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I Nyoman Darma Putra
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JURNAL KAJIAN BALI Fakultas Ilmu Budaya Universitas Udayana Jln Nias 13 Denpasar 80114
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Jurnal Kajian Bali
Published by Universitas Udayana
ISSN : 20884443     EISSN : 25800698     DOI : https://doi.org/10.24843/JKB
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The Jurnal Kajian Bali (Journal of Bali Studies) is an area study journal that specializes in publishing research-based articles about Bali. The topics of articles about Bali that can be published are very diverse including Balinese culture, politics, music, language, architecture, literature, history, mass media, popular culture, tourism, economy, environment, health, law, management, religion, and Balinese customs. The journal would also like to publish articles on Bali with comparative approaches. The Jurnal Kajian Bali (Journal of Bali Studies) is published twice a year, every April and October. Published articles are reviewed in a single blinded manner. The Jurnal Kajian Bali (Journal of Bali Studies) was first published in April 2011 by the Center for Balinese Studies, University of Udayana. Starting from April 2019, the journal is published jointly by the Center for Balinese Studies and the Center of Excellence in Tourism, University of Udayana. However, starting April 2020, the Jurnal Kajian Bali (Journal of Bali Studies) was published by the Center for Cultural Research and the Center of Excellence in Tourism, University of Udayana. This change occurred because of the reorganization of research centers at Udayana University from the end of 2019.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 386 Documents
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Praktik Pembuatan “Sate Tegeh” sebagai Jalan Pemahaman Makna dan Upaya Pelestarian Unsur Ritual di Desa Pakraman Padang Luwih, Canggu, Badung I Wayan Watra
Jurnal Kajian Bali (Journal of Bali Studies) Vol 9 No 2 (2019): DUNIA POLITIK DAN HOSPITALITI PEREMPUAN BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (691.804 KB) | DOI: 10.24843/JKB.2019.v09.i02.p05

Abstract

The sate tegeh (high skewer) offering is an essential element in the yadnya ceremony in Bali, but one who can make sate tegeh is only limited to the older generation who pursue it. This article explores the practice of making sate tegeh for community members in Pakraman Village Padang Luwih, Canggu, Badung Regency. In addition to analyzing the practice of making sate tegeh, this article also discusses the functions and philosophy of satay tegeh based on traditional Balinese values ??and traditions. Data were collected by observation, interview and document review techniques. Data analyzed with symbol theory by examining the form and meaning of sate tegeh elements in Balinese customs and traditions. The results showed that the practice of making satay tegeh was not only related to skills, but also as a medium for the deepening of the teachings and ritual philosophy of sate tegeh. It is recommended that villages in Bali regularly carry out work practices to make sate tegeh so that this traditions can be preserved. Keywords: practice of making sate tegeh, traditional ceremonies, Hindu teachings
Kontestasi Penjor Galungan – Kuningan di Bali Visualisasi Doa Petisi secara Demonstratif untuk Kemakmuran pada Era Masyarakat Tontonan Anantawikrama Tungga Atmadja; Nengah Bawa Atmadja
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (387.679 KB)

Abstract

This article is part of the fundamental research carried out for two years (2013-2015). The research method is qualitative which refers to the critical paradigm. The research location is villages representing various districts in Bali and Denpasar city. The results showed that the use of Penjor on Galunga and Kuningan holy day is common in Bali. Penjor is a ritual objects made from a piece of bamboo which its end is intentionally left curved, decorated with various ornaments of young coconut leaves or palm leaves and other supplies. Penjor is installed on the roadside in front of the Balinese family compound’s entrance. Penjor does not only have an artistic value, but it is also rich in symbolic meaning such as visualization of petition prayer addressed to the Hindu deities and dewa pitara (ancestor). The goal is to achieve prosperity for the entire family in the Balinese community. This article is expected to provide a broader understanding to Hindus about Penjor. Penjor is not only a cultural object with artistic values, but it also contains a hidden meaning, namely the prayer of petition in the sociology of religion.
Cerita Klasik “Tantri Kamandaka” sebagai Sumber Ekonomi Kreatif I Nyoman Suarka; AA. Gede Bawa
Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (468.855 KB) | DOI: 10.24843/JKB.2018.v08.i01.p10

Abstract

This study aims to analyze a classical literary Tantri Kamandaka text as creative economic resources. This research a empts to o er the idea of literary studies to the downstream of research results that can be utilized as much as possible for the welfare of the community. As with the text of Tantri Kamandaka, in addition to being a medium of the nation’s character values, it can also be empowered as creative economic resources or cultural industry. This research made use of content analysis model and medium transfer study. The method used was a method of creating art works by covering the exploratory stage, the exploring activity to uncover the sources of ideas was based on the reading and comprehending Tantri Kamandaka text; the design stage was visualizing the results of ideas exploration into sketches or alternative design to nal draft; and the stage of embodiment, which was to establish the nal design into a prototive model until the perfect work was created in accordance with the ideas. The results show that the text of Tantri Kamandaka potential as a source of creative economy, especially as a source of inspiration for the creation of creative economic product designs.
Wajah Paradoks Bali dalam Cerpen-cerpen Denpasar I Made Sujaya
Jurnal Kajian Bali (Journal of Bali Studies) Vol 5 No 1 (2015): AIR DAN PERUBAHAN SOSIAL DI BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (329.801 KB)

Abstract

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Puri Kesiman: Saksi Sejarah Kejayaan Kerajaan Badung Nyoman Wijaya
Jurnal Kajian Bali (Journal of Bali Studies) Vol 3 No 1 (2013): PENULISAN SEJARAH BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (650.236 KB)

Abstract

AbstractPuri Kesiman had has a strategic position that functioning asthe headquarters of the struggle in the early twentieth century,since Kesiman involvement in “Puputan of Badung”, andthe Indonesian independence struggle on Bali. As the onlyremaining palace of the King of Badung until now, it will beinteresting to study how the Puri of Kesiman can survive longenough and its action in the present. Especially in relation tothe position and role of the palace (puri) in Balinese society,especially in the increasingly pluralistic Village Kesiman whereit is located. This study discusses the history of the CastleKesiman, Kesiman Puri’s role in the history of Bali general andhistory of Badung particular; and traces the position of PuriKesiman in early independence era till today.
Modernisasi dan Transformasi Kembali ke Tradisi: Fenomena Ngaben di Krematorium bagi Masyarakat Hindu di Bali I Gde Pitana
Jurnal Kajian Bali (Journal of Bali Studies) Vol 10 No 2 (2020): TEKS DAN TRADISI BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (580.032 KB) | DOI: 10.24843/JKB.2020.v10.i02.p01

Abstract

Conducting cremation ceremony (ngaben) in crematorium among Balinese Hindus is relatively a new phenomenon, pioneered by Maha Gotra Pasek Sanak Sapta Rsi, the biggest maxima-clan in Bali. This maxima-clan constructed a crematorium called Santhayana in 2008. The number of cremation ceremony conducted in Crematorium Santhayana increases over time, mainly due to the practical values and efficiency, compared to conducting the ceremony conventionally in one’s own village. The more affordable cost and the less intensive communication with the village of origin are yet additional reasons, especially for those residing outside Bali. By employing participant-observation and in-depth interviews in data collection, analysed qualitative-interpretively, this research confirmed Giddens’ Structuration theory, that as duality, structure is both constraining and enabling the actors. On the other hand, actors’ patterned activities will develop new structure. However, it is interesting in the case of cremation in crematorium Santhayana, that the transformation toward modernity is by making use of traditional reference, i.e. old lontar, named Yama Purana Tatwa.
Pengantar Editor: Relasi Etnisitas di Bali I Nyoman Darma Putra
Jurnal Kajian Bali (Journal of Bali Studies) Vol 7 No 1 (2017): RELASI ETNISITAS DI BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.917 KB) | DOI: 10.24843/JKB.2017.v07.i01.p00

Abstract

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”Komodifikasi” yang Dipaksakan: Fenomena Joged Porno Buleleng I Wayan Artika
Jurnal Kajian Bali (Journal of Bali Studies) Vol 1 No 2 (2011): BALI DALAM GLOBALISASI DAN GLOKALISASI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (454.759 KB)

Abstract

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Reproduksi Makna dan Fungsi Turistik Praktik Ritual Perang Ketupat di Desa Kapal, Badung I Made Sendra; Yohanes Kristianto; Saptono Nugroho
Jurnal Kajian Bali (Journal of Bali Studies) Vol 9 No 1 (2019): WACANA KRITIS BUDAYA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (673.794 KB) | DOI: 10.24843/JKB.2019.v09.i01.p09

Abstract

This article is aimed to reinterpret the ritual of Ketupat War based on practical consciousness into reflexive consciousness to preserve agricultural tradition in Kapal Village, Badung Regency. This consciousness could be created by deconstructing the pragmatic materialistic perspective by promoting local knowledge Tri Hita Karana, philosophy on the harmonious relationship among human being, human and nature, and God. This research applied a descriptive qualitative method and structuration approach from Giddens to explain the ritual Perang Ketupat as reflexive consciousness. The research shows that the local people at Kapal Village interpret this ritual as practical consciousness without knowing the function and the meaning of the ritual. It means that ritual is only performed annually as a routine tradition. Therefore, reflexive consciousness needs to be nurtured through constructing the community`s awareness of this ritual as a tourist attraction, so that they can get the economic benefit (touristic meanings). In other words, tourism becomes a melting-pot producing space of the triple sections among nature, culture and tourism which is called Eco-Cultural Tourism Landscape (ECTL).
Hubungan Konseptual antara Candi-candi di Jawa Timur dengan Pura di Bali I Ketut Setiawan
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (333.303 KB)

Abstract

Abstract Bali has contacted with Java in a long period of time in terms of historical and cultural aspects. Based on those historical and archeological evidences, it can be understood  that the Balinese clasical kingdoms had contacted with Java, particularly with the Middle and East Java kingdoms from the 8th Century. Those relations had been strengthened  in the 10th to 11th Century, especially in the reign of Udayana King, who married with a princesses from East Java, Gunapriya Dharmapatni. The impacts of those relations, we can see in terms of political and cultural aspects in the present day Bali. One of these impacts, we can see in the similar forms and functions between the East Java and the Balinese temples.

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