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INDONESIA
Rekam : Jurnal, Fotografi, Televisi Animasi
Published by Institut Seni Indonesia Yogyakarta
ISSN : 18583997     EISSN : 27453901     DOI : 10.24821
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
Rekam: Jurnal Fotografi, Televisi, Animasi is a scientific journal published by the Asosiasi Dosen Seni Media Rekam Indonesia in collaboration with the Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta. This journal contains articles on research results, conceptual ideas (results of thought), creation, and the results of community service in the fields of photography, television, and animation.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 214 Documents
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Problematika dan Strategi Representasi dalam Penciptaan Karya Fotografi Kontemporer Rifqi Faiz Aldilla; Andry Prasetyo; Aris Setiawan
Rekam Vol 22, No 2 (2026): Oktober 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v22i2.19108

Abstract

Problematics and Representational Strategies in the Creation of Contemporary Photographic Works. This study aims to examine the diverse strategies of representation in contemporary photographic works over the past six years. Using a systematic literature review based on national journal database searches, with inclusion criteria focused on the publication period from 2019 to 2025 and thematic relevance to creative strategies, the selection was narrowed to eight articles. This study explores representational strategies from conceptual, experimental, and semiotic perspectives. The topics cover contemporary issues such as the representation of local communities, daily activities in editorial fashion photography, expression through scanography, the impact of sexual violence, the distortion of romantic memory, body shaming through silhouette techniques, children's rights violations in armed conflict, and the body as an object of social critique. The findings indicate that representational strategies in photography are diverse and innovative, yet not free from problematics such as message ambiguity and potential interpretive bias. As a contribution, this research formulates an ideal representational strategy that integrates theoretical foundations, contextual visual technique selection, supporting narratives, and participatory subject involvement. These strategies are expected to strengthen the clarity of visual messages while maintaining aesthetic and ethical values in the creation of contemporary photographic works.
Optimasi Alur Kerja Produksi Media Rekam Portabel Berbasis Ponsel Pintar: Studi Komparasi Efektivitas Estetik dan Teknis Mahendradewa Suminto; Muhamad Ilham; Andri Nur Patrio; Tanto Harthoko
Rekam Vol 22, No 2 (2026): Oktober 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v22i2.21045

Abstract

This study aims to optimize the workflow of smartphone-based portable recording media production by comparing technical and aesthetic effectiveness in video production. The study employed a comparative experimental approach combined with the development of a production workflow encompassing pre-production, production, post-production, and evaluation stages. The experiment involved two smartphones and compared two workflow scenarios. Supporting equipment included a tripod, gimbal, external microphone, and portable lighting. Evaluation was conducted by three expert validators and through a focus group discussion (FGD) involving ten participants. The evaluation covered visual quality and technical and aesthetic considerations throughout the production process. The research data were used to identify the characteristics of the recorded footage and formulate recommendations for production workflows suited to portable recording devices. Numerical scores for visual quality, the range of validator assessments, and measurable comparative results between the two workflow scenarios are not included in this abstract, as they require verification against the research findings. This study is expected to contribute to the development of efficient and adaptable practices for smartphone-based video production.
Analisis Etika Deontologi terhadap Fenomena Visual Meta AI Tanpa Disclaimer di Instagram dalam Perspektif Seni Media Rekam Raynald Alfian Yudisetyanto; Edial Rusli; Zulisih Maryani
Rekam Vol 22, No 2 (2026): Oktober 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v22i2.19753

Abstract

Deontological Ethical Analysis of Unlabeled Meta AI Visual Phenomena on Instagram from a Recorded Media Arts Perspective. This study explores the dimensions of Kantian deontological ethics regarding the integration of Meta AI on Instagram, specifically focusing on the practice of distributing AI-generated visuals without disclaimers. Within the discourse of recorded media arts, instant text-to-image prompting on social media shifts the ontological status of photography from an indexical record of reality to an algorithmic simulation, creating acute ethical ambiguities for the audience. Using a qualitative descriptive approach and a critical philosophical study method, this paper analyzes real visual artifacts on Instagram that present hyper-realistic AI imagery without transparent attribution. Differentiating from previous studies on AI photography ethics in academic settings, this research highlights a unique crisis on social media platforms, where instant AI tools democratize visual deception and erode audience autonomy in favor of engagement metrics. Guided by Immanuel Kant’s Deontology, this study argues that user integrity is not judged by the aesthetic outcome, but by the 'Good Will' and 'Moral Duty' to disclose machine intervention through mandatory labeling. The study concludes that labeling AI content is a categorical imperative required to preserve the boundary between physical reality and digital hyperreality in the post-truth era.
Refleksi Autoetnografis Narasi Kewarganegaran Tionghoa-Indonesia Pasca-Orde Baru melalui Film Dokumenter Generasi Sekian (2015) Vonny Kanisius
Rekam Vol 22, No 2 (2026): Oktober 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v22i2.18556

Abstract

Autoethnographic Reflection on the Narrative of Chinese-Indonesian Citizenship Post-New Order through Documentary Film Generasi Sekian (2015). This paper discusses a 19-minute documentary film titled Generasi Sekian, which I produced in 2015. The film recounts my family's journey navigating our identity as Chinese-Indonesians between 2012 and 2014. Generasi Sekian employs a video diary style, with the shooting and editing processes carried out entirely by myself. This research uses a qualitative method, reading the narrative of Generasi Sekian as a text to analyze the citizenship narrative of a Chinese-Indonesian family. A reflective analysis using an autoethnographic approach operates across three layers: me as a family subject in the film, me as the filmmaker, and me as the researcher. The analysis is conducted by dividing the film into five sequences, by the time, location, and scenes. Furthermore, it elaborates on the embedded intertitles. This study outlines how an independent film utilizing a video diary style presents the lived experiences and meaning-making of post-New Order citizenship narratives of a Chinese-Indonesian family during times of socio-political turbulence. The narrative reading utilizes the concepts of order and voice from Gerard Genette's narratology. Order is used to unravel the dramatics of the anachronic editing arrangement of narrative time over story time fragments, while voice is used to read the intertitle narratives as a homodiegetic narrator.

Page 22 of 22 | Total Record : 214

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