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Rekam : Jurnal, Fotografi, Televisi Animasi
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 198 Documents
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Animasi Video Eksperimental “Kertas Putih” Sebagai Gambar Imajinasi Anak Tunagrahita dari SLB Negeri 2 Sayidan Yogyakarta Hapsari Dyah Aryani
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 8
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.385

Abstract

Video art-experimental is a blend of video art and experimental film. Video art which is a modern form of art will be integrated with the cinematic techniques of indefinitely experimental films. The results may not be too contrast to video art or experimental films that stands alone, but its uniqueness is that the concept of blend is performed to create a work that is capable to entertain the children with mental retardation.Children with mental retardation is a child who frequently forgotten in theprovision of facilities by the government and also forgotten in the acceptance of family affection. Glance they look normal, and it's physically not very different to normal children, but if we talk about things that should require complicated notion such as mathematics etc., they will be distress. This is because they have the intelligence level far below normal. Children with mental retardation are many came from poor families, so they are getting forgotten. Problem of mental retardation is not only studied through only one field of science, but by many other sciences, such as medicine, psychology, science, pharmacy and so on. In this case, the art also plays a role. In addition is able to produce works which entertaining, it can also become the object of study for other disciplines that are researching this problem.Naming the title of the work of the "the White Paper" is a symbol of a child with mental retardation. Through in-depth observation for several months along with them, then their thought were created as a symbol of the human figure who permanently innocent.They are as innocent sheet of white paper that ready to inscribe by parents, community, teachers and the surrounding neighborhood.Experimental video-art works for children with mental retardation under the title "the White Paper” will create a new work is devoted to people with mental retardation.This work was a new experience in watching by using the theory of the two major theories; that are, the theory of video art and experimental films.
Penjejakan Fitur Berbasis Koherensi Temporal dalam Sistem Animasi Ekspresi Wajah Samuel Gandang Gunanto; Mochamad Hariadi; Eko Mulyanto Yuniarno
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 12, No 2 (2016): Oktober 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v12i2.1425

Abstract

AbstrakTingginya permintaan produktivitas industri animasi di Indonesia menuntut adanya perubahandi sektor produksi. Teknologi motion capture merupakan penerapan prinsip visi komputeryang mengadaptasi indera mata manusia untuk mengenali fenomena gerakan yang tertangkapkamera dan memetakannya dalam pola gerak virtual. Tulisan ilmiah ini akan membahas metodepenjejakan fitur penanda di wajah manusia untuk mendapatkan informasi mengenai ekspresiwajah. Teknik penjejakan menggunakan penerapan prinsip koherensi temporal. Asumsi yangdigunakan pada penelitian ini berargumentasi bahwa dengan menggunakan pendekatankoherensi temporal, maka proses penjejakan fitur di citra sekuensial dapat disederhanakandengan perhitungan nilai kedekatan pada penanda di setiap frame-nya. Hasil yang didapatmenunjukkan bahwa proses penjejakan fitur yang diusulkan memiliki hasil yang handal untukmenangani banyak frame. Komputasi yang digunakan juga sangat efisien dan hemat karenaprosesnya tidak memerlukan tahap pembelajaran terlebih dahulu. Kumpulan hasil penjejakanparameter fitur penanda secara sekuensial akan membentuk sebuah basis data ekspresi visualdari wajah manusia. AbstractTemporal Coherence Based Feature Tracking in the Animation System of Facial Expression.High demand on the productivity of the animation industry in Indonesia requires a changein the existing production process. Motion capture technology is the implementation of acomputer vision principle to adopt the human eye senses to understand the phenomenon ofmotion results from a camera and to map the virtual movement patterns. This paper willdiscuss a method for tracking marker features in the human face to obtain information aboutfacial expressions. The tracking technique is using implementation of temporal coherenceprinciple. This research assumes that by using temporal coherence approach, the trackingprocess in sequential images can be simplified by calculating similarity on markers in eachframe. The result shows that this feature-tracking process have reliable result to handle alot of frames. The computation used is very efficient and cheap because it does not requirea learning process in advance. The precision accuracy of tracking parameters generated adatabase of good visual expression.
Budaya Selfie Masyarakat Urban Kajian Estetika Fotografi, Cyber Culture, dan Semiotika Visual Idealita Ismanto
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 14, No 1 (2018): April 2018
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v14i1.2138

Abstract

Penelitian ini membahas eksistensi individu yang dikonstruksi berdasarkan budaya visual. Selfie dan media sosial pada budaya visual sebagai wujud eksistensi merupakan kata yang tepat untuk menyikapiperkembangan eksistensi masyarakat. Persoalan yang diangkat membahas bagaimana budaya selfie dapat terjadi pada masyarakat urban, mengkaji budaya selfie melalui kajian estetika fotografi, cyberculture, dan semiotika visual serta perubahan sosial yang terjadi dalam masyarakat urban. Metode yang digunakan adalahobservasi dan wawancara. Kegiatan analisis data dimulai dari tahap pengumpulan data, tahap reduksi, tahap penyajian data, serta tahap penarikan kesimpulan dengan penelitian kualitatif. Dapat disimpulkan bahwa praktik baru dalam cyberculture dan budaya visual yakni selfie, media sosial sebagai ranah eksistensi, masyarakat menjadikan selfie sebagai eksistensi diri yang narsisme. Masyarakat saling beradu eksistensi dengan media sosial yang berobjekkan wisata dan kesenian. AbstractSelfie Culture of Urban Society (Study of the Aesthetic of Photography, Cyberculture, and Visual Semiotics). This research discusses the existence of individuals constructed based on visual culture. Selfie and social media in the visual culture as a form of existence is the right word to address the development of society’s existence. The issues raised would discuss how the selfie culture can occur in the urban society, how the study of selfie culture through the aesthetic of photography, cyberculture studies, and the visual semiotics and also the social changes that occur in the urban societies. The method employed was observation and interview. The data analysis activities were started from the data collection step, the reduction step, the data presentation step, and the conclusion with qualitative research. It can be concluded that the new practice in cyberculture and visual culture, which is selfie, in the social media as the realm of existence, society makes selfie as the existence of narcissistic self. Communities collide with the existence of social media consisting touristy tourists’ attraction and arts.
Eksplorasi Jukstaposisi Visual dalam Novel Grafis ‘The Photographer’ Adya Arsita; Daru Tunggul Aji
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 16, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v16i1.3853

Abstract

The Exploration of Visual Juxtaposition in a Graphic Novel titled ‘The Photographer’. Comic as a story book full of drawings is now popular under the name of graphic novel, which in its development begins to vary.  A graphic novel titled ‘The Photographer: Into War-Torn Afghanistan with Doctors without Borders’ presents two types of pictorial texts, which are drawings in comic styles and photographic works.  The study of this graphic novel aims to explore the visual juxtaposition of the comics and photographs by establishing the graphic novel as the narrative medium in delivering the message and context as well as how they intertwine with each other since there are two types of pictorial texts.  The development of technology in photography has made it possible to actuate photography juxtaposed with other visual media which have come to popularity in advance, to blend, and to combine a unique and specific narrative combination.  The method employed in this research is a qualitative method that believes in a holistic reality as a result of a construction of comprehension of case by case since the characteristic of each case is different one to another. Besides that, the multimodal discourse is also employed as an approach proportionally to evaluate the effectiveness of the message and the contextual meaning of its visual juxtaposition. Therefore, the result is expected to bridge over the understanding of various visual texts given sequentially by using the approach of multimodal discourse as the instrument for an effective communication in enhancing the visual literacy.  ABSTRAKKomik sebagai sebuah buku cerita bergambar yang kini lebih dikenal dengan istilah  novel grafis, makin hari makin berkembang keragamannya.  Dalam sebuah novel grafis yang berjudul The Photographer: Into War-Torn Afghanistan with  Doctors without Borders disajikan dua jenis teks piktorial, yaitu dalam gambar komik dan karya foto.  Pengkajian novel grafis ini akan mencoba mengeksplorasi jukstaposisi visual yang berupa gambar komik dan hasil karya fotografi dengan menempatkan novel grafis sebagai media naratif dalam menyampaikan pesan dan makna serta menilik saling keterkaitannya satu sama lain dengan munculnya dua ragam jenis teks piktorial.  Perkembangan teknologi dalam dunia fotografi membuat fotografi mampu menyandingkan diri dengan media visual lain yang lebih dahulu populer, melebur dengan saksama, dan menciptakan kombinasi naratif yang unik dan spesifik. Metode yang dipakai dalam penelitian ini adalah metode kualitatif dengan prinsip bahwa suatu realitas yang bersifat menyeluruh adalah sebagai hasil konstruksi dari pemahaman terhadap kasus per kasus karena sifat suatu masalah yang satu berbeda dari yang lain.  Selain itu, pendekatan kajian dengan multimodal discourse juga akan diaplikasikan untuk meninjau efektivitas pesan dan pemaknaan jukstaposisi visualnya. Dengan demikian, hasil analisis diharapkan akan membantu menjembatani  pemahaman teks visual yang hadir secara beragam secara sekuensial dengan pendekatan wacana multimodal sebagai upaya komunikasi yang efektif dalam meningkatkan literasi visual.  
Representasi Interaktif Foto Profil Jejaring Sosial Facebook Syaifudin .
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 7
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.376

Abstract

This article discusses about the photos on famous social web in Indonesia and in the world, Facebook. The photo is used as a profile photo. The images of photos are analyzed using the theory of social semiotics that proposed by Gunther Kress and Theo Van Leeuwen. With his theory of interactive representation of the photographs can be analyzed through the elements of gaze, framing and perspective so that a profile picture will be able to give the meanings of social interaction and relation of participant.Respond, personal distance-social distance, and involvement of participant of social web can occur when there is visual interaction through the profile photo or picture.
Analisis Naratif: Kemiskinan dalam Program Reality TV “Pemberian Misterius” di Stasiun SCTV Lilik Kustanto
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 11, No 2 (2015): Oktober 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v11i2.1297

Abstract

Reality TV merupakan sebuah program televisi yang menggambarkan sebuah peristiwa realita atau peristiwa nyata. Namun, program tersebut mengalami perkembangan dengan menampilkan kejadian yang nyata dan dibuat sehingga disebut program hibriditas. Sebagai sebuah program yang menggambarkan kejadian tentunya reality TV memiliki aspek narasi di dalamnya. Salah satunya adalah program reality TV “Pemberian Misterius” yang menarasikan tentang memberi pertolongan dengan memberi hadiah kepada orang lain yang memenuhi kriteria yang ditetapkan. Namun, narasi yang ceritakan tersebut sebenarnya memiliki makna lain sebagai sebuah representasi kemiskinan yang secara implisit tidak terbaca oleh penonton. Analisis naratif merupakan metode mengkaji narasi yang dapat membantu kita untuk memahami, mengevaluasi dan memaknai struktur narasi. Oleh sebab itu program reality TV “Pemberian Misterius” akan dianalisis menggunakan analisis naratif untuk melihat makna sebenarnya, yaitu representasi kemiskinan dalam program reality TV “Pemberian Misterius”. Poverty in Reality TV Programme “Mysterious Gift” on SCTV Television Channel. Reality TV is a television program which depicts a realistic event or real event. However, the program evolves and depicts real (unscripted) and manufactured events (scripted), so that it’s called hybrid program. As a program which depicts events, reality TV contains narration aspect. One of them is reality TV program called “Pemberian Misterius” which narrates the aids delivery by giving gifts to others who meet established criteria. However, the narration contains another meaning which is as an implicit representation of poverty the audience isn’t aware of. Narrative analysis is the method of reviewing narration which can help us to understand, evaluate and interpret narration. Therefore, “Pemberian Misterius” reality TV program was analyzed using narrative analysis to discover its meaning, which is representation of poverty in “Pemberian Misterius” reality TV program.
Pendidikan Seni Film dan Televisi Menjadi Penggerak Industri Ekonomi Kreatif Alexandri Luthfi
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 13, No 2 (2017): Oktober 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v13i2.1933

Abstract

Globalisasi, sebagai suatu proses integrasi internasional, terjadi karena pertukaran pandangan dunia dalam berbagai sektor. Di Indonesia gelombang globalisasi sudah bergerak lebih dari 25 tahun. Tumbuh dan berkembangnya memberikan pengaruh terhadap berbagai sisi kehidupan bangsa dengan semua  atribut budayanya. Di bidang pendidikan, globalisasi memiliki dampak yang cukup besar bagi perubahan pada sistem atau model pembelajaran dan kurikulum yang diajarkan. Era industri kreatif yang digulirkan oleh pemerintah melalui Menteri Perdagangan RI waktu itu masih dijabat oleh Dr. Mari Elka Pangestu, telah  memberikan peluang seluas-luasnya bagi pendidikan tinggi seni agar dapat berfungsi sebagai salah satu pilar bagi pertumbuhan ekonomi kreatif di Indonesia.Indonesia sudah memiliki kantong-kantong institusi dan perusahaan yang dapat menjadi mitra bagi para lulusan pendidikan seni. Para talenta yang kreatif dan terampil lulusan pendidikan seni adalah sumber daya manusia yang diperlukan bagi sektor industri kreatif di masa mendatang. Karya film dan program acara televisi sebagai karya seni yang memiliki standart estetika, di dalamnya terdapat gagasan, pengolahan artistik, matrialisasi, pengalaman teknik dan manajemen produksi, yang  proses produksinya  membutuhkan sekelompok atau individu sumberdaya manusia berkualitas dengan tingkat  pendidikan setara diploma dan sarjana. Kemudian juga dengan  televisi apabila sudah masuk ke dalam rana industri kapitalis, tentu akan berdampak pada bagi masyarakatnya, seperti yang dijelaskan oleh Redatin Parwadi untuk menciptakan perilaku konsumtif bagi konsumennya inilah, televisi mempunyai peran yang sangat penting baik sebagai media ataupun sebagai alat bagi kaum kapitalis untuk mengkonstruksi pikiran konsumen. Sejalan dengan konsep HAKI yang melindungi kualitas  karya cipta  anak bangsa dari originalitas dan eksistensinya, tentu lembaga pendidikan seni memiliki peran penting di dalam melahirkan sumberdaya manusia yang mampu menghasilkan karya seni  kreatif dan inovatif. Maka dewasa ini, di Indonesia sudah saatnya menerapkan konsep  pendidikan multikulturalisme berbasis budaya lokal yang dapat menjadi salah satu alternatif untuk membangun kearifan lokal menuju kebudayaan dunia. Art Education of Film and Television as Actuation in the Creative Economy Industry for the Lecturers of Television Department, Faculty of Recorded Media Arts ISI Yogyakarta. Globalization, as a process of international integration, occurs because there is an exchange of the world’s view in some sectors. In Indonesia, the wave of globalization has been ongoing for more than 25 years. Its growth and development have given influence to all aspects of nation’s life with its cultural attributes. In education, globalization has a quite big impact for the shift of system or learning model and the taught curriculum. The era of creative industry launchedby the government through the Indonesian Minister of Trade which was once held by Dr. Mari Elka Pangestu, has now given a vast opportunity for higher education in art to be one of the pillars for the growth of creative economy in Indonesia. Indonesia has certain institutions and companies that could be partners for the graduates of art school. Creative talents andskillful graduates from art school are the necessary human resources for creative industry sector in the future. Films and television programs as works of art which has standardized aesthetics, therein we could find ideas, artistic process, materialization, technique and production management experience, whose production processes need a group of people or qualified human resources holding diplomas of bachelor degree and bachelor of honors or those in equivalence. When television is admitted into capitalist’s industry, it will affect the society, as stated by Redatin Parwadi, to create a consumptive behavior for the consumers,television has an important part both as media and as means for the capitalists to construct the mind of the consumers. In accordance with the concept of HAKI (intellectual rights) to protect the quality of copyrights owned by the nations’ generation with their originality and existence, higher education of arts has a very significant role in creating human resources who are able to create creative and innovative works of art. Nowadays, Indonesia has already applied multiculturalism education concept on the basis of local wisdom that could be one ofalternatives to build local wisdom into world’s culture.
Membongkar Identitas dalam Film "Wandu" Ghalif Putra Sadewa
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 15, No 1 (2019): April 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v15i1.1927

Abstract

Wandu (The Effeminate) adalah film pendek televisi yang bercerita tentang problematika tiga orang waria dalam proses pencarian identitas dan haknya sebagai manusia ditengah masyarakat yang majemuk. Penolakan aspirasi waria dan citra negatif telah melekat erat pada masyarakat dan berdampak pada segala sepak terjang waria. Semua waria sama saja, itulah ungkapan yang jamak. Diskriminasi, upaya penolakan, dan perlakuan yang tidak manusiawi merupakan tekanan sosial yang terjadi akibat nihilnya identitas bagi waria. Oleh sebab itu, identitas menjadi hal terpenting bagi waria. Identitas adalah bentuk keberadaan yang kongkrit untuk mendapatkan kesejahteraan sosial yang lebih baik dan setara.Kata kunci : Identitas, Waria, film Wandu
Respons Khalayak terhadap Vandyke Brown Print Irwandi And Edial Rusli
Rekam: Jurnal Fotografi, Televisi, Animasi Rekam 6
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v0i0.367

Abstract

This article discusses the forms of old print socialization to the community through the implementation of promotional mix method. The efforts were made to encourage the demand for old print products effectively to potential target audiences as well as looking for markets that form the foundation needs to be prepared. Print method that socialized is vandyke brown print. This method, based on the SWOT analysis is potentially the largest to be marketed to the public. The activites of promotional mix in this research are socialization, recruitment, workshop for potential stakeholders, such as photography business, Student Activity Unit, photography community, and high school students / vocational and promotion in various media. The result of socialization through the promotional mix shows that the target audience wants utilize old photographic print in their activities. They want to be able to do their own old printing process the print, the constraint is plagued with expensive materials. It cannot be purchased in retail. Audience response in this study should be followed by opening a new market space for the old print in Indonesia. One of the the new market here is old print service print services print and sales of chemical and materials to print with the old method of print.
Pemanfaatan Single Flash External dengan Guide Number Rendah untuk Pemotretan Ruang Bambang M. Soewito; Kartika K. Wardani
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 11, No 1 (2015): April 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v11i1.1288

Abstract

Dalam teknik fotografi, cahaya merupakan elemen dasar dalam pembentukan image. Pemahaman tata pencahayaan saat pemotretan mutlak diperlukan karena akan memengaruhi mutu gambar yang didapat. Optimalisasi pencahayaan pada objek dapat diperoleh dengan cara memahami karakternya. Hal itu bisa dilakukan dengan menggolongkan cahaya berdasarkan sumbernya atau mengenal sifat-sifatnya, juga memahami pola terapan cahaya tersebut. Pemotretan interior merupakan salah satu terapan fotografi yang mengeksplorasi detail objek dan suasana ruangan sehingga suatu saat bias saja dibutuhkan lampu tambahan yang berupa flash. Dalam memenuhi tujuan itu, beberapa di antaranya masih banyak yang membutuhkan penggunaan lebih dari satu titik lampu flash beserta aksesorisnya sehingga akan memengaruhi biaya operasionalnya juga. Pada penulisan ini akan disampaikan hasil percobaan tentang pemotretan ruang yang hanya menggunakan sebuah lampu flash eksternal berintensitas kecil, yang bisa dimanfaatkan secara optimal untuk meningkatkan kualitas foto sehingga dirasa dapat menekan biaya operasionl pemotretan.Application of Single Flash External Using Low Guide Number for Interior Photography. Light is the basic element of photographic technique in formation of the image. Understanding of the lighting system is important when taking the picture, because it will affect the quality of the image. Optimization of the lighting on the object can be obtained by understanding its character. This can be done by categorize light based source, identify light feature and figure out the pattern of the light. Interior photography is one of applied photography which explores the details of the object and the circumstances of the room, so that it needs extra light in the form of flash. To obtain that objective, usually a much needed to use more than one point of the flash and its accessories, so it affect operational costs as well. In this paper, the author presents the results of experiments on interior photography, which by using a small intensity of light from external flash optimally can improve the quality of the image and also reduce costs of interior photo shoot’s operasional

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