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ProTVF
Published by Universitas Padjadjaran
ISSN : 2548687X     EISSN : 25490087     DOI : -
Core Subject : Education, Art, Social,
Arts Languange, Linguistic, Communication & Media Social Sciences
ProTVF is published twice a year (March and September) published by the Faculty of Communication Science, Universitas Padjadjaran. ProTVF provides open access to the public to read abstract and complete papers. ProTVF focuses on Television and Film studies.
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Articles 134 Documents
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Message strategy in short film production competition for strengthening film ecosystem Arindi, Citra; Abdullah, Aceng; Arifin, Hadi Suprapto
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.48308

Abstract

Background: Film festivals in Indonesia are mostly used by filmmakers as a premiere space and showcase their work. The pandemic delayed the festival, which was not even held then, while film production was delayed. The Film, Music, and Media Directorate organize a Short Film Production Competition to strengthen the film ecosystem. A communication strategy must convey information to match the community’s expectations and the program’s objectives. Purpose: Therefore, this study aims to analyze the competition’s message orientation and message style. Methods: This research uses qualitative methodology with a case study approach based on Kotler’s marketing management and Joep Cornelissen’s message strategy model. Researchers obtained preliminary data from publication content with the highest number of ‘Likes’ on Instagram @pusbangfilm, then classified based on the series of activities of this competition to get an overview of the message strategy. Results: This research shows results that Hashtags, Colors, Fonts, and other visual elements emotionally attract attention the first time. Choosing words, language, and who conveys it becomes a stronger attraction. It is necessary to bring added value from the program, for example, with Behind the Scene content. Positive testimonials from various parties are also important messages conveyed. The general description of the program and the purpose of the program influenced the determination of the message theme so that it adjusted message orientation and in what style conveyed the message to stakeholders. Implication: Competition or festival organizers design messages following the objectives to be achieved from organizing the festival or competition.
Nakama: Reception on the Audience of One Piece Anime by Eiichiro Oda Mery Kharismawati; Lufi Wahidati
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.41676

Abstract

Background: The theme of friendship in anime is often why an anime fan makes an anime title his/ her favorite. One Piece by Eiichiro Oda is an anime themed on the friendship of pirate crews. It aired on Indonesia’s private television station in the 2000s. In One Piece, the word “Nakama” is assumed to represent the sincere bonds of friendship offered by the character Luffy. But there’s also an assumption about the hidden meaning of making someone into their nakama. Not the one celebrated by the fans, but a reciprocal deed of a human being who needs another person’s help to reach their ambition. The assumption is up because One Piece fan who was touched by this character’s charisma also called themselves “Nakama.” Purpose: Find out the dominant, negotiation, and opposition regarding the scene of “Nakama” explanation by the character Nami in anime episode 102. Methods: This research used a qualitative method with a reception analysis approach by Stuart Hall. An in-depth interview was conducted with four informants who had been fans of One Piece since childhood and studied Japanese language and culture. Results: This research revealed that “nakama” has a biased meaning and does not only refer to “sincere friendship .”The informant’s answers were also influenced by their knowledge of Japanese culture learned in college and their everyday socializing experiences. Two informants are in the dominant hegemony position, and the rest are in a negotiation position because they have not found someone like “nakama” in the One Piece anime. Implications: Provide information about how the audience learning the Japanese language and culture view the meaning of “nakama” in their favorite anime and their view about friendship in real life.
Characterization of Juno in the Film Kucumbu Tubuh Indahku Ranang Agung Sugihartono; Diego Aiwawi Wanggay
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.46538

Abstract

Background: The film Kucumbu Tubuh Indahku (Memories of My Body) raises the theme of gender and the social life and culture of the Javanese people. This film has a main character named Juno, who has a strong and interesting character. Purpose: This study aims to explain how the main characters embody the film Kucumbu Tubuh Indahku. The reading of Juno’s character is carried out to explain how the character Juno through his name and appearance, can represent his life as a Lengger dancer. Methods: This research uses a qualitative descriptive approach to explain the characterization using the Telling Method of Albertine Mainderop. Data collection used observation and literature study methods and was processed using qualitative data analysis techniques. Results: This film presents the main character’s complexity from childhood to adulthood. The results of character analysis based on three character dimensions show that physical, sociological, and psychological typologies also influence the determination of character functions. Character development is increasingly obvious when Juno is a small teenager until he grows up. The study shows an overview of Juno’s character and the changes formed by the influence of the sociocultural environment of the community. The character of Juno reflects the conditions of his life journey and the social conditions at that time. Implications: It can provide an overview for society about the psychological life of a man who looks like a woman. It can be a learning tool for novice filmmakers in creating the characters in their films.
Diegetic and nondiegetic sounds in film scoring of Pengabdi Setan film Pandu Watu Alam; Rangga Saptya Mohamad Permana; Sri Seti Indriani
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.47281

Abstract

Background: This research examines the 2017 film Pengabdi Setan scoring function. Joko Anwar wrote and directed the film Pengabdi Setan, released on September 28, 2017. This film is a remake of a 1980 film of the same name. In this film, the score is essential for visually confirming symbols or incomplete messages. There are two types of sound: diegetic sound and non-diegetic sound. Purpose: This research aims to determine how diegetic and non-diegetic sound were used to create a horror atmosphere in the film Pengabdi Setan. Methods: The authors described the audio analysis results in the form of diegetic and non-diegetic sounds using a qualitative descriptive analysis. Documented assessment and observation were employed as data collection techniques. Results: The results indicate that infrasonic sound (infrasound) and sub-bass frequencies in the form of non-diegetic sounds emotionally impact audiences. The typical frequency is 31 Hz, and although it is inaudible to the human ear, the audience can sense the vibrations of this frequency. This frequency can typically only be perceived as a “chest rumble.” In general, both diegetic and non-diegetic sounds in the film Pengabdi Setan contribute to completing the defective message symbol. The combination of infrasonic sound effects, sub-bass, and musical composition validates the visual messages or symbols. Implications: This research can theoretically serve as a resource for future researchers interested in studying diegetic and non-diegetic sound in film. Directors and cinema sound engineers can use this research to construct diegetic and non-diegetic sound in their films, particularly horror films.
Rethinking National Identity Construction Through Independent Films In Indonesia Creative Industry Idola Perdini Putri; Ellisha Nasruddin; Juliana Abdul Wahab; Iis Kurnia Nurhayati
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.41905

Abstract

Background: The creative industry in Yogyakarta, since the post-reformation era, specifically the independent film industry, has been producing films that challenge the meaning and interpretation of national identity in its society. Yogyakarta independent films offer different discourses concerning the constructions of national identity. Thus, within this current context of the post-reformation era, the notion of national identity needs proper scrutiny. Purpose: The main purpose of this study is to define and understand the manifestations of Indonesian national identity as depicted in independent films during the post-reformation era within Yogyakarta’s creative city, utilizing Benedict Anderson’s (2006) imagined community concept. Methods: This study conducted a qualitative research methodology using the text analysis of four selected independent films and in-depth interviews with 27 informants located in Yogyakarta. The primary source of the data collected in this study were the textual analyses and the in-depth interviews. Results: The results of this study indicate that within the horizontal comradeship dimension, the notion of multiple interpretations of national identity was highlighted through the issues on the diversity of ethnic identity, modernization, Islamic fundamentalist organization, the promotion of local language, and community attachment to the nation’s symbols. Meanwhile, in the context of the geographical boundaries dimension, the regional attachment within the territory where the communities live implied the important role of the Yogyakarta Monarchy system and as a sovereign power of a Special Region in influencing the diverse interpretations of national identity. Implications: The findings indicated that the past historical meaning of Pancasila, which underscored a requirement for homogeneous identities within the society, contrasted with the evidence found, which demonstrated the evidence of diversity or heterogeneous identity.
Semiotic analysis of Korean Wave: Journalistic practices and global impact Sonni, Alem Febri; Jauza, Assa; Arya, Nosakros; Putri, Vinanda Cinta Cedekia
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.45479

Abstract

Background: Reportage deviations are trying to be built in drama Find Me in Your Memory. Understand the codes that show reportage deviations and the purpose of their distribution through the scenes in the drama. Purpose: This article will become a provision for the community to implement and pay more attention to the journalistic code of ethics when contributing to news reporting. Methods: The method used in this research is a content analysis by observing the scenes displaying reportage deviations in the drama Find Me in Your Memory scenes. Results: The collected data was then analyzed based on John Fiske’s semiotic theory, namely the Three Levels of Television Codes and the South Korean Journalistic Code of Ethics as indicators to identify reporting deviations. Secondary data in this study was obtained through a literature study to obtain relevant theories and data that can be used to answer the formulation of the problem. Conclusion: Various violations of the Journalistic Code of Ethics were found in several scenes showing news reporting practices. Implications: So this research suggests deviations in the news reporting shown in several scenes in this serial drama. This also deviates from one of the South Korean journalistic code of ethics points, which requires journalists always to report news objectively.
Consuming entertainment as Roamers: A study of generation Z’s television viewership in the digital era Wibowo, Tangguh Okta; Syafuddin, Khairul; Elmada, Maria Advenita Gita
ProTVF Vol 8, No 1 (2024): March 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i1.45596

Abstract

Background: Before the digital era, television was spotlighted for people who enjoyed audio-visual shows. However, in the digital era, television viewers in Indonesia have decreased. The ease of access to infrastructure, the Internet, and mobile technology devices makes viewers, especially Generation Z (Gen-Z), prefer shows that can be enjoyed flexibly anytime and anywhere. Purpose: This paper discusses the trend of television viewers for Gen-Z amid the “onslaught” of streaming platforms. Methods: This study uses a survey method on Gen-Z, interpreted descriptively and qualitatively. Results: Based on the data obtained, this research illustrates that Gen-Z viewers can be said to be roamers or viewers who enjoy broadcast shows that move between streaming platforms. The study results show that the digital era has changed Gen-Z viewers’ behavior according to their technological devices and subscription streaming platforms. Conclusion: This research indirectly shows that the digital era and the presence of streaming platforms have made viewers increasingly fragmented, so television is not famous for Gen-Z to enjoy audio-visual shows, especially entertainment. Implications: The theoretical implication is that this roaming behavior may be a typical characteristic of Gen-Z. Future research could explore whether this behavior excludes Gen-Z or represents a broader trend among the emerging generation.
Binding the past with digital: Film curation at Batu Api Library Anwar, Rully Khairul; Khadijah, Ute Lies; Rodiah, Saleha
ProTVF Vol 8, No 1 (2024): March 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i1.49756

Abstract

Background: Digital curation is a growing concept that involves the selection, organization, and presentation of digital information for specific purposes. In this study, digital curation manages Batu Api Library’s film collection using digital technology. This trend is critical to keeping cultural information relevant and accessible to the public. Purpose: This study intends to examine the curation of digital films at the Batu Api Library and how users react to and value the library’s digital film curation results. Methods: This study is based on qualitative research. Batu Api Library conducted this study for three months. Interviews and questionnaires are research methods. Quantitative and qualitative data are collected in two phases. The types of data require different treatment methods. Thematic analysis provides qualitative data, while descriptive statistics uses quantitative data. The methodology provides a comprehensive understanding of the impact of technology on the curation of films and audience participation at Batu Api Library. Results: The study found overwhelmingly positive results for integrating digital technology into film curation at Batu Api Library. The experience engaged and educated many visitors and helped them understand historical and cultural differences. The youngest users were particularly engaged. Conclusion: The study found that digitizing film curation at Batu Api Library enhanced the visitor experience and historical insight. Responses, especially from younger participants, indicate that digital advances are beneficial. Implications: Digital film curation can enhance the museum experience and historical and cultural knowledge. Digital technology preserves and communicates cultural heritage in practical and theoretical ways.
The effect of advertising television broadcast migration on the attitude of television users Nurhadi, Zikri Fachrul; Mujianto, Haryadi; Tajkiatunnufus, Taza
ProTVF Vol 8, No 2 (2024): September 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i2.52949

Abstract

Background: This research was motivated by ratifying the Job Creation Law, which was related to implementing television broadcasts in Indonesia, which were initially analogue to digital. This transition has implications for the progress of the digital television broadcast industry in overcoming inefficiencies in the analogue TV broadcasts that have been used so far. Purpose: This study aims to assess how advertising affects viewers’ cognitive, emotional, and conative attitudes as it transitions from analogue to digital TV broadcasts in the media. Method: The research method uses descriptive methods with a quantitative approach. Data collection techniques include distributing questionnaires and conducting literature studies. This research involved 100 respondents who were obtained using the probability sampling technique in the random sampling category. Results: The study’s findings indicate that the use of advertisements to promote the switch from analogue to digital TV broadcasts has a significant impact on the attitudes of television viewers in the Garut Regency with regard to cognition, affect, and conative thinking. These attitudes are demonstrated by the audience’s acceptance of new information or knowledge (cognitive), their feelings of trust following exposure to these advertisements (affective), and their desire to switch to digital TV broadcasts right away (conative). Conclusion: Indicators of advertising exposure through frequency, duration, and attention have a strong influence in influencing audiences, especially cognitive, affective, and conative aspects, where the information provided can provide new perceptions and knowledge for people who constantly see advertising broadcasts transitioning to digital TV broadcasts on television. Implications: The results of this research can provide understanding and insight regarding the transition to digital TV broadcasting and how important information is so that one day, television users who read the results of this research can pay attention to the advertisements shown on television to understand and implement the information they receive.
Digital education community TV existence in post analog switch off Prihantoro, Edy; Masitoh, Siti; Fatoni, Ahmad; Fitriani, Dinda Rakhma; Ramadhani, Rizky Wulan
ProTVF Vol 8, No 1 (2024): March 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v8i1.50627

Abstract

Background: Based on Law (UU) Number 11 of 2020 regarding Cipta Kerja or the Omnibus Law, broadcasting institutions should switch from terrestrial or analog broadcasts to digital broadcasting via Analog Switch Off (ASO), which provides opportunities for community TV to develop. UGTV is Indonesia’s first digital education community TV to broadcast cultural and education-based programs. Purpose: To analyze the existence of UGTV as the first digital education community TV in Indonesia. Methods: Researchers distributed questionnaires to 144 respondents in Depok and 115 in Bekasi to determine the most popular programs. Researchers then conducted interviews with UGTV staff and leaders and compared the quality of UGTV programs based on KPI standards. Results: Based on the research results, UGTV as Indonesia’s first digital educational community television has met all KPI standards by offering some programs such as Team Teaching and Info Kampus. The types of broadcast programs in the form of tourism and cultural programs are still in demand and influence the audience’s viewing interest. Based on qualitative analysis as a follow-up analysis, the public response in these three areas is currently low because people have many new media choices that can be accessed easily at lower costs. Conclusion: The public feels that television lacks “interesting” shows so the existence of UGTV and other community channels can become a choice for the audience. Implications: KPI and KPID must actively monitor and develop broadcast content by collaborating with community broadcasting institutions so that broadcast production can be more varied.

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