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All Journal Ars: Jurnal Seni Rupa dan Desain Corak : Jurnal Seni Kriya Journal of Urban Society´s Arts Journal of Contemporary Indonesian Art Studi Budaya Nusantara Jurnal Senirupa Warna (JSRW) Jurnal Kajian Seni Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal bahasa, sastra, seni, dan pengajarannya
I Gede Arya Sucitra
Institut Seni Indonesia Yogyakarta
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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The Conceptual Foundation of Creation by Lombok Diaspora Artist in Contemporary Painting Fitriani, Misva; Sucitra, I Gede Arya
Journal of Contemporary Indonesian Art Vol 11, No 1 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v11i1.15094

Abstract

The postmodern thought on pluralism influences contemporary art while providing opportunities for diaspora artists from Lombok to engage in it. This study aims to describe the foundational concepts and practices of diaspora artists from Lombok in the realm of contemporary art. The research method employed is qualitative, focusing on artists Saepul Bahri and Wisnu Aji Kumara, who have been active in the arts for over 14 years. The findings indicate that the artistic foundations of both artists are shaped by personal, social, and cultural experiences, as well as awareness of local values. Despite their differing approaches, both artists demonstrate a strong connection to Sasak traditions. Their concepts are enriched by aesthetic understandings gained from academic and non-academic environments, addressing contemporary issues within Sasak society while exploring cultural identity. Their works aim to apply Sasak aesthetic concepts of 'semaik' and 'pemolek'. This research documents the perspectives of diaspora artists from Lombok in understanding, adapting, or developing their creative concepts in a contemporary context, highlighting their contributions to expanding the narrative of contemporary art and maintaining the relevance of local culture in a global context.
AKSIOLOGI BUDAYA LOKAL JAWA-BALI PADA PROSES KREATIF BERKARYA PELUKIS BALI DI YOGYAKARTA Sucitra, I Gede Arya; Maharani, Septiana Dwiputri
Studi Budaya Nusantara Vol. 3 No. 2 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.02.02

Abstract

ABSTRACT Every human being has aspects of life which include philosophy, belief, science, and art. These four aspects interact and complement each other into one whole system. This research seeks to investigate deeper about the axiological aspects of the acculturation of local cultural values in the interaction of the environment of society (culture) of different ethnic, racial, religious, and local genius values which have a shared awareness of mutual respect, tolerance and "open" to the presence of other cultures. The object of this research material is Balinese artists / painters diaspora who are creative in Yogyakarta, and their formal object is Axiology. By investigating and examining the expression of art and the output of works of art produced by Balinese diaspora painters in Yogyakarta, it can be seen the condition of the development of art, adaptation of cultural values, and the personal abilities of artists as personal and social creatures in mingling and sometimes syncretic. Artists as part of cultural support, certainly can not be separated from the various influences that are in the surrounding environment. Theory of ethics, aesthetics, and habitus become a strong capital to see the 'touch' and the mix of local cultural values between artists and the local culture that they inhabit, so that it will look at how social relations and reflections of visual relations in the work. Researching and observing the development of art through the path of creation, indeed leads us to the axiology dimension of unique and personal ethical and aesthetic values. Each artist has an apparently autonomous world and the application of ethical values in the process of his work but still able to ground themselves to adapt, tolerance and multicultural life.
EKSPERIMENTASI TEKSTUR SILIKA DALAM PENCIPTAAN LUKISAN I Gede Arya Sucitra
Ars: Jurnal Seni Rupa dan Desain Vol 22, No 3 (2019): Desember 2019
Publisher : Ars: Jurnal Seni Rupa dan Desain

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (870.223 KB) | DOI: 10.24821/ars.v22i3.3029

Abstract

Penciptaan lukisan secara tekstural membutuhkan pemahaman mengenai kelebihan dan kekurangan material padat yang akan digunakan maupun chemistrycampuran bahan kimia yang dilakukan dalam pengolahan berbagai material eksperimennya.penulis akan melakukan eksplorasi eksperimentasi karakterkekayon Bali dengan material padat yakni pasir silika yang nantinya akan memperkaya corak ornamentik melalui kesan teksturalnya. Adapun penelitian ini bertujuan untuk merealisasikan gagasan estetik mengenai eksperimen potensi artistik dari kolaburasi wujud artefak tradisional melalui elemen material padat pasir silika sesuai dengan pengalaman empiris kreativitas dalam wujud pengembangan teknik dan bahan melalui lukisan.Hasil formulasi tekstur dalam penciptaanini harus dapat dipastikan memiliki kekerasan yang baik dan daya tahan lama sehingga tidak mudah pecah, mengelupas, jamuran maupun memudarkan warna.Hasilnya, corak kekayon Bali yang diaplikasikan dengan tekstur nyata pasir silika akan menambah karakter ornamentiknya. Selain juga tekstur akan menghadirkan unsur-unsur spontan dan alami terutama pada pola kontur tebal, kasar, dan pewarnaan transparan.Eksplorasi medium melalui eksperimentasi menjadi cara untuk menemukan kemungkinan-kemungkinan baru dan inovatif yang lebih segar dan kelak menimbulkan personalitaspenciptaan yang khassesuai dengan karakter dasar medium tersebut.
MENAFSIR PAGAR, MENGGUGAT KUASA: CRUSH ME#2 OLEH ENTANG WIHARSO MELALUI ANALISIS FORMAL Usmanto, Usmanto; Wisetrotomo, Suwarno; Sucitra, I Gede Arya
Journal of Contemporary Indonesian Art Vol 11, No 2 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v11i2.15540

Abstract

Tulisan ini mengkaji karya instalasi yang berjudul Crush Me#2 karya Entang Wiharso sebagai representasi visual atas realitas kuasa dan identitas dalam konteks sosial-politik di indonesia. Melalui pendekatan kritik seni formalistik, penelitian menganalisis bentuk visual, struktur teknis, serta kontuksi simbolik pagar sebagai metafora kompleks. Karya dibedah dari aspek komposisi, ekplorasi material, arsitektur domestik sebagai simbol kekuasaan serta ikonografi tubuh. Temuan menunjukan bahwa pagar dimetaforkan sebagai narasi hegemonik, domestifikasi kekuasaan dan memori simbolik atas kekerasan simbolik. Penempatan karya dalam ruang pamer bersekala nasional menunjukan bahwa institusi negara turut serta dalam membaca kritik institusional terhadap wacana representasi dan legetimasi dalam senirupa kontemporer. penelitian dapat disimpulkan kartya tersebut merefleksikan strategi visual dalam membongkar ulang narasi kekuasaan melalui bentuk simbolik yang multi sematik dan berlapis.  
Kajian Proses Penciptaan Karya Kolaboratif The Bayan Tale Seniman Erwin Windu Pranata Di Artjog Kids 2023 Afandi, Nizar Mohamad; Sucitra, I Gede Arya; Witjaksono, Bambang
Journal of Contemporary Indonesian Art Vol 11, No 2 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v11i2.18653

Abstract

This study analyzes the creation process of the collaborative participatory artwork The Bayan Tale by artist Erwin Windu Pranata at ARTJOG KIDS 2023. The research aims to understand how the concept of collaborative art was implemented in a project involving children. Using a qualitative-descriptive method, data was collected through participant observation, in-depth interviews, and document analysis, framed by theories of participatory culture, relational, and dialogical aesthetics. The findings show that the project was a manifestation of ARTJOG's vision of inclusivity and Erwin's artistic practice. The creative process featured a dynamic spectrum of participation: children had high agency in the ideation and performative activation stages, while the artist maintained technical and curatorial control. The artist acted as a facilitator and "aesthetic translator," transforming children's imaginations into a coherent work. In conclusion, The Bayan Tale successfully created a democratic and empowering space for social interaction. The project transcended being a mere art object to become a relational event that blends local cultural values of gotong royong with global contemporary art discourse, proving a functional and effective collaborative model.Kajian ini menganalisis proses penciptaan karya partisipatoris kolaboratif The Bayan Tale oleh seniman Erwin Windu Pranata di ARTJOG KIDS 2023. Penelitian ini bertujuan untuk memahami bagaimana konsep seni kolaboratif diimplementasikan dalam sebuah proyek yang melibatkan anak-anak. Dengan metode kualitatif-deskriptif, data dikumpulkan melalui observasi partisipan, wawancara mendalam, dan analisis dokumen, serta dibingkai oleh teori budaya partisipatoris, estetika relasional, dan dialogis. Hasil penelitian menunjukkan bahwa proyek ini merupakan manifestasi dari visi inklusivitas ARTJOG dan praktik artistik Erwin. Proses kreatifnya menampilkan spektrum partisipasi dinamis: anak-anak memiliki agensi tinggi dalam tahap ideasi dan aktivasi performatif, sementara seniman memegang kendali teknis dan kuratorial. Seniman berperan sebagai fasilitator dan "penerjemah estetis" yang mewujudkan imajinasi anak-anak menjadi karya koheren. The Bayan Tale berhasil menciptakan ruang interaksi sosial yang demokratis dan memberdayakan. Proyek ini melampaui sekadar objek seni menjadi sebuah peristiwa relasional yang memadukan nilai budaya lokal gotong royong dengan wacana seni kontemporer global, membuktikan model kolaborasi yang fungsional dan efektif. 
Konsepsi lokal-global sebagai basis kultural berkesenian Sanggar Dewata Indonesia Sucitra, I Gede Arya; Sartini, Sartini
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 48, No. 2
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The face of Indonesian art contains multicultural, intercultural, and diverse values in the dialectics of regional arts and global culture. The rise of local culture is often caused by global cultural friction. The attraction and tension between global culture and local culture results in the 'glocalization' of culture. This article aims to explore the values of locality and global culture as a creative foundation for art in the Balinese diaspora art community, Sanggar Dewata Indonesia (SDI) which is culturally and philosophically insightful. The Balinese diaspora gradually has a new cultural identity as a result of the acculturation of Balinese culture with the local culture. Likewise, in the aspect of the language of art, Balinese diaspora artists in Yogyakarta are accommodative, experiencing visual transformation, syncretic, and contain hybridization of cultural values. This study utilizes qualitative methods with a formal study of cultural philosophy through an interpretive approach. The cultural interpretive approach has resulted that the culture and art process of the SDI art community are symbolically the result of the legacy of the collective conception system both in communicating, perpetuating and developing knowledge to attitudes towards artistic life. The mission and vision of SDI includes the spirit of nationalism, Pancasila nationalism, multiculturalism, in order to achieve the international art world, which is more heterogeneous and competitive. Thus the local-global spirit is accompanied by a process of reinterpretation and re-contextualization of a time that presents a thinking discourse, creative vision through creative dialectics that is filled with local-global acculturation shock power towards world-class global art competition.
Co-Authors Afandi, Nizar Mohamad Fitriani, Misva Khairunnisa, Anida Putri Rr. Siti Murtiningsih Sartini Sartini Sartini, Sartini Septiana Dwiputri Maharani Siti Murtiningsih Suwarno Wisetrotomo Usmanto, Usmanto Witjaksono, Bambang