Garuda - Garba Rujukan Digital

p-Index From 2020 - 2025

4.184

P-Index

This Author published in this journals

All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Journal of Urban SocietyÂ´s Arts Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang JURNAL PENDIDIKAN TAMBUSAI International Journal of Elementary Education Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Journal of Community Service Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Cendikia: Jurnal Pendidikan dan Pengajaran Cermat : Jurnal Cendekiawan dan Riset Multidisiplin Akademik Terintegrasi

Nerosti

Universitas Negeri Padang

Author-ID : 1138412

Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Mechanical Engineering Public Health Social Sciences Other

Published : 50 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3 4 5

Pelestarian Tari Piriang Diateh Karambie Di Payo Kelurahan Tanah Garam Kecamatan Lubuk Sikarah Kota Solok Ikrar Dinata; Nerosti Nerosti
SENDRATASIK UNP Vol 9, No 2 (2020)
Publisher : FBS Universitas Negeri Padang

This study aims to preserve a dance called Tari Piriang on Karambie in Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City. This is a qualitative research with a descriptive method. The object of this research is Tari Piriang on Karambie and is focused on its preservation. The data were collected through field observations, interviews, and documentation done by using cameras. Triangulation technique was used to validate the data. It was conducted by comparing the data from observation tothose from interview and documentation. The results show that (1) Tari Piriang on Karambie, which was founded by Rabaim Pandeka Mudo, was found in Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City. (2) The form of Tari Piriang Diateh Karambie still uses the old movement without being recreated. (3) In term of description of Tari Piriang on Karambiein Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City, there are 7 movements namely Pasambahan, Cincang Pambuka Main, Barabah Mandi, Ramo-Ramo Bagaluik, Sairiang Salangkah, Tuduang Daun and Simpie Nan Ampek. The position of the dancers is not certainly determined when moving on the Karambie (coconut) so that the dancers do not panic looking for the positions while dancing on it. The numbers of dancers are 4 to 8 in maximum. (4) The training of Tari Piriang on Karambie in Payo, Tanah Garam Village, Solok City, is conducted 4 times, and the researcheruses teacher-to-student teaching method. The researcher exemplifies the movements and the dancers does the movements taught by the theresearcher. (5) The dancers of Tari Piriang on Karambie wear uniforms, and the dance is accompanied by musical instruments such as Talempong, Gendang, Giring-giring, and recorders. This is successfully performed at Syek Kukut Park in Solok city. Thus, the researcher concludes that preserving Tari Piriang on Karambie has a good impact on the continuity of culture in Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City.

Tari Cangget Pilangan Di Daerah Abung Selatan Kabupaten Lampung Utara: Tinjauan Koreografi Maysa Nurfiana; Nerosti Nerosti
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to describe and analyze the choreography of Cangget Pilangan Dance in Abung Selatan village of North Lampung. This research belongs to a qualitative research using descriptive analysis. The instrument used was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. Types of data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was done through data reduction, data modeling (displaying), and conclusions making through choreography theory by analyzing theme, motion, floor design, top design, dramatic design, dynamics, group composition, music, and dance equipment. The results show that Cangget Pilangan dance is a creation in the form of a group which uses unison composition, balance, canon, and broken. This Cangget Pilangan dance is a development of the tradition using a choreographic approach. In Cangget Pilangan dance, there are elements of dance composition consisting of themes, movements, top designs, floor designs, dramatic designs, music designs, processes, equipment and group choreography. The movements in this dance are the development of Cangget motion and new creations: the motion of tiptoe, respect, hand, rotating hand, back step, transition 1. igel, wave, transition 2. rotating hands, turning, low turning, hand span, transition 3. transition 4. transition 5. transition 6. jump, hovering grab, shawl pull, gentle waves, close embarrassment, drift, ukel, worship, side ukel, front ukel, front walk, swing, open cross, and shawl cross. The floor pattern depicts creative dance that has fulfilled the elements of dance composition. The single cone dramatic design clearly depicts moderate to strong motion forces. A dramatic design clearly shows about the gentleness and manliness of the Lampung girl. The music strongly accompanies the flow of the dance movements, so it makes the dance alive and strong. The dance equipment gives a new color to the creative dance which is worked on as well as the group choreography which shows high social values in teamwork and mutual cooperation.

REVITALISASI TARI KAIN PADA MASYARAKAT LOKAL DI KELURAHAN BATU URIP KOTA LUBUKLINGGAU SUMATERA SELATAN Ninda Levia; Nerosti Nerosti; Susmiarti Susmiarti
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to analyse the problems that caused the loss of its existence in fabric dance in the community supporters. This type of research is a qualitative descriptive method of analysis. The object of this research is to Dance in rock Fabric Urip Lubuklinggau South Sumatra Province. The type of data in this study is the primary data and secondary data. The main instruments are the researchers themselves. Engineering data collection done by the library, observation, interview and documentation. The data collected was analyzed with techniques of interpretation so that it can be retrieved. The results showed that the revitalization effort underway to lift the back Dance fabric from the village of stone town of Lubuklinggau Urip through coaching and training activities of the Dance Art Studio fabric in Tepak Cindo. Effort to lift back Dance fabrics with ways of processing and dissemination. Processing that is developing a pattern, and modify the costume by adding accessories and a long dress to look attractive. Whereas a Dance fabrics with revitalization efforts of dissemination through training and performances, i.e. reproduce the appearance or extended performances committed by Sanggar Seni Tepak Cindo in the town of Lubuklinggau so that more known more this Fabric as the Dance community identity Neighborhood City Positions Lubuklinggau Stone. Key words: Revitalization, dance fabrics, the process of Socialization.

Faktor-Faktor Penghambat Pembelajaran Seni Budaya (Seni Tari) Di SMP Negeri 4 Padang Evindo Marsiano; Nerosti Nerosti; Fuji Astuti
SENDRATASIK UNP Vol 8, No 4 (2019)
Publisher : FBS Universitas Negeri Padang

This article aims to describe the inhibiting factors of the process of learning art and culture, especially in dance teaching materials at SMP N 4 Padang. The type of this research was qualitative using an analytical descriptive approach. Data collection techniques were conducted through observation, interviews, documentation and literature study. Data analysis was done by: data reduction, data presentation and verification of data in conclusion. The results indicated that the inhibiting factors of art and culture learning (dance) at SMP N 4 Padang were: (1) teacher factors, teacher factors which meant that improper use of methods, classroom management, and mastery of teacher material in teaching had an impact on student abilities responding to students in participating in this dance learning. The method given by the teacher did not vary so that students appeared bored and did not care about learning dance so that classroom management became noisy added by the lack of mastery of the material by the teacher, (2) student factors. It could be seen through 3 indicators, namely desire, attention and participation, which could be seen from the first meeting to the third meeting. This could be proven in the first meeting with a percentage of 1.5%. The second meeting was 1.3%, and there was a decrease in the third meeting with a percentage of 1.1%, and (3) the infrastructure facilities used in SMP N 4 Padang in the dance learning process were incomplete, so students' interest in the dance learning activities was low due to space that was not available in the process of learning dance. Thus, the learning process has not been effective.

Pelaksanaan Kegiatan Pengembangan Diri Seni Tari Di SMP-SDI Silungkang Deliziani Deliziani; Fuji Astuti; Nerosti Nerosti
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

This study aims to describe the implementation of dance development activities in SMP-SDI Silungkang. The type of research is qualitative research by usingdescriptive method of analysis. The objects in this study were 23 students consisting of grade VII and grade VIII at SMP-SDI Silungkang. The instrument used in this study was the researchers themselves and supported by observation, documentation and interviews. The types of data in this researcher were primary data and secondary data. In data collection used secondary techniques. The technique of data collection was done by means of library studies, observation, interviews and documentation. The results of the study showed that the implementation of the dance development activities in SMP-SDI Silungkang ran well. Although, self-development activities in coaching were assisted by the teachers of Communication and Information Technology (ICT). However, the results can be achievedwell. This was also supported by thestudents’ interest to improve their self-development of dance in the school.

Bentuk Penyajian Tari Puti Bungo Api Sanggar Mandugo Ombak Di Kelurahan Ibuh, Kecamatan Payakumbuh Barat Kota Payakumbuh Sucy Zulmaiza; Nerosti Nerosti
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to analyze and describe the form of presentation of Puti Bungo Api Dance in the Mandugo Ombak Studio in Ibuh Village, Payakumbuh Barat District, and Payakumbuh City. This type of research is qualitative with a descriptive method. The object of research is Puti Bungo Api Dance, Mandugo Ombak Studio, Ibuh Village, West Payakumbuh District, Payakumbuh City with primary and secondary data types. Data collection techniques were carried out using library research, field observations, interviews, and documentation. All this data can be analyzed and accounted for. From the research conducted, it was found; that uniqueness; some conditions that must be owned by a dancer; the meaning of movement; floor pattern; the musical instrument used; makeup and costumes; property; the time and place of the performance.

Nilai-Nilai Kearifan Lokal Kesenian Ronggeng Sakabek Arek Di Kenagarian Persiapan Simpang Timbo Abu Kecamatan Talamau Pasaman Barat Laela Kurniaty Ilyas; Nerosti Nerosti
SENDRATASIK UNP Vol 9, No 4 (2020)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal the values of local wisdom of Ronggeng Sakabek Arek Art in the Simpang Timbo Abu Preparatory Kenagarian, Talamau District, West Pasaman Regency, by using the theory of local wisdom values and the theory of performing arts. This research employed qualitative research using descriptive analytical methods. The main instrument is the researcher himself with primary and secondary data types. Data collection techniques are library reviews, observation, interviews and documentation. The object of research is the Ronggeng Sakabek Arek Art in the Kenagarian Preparation of “Simpang Timbo Abu”, Talamau District, West Pasaman. It found that the Ronggeng Sakabek Arek Art was performed at three events, namely (a) the values of local wisdom contained in the Ronggeng Arts Youth Event, (1) the religious values in which the time of Ronggeng art was held after Isya Prayers, ( 2) the moral value of love for Ronggeng art by teaching Ronggeng art to the community even though it is not part of the Ronggeng Sakabek Arek art group, (3) ethical and moral values, before the implementation of Ronggeng art first ask permission from Niniak Mamak and other traditional leaders. (b) The values of local wisdom found in the Ronggeng Art Show at the mamasak night, (1) the religious values at which the Ronggeng art is held after the Isya prayer, (2) the social values to entertain and accompany tired working mothers in the kitchen preparing food for the wedding the next day and feeling love for Ronggeng art by means of the Ronggeng players giving opportunities to children and people who are not members of the Ronggeng Sakabek Arek art group to appear on stage. (c) The values of local wisdom contained in the Ronggeng performance at Aghak-aghak or marapulai processions in the Baralek event are social values, namely the number of families participating in delivering marapulai to the house of the dagho child or bride, as well as for the Ronggeng players. They are willing to take the time to accompany “marapulai” to the house of dagho children.

Kesenian Ronggiang Pasaman Group Ranah Saiyo Dari Bentuk Hiburan Ke Bentuk Pertunjukan Emeilya Batu Bara; Nerosti Nerosti
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal the art of Ronggiang Pasaman of Ranah Saiyo group from entertainment to performance form. This is a qualitative research using analytical descriptive method. The main instrument in this study was the researcher it self with primary and secondary data. The data were collected throughliterature study, observation, interview, and documentation. The object of this research was Ronggiang Pasaman Art of Ranah Saiyo group. The results show that Ronggiang is the only entertainment dance which has its own characteristics, uniqueness, and beauty from other entertainment dances in AuaKuniang village. Ronggiang can be seen from the form of presentation. Ronggiang is danced by three or four dancers. There are male dancers and one of which acts as singer. This is due to the fact that in ancient times women were prohibited to dance in crowd by the customs of Aur Kuning community. The place to show Ronggiang performance is not arbitrary because the performanceis arranged as well as possible. Music in Ronggiang is the main support which serves to provide atmosphere and enthusiasm for the dancers and the audiences who watch it. The differences can be seen from the entertainment and performance form Ronggiang. Ronggiang performance usually serves as entertainment for the community. Such entertainment is performed in some events such as Mamasak, maaghak-aghak, youth events, and West Pasaman's Birthday. As for the show, it is usually performed in a special place.

Bentuk Garapan Tari Piring Lampu Togok Kreasi Sanggar Lubuak Nan Tigo Kota Solok Rahmi Izaty; Nerosti Nerosti
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang

This study aims to describe and analyze the forms of creation of Tari Piring Lampu Togok at Lubuak Nan Tigo Studio. This type of research was qualitative research with descriptive analytical methods. The main instruments in this study were the researchers themselves and assisted with supporting instruments including stationery, photo cameras and video cameras. The type of data used primary data and secondary data. Data collection techniques were carried out by means of library studies, observation, interviews and documentation. The steps in analyzing data were collecting the data, analyzing data, describing data and makingconclusions. The results of the study showed that the Tari Piring Lampu Togok was a creative dance by Lubuak Nan Tigo studio, arranged based on the dance movements of the traditional Tari Lampu Togok. The creation of the dance production resulteda quality form of work, including: (1) Motion, consists of: (a) opening motions are anta lampu,puta duduak, tagak itiak, duduak maagah piriang, pitungguang ayun piriang, then (b) core movements are ramo-ramo bagaluik, tupai bagaluik, tusuak muko balakang, usuak bawah ateh, simpia tagak, ayun rang mudo, tusuak mangayun, tupai bagaluik jantan, lenggok basamo, tusuak baganti, piriang manabeh tagak, piriang manabeh duduak, langkah puta ramo-ramo, tusuak sasampiang, simpia duduak, ayun ampek panjuru, next (c) the closing motion isputa habih. (2) Varied floor patterns, namely diagonal, triangle, letter V, letter W, circle and horizontal. (3) Accompanying music uses a musical instrument called tambua, talempong, canang, tasa, bansi, sarunai. (4) male dancers weartaluak balango, galembong pants, deta wrapped in batik cloth andsongket Silungkang and the costumes for female dancers wear baju kurung, pants, songketSilungkang, and tanduak wrapped in songket. (5) Female dancers wear beautiful makeup and male dancers wear foundation and powder only. (6) Dancer consists of 6 people;3 female dancers and 3 male dancers.Dancers are able to express their movements by maintaining balance and compactness swiftly so that Lampu Togok stands firmly on the headduring the performance. (7) Property is Lampu Togokitself which used to be a light for the community. The lights are turned on using kerosene. The balance ofTari Piring Lampu Togoksymbolizes caution in facing opponents and living life. The compactness of the Tari Piring Lampu Togoksymbolizes the community and togetherness in living life.

Nilai-Nilai Sosial Adat Minangkabau Dalam Silek Pauh Di Perguruan Singo Barantai Lubuk Lintah Kecamatan Kuranji Padang Meri Rhama Nelly; Nerosti Nerosti
SENDRATASIK UNP Vol 9, No 4 (2020)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal Minangkabau Custom Social Values in Silek Pauhat Perguruan Singo Barantai, Lubuk Lintah, Kuranji Padang. This is a qualitative research using descriptive analytical method. The main instrument used was the researcher itself and was assisted by supporting instruments such as writing instruments, cameras, and cellphones. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was done byreducing the data, displaying the data, and making conclusion. Based on the results of this research, it is found that there are social values which can shape characters of the next generation, especially for sasian generation in Perguruan Singo Barantai. The Minangkabau social values found in Silek Pauh at Perguruan Singo Barantai, Lubuk Lintah, Kuranji, Padang, can be described as follows: 1) The social values of the step moves is a person can consider other people / be considerate of being Minangkabau people. 2) The social values of attack motion is a person has an accurate consideration in making decisions. 3) The social values of the lockdown moves is a person can adapt to any situation. 4) The social values of defend movesis a person has alertness and capabiltyin reading situations.

Co-Authors Afifah Asriati Alhit Tamaranti Aprilia Putri Amanda Bella Febriza Cindhy Pospita Wati Darmawati Darmawati Delfi Elfiza Deliziani Deliziani Desfiarni Desfiarni Efrianova, Vivi Emeilya Batu Bara Evindo Marsiano Febri Susanti Fernanda Putri Firmadanni Liska Fuji Astuti Hendra Afriwan Herlinda Mansyur Ikrar Dinata Indah Fajar Wati Indrayuda Indrayuda Izaty, Rahmi Kodratilla, Salsa Laela Kurniaty Ilyas Leri Yano Wardana M Lufi Fakhri Maulidya, Rizki Iasha Maysa Nurfiana Meirita Hardina Sari Meri Rhama Nelly Mila Septiana Putri Muhammad Afif Nia Putri Jelita Ninda Levia Nurhasanah, Ananda Nurjanah, Ila Ana Putri Septia Maharani Rahayu, Ella Saimedita Rahmi Izaty Ravena Lutiyasa Roni Apriyanto Sisi Ranita Yahya Sitinur Fazura Sri Intan Puspita Rifa Suci Ramada Jayanti Sucy Zulmaiza Susmiarti Uchi Isra Windy Vivi Andriani Windi Kartika Surya Yedes Ratmi Yuliasma Yuliasma Zora Iriani

Title

Found 50 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 50 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 50 Documents
Search