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All Journal Journal of Language and Literature ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Esteem Journal of English Study Programme Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Journal of Research on Language Education Journal of English Language and Education Journal of English Language Teaching, Linguistics and Literature (JETLEE) Research in Education, Technology, and Multiculture Barista : Jurnal Kajian Bahasa dan Pariwisata Suara Bahasa: Jurnal Bahasa dan Sastra EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics Journal of Advance in Language, Literature, and Education
Sakinah, R. Myrna Nur
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Semiotic Analysis of Motivational Messages in the Lyrics of the Song I’m Fine by BTS Kaulika, Adinya Kalya; Sakinah, R. Myrna Nur
EJI (English Journal of Indragiri): Studies in Education, Literature, and Linguistics Vol. 9 No. 1 (2025): EJI (English Journal of Indragiri): Studies in Education, Literature, and Lingu
Publisher : Fakultas Keguruan dan Ilmu Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61672/eji.v9i1.2885

Abstract

Music has the power to convey meaningful messages, including motivational messages. Using Ferdinand de Saussure’s semiotic theory, this research examines the motivational messages in the lyrics of the song I’m Fine by BTS. The primary focus of this research is on how meaning is produced through the signifier and signified relationship. This research employs an interpretive qualitative approach to delve deep into the social phenomenon. The semiotic approach allows the researchers to explain how signs in song lyrics function in bringing motivational messages. Data were gathered from the lyrics of the song I’m Fine and analysed thoroughly by dissecting the relationship between signifier and signified. This research discovered the hidden messages the songwriter wanted to convey to the listeners. The results show that this song conveys the value of having courage when facing challenges, mental toughness when facing difficulties, and the ability to bounce back from them. This encourages listeners to be optimistic, not to give up, and instead keep trying despite the obstacles. This research proves that song lyrics in the song I’m Fine by BTS were not merely a musical work but also a medium for conveying powerful inspirational messages: one can achieve inner peace and emotional resilience by pushing through life’s challenges with courage.
Decoding The Layers of Meanings In A Poem Small Kindnesses By Danusha Laméris: A Barthesian Reading Kurnia, Aliya Syifa; Sakinah, R. Myrna Nur
Research in Education, Technology, and Multiculture Vol 3, No 2 (2024): Research in Education, Technology, and Multiculture
Publisher : Institute of Multidisciplinary Research and Community Service

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61436/rietm/v3i2.pp84-92

Abstract

Abstract: This article aims to examine the forms of representation of Roland Barthes' narrative codes in Danusha Laméris' poem Small Kindnesses. The narrative codes are: Hermeneutic Code, Proairetic Code, Semantic Code, Symbolic Code, and Cultural Code. The aim of identifying these codes is to discover the implied meaning in addition to the literal meaning of a discourse. As Barthes in his modern semiotic theory proposed connotative meaning in addition to denotative meaning. This research uses a step-by-step qualitative approach by following the way Barthes explored the novel Sarrasine in his book when he introduced the theory of narrative codes. The outcome of the study reveals that in the poem Small Kindnesses, five narrative codes are used in it to achieve connotative meaning or hidden meaning. The result of this meaning is how Small Kindnesses carries social, structural, as well as religious messages as a poem.    Keywords: danusha laméris, connotative meaning, narrative codes, small kindnesses, roland barthes.
DENOTATION, CONNOTATION, AND MYTH THROUGH VERBAL AND NON-VERBAL SIGNS ON REPRESENTATION OF IDENTITY IN THE BIG SIX PREMIERE LEAGUE CLUB LOGOS Arif Lutfi Rohmani; Suyatman, Ujang; Sakinah, R. Myrna Nur
Esteem Journal of English Education Study Programme Vol. 8 No. 1 (2025): Esteem Journal of English Education Study Programme
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/esteem.v8i1.17755

Abstract

This study investigates the verbal and non-verbal elements within the logos of the "Big Six" Premier League clubs, aiming to uncover their denotative, connotative, and mythological meanings, and how these aspects represent identity. Using a qualitative descriptive approach based on Roland Barthes' semiotic framework, the research draws data from official club websites and documented literature. The analysis reveals that logos embody club identities through denotation, connotation, and myth, reflecting the historical, cultural, and social values associated with the clubs and their respective cities. Key components such as colors, symbols, and text, which are distinctive to each logo, play a significant role. This study contributes to the fields of cultural studies, semiotics, sports branding, and identity representation in visual communication and design. By exploring the semiotic depth of football logos, it bridges cultural semiotics and sports branding, uncovering often-overlooked narratives and enhancing both academic and fan perspectives on logo symbolism.
APPLIED LINGUISTICS: TRIADIC SIGN MODELS IN PERSUASION METHODS OF NIVEA MEN’S PRODUCT PACKAGING Mahendra, Alvin Gilbran; Nurulaen, Yuyun; Sakinah, R. Myrna Nur
Esteem Journal of English Education Study Programme Vol. 8 No. 1 (2025): Esteem Journal of English Education Study Programme
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/esteem.v8i1.17774

Abstract

This study aims to analyze the use of signs on Nivea Men product packaging, focusing on their interpretation and effectiveness in delivering persuasive messages. Employing Charles Sanders Peirce’s Triadic Relation Theory, a qualitative method was used to examine product categories and their connection to everyday experiences. Data were collected through observation and documentation from Nivea Men’s official website, then analyzed using triadic theory and persuasion methods. The results reveal that signs significantly influence consumer interpretation and the persuasive value of products, although some signs do not fully align with their intended meanings. This study highlights the importance of designing clear and purposeful signs to enhance advertising strategies and consumer understanding. Future research should focus on refining semiotic and persuasion techniques to align signs more effectively with product identity and market needs.
Quarterlife Crisis in Popular Literature: Riffaterrian Semiotics Analysis on Neck Deep's ‘All Distortions Are Intentional’ Album Faldiaz, Muhammad; Ruminda, Ruminda; Sakinah, R. Myrna Nur
Journal of English Language and Education Vol 10, No 2 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i2.743

Abstract

All Distortions Are Intentional is an album from Neck Deep, which was released in 2020. The album consists of twelve songs that explore various themes, including the quarterlife crisis phenomenon. The research seeks to analyse the depiction of the quarterlife crisis phenomenon as experienced by the character through the theory of Michael Riffaterre's semiotics theory, emphasising two key approaches: 1) heuristic and hermeneutic reading, and 2) indirect expression. This research employs a qualitative approach, emphasising content analysis. This research employed content analysis to analyse the song lyrics from All Distortions Are Intentional album. This research identifies that the depiction of quarterlife crisis in All Distortions Are Intentional album presents in only three songs: Sonderland, Telling Stories, and Sick Joke. Those songs depict the quarterlife crisis through hermeneutic reading and indirect expression. Displacing of meaning consists of four data, while distorting of meaning and creating of meaning consist of three data that depict the quarterlife crisis phenomenon.
Visual and Textual Elements through Peirce’s Analysis of Persib Supporters’ Choreography on the Republikbobotoh TV Youtube Channel Chaniago, Muhammad Daffa; Suswanto, Deni; Sakinah, R. Myrna Nur
Journal of English Language and Education Vol 10, No 3 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i3.1019

Abstract

This research analyzes the choreography of Persib supporters on the REPUBLIKBOBOTOHTV YouTube channel. Supporter choreography is important and influential in matches based on the meaning to be conveyed. The analysis of visual and textual elements, using Peirce's semiotic perspective, aims to find out the meaning conveyed by the choreography presented. In this research, the method used is descriptive qualitative method. The results show the various meanings and purposes of the choreography. Pennywise's choreography shows how a form of psychological threat aims to influence the opponent. The Viking choreography shows a pride that has a meaning of how a long journey of history is achieved. In the Wizard choreography shows how the persib team must be able to control the game as a form of direct support in order to increase the motivation and mentality of the team.
CHARLES SANDERS PEIRCE’S TRICHOTOMY OF OBJECT IN THE FREE PALESTINE CAMPAIGN POSTERS FROM PINTEREST Fauziyah, Dalfa; Nurhapitudin, Irman; Sakinah, R. Myrna Nur
Journal of Research on Language Education Vol 6, No 1 (2025): JORLE Vol. 6 No. 1
Publisher : Universitas Teknokrat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33365/jorle.v6i1.4896

Abstract

This research explores semiotic analysis by focusing on the trichotomy of object including icon, index, and symbol found in the Free Palestine campaign posters, emphasizing their role in conveying messages in visual media about the campaign. The visual media are posters that effectively disseminate information and mobilize support through social media platforms. This research uses a qualitative method, by analyzing five selected posters taken from the pinterest platform that reflect the campaign theme. Using Charles Sanders Peirce's trichotomy of object regarding icons, indexes, and symbols, this analysis reveals how each poster uses different visual elements to communicate a comprehensive narrative. The analysis showed that of the five posters studied, a total of 9 icons, 8 indexes, and 7 symbols were identified. The conclusion of this study shows that the combination of visual representations and symbolic meanings in the posters serves not only as a communication tool, but also as a powerful act of support for the liberation of Palestine. Keywords: Charles Sanders Peirce; Free Palestine Campaign Posters; Semiotics; Trichotomy of Object
Qur’anic Intertextuality in Mohtasham Kashani’s Davazdah-Band: A Genettian Perspective Salsabila, Regina; Sakinah, R. Myrna Nur
Journal of Advance in Language, Literature, and Education Vol. 1 No. 3 (2025): Journal of Advance in Language, Literature, and Education, September 2025
Publisher : Lembaga Publikasi Ilmiah Dwipantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64616/joalle.v1i3.58

Abstract

Religious poetry in the Shi’a tradition serves not only as a medium of mourning but also as a vehicle for theological expression and spiritual reflection. Mohtasham Kashani’s Davazdah-Band, a central elegy in classical Persian literature, intricately weaves Qur’anic references into its portrayal of the Karbala tragedy. Despite its cultural significance, the poem has received limited scholarly attention in terms of its intertextual engagement with the Qur’an, particularly in Indonesian academic discourse. This study investigates how Qur’anic verses are embedded, recontextualized, and transformed within Davazdah-Band to reinforce Shi’a theological ideals. Employing a qualitative-descriptive approach based on Gérard Genette’s theory of transtextuality, the research identifies instances of direct quotation, thematic allusion, and symbolic transformation. The analysis reveals that Qur’anic imagery, such as water, blood, patience, and sacrifice, is repurposed to sacralize the suffering of Husayn and legitimize the Shi’a worldview. The elegy thus becomes a site of devotional performance, where poetic form and sacred text converge to construct collective memory and religious identity.
Understanding Trauma Bonding through Saussurian Semiotics in Hozier's Cherry Wine Octaviyanti, Adhillah Pratiwi; Sakinah, R. Myrna Nur
JETLEE : Journal of English Language Teaching, Linguistics, and Literature Vol. 5 No. 2 (2025): Journal of English Language Teaching, Linguistics and Literature (JETLEE)
Publisher : JETLEE: Journal of English Language Teaching, Linguistics, and Literature

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47766/jetlee.v5i2.5013

Abstract

This research examines the representation of trauma bonding in Hozier's song "Cherry Wine" using Ferdinand de Saussure's semiotic approach. Trauma bonding refers to the emotional attachment that develops between a victim and their abuser in an abusive relationship. The purpose of this study is to analyze how the lyrics of the song reflect the complexities of such relationships, focusing on the dynamic of love and violence that traps victims emotionally. A qualitative descriptive method was employed, with data collected through an in-depth analysis of the song lyrics. The lyrics serve as the signifier, while the emotional experiences depicted represent the signified. The research findings reveal that Hozier portrays the victim’s conflicting emotions—simultaneous love and pain—through contrasting imagery, such as warmth and coldness, highlighting the unpredictable nature of abuse. This study contributes to a broader understanding of how popular music can be used to raise awareness about social issues, particularly domestic violence. In conclusion, the analysis demonstrates that "Cherry Wine" effectively conveys the emotional complexities of trauma bonding, providing listeners with insight into the experiences of victims.
Co-Authors Alfiqri, Jimy Arif Lutfi Rohmani Chaniago, Muhammad Daffa Dadan Rusmana Deni Suswanto Faldiaz, Muhammad Fauziyah, Dalfa Ghenani, Ghenani Hanifah, Lala Nur Kaulika, Adinya Kalya Kurnia, Aliya Syifa Mahendra, Alvin Gilbran Muhammad fauzan Nurhapitudin, Irman Octaviyanti, Adhillah Pratiwi Ramdani, Sandy Muhammad Risnawati, Ela Ruminda Ruminda Rutsyamsun, Vidi Salam, Alifsya Salsabila, Regina Sarah, Rima Suyatman, Ujang Yuyun Nurulaen, Yuyun Zahra, Shafirany Arafah Zahra