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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 186 Documents
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Transformative Liminality: A Reading of Genevieve L. Asenjo’s “Pangungumusta mula sa Balaan Bukid” Ritumban, Raymon D
POETIKA Vol 11, No 2 (2023): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v11i2.90263

Abstract

In 2021, Filipino writer Genevieve L. Asenjo published her short story collection titled Ang Itim na Orkidyas ng Isla Boracay. Hailed as “Best Book of Short Fiction in Filipino” during the 40th National Book Awards, it consists of narratives that delve into the entanglement of the Philippines, the United States of America, and South Korea. Specifically, in the story “Pangungumusta mula sa Balaan Bukid” (“Pangungumusta” from hereon), South Korea is imagined as a liminal space for the “migratory,” namely, the migrant workers and refugees. In postcolonial thought, a liminal space is perceived as a threshold, a doorway, or a portal where waiting happens, interactions are exchanged, and decisions are made; and as such, in The Location of Culture, theorist Homi K. Bhabha describes it as an “in-between” space of ambivalence, a “third space” where there is neither self nor other. While existing discussions on migrant workers and refugees tend to focus on identity and mobility, the novelty of this paper lies in its problematization of the transformative point of their interaction: What happens when an Overseas Filipino Worker (OFW) gets entangled with a Palestinian refugee in Seoul? How does their interaction offer new perspective on what a liminal space is? The primary method is a textual analysis of “Pangungumusta” through a postcolonial lens. The author argues that in such entanglement a liminal space becomes transformative; and so, it is that which “naghatid . . . sa isang uri ng kaluwalhatian” (ushered in a kind of glory; Asenjo, 2021: 69). This paper is composed of three primary sections: an introduction of Asenjo and her works, a presentation of the plot of “Pangungumusta” and commentary on its postmodern form, and a discussion of liminal space as imagined in the narrative, concluding that liminality is indeed transformative, that is, as the liminal space spatially brings the characters together, it at the same time spells out their ideological differences, which makes transformation possible. 
Commodifying Java Coffee: An Analysis using Spivak’s Planetarity toward Dee’s Filosofi Kopi Apristia, Lelu Dina
POETIKA Vol 11, No 2 (2023): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v11i2.90266

Abstract

This research aims to analyze how and why Java coffee depicted by Kopi Tiwus in Dee’s Filosofi Kopi is commodified after Dutch colonialism which is inseparable from Eurocentrism ended in 1945 when Indonesia gained its independence. After applying qualitative research method with a post-colonial approach which involves collecting data in the form of words and analyzing the data by using Spivak’s planetarity as a post-colonial theory, it is found that the coffee is commodified through interaction between global agents depicted by Ben and Jody as owners of a coffee shop in Jakarta, namely Filosofi Kopi, and planetary subjects depicted by a middle-aged man with a strong Javanese accent who makes Ben and Jody know the coffee and by Pak Seno who sells it in a rickety hut in a rural area which is not far from Klaten, Central Java. Through the interaction, knowledge of features of Java coffee which is produced in smallholder coffee plantations on Java Island, Indonesia suggesting the country to enlarge its coffee plantations and to provide information and assistance of coffee cultivation technology to raise competitiveness of its coffee in the world market can be exchanged. The features are well-grown in a fertile land, the highest quality type of coffee, and brewed in a simple way which lead Java coffee to become a commodity to generate capital which can be globalized as well as European coffee depicted by Ben’s Perfecto as Ben’s creation together with a variety of popular espresso drinks. Made with espresso method and machine found and developed by Europeans along with other coffee brewing equipment and tools being homogenized in numerous cafes around the world, including in Indonesia, European coffee can be juxtaposed with Java coffee which does not require use of the machine and thus regarded as a different one. Novelty of the research is commodifying Java coffee without alienation of labor as Spivak states that planetarity keeps homogenization and differentiation in alterity which makes planetarity “in excess” of globalization of capital.
Configuring Discourses on Black Women’s Power in the Novels, Waiting to Exhale and The Color Purple Pramono, R.B. Edi; Adi, Ida Rohani; Rokhman, Muh Arif
POETIKA Vol 12, No 1 (2024): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i1.84291

Abstract

The discourses of the novels, Waiting to Exhale and The Color Purple, show the main characters exercising power in their social power relations, then gaining knowledge, and with knowledge, gaining power. In the former novel, the characters Robin and Bernadine gain knowledge through their relationship with Savannah and Gloria, while in the latter Celie gains knowledge through Nettie’s letters and her intensive acquaintance with Shug. This study thus aimed to analyze how Black women acquire power transformation, and what state of power Black women have before and after this transformation. Our findings showed, first, that they acquire support and help from close friends and families. Second, they gained knowledge and awareness about their positions and weaknesses. And third, they begin determining their wills, passions, and choices. Then, they transform their endurance into power over and power to change from being powerless and submissive into a powerful and self-determining personality. Using Foucault’s theory of power and Foucault’s discourse analysis method, the discourse shows that besides knowledge, self-determination and the supporting milieu are essential factors in gaining power transformation in power relations.
A Child's Determination: Supporting Parent to Cope with Depression in Elizabeth G. Bedia’s Balloons for Papa Kusumayanti, Dina D.; Rofiuddin, Muhammad Arsy; Setiarini, R.
POETIKA Vol 12, No 1 (2024): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i1.85889

Abstract

In appealing to readers below the age of thirteen, picture books can prove formative in children’s mental growth and well-being. Nevertheless, despite their potential importance, few studies have explored children’s picture books that focus on children grappling with familial struggles and mental health, such as depression. This research therefore examined the children’s picture book, Balloons for Papa: A Story of Hope and Empathy, written by Elizabeth Gilbert Bedia and illustrated by Erika Meza, primarily aiming to reveal 1) how a child’s determination and depression are portrayed, and 2) the author’s ideology and critical position. A qualitative approach was taken to analyze the data. Hall’s representation theory, which focuses on the constructionist approach, was chosen to gain a better understanding of how the author's culture, situation, and society contributed to their creation of the book. Meanwhile, Barthes' semiotic approach was utilized as a tool to examine the illustrations. The findings underscored the empathetic qualities of Arthur, the main character of the story, which drive his relentless pursuit to restore his father's happiness. However, it is critically acknowledged that the representation of Papa may not offer a definitive portrayal of depression. Nevertheless, Bedia's narrative still aligns with the broader discourse on depression awareness and the resilience of a child's determination, contributing to a nuanced understanding of these complex themes within the context of the picture book. In addition to providing insight into the pivotal themes of hope, empathy, and mental well-being within the context of children's literature, this research unraveled the intricate interplay between hope and empathy, while also portraying a child's determination against the backdrop of depression.
Almost the Same but Incomplete: Orientalism and Eastern Resistance in Ben Okri’s “Belonging” Dewi, Marisa Santi; Konning, Juliana
POETIKA Vol 12, No 1 (2024): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i1.93920

Abstract

The prevailing sentiment is that colonialism is a thing of the past. However, the Western portrayal of the East is one of the shackles that still holds postcolonial societies. A diverse number of Orientalist writings and language perpetuate a rigid image of the people of the East as primitive, prone to tradition, and uncivilized. Such a representation tends to be perceived as true if it is told repeatedly, consistently, and continuously. This research attempted to provide insight into how imperialism operates in current discourses, how colonial power structures persist, and how these structures can be deconstructed, by presenting a re-examination of the presence of Orientalism in Ben Okri's short story, “Belonging” (2009), not as a careless reiteration of Western dominance, but as a type of Eastern resistance. This critical exploration was based on Edward Said's Orientalism theory and Homi Bhabha's Stereotype and Mimicry theory, and employed descriptive qualitative and deconstructive reading methods to re-evaluate the use of Orientalist stereotypes in the short story. The findings showed that the Orientalist view and stereotypes are unstable, creating a space for Eastern resistance against Western colonial discourse. This article thus sheds light on how Western perspectives on Eastern societies are embedded in literary works and at the same time discloses a possibility of resistance against Western stereotypes.
The Charms of the Nature vs. Realities of People Living alongside the Water in Indonesian Poetry Sitepu, Ied Veda
POETIKA Vol 12, No 1 (2024): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i1.95961

Abstract

In Indonesia, a country in which 70% of its area is water, people relate easily to both the sea and inland water, such as rivers and lakes. Authors consequently also find inspiration in these bodies of water, expressing their admiration towards the beauty of nature. For example, while they originate from different literary eras, “Danau Toba” (Lake Toba) by Sitor Situmorang, “Sepantun Laut” (Like the Sea) by J.E. Tatengkeng, “Akulah Si Telaga” (I am the Lake) by Sapardi Djoko Damono, “Apa Kata Bintang di Laut” (What the Star Tells the Sea) by Iwan Simatupang, “Kali Martapura” (Martapura River) by Hidjaz Yamani, and “Perempuan Pesisiran” (Women on the Coasts) by Iman Sembada all reflect the dynamic portrayals of water in Indonesian literature, as a charm of nature from each poet’s perspective or a framework for criticizing the realities of the lives of the people who live alongside water. This research analyzed these authors’ interconnectedness with nature, employing the qualitative descriptive method and using ecocriticism theory, which explores how nature is depicted in the respective poems and connects human relationships to nature. The results showed that the poets easily relate to the river, lake, or sea, and aside from describing the beauty of nature based on fond memories, their poems are used as critiques of the changing relationship between humans and nature, as well as between humans and humans. Their portrayals of nature further reveal the feelings of belonging engendered by water, which they use as criticism for the destruction of nature and societal changes stemming from the need for progress.
Insta-Poetry as a Popular Product: A Case Study on Rupi Kaur Milk & Honey Aspany, Nur Fitriyanti; Lutviani Murni, Siti Nurlaeli
POETIKA Vol 12, No 1 (2024): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i1.96334

Abstract

In 2014, Rupi Kaur published Milk & Honey, a collection of poetry and prose exploring the female experience that originally appeared on social media, to widespread success. Insta-poetry, poetry disseminated through the social media platform Instagram, has since become a highly popular modern literary form, continuing to gain popularity since the day it was first published in book form. This research examined the phenomenon of Insta-poetry as a popular product with a case study of Milk & Honey, exploring the reasons Kaur's first self-published work was so popular and the contestations that drove Milk & Honey to become a popular Insta-poetry product. Foucault’s subject-power theory and Aeron Davis’ production were employed to retrieve the findings. Furthermore, a descriptive-qualitative method was applied in conducting and analyzing the data. It was found that Kaur utilized Insta-poetry to challenge social norms and empower women, trauma, and relationships. Consequently, Kaur decided to self-publish her Insta-poetry in a book even though it was considered too basic and detracted from the complexity of traditional poetry. Regardless of the controversy, Kaur has been able to play an impactful position in introducing poetry to a new generation and modernizing the way literature is disseminated.
Exile Trauma and Gender Relevance in the Novel Pulang: Postmemory Studies Marianne Hirsch Putra, Jalu Norva Illa; Rahmawati, Damay; Jia, Cao
POETIKA Vol 12, No 1 (2024): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i1.96336

Abstract

Inspired by the real-life experiences of Indonesian exiles, Leila S. Chudori's Pulang explores the journey of an exile of the New Order regime attempting to come to terms with the trauma of the 1965 tragedy, and the inherited trauma of his daughter, who returns to the country of her father’s birth amid political turmoil. This research focused on revealing the discourse of exile as a victim who transmits their trauma to a subsequent generation, as well as the position of gender in the formulation of transmission, affecting the identification of trauma inheritance. Hirsch’s postmemory perspective was employed to analyze the process of trauma inheritance, which was rarely found in Indonesian literary works, as were the historical descriptive, causality, and comparison methods. The trauma inheritance experienced by the first generation is the trauma of loss due to the 1965 tragedy, which was then passed down to a child. Familial transmission becomes the basis of trauma inheritance, strengthened by affiliate transmission, which was a work of authentication in Indonesia. Gender plays a role in the affectivity of transmission, wherein transmissions involving fathers (exiles) and daughters are just as trauma-creating triggers. It is noteworthy that affiliative transmission fosters intersubjectivity among non-exiled female characters who are closely connected to the first generation, thereby enhancing the inheritance of trauma more effectively than familial transmission. The first generation is exiled and identifies its trauma by remembering and bringing with it Indonesian features, in various forms. In contrast, the second generation does it more concretely by becoming a real Indonesian. These findings underpin how an exile's trauma stemming from the 1965 tragedy can be passed on to the second generation, through a transmission process, a journey back to Indonesia, and gender relevance. Pulang redefines an exile as a victim and as an effort for reconciliation.
Practice of Naturalism in Naguib Mahfouz’s Midaq Alley Wulandari, Betty Ayunda; Surur, Misbahus
POETIKA Vol 12, No 2 (2024): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i2.86902

Abstract

Naturalism novels portray the reality of life in a sharper and more decisive way than realism novels. Naturalism takes the place of building a narrative, like shooting a photographic reality by zooming in. Narrative naturalism normally provides a sharp depiction of reality without idealization. This study identified the description of reality through elements of naturalism in the novel Midaq Alley by Naguib Mahfouz. This study deployed Emile Zola’s naturalism theory with a qualitative descriptive approach. The primary data source was the novel Midaq Alley by Naguib Mahfouz, supported by secondary data from relevant books and journal articles. The data were in sentences or paragraphs collected by reading and note-taking techniques. The results of this study figured out the elements of naturalism in the novel Midaq Alley by Naguib Mahfouz, including aspects of objectivity, setting, determinism, pessimism, and plot twists. The provisions for selecting these elements were based on findings practiced in writing the novel Midaq Alley. The novelty of this article lies in the discovery of elements of Emile Zola’s naturalism in the novel Midaq Alley by Naguib Mahfouz and the evidence of a picture of the postwar situation of Egypt depicted in real, alive, but natural by the author.
Deconstructing Rahwana’s Alternate Character in Neelakantan's Rahwana: Kisah Rahasia through Derrida’s Perspective Wardani, Vistaria Kusuma; Triyono, Sulis
POETIKA Vol 12, No 2 (2024): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v12i2.92112

Abstract

This study explored the deconstruction of Rahwana's 'Ravana' character in Anand Neelakantan's novel Rahwana: Kisah Rahasia through the lens of Jacques Derrida's deconstruction theory. The novel narrates Rahwana's journey as he strives to elevate the status of his family and nation. Derrida's deconstruction approach was selected to uncover the complex layers within literary texts, challenging traditional interpretations. As a descriptive-qualitative study, this research analyzed textual evidence from the novel to compare the initial portrayal of Rahwana with his deconstructed character. The findings indicated a complex duality in Rahwana's depiction: while his traditional characterization was marked by ruthlessness, arbitrariness, defiance of divine authority, and ambition, the deconstructed perspective revealed his compassionate, just, devout, and even pessimistic dimensions. These contrasting portrayals underscored the fluidity of Rahwana's character, which was uncovered through the deconstruction. The novelty of this research is to rethink of Rahwana's alternate character from his traditional character embedded in popular puppet stories through a deconstruction approach. Finally, the story of Rahwana has various versions, particularly related to Sinta's abduction. Some stories reveal Rahwana's love for Sinta in romantic ways, while in Neelakantan's novel Rahwana: Kisah Rahasia, Rahwana's love is depicted as a father's love for his daughter, not as a couple romance.

Page 17 of 19 | Total Record : 186

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