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Harmonia: Journal of Research and Education
Published by Universitas Negeri Semarang
ISSN : 25412426     EISSN : -     DOI : 10.15294
Core Subject : Education, Art,
Arts Education
Harmonia: Journal of Arts Research and Education is published by Departement of Drama, Dance, and Music, Faculty of Language and Arts, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators, two times a years. The journal has focus: Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 1,219 Documents
 61   62   63   64   65 
Musik Klasik Mozart dan Beethoven suatu Refleksi Konsep Estetika Plato (The Clasical Music of Mozart and Bethoven a Reflection of Plato’s Aesthetic Concept ) -, Kustap
Harmonia: Journal of Arts Research and Education Vol 7, No 1 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i1.747

Abstract

Karya Mozart dan Beethoven adalah dasar utama keindahan musik di jaman klasik.Konsep yang digunakan kedua komponis ini masih relevan digunakan dan dipelajarihingga era kekinian. Keseimbangan pikiran, persaan dan tenaga ditunjukan dalamkonsep karya Mozart dan Beethoven, yang merupakan refleksi dari pemikiranmimesis tentang seni oleh Plato.Kata Kunci: Musik Klasik, Keseimbangan, Mimesis.
The Popularity of Waranggana Tayub Malang through Body Exploitation Hidajat, Robby
Harmonia: Journal of Arts Research and Education Vol 14, No 2 (2014): December 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i2.3288

Abstract

Tayub is a ronggeng type of dance performance. It is widely performed in Javanese regions.Originally, Tayub functioned as a fertility ritual; then it developed as entertainment. The growth of Tayub in Malang in the 1950s was intended for identity and the main dancer called tandak was changed to Waranggana. As a result, there was a transformation in the form of the dancer’s body: (1) exploring body-initiating identity, (2) manipulating the body through magical effect, and (3) body consumptive economization and love ruse. The qualitative method was used with an art phenomenological model in this study. The data were collected using interview and observation methods and was analyzed interpretatively. The result of the research was that female body interpretation is politicized to survive creatively, in order to maintain popularity and to support the lifestyle of the artist.
BIAS GENDER KOREOGRAFER WANITA DALAM KARYA TARI Bisri, Hasan
Harmonia: Journal of Arts Research and Education Vol 10, No 2 (2010)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v10i2.60

Abstract

This study examines how the construction of gender roles in the world of dance artists, particularly female choreographer. The purpose of this study is to understand and explain: (1) the construction of gender roles that took place in the work of dance by female choreographer, and (2) gender bias that occurred in the work of dance by female choreographer. Qualitative method is employed in the study which is located in Semarang city. The subjects consisted of the female dance stylist (choreographer), dancers, musicians, and audiences. Data collection techniques used included interviews, questionnaires, observation, and documentation. Data analysis was done by developing case description, conducted through data reduction, categorization, and interpretation (verification/drawing conclusions). The result showed that the construction of gender roles in the process of dance works choreographed by woman happened in family and community setting. Objective reality that includes a variety of views, attitudes, behaviors, and meaning giving to the differentiation of the roles of men and women based on culture (nurture) contained in family environment plays a prominent position in role construction process among female dancer and choreographers. As for male dancers, the process of role construction went on within the setting of family and social environment of society. Gender bias that occurred in the construction of gender roles in this study is indicated by the existing presence of gender stereotype views among dancers, choreographers, audience, and dance lovers community. Kata kunci: kunstruksi, bias gender, proses karya tari
PENGEMASAN BAHAN AJAR TARI TOPENG MALANG PADA MATA KULIAH VOKASI TARI MALANG Rahayuningtyas, Wida
Harmonia: Journal of Arts Research and Education Vol 13, No 1 (2013): June 2013
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v13i1.2530

Abstract

Pengemasan bahan ajar adalah mengemas materi menjadi lebih baik, dengan cara menjadikan ringkas. Materi yang dikembangkan terdapat pada mata kuliah Vokasi Tari Malang yaitu salah satu nama mata kuliah di Program Studi Pendidikan Seni Tari-UM yang berisi tentang  materi tari topeng Malang milik Karimun (Alm). Tujuan dari penelitian ini adalah untuk menghasilkan wujud bahan ajar mata kuliah Vokasi Tari Malang dan mengetahui keefektifan bahan ajar setelah diterapkan kepada mahasiswa.Penelitian ini merupakan penelitian pengembangan dan uji keefektifan menggunakan uji-t dengan program SPSS 12. Hasil penelitian ini adalah berupa buku ajar mata kuliah Vokasi Tari Malang yang berisi petunjuk pembelajar, silabus, RPP, materi, rangkuman dan evaluasi yang dilengkapi dengan VCD pembelajaran. Uji coba keefektifan menunjukan hasil bahwa dari segi produk masuk kategori yang sangat baik sehingga layak digunakan. The packaging of teaching material can be done by adapting the available teaching material and repackaging them in a more practical form. The teaching material developed in this study is Tari Topeng Malangan originally created by (the late) Karimun, which is taught as Vokasi Tari Malang subject in Dance Department of Faculty of Art and Languages, Malang State University. The aim of this research and development study is to produce a teaching material for Vokasi Tari Malang subject and also to find out the effectiveness of the material after being applied to students. This research is a developmental research and an effectiveness test by using t-test provided from SPSS 12. The final products of the teaching material is in the form of teaching textbook for Vokasi Tari Malang, which consist of a syllabi, teaching guide, lesson plans, the material for the teaching, the summary of the material, the teaching assessment and also a tutorial VCD. The t-test showed that the teaching material is categorized as a good teaching material to use in teaching.
Inkulturasi Musik Gereja di Batak Toba dan Simalungun (Inculturation of Church Music in Batak Toba and Batak Simalungun) Adimurti, Juanita Theresia
Harmonia: Journal of Arts Research and Education Vol 6, No 3 (2005)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v6i3.817

Abstract

Musik ibadat Gereja sangat besar peranannya untuk mendukung terciptanya suasanaperibadatan. Nyanyian musik ibadat Gereja menjadi bersuasana lebih khidmat, terutamamembantu umat dalam berdoa, karena dengan nyanyian, doa dapat diungkapkan secara lebihmendalam. Penelitian ini mengetengahkan analisis hasil Lokakarya Musik Liturgi sebagaiproses Inkulturasi Musik Gereja di Batak Toba dan Simalungun dalam suatu kajian pustakapada tahun 1986 sampai tahun 1995, dengan tujuan realisasi dinamis dari kepentingan musikLiturgi dan suatu perembesan hidup Katolik ke dalam unsur-unsur budaya musik Batak Tobadan Simalungun pada khususnya serta untuk memperkaya musik Gereja Katolik. Penyesuaianmusik Gereja terhadap unsur musik daerah Batak Toba dan Simalungun terlihat jelas padahasil Lokakarya Musik Liturgi tersebut. Musik Batak Toba pada umumnya bersifat kuat danmegah. Musik Batak Simalungun bersifat tenang, mengalir. Maka dua corak musik Batak inidapat memperkaya khasanah musik Gereja.Kata kunci: Inkulturasi, Musik Gereja
SERAMPANG XII: TARI KREASI YANG MENTRADISI PADA MASYARAKAT MELAYU PESISIR SUMATERA TIMUR -, Nurwani
Harmonia: Journal of Arts Research and Education Vol 11, No 1 (2011)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v11i1.2073

Abstract

Tari Serampang XII merupakan tari kreasi yang selalu hidup dalam masyarakat pendukungnyaterutama pada masyarakat Melayu Pesisir Sumatera Timur. Tari Serampang XIIdiciptakan oleh Sauti pada tahun 1938. Tari Serampang XII yang berkembang pesat padamasyarakat Melayu Pesisir Sumatera Timur berakar dari gerak-gerak tari ronggeng Melayu.Konsep tari Serampang XII yang mengisahkan percintaan sampai ke jenjang pernikahandisusun kedalam XII ragam. Nilai estetika yang terdapat dalam tarian ini disesuaikandengan nilai estetika masyarakat Melayu itu sendiri. Tari ini tidak hanya berfungsi sebagaihiburan dan sebagai persentasi estetis, tetapi juga berfungsi sebagai kesinambungan kebudayaan,sebagai sarana pensisikan dalam menyampaikan pesan-pesan moral, dan jugapernah berfungsi sebagai propaganda politik Serampang XII Dance is a creative dance that keeps lingering on the tradition of Coast MalayPeople in East Sumatra. Serampang XII dance was created by Sauti in 1938. The dance which grewrapidly in Coast Malay People, East Sumatra was rooted in Malay ronggeng dance. The concept ofSerampang XII dance, which tells about a love story from courtship to marriage, was composed intoXII varieties. The aesthetic value in this dance is adjusted to the aesthetic one of the Malay people.This dance does not only serve as a cultural sustainability but also as scaling means in conveyingmoral messages and political propaganda.
PROFIL PURA MANGKUNAGARAN DALAM STRUKTUR ORGANISASI DAN PENGELOLAAN ORGANISASISENI (Mangkunegaran Profile in Organisation Structure and Art Organisation Management) Malarsih, -
Harmonia: Journal of Arts Research and Education Vol 8, No 2 (2007)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v8i2.784

Abstract

Pura Mangkunagaran adalah eks pusat pemerintagan Kadipaten atas pembagiankekuasaan dari Kasunanan Surakarta yang hingga kini tetap menjaga kelestarian budayaleluhur dengan membentuk struktur organisasi dan mengelolanya dengan modelmanajemen khusus. Permasalahan yang diangkat dalam penelitian ini berkait denganstruktur organisasi dan pengelolaan organisasi seni di Pura Mangkunagaran.. Metodepenelitian yang diterapkan adalah kualitatif. Lokasi Penelitian, Pura Mangkunagaran.Teknik pengambilan data dilakukan dengan observasi, wawancara, dan dokumentasi.Langkah analisis data bergerak dari saat pengambilan data, penyajian data, reduksi data,dan verifikasi sebagai suatu siklus sampai temuan penelitian oleh peneliti diyakinikebenarannya. Teknik keabsahan data dilakukan dengan triangulasi, yakni mencocokkandata hasil wawancara, observasi, dan dokumentasi. Hasil penelitian menunjukkan: srtukturorganisasi Pura Mangkunagaran dibuat sedemikian rupa yang menjadikan budayaMangkunagaran tetap terpelihara. Ada empat bagian yang dominan dalam strukturorganisasi di Pura Mangkunagaran, yakni bagian Sekretariat, Kabupaten MandraKumara, Reksa Budaya, dan Kawedanan satria. Keempat bagian tersebut saling fungsionaldengan bagian yang lain hingga menjadikan struktur organisasi itu dapat menjagakelestarian budaya Mangkunagaran. Pengeloaan organisasi seni secara khususdiberikan pada sub bagian Langen Praja dibawah bagian Reksa Budaya. Kepercayaanpenuh untuk mengelola organisasi seni yang menjadi milik Mangkunagaran kepada subbagian Langen Praja menjadikan seni budaya Mangkunagaran tetap eksis di masyarakatsekalipun yang menonjol utamanya hanyalah seni tail.Kata kunci : organisasi, struktur organisasi, Pengelolaan organisasi, organisasi seni.
Strengthening Vocal Register through Tembang Jawa Ornament Practice Latifah, Diah
Harmonia: Journal of Arts Research and Education Vol 15, No 2 (2015): December 2015
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i2.4428

Abstract

This study analyzes Javanese’s song ornament luk to strengthen vocal register. The movement of luk is either upward or downward has similarity to western vocal technique  portamento. Portamento ornament is usually used in strengthening the switching technique of vocal register. Register is a vocal technique that has an advantage in maintaining timbre, so that the timbre sounds homogenous when the changing of register occurs. The results of the study show that the Javanese’s song ornament Luke has successfully strengthened the vocal register on the practice of register intensification in western vocal disciplines.
ACTION RESEARCH TO SOLVE MUSIC TEACHING PROBLEMS IN THE SCHOOL Suharto, Suharto
Harmonia: Journal of Arts Research and Education Vol 1, No 1 (2000)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v1i1.835

Abstract

ACTION research has been known and regard as one of the new strategy for teachers development in Indonesia. Trough Word Bank Project, for instance, action research  has been decided as the second  pilot project and today it has being tried out in eleven provinces  in Indonesia, include Central Java.As a ˜special subject, music, has many problems in teaching. It happens for years particularly in classroom. Unfortunately, there is no serious effort of the teachers to look for what the problems are and how to overcome it. They should know that there are many problems  for the students to learn music in  the class.The problems of music learning usually happen in the classroom,  both for students or for the teachers. However, as if the teachers do not  care to the problems and become  the problems as a routine duty. The difference of the student music ex-perience problems can influence  the learning process. The different background can also influence the quality of the learning process.The music learning in the classroom is a teachers responsibility in which they know how the students learn, the students characteristics, study environment, students' motivations, students progression, etc. To reach a good  result of the students achievement need to teachers responsibility efforts to observe, plan, apply, prac­tice, and so on, to get the good way how to the student can learn music well. The way is carried out in   many times, for about five to seven  or even more then that to achieve a good environment and a good way  to teach or how should the students can learn well. To achieve the way above the teacher need to observe trough research. And the properly research to the purpose is action re­search or classroom-based action research (CAR).
THE PHILOSOPHY OF PUPPET CHARACTERS BATHARA IN MURWAKALA PLAY FOR THE VALUE OF LEADERSHIP ETHICS Lestari, Wahyu
Harmonia: Journal of Arts Research and Education Vol 14, No 1 (2014): June 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i1.2785

Abstract

The study aims to find out the values of leadership ethics in Murwakala play. which is beneficial to society in empowering the existence of the puppet. The position of puppeteers in Central Java is now farther away from the younger generation and society. The preferred method is through an objective method to find out the design of performance according to contemporary tastes, as well as referring to the theory of structuralism in order to uncover the meaning of the textual and contextual performance. Method of observation, interview and documentation are also used, in order to get comprehensive data. The results showed the findings of the ethics of leadership from the teachings of puppet plays Murwakala Asthabrata or eight teachings contained in nature into eight figures in the play, which synergized with the nature of the universe, such as the nature of clouds, rain, water, stars, moon, sun, fire, ocean and earth. The findings are collaborative performances Murwakala played in the new format, according to contemporary tastes, semi-theatrical performances. Another finding is souvenirs designs and culinary business run with team leadership ethics, to enhance the creative industry and economy, establish a relationship with buyers and affiliated institutions, with a supporting program of stakeholders.

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