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INDONESIA
LITERASI: Jurnal Ilmu-Ilmu Humaniora
Published by Universitas Jember
ISSN : -     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 103 Documents
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PROSES PENAMAAN DESA DI KABUPATEN SLEMAN: TINJAUAN SEMANTIS Nusarini N
LITERASI: Indonesian Journal of Humanities Vol 4 No 2 (2014)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article aims to describe the background of village naming and linguistic rules of village names in Sleman. The research was conducted through three stages: the data collection, the analyzing of data, and the exposition of analysis results. The village names taken as the sample is located in Cangkringan, Pakem, Turi, and Gamping. The results reveal that the background of the naming of villages can be classified based on the process of naming village based on the etymology of the elements of nature such as mountains, plants, forests, and water; elements of the verb; and non-nature etymology, and the process of naming the village by village history. The aspects of language used in naming the village in Sleman Yogyakarta are the names of the villages having polymorfemic word form. In the form of polymorfemic words there is an element consisting of two constituent monomorfem and consists of one constituent monomorfem and one constituent polymorfem. Keywords: Toponymy, village names, polymorfem
PERAN SASTRA MULTIKULTURAL SEBAGAI MEDIA KOMUNIKASI ANTARBANGSA Ali Imron Al-Ma’ruf
LITERASI: Indonesian Journal of Humanities Vol 1 No 1 (2011)
Publisher : Faculty of Humanities, Jember University

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Abstract

Sastra multikultural berhubungan dengan perubahan masyarakat global dan lokal yang menjadi pluralistik. Pengarang merespons kondisi pluralistik tersebut dan menginterpretasikannya dalam karya sastra multikultural, khususnya, yang merujuk pada posmodernisme. Banyak penulis muda menghasilkan sastra jenis tersebut. Sastra multikultural berpotensi menjadi media komunikasi internasional dan pendidikan karakter bangsa, yang mana, saat ini, para guru, pemerintah, dan tokoh masyarakat mengembangkannya. Lebih dari itu, sastra multikultural mampu melampaui batasan agama, etnis, bahasa, budaya, dan bangsa. Secara praktis, aktivitas kurikuler, ko-kurikuler, dan ekstra-kurikuler bisa menjadi medium untuk menyosialisasikan nilai-nilai multikultural melalui sastra. Lebih khusus lagi, sastra multikultural berpotensi menjadi media yang mempersatukan dan menggabungkan substansi lokal, nasional, dan internasional secara damai yang di dalamnya masyarakat bisa hidup dalam harmoni. Kata kunci: global, karakter, sastra, lokal, multikultural, nasional
CINA DI UJUNG TIMUR JAWA Retno Winarni; Bambang Samsu Badriyanto; Edy Burhan Arifin
LITERASI: Indonesian Journal of Humanities Vol 1 No 2 (2011)
Publisher : Faculty of Humanities, Jember University

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Abstract

The Chinese was considered the foreign people in Besuki Residency, despite of they hadsettled in Java northeast coast, even some had become administrators in the private land ofthe area. This article identifies and describes why they were able to be the administratorsin the area from the end of 18th to the beginning of 19th century. The problems to discuss are the relationship between Chinese administrators and the indigenous government and their relationship to the people. This study shows that there were differences and similaritiesbetween Chinese contract handlers (Chinese landlords) and Chinese as administrators.They were differentiated by the way of earning wide land and the way of getting power.The landlords had the right to manage wide land by renting or buying from the colonialgovernment. Meanwhile, Chinese administrators were promoted as the head of area becausetheir merit for colonial government. However, in managing the rented district both of them had similiar tendency; governing by feudal manner from which they considered themselvesthe owners of the land.
DESKRIPTIF MALE FEMINISME DAN KONTRA MALE FEMINISME PERILAKU TOKOH PRIYAYI GOLONGAN NINGRAT JAWA DALAM NOVEL POSKOLONIAL INDONESIA Bambang Aris Kartika
LITERASI: Indonesian Journal of Humanities Vol 1 No 2 (2011)
Publisher : Faculty of Humanities, Jember University

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Abstract

Patriarchal culture is synonymous with the hegemonic power of the Javanese nobility, especially from the class of nobles, to the position of Javanese women, particularly those related to the ongoing gender inequality. However, in the perspective of deconstruction are the concepts of binary op position, if there are any cons there are also male male feminism feminism, namely the aristocratic Javanese culture of patriarchy that does not apply to conduct in order to hegemonic power and control the subordinate position of women. In the novel De Winst binary opposition between male feminism with male counter feminism is reflected in the behavior of male figures from the Javanese aristocratic class of nobles in court environments Surakata Sultanate Palace that strong tradition to uphold patriarchy and feudalism on the position of women, especially in the period of colonialism Dutch and Javanese monarchy system. Keywords: male feminism, male counter feminism, cultural patriarchy, feudalism
STUDI KOMPARASI MOTIF BATIK PARANG RUSAK BARONG GAYA YOGYAKARTA DAN GAYA SURAKARTA Renta Vulcanita Hasan
LITERASI: Indonesian Journal of Humanities Vol 2 No 1 (2012)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article discusses the batik design of Parang Rusak Barong found in Yogyakarta and Surakarta palaces, as the centres of cultural development. The factors explaining the the commonalities and differences are examined both internally and externally. The research is qualitative in nature and employes multi­disiplinary approach focusing on fine arts. The fine arts approach adopted here is the aesthetic one. This approach is complentarily supported by theories originating from history, communication, anthropology, archeology, and sosiology. The major commonalities and differences between Parang Rusak Barong batik design of Yogyakarta and that of Yogyakarta is found in the form and colour structures. The form meant here is the line composition forming isen­isen design, while colour meant here is the intensity found in the design. Thera are no commonalities and differences in terms of function and meaning. The factors responsible for the fissures and commonalities are: internally regulations and policies issued by each palace, and externally, the developing socio­economic conditions and the policies of the Indonesian government in tourism sector and batik standardization in Indonesia.Keywords: batik design, comparation, Parang Rusak Barong, Surakarta, Yogyakarta
KONSEP SAKTI DALAM LAKON SAWITRI: ANALISIS PERTUNJUKAN WAYANG KI NARTOSABDO Retno Dwi Intarti
LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article is aimed at discussing the form of wayang performance and sacred (sakti) concept on Sawitri shadow puppet play performed by Ki Nartosabdo. It employes hermeneutics and dramaturgy approaches. Based on the analysis it can be concluded that the main theme is “destiny can be changed” (kodrat bisa diwiradat). The mandate given in the story is that with sincerity, loyalty, and persistence, everything can be changed. The main character of the story is Dewi Sawitri. The wayang performance is presented with Surakarta style. The sacred (sakti) concept in Sawitri is manifested in spiritual behaviour, loyalty, her unwavering and unyielding stance in living her life. It is proved that she is able to contribute positively to her husband, parent in-law, parent, and the environment.Keywords: sacred, shadow pupet performance, Surakarta style
SENI TRADISI WAYANG: KEKUATAN DESKRIPSI VERBAL Alexius Hadni Damarwa
LITERASI: Indonesian Journal of Humanities Vol 5 No 2 (2015)
Publisher : Faculty of Humanities, Jember University

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Abstract

Shadow puppet is one of Indonesian traditional arts which has received recognition from UNESCO as a Masterpieces of Oral and Intangible Heritage of Humanity. Shadow puppet is a blend of art, movement, verbal oral, music, and song. The focus of the study in this paper emphasizes on the verbal aspect in the art of shadow pupper tradition called Janturan and tradition song. Both types of verbal aspect are working to build up a certain atmosphere, such as peace, sad, crowded, intimidating, and angry. Therefore, the lingual units are spoken rhythmically and uses the choice of words having the power of the aesthetic in terms of sound and meaning. In addition, the verbal aspect is also to mark the change of time, part of the story, and the transition of gending. All of it is a convention that has become a common understanding between the puppeteers, musicians, and sinden ‘singer’. Spectators classified pandhemen or militant fans already understand the conventions and storyline.Keywords: description, janturan, tradition song, puppet
DAYA LITERASI: MERAJUT NUSANTARA Nusarini N
LITERASI: Indonesian Journal of Humanities Vol 5 No 2 (2015)
Publisher : Faculty of Humanities, Jember University

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Abstract

Resensi Buku Judul Buku : Daya Literasi dan Industri Kreatif: Digitalitas Bahasa, Sastra, dan Pembelajarannya Editor : Novi Anoegrajekti, Sudartomo Macaryus, Endry Boeriswati, Fathiaty Murtadho, Miftahul Khairah A. Penerbit : Jurusan Bahasa dan Sastra Indonesia FBS Universitas Negeri Jakarta bekerja sama dengan Penerbit Ombak Tahun Terbit/Hlm. : 2015/xx; 1.128
NILAI-NILAI KULTURAL MAGISME TENGGER Sri Mariati
LITERASI: Indonesian Journal of Humanities Vol 3 No 1 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

This article aims at discussing the cultural values of magic in the context of Tenggerese culture. The research was ethnographivally done. The study results show that for the Tenggerese culture and society, spells and cultural values of magic represent a prayer. For the people holding mountainous culture, mantra and any of its kinds form a religious subculture whose ownership is controlled by shaman (dhukun pandhita). The Tenggerese culture regards dukun as a spearhead of the religious representation of Tenggerese community. Therefore, the practices of mantra use among the Tenggerese community are constructive in nature.Keywords: magical, spells, shaman, ritual, Tenggerese community
REFLEKSI BUDAYA JAWA DALAM NOVEL BUMI MANUSIA DAN ANAK SEMUA BANGSA KARYA PRAMOEDYA ANANTA TOER: PERSFEKTIF FILSAFAT Erfi Firmansyah
LITERASI: Indonesian Journal of Humanities Vol 3 No 2 (2013)
Publisher : Faculty of Humanities, Jember University

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Abstract

The philosophy of science in the Javanese philosophy is limited in number. Therefore, Pramoedya criticizes the lack of contribution of the Javanese culture and people to modern science. Bumi Manusia and Anak Semua Bangsa form an auto­criticism to the Javanese philosophy that should become a guide to thought and action. Both novels invite the readers to criticize the Javanese philosophy, its strenghts and weaknesses. The study to the novels reveals that the Javanese philosophy is a philosophy of values, especially ethics. This issue is deeply and broadly elaborated in terms of its truth and effectivity in conncetion with the Indonesian nation’s progress in particular and the world in general. Keywords: auto­critics, culture, philosophy, values, and science

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