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Contact Name
Asti Rahmaningrum
Contact Email
kawistara@ugm.ac.id
Phone
+62 895-3345-98070
Journal Mail Official
kawistara@ugm.ac.id
Editorial Address
Gedung Lengkung, Unit 1, Lantai 2, Sayap Timur Sekolah Pascasarjana, Universitas Gadjah Mada, Jalan Teknika Utara, Pogung, Sleman, Yogyakarta Telp. (0274-564239 extc. 207)
Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora
ISSN : 20885415     EISSN : 23555777     DOI : -
Core Subject : Education,
Arjuna Subject : -
Articles 549 Documents
KOMPLEKSITAS PEMBAJAKAN KONTEN DI ERA DIGITAL Tangguh Okta Wibowo
Jurnal Kawistara Vol 7, No 2 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (407.768 KB) | DOI: 10.22146/kawistara.33534

Abstract

Sebuah buku menarik yang rilis di tahun 2014 untuk membicarakan isu yang sensitif yaitu pembajakkan (piracy) di budaya kontemporer yang diasosiasikan dengan budaya berbagi (file sharing/ peer-to-peer) di dunia digital sekarang ini. Konsep umumnya adalah bagaimana seseorang ‘bersembunyi’ di balik layar komputer untuk mengunduh, baik musik, film, atau file digital lain, melintasi batas geografis secara anonimous atau melakukan hacking sebuah sistem komputer. Buku ini terdiri dari beberapa artikel penelitian dengan sebuah tema besar pembajakkan. Tidak hanya itu, tema besar ini pun dibagi menjadi tiga bagian spesifik, yaitu ontologi, politik, dan praktik terkait pembajakkan. Hal ini memudahkan bagi pembaca untuk mengikuti kumpulan artikel ini dalam sebuah kerangka besar pembajakkan yang digambarkan melalui sebuah sisi lain dari modernitas. Buku ini terbagi menjadi tiga tema. Pertama yaitu perilaku pembajakkan ini tidak hadir begitu saja/taken for granted. Kedua, politik dari pembajakkan dari perspektif makro, dan menganalisis bagaimana privasi menghubungkan struktur kekuasaan dan proses transformasi. Terakhir, membahas beberapa praktik pembajakkan dan implikasi dari beragam konteks pembajakkan.
KOHESI DAN KOHERENSI WACANA STAND UP COMEDY PRANCIS DAN INDONESIA Esa Agita Anjani
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (279.305 KB) | DOI: 10.22146/kawistara.5223

Abstract

Stand up comedy is an art comedy show which develops rapidly in all over world nowadays. Standup comedy considered as a smart comedy. This research will concern about french and indonesianstand up comedy discourse by Tomer Sisley (french) and Raditya Dika (indonesian). This paper focuson cohesion and coherence analysis. The results showed that cohesion and coherence are the mostimportant aspect for making a good stand up comedy discourse. Cohesion aspect in stand up comedyare gramatical cohesion (reference, substitution, ellipsis, conjunction) and lexical cohesion (repetion,synonim, antonym, collocation). Also, coherence aspects are additional relation, temporal relation,oppositional relation, affectional relation, causal relation, conditional relation. Repetion is a cohesivetools which more dominate in this stand up comedy discourse.
EKSISTENSI PEREMPUAN DALAM OPERA BATAK: STUDI KASUS ZULKAIDAH HARAHAP Jayanti Mandasari Sagala
Jurnal Kawistara Vol 7, No 1 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (389.26 KB) | DOI: 10.22146/kawistara.13121

Abstract

The art, that is identical with the domination of masculinity or masculine art that happens the Batak Opera musically, cannot be separated with the concept constructed by the patriarchal ideology in the communal. This fact had been challenged by the existence of a woman. Formerly Batak Opera was more masculine art musically, after the existence of Zulkaidah Harahap, Batak Opera now has different path. This study purposes to examine attentively the existence and the importance of Zulkaidah Harahap as a woman in the performing art of Batak Opera in the Batak Toba. This study had been done in two months in Tiga Dolok and Pematang Siantar, North Sumatera, the place where Batak Opera and Zulkaidah Harahap came from. This study uses feminist perspective. It is used to see the women’s problems in the performing art of Batak Opera through the case study and individual life history of a prominent firgure from woman’s tradition of Zulkaidah Harahap with using historical reconstruction method and interview. In this case, the existence of women is seen as a ‘creativity’ in traditional art perspective which is put forward by the theory of George Herzog in his writings “The creativity of tradition music artist”. The other perspective used ini this article is existentialist feminist perspective by Simone de Beauvoir’s theory “The process of women transcendence”. The existence of Zulkaidah Harahap is very important in Batak Opera which is defined as a ‘creativity’ in the performing art of Batak Toba. The creativity of Zulkaidah Harahap in the performing art of Batak Opera can be seen in two things: first, as the one and only woman leader ever to lead a Batak Opera group, second, as the first woman of parmusik (musician) who can play musical instruments to become parmusik which is parallel to men. Through her deeds, she had proved that women, as well as men, are exist for themselves and the self who have the right to be seen as a cultural subject. Through Zulkaidah Harahap, now it is not taboo for Batak women to be parmusik and can be seen in art as subject. 
PERTUMBUHAN MEGAURBAN KEDUNGSEPUR Saratri Wilonoyudho
Jurnal Kawistara Vol 1, No 1 (2011)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (378.045 KB) | DOI: 10.22146/kawistara.3908

Abstract

Over the last 20 years many urban areas have experienced dramatic growth, as a result of rapid population increase and the trans formation of the world economy because of a combination of  rapid technological and political change. In the case of Kedungsepur, the area has seen more than twofold growth. Migrants come to the inner zones from both the area's core and elsewhere in the country. Net migration, in many case, contributes as much as two thirds of the population growth in these zones, whereas in the city cores, net migration contributes little to growth. A comprehensive model suggests that urbanization in Kedungsepur is influenced by structural and social demographic factors. Thus, the balance between managing urban discharges to the environment and enhancing environmental resource capacity is the key determinant of sustainability.
RESISTENSI DAN NEGOSIASI INDIVIDU SEBUAH KAJIAN IDENTITAS TERHADAP NOVEL GRAFIS PERSEPOLIS KARYA MARJANE SATRAPI Sandya Rani Yunita; Wening Udasmoro
Jurnal Kawistara Vol 6, No 3 (2016)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (296.889 KB) | DOI: 10.22146/kawistara.22942

Abstract

Penelitian ini bertujuan untuk mengungkapkan bentuk resistensi dan strategi bertahan serta bentuknegosiasi seorang individu dalam menghadapi persoalan identitas sebagai dampak dari revolusi Islamdi Iran dan kemelut perang yang tercermin dalam novel grafis berbahasa Prancis Persepolis karyaMarjane Satrapi. Kajian dilakukan dengan menggunakan teori identitas dan agensi Giddens untukmengungkapkan agen-agen yang berpengaruh dalam konstruksi identitas seorang individu dan dalambertindak. Hasil penelitian menunjukkan bahwa (1) Persepolis merupakan karya novel grafis yangmengungkapkan pandangan kritis terhadap perubahan masyarakat Iran dan berkorelasi dengan sejarahrevolusi Iran serta perang Iran-Irak, (2) Persepolis merepresentasikan bentuk resistensi dan strategibertahan masyarakat Iran pada masa revolusi terjadi dan pada saat perang berkecamuk. Identitas padamasa tersebut merupakan simbol perlawanan dari individu yang terdominasi oleh tradisi, agama,perubahan radikal dalam masyarakat, nilai-nilai Barat, dan rezim pemerintah. (3) representasi identitasindividu yang mewakili budaya timur akan bernegosiasi dengan budaya barat sebagai budaya asingyang ditemuinya. Identitas tersebut akan selalu berproses dan dapat berubah terkait konteks sosial dankultural. Negosiasi individu dalam hal ini berkaitan dengan memori yang ingin ‘melupakan’ untukmemulai hidup baru namun juga ‘mengingat’ yang berkaitan dengan konteks historisnya.
DESENTRALISASI DAN PENGELOLAAN WILAYAH PESISIR DI INDONESIA STUDI PADA DESA KOHOD KECAMATAN PAKUHAJI KABUPATEN TANGERANG Endiarjati Dewandaru Sadono
Jurnal Kawistara Vol 7, No 3 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2540.717 KB) | DOI: 10.22146/kawistara.23591

Abstract

The management of coastal areas in Indonesia has now been decentralized. This study tries to analyze qualitatively how the coastal area management has been done in Tangerang District, more precisely in Kohod Village, Pakuhaji Sub-District. Kohod Village became one of the three pilot projects village of Kampung Sejahtera conducted by Organisasi Aksi Solidaritas Era Kabinet Kerja (OASE Kabinet Kerja). Despite the considerable potential of coconut and laksa noodle development, but poverty, unemployment and slums are still the major problem in Kohod Village. Therefore, the development of coastal areas in this village can’t be left entirely to the local community. It takes the role of the government and private sector to support the development acceleration in this village. Thus, the development of coastal areas in Kohod Village should be done using collaborative approach.
ASPECTS UNDERLYING THE MODIFICATION OF BRIDAL COSTUME IN GORONTALO AT THE WEDDING RECEPTION Hariana Hariana; G.R. Lono Lastoro Simatupang; Timbul Haryono; SP. Gustami
Jurnal Kawistara Vol 7, No 3 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (934.29 KB) | DOI: 10.22146/kawistara.33951

Abstract

The visualization of the Gorontalonese bridal costume worn at the wedding reception is increasingly diverse in terms of the modification forms. The modification can be seen in the design elements including shape, texture, color, material, and accessory. Furthermore, the modification of the current costume makes the functional value of the bridal costume different from the already patterned one, which can be seen from its social, symbolic, and economic values of the Gorontalo community. The data in this study was collected through the review of books and previous studies related to the wedding clothing, the interviews, and the observation of bridal costumes and analyzed using the qualitative data analysis approach. The observation of unmodified bridal costume objects was done at the Dulahopa Traditional House in Gorontalo, while that of modified bridal costume objects was conducted on the widely used bridal costumes within the last two years in Gorontalo. The purpose of this study was to find out the aspects underlying the modification of bridal costume in Gorontalo. The results show that Gorontalo people tend to choose modified wedding dresses in the wedding party. Moreover, this study suggests that the bridal costume modification is influenced by the family’s social status in Gorontalonese community, migratory Gorontalonese people (staying outside the area of origin), and technological advancement.
PARTISIPASI MASYARAKAT DALAM PELESTARIAN HUTAN MANGROVE DI KELURAHAN OESAPA BARAT KOTA KUPANG Fransisca Xaveriana Serafina Lio; Stefanus Stanis
Jurnal Kawistara Vol 7, No 3 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (31.067 KB) | DOI: 10.22146/kawistara.17150

Abstract

One of the districts in East Nusa Tenggara that has mangrove forests along the coastline is Kupang City, particularly West Oesapa region. Based on the result of preliminary observation, mangrove forest has been used as a recreational area. On the other hand, the partially of mangrove forest area has been earmarked for aquaculture area and it is an early indication of mangrove forest damage. In order to ensure the sustainability, the conservation efforts are needed which couldn’t be separated from community participation. Therefore, the need for a study about the community participation degree in conserving mangrove forest. A total of 30 respondents are interviewed using a questionnaire, taken by purposive. In-depth interviews are conducted to 5 villagers as key informants. Data include socioeconomic conditions, knowledge, perception, and community participation on mangrove forest. Data are analyzed by crosstab to examine the relationship between knowledge and perception, knowledge and participation, and perception and participation. The research result shows that the community knowledge about the benefits of mangrove forests is high, which is 68%. Knowledge of damage is low, which is 74%, but the knowledge of damage prevention is high, which is 77%. The community perception of benefits, damages and prevention is high at 68%, 55% and 49%. Community participation in training of the important existence and mangrove forest utilization is low, which is 65%, and 61%, while participation in the prevention of damage is high, which is 49%. 
MEMUTUS LOGIKA KARITATIF DALAM PRAKTIK PARIWISATA DI UBUD, BALI I Made Kusuma Negara; I Made Adikampana; Saptono Nugroho
Jurnal Kawistara Vol 7, No 3 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (324.833 KB) | DOI: 10.22146/kawistara.12778

Abstract

Many villas in Ubud is located around agricultural land owned by farmers who are members of Subak. There is a deal that the villas are required to provide material contributions to local institutions, including Subak. Such contributions produce caritative framework which not in line towards the sustainability of tourism development. This paper addresses to offer the guidelines of sustainable tourism practice in Ubud, Bali. To fulfill this purpose, data has been collected from observations and interviews with selected informants and then analyzed descriptively. The analysis indicated that there is dualism perspective against agriculture, which has implications towards exclusivity in-group, especially farmers and villas. Each group attempts to maintain the dualism perspective by applying various tactics, which can lead to disharmonies relations between groups. It requires social guidance in order to reduce caritative framework by creating common tourism sphere through agrotourism.
BIJAK MEMAKNAI PENYALINAN SEBAGAI WUJUD LAIN APRESIASI Luthfy Avian Ananda
Jurnal Kawistara Vol 7, No 1 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4838.416 KB) | DOI: 10.22146/kawistara.36995

Abstract

Dalam seluruh aspek kehidupan manusia, utamanya ketika kita memasuki lingkungan industri kreatif dan akademis, seakan diwajibkan untuk memberikan apresiasi terhadap karya orang lain. Apresiasi yang saya maksud ini bukan hanya sekadar dalam bentuk seseorang menyaksikan kemudian menikmati sebuah karya lalu memberikan penilaian positif. Lebih dari itu, tunduk kepada hak cipta yang dimiliki oleh si empunya juga merupakan bentuk lain apresiasi terhadap sebuah mahakarya yang tak ternilai harganya.