Nasr, the representation of the two intellectual figures is seen as representing a pattern of religious understanding, especially with regard to the perspective of art objects in Islam. The aim is to explain descriptively the comparative views of the two modern Islamic thinkers and examine how Muslims respond to their thoughts in the Islamic art world today. furthermore, the article explain conceptually how religious art thought is believed and chosen as a basis in determining the direction and expression of art in the socio-cultural space. The method used in this study is descriptive qualitative analytic, with a religious philosophical approach to Islam, while data collection techniques are carried out through qualitatively described literature. The results show that aesthetics built on Sufistic conception and spiritual appreciation so distinctively in it’s paradigm. The Sufistic paradigm emphasizes how art encourages one's psyche without debating legal status, while monotheistic aesthetics built on the basis of dogmatism and belief in the faith underlines the exoteric level, the foundations that are considered permissible or not may not legally Islamic law. Community social responses and the selection of aesthetic views are sectarian in accordance with their religious beliefs.

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