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EXPLORING AUDIOVISUAL DISSONANCE IN PRACTICE-BASED FILMMAKING: REPRESENTING DILEMMA IN BENDERA PUTIH Utami, Citra Dewi; Arifianto, Budi Dwi
ARTISTIC : International Journal of Creation and Innovation Vol. 6 No. 2 (2025)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v6i2.7222

Abstract

Bendera Putih (2023), a short fiction film that strategically employs audiovisual dissonance to represent a profound dilemma, was produced in Yogyakarta as part of a community-based film initiative funded by the Yogyakarta City Cultural Service's Special Fund and was officially screened at the 2024 JAFF. Adopting a practice-based approach, this study investigates how the deliberate juxtaposition of visual and auditory elements crafts narrative ambiguity and intense emotional tension. Drawing on theories of cinematic dissonance, narrative disruption, and experiential learning, the article reflects on how asynchronous audio-visual pairings challenge audience expectations and provoke complex ethical and moral reflections. The socio-cultural context of the Yogyakarta community, known for upholding the value of "guyub rukun," critically informs the analysis of these creative decisions, illustrating how the local context shapes both the storytelling approach and the film's reception. The findings contribute to the discourse on alternative narratives in Southeast Asian independent cinema, underscoring the capacity of practice-based research to illuminate the affective and ethical dimensions of filmmaking.
Nafsu Manusia Dalam Karya Film Tari Human Passions Arifianto, Budi Dwi
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v6i1.707

Abstract

Filmas an audio visual art has evolved into an important part of human civilization,especially in popular culture. One of genre simplying freedom of expression inaccordance with the purpose and desired by the creator of ideas is experimental film.On the one hand, the dancewas chosenas theembodiment ofthe expression ofthe bodywill beconveyed in thevoice of humanity aesthetic rules. Human Passions is a collaboratework ofa udio visual art and the art of dance. The initial idea is knitted from humanexperience as acreator who is accompanied by variouspassions. This film consist oftwo act, “The Birth of Passions”and”Live With Passion”.The body becomes the centralobject of the creation of this work. Choreography that plotshuman life is framed in acinematic composition. Human and the spirit are symbolized by oil lamp. Oil is thehuman’s soul as light forces for lightening the spirit of human passions. This dance filmis a personal statement from the creator about human passions. The audiences as humansare exaggerated to let them know about their spirit of passions.Keywords: dance,film, human passions