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DeKaVe
Published by Institut Seni Indonesia Yogyakarta
ISSN : 20879709     EISSN : 26856093     DOI : https://doi.org/10.24821/dkv.v18i2
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Jurnal DeKaVe diterbitkan oleh Program Studi Desain Komunikasi Visual Fakultas Seni Rupa, Institut Seni Indonesia Yogyakarta bekerjasama dengan AIDIA (Asosiasi Profesional Desain Komunikasi Visual Indonesia) sebagai media publikasi ilmiah bagi karya penelitian maupun perancangan, yang mencakup: desain komunikasi visual, bahasa rupa, budaya visual, desain grafis, multimedia, dan periklanan. Jurnal DeKaVe is published by the Visual Communication Study Program of Visual Arts Faculty of Institut Seni Indonesia Yogyakarta in collaboration with AIDIA (Indonesian Visual Communication Design Professional Association) as a scientific publication medium for research and design works, which includes: visual communication design, visual language, visual culture , graphic design, multimedia, and advertising
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 214 Documents
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Kajian Tanda dan Makna Kampanye Pilkada DKI Jakarta 2017 di Media Sosial Instagram Andika Indrayana; Raissa Salsabil
DeKaVe Vol 11, No 2 (2018): Jurnal DeKaVe Vol. 11 No. 2 2018
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (448.55 KB) | DOI: 10.24821/.v11i2.2658

Abstract

Abstract.This research aims to reveal the meaning of campaign activity on Instagram by three candidates of Jakarta’s regional leader election in 2017: Agus Harimurti Yudhyono-Sylviana Murni as candidate number one,  Basuki Tjahaja Purnama-Djarot Saiful Hidayat as candidate number two, and Anies Baswedan-Sandiaga Uno as candidate number three. Using structural semiotics, this research show that: (1) every posts created by the candidates tend to have no correlation between verbal and visual sign. Every signs produces autonomy meaning, and; (2) by visual, every candidates’s posts style (verbal and visual), influenced by their prefesion.Keywords: Instagram, Political Campaign, Social Media, Structural Semiotics.
Sistem Crowdsourcing sebagai Pembentuk Ulang Cara Kerja dan Distribusi Karya Desain Grafis Bangsa, P. Gogor
DeKaVe Vol 12, No 1 (2019): Jurnal DeKaVe Vol.12 No.1 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.211 KB) | DOI: 10.24821/dkv.v12i1.2817

Abstract

Abstract.Graphic design developed according to technological developments. Likewise, the way of working and how to disseminate graphic design works is very dependent on technological developments in each age. Graphic design is also a means of communication and plays an important role in marketing the products of industrial products.At the age called the Industrial Revolution 4.0 when digital technology became an integral part of people's lives, graphic design also influenced by this development. Both the way of working and the way to distribute graphic design work experienced a very significant change compared to the previous period of technological development. However, this new system, despite being able to provide several profitable opportunities, still has the opposite side that is not as profitable as the crowdsourcing system.Keywords:graphic design, technology, crowdsourcing system.
Sejarah Gaya Desain Grafis Kover Album Piringan Hitam Musisi Indonesia Tahun 1961-1969 Koleksi Irama Nusantara Sudjadi Tjipto R.
DeKaVe Vol 12, No 1 (2019): Jurnal DeKaVe Vol.12 No.1 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (181.975 KB) | DOI: 10.24821/dkv.v12i1.2818

Abstract

Abstract.Documentation of musical works in Indonesia has never been noticed by stakeholders (government) from the past to the present. The absence of agencies related to documenting Indonesian music works has caused the young generation to never know good quality domestic children's music. In the past music works were first produced in the form of vinyl or in Indonesia called “Piringan Hitam / PH”, then tapes, and finally on CD (Compact Disc). At the level of music lovers or collectors, Indonesian Music vinyl is the most sought-after music artifact, of high value due to the scarcity of its production. It is “interesting to look at the beauty of the style of vinyl records in the early recording industry in Indonesia at that time.This study would like to examine the history of the relationship between the style of design of the vinyl records in Indonesia in relation to the design style in America. Historical research methods used in the study of the style of art and design with research materials obtained from the observation of digital data (download) of the Irama Nusantara portal and literature studies from journal articles and related reference books. The results of the study showed that the relationship between vinyl design in Indonesia was influenced by the business relationship of the record label, the current design trend and the limitations of the cover designer / artist and the limitations of the printing technology at that time.Keywords: vinyl, design graphic, record label
KAJIAN POST-KOLONIALISME PADA MEDIA DALAM-RUANG DI JOGJA CITY MALL Fatia Nurilmi Magistra
DeKaVe Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2078.934 KB) | DOI: 10.24821/dkv.v12i2.3520

Abstract

HIPEREALITAS DAN CAMP DALAM IKLAN ROKOK Tristan Alfian; Kukuh Dwi Wijanarko
DeKaVe Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1342.626 KB) | DOI: 10.24821/dkv.v12i2.3523

Abstract

Optimalisasi Pesan Dalam Buku Edukasi Pasien Diabetes Melitus Melalui Komunikasi Visual Tegar Andito; Martanty Aditya
DeKaVe Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (328.627 KB) | DOI: 10.24821/dkv.v12i2.3522

Abstract

Kajian Intertekstualitas Sampul Album ‘Viva La Vida’ dari Coldplay Brian Alvin Hananto
DeKaVe Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (828.079 KB) | DOI: 10.24821/dkv.v12i2.3519

Abstract

VISUALISASI TAGAR DALAM MEDIA SOSIAL INSTAGRAM (Analisis Wacana Kritis Model Norman Fairclough) Nikodemus Goratama Nuswantara
DeKaVe Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (713.859 KB) | DOI: 10.24821/dkv.v12i2.3521

Abstract

KOMIK IKLAN KOMIK Wibowo Wibowo
DeKaVe Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (582.305 KB) | DOI: 10.24821/dkv.v12i2.3524

Abstract

VISUALISASI TAGAR DALAM MEDIA SOSIAL INSTAGRAM (Analisis Wacana Kritis Model Norman Fairclough) Nikodemus Goratama Nuswantara
DeKaVe Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v12i2.3209

Abstract

Hastag on Instagram is a form of sign system in cyberspace that serves as a medium of the messages. Hastag on Instagram is used as a bookmark for archiving, managing, and searching information online. Along with its progress, hastag is not only used to archive an information but also includes a message, and ideas of social phenomena.The Message, and ideas contained in this hastag then become a discourse in Instagram. The discourse is not only formed from the text verbally, but also contained in the visual form. The hastag becomes a discourse because it has meaning and effect in the real world and also make a social movement in social media. Thisshould be interesting because each user can interpret their own ideas related to the hastag, and other users as consumers can also interpret the text in the hastag in various ways.This undergraduate thesis was analyzed on a #kamitidakatut sample uploaded by @jokowi and @najwashihab Instagram account. Hastag Pekan Pancasila (#pekanpancasila) uploaded by @jokowi and @itsrossa910 Instagram account. And #rayakanderbedaan uploaded by @ciacia_saratasha and @klkkln Instagram account. This sample was analyzed using critical discourse analysis by Norman Fairclough. From these analyzes, we find some conclusions related to the dimensions of the text, the practice of discourse, and social practices that form the hastags on Instagram.The final result of this undergraduate thesis concludes that the hastag and visualization on  Instagram emerged as a trend in responding to various issues, social phenomena and causing a new social movement in society. This is useful for research who want to pursue and add insights related to cyberculture and insight about the role of hastag in social media.

Page 12 of 22 | Total Record : 214

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