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All Journal Jurnal Ilmu Lingkungan Gorga : Jurnal Seni Rupa Corak : Jurnal Seni Kriya Panggung Gondang: Jurnal Seni dan Budaya Jurnal Rupa Atrat: Jurnal Seni Rupa Charity : Jurnal Pengabdian Masyarakat Moda: The Fashion Journal eProceedings of Art & Design Panggung Global Art Creativity Conference Serat Rupa: Journal of Design
Faradillah Nursari
Telkom University
Arts Humanities Computer Science & IT Education Electrical & Electronics Engineering Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Aesthetic Morphological Study of Zero Waste Pattern in Men’s Shirt Design Simamora M, Regina; Nursari, Faradillah; Larissa, Tiara; Yuningsih, Sari
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.57483

Abstract

Aesthetic morphology studies can be carried out on men's shirt fashion design using the Zero Waste Pattern technique as one of the more varied men's shirt model design ideas. The study of Aesthetic Morphology by Thomas Munro is a study through the description, comparison, and analysis of the structure of the shape of an art object scientifically and systematically on the elements of art, design principles, and expressions resulting from the elements that form an art object. The purpose of this study is to examine the Aesthetic Morphology of men's shirt design using the Zero Waste Pattern technique, so as to find a shirt design whose product can be visualized and in accordance with aesthetic principles. The method used in this study is qualitative descriptive, the purpose is to understand the study of Aesthetic Morphology with research practices that emphasize exploratory aesthetics to describe the visual form, style, and visual expression of men's shirt design using the Zero Waste Pattern technique. The results of creative exploration resulted in 2 men's shirt designs, one of which is  a Fit To Body design with a Casual Style with  fabric waste of 2.1% and a Regular Fit Men's Shirt  design with a Retro Style with  fabric waste of 1.7%. The results of the study found that the 5 main criteria for designing using the Zero Waste Pattern  technique, namely Aesthetics, Comfort, Cost, Sustainability, and Manufacturability, are known to consider psychological and sociology factors of art. A study using description, comparison, and analysis on the Zero Waste Pattern  technique can find a men's shirt design line that is more varied, practical, supports sustainable trends, and is in accordance with aesthetic principles.
EKSPLORASI POLA SUBTRACTION CREATIVE PATTERN CUTTING PADA BUSANA ZERO WASTE DAN ARTISANAL FASHION Mursalim, Afiyah Darajah; Nursari, Faradillah
eProceedings of Art & Design Vol. 11 No. 1 (2024): Februari 2024
Publisher : Telkom University

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Abstract

pengelolaan zero waste adalah gerakan global yang bertujuan meminimalkan pemborosan dan memaksimalkan penggunaan sumber daya selama mungkin. Reduce, reuse dan recycle menjadi strategi utama dalam mendukung zero waste. Zero waste fashion design adalah gerakan berkelanjutan dalam industri fashion yang mengadopsi strategi reduce yaitu pengurangan limbah. Metode zero waste fashion, seperti metode subtraction cutting, membantu mengoptimalkan fashion, seperti metode subtraction cutting, membantu mengoptimalkan penggunaan kain dengan menghilangkan sedikit lembaran kain yang terbuang dan memungkinkan perancangan produk fashion, yang efektif. Pendekatan ini memiliki kesamaan dengan artisanal fashion yang berfokus pada perancangan produk berkualitas tinggi dengan skala kecil dan peran designer dalam menentukan estetika serta konsep perancangan. Artisanal fashion juga mendukung sumber daya lokal dengan menggunakan bahan baku sekitar dan menciptakan lapangan kerja bagi masyarakat lokal. Fashion berkelanjutan adalah gerakan yang memprioritaskan kesejahteraan lingkungan, sosial, dan ekonomi. Konsep zero waste dengan metode subtraction cutting menjadi pendekatan yang tepat dalam menciptakan produk fashion artisanal yang berkelanjutan. Penelitian ini dilakukan secara kualitatif dengan eksplorasi perancangan pola busana, observasi dan studi literatur. Hasil penelitian ini menghasilkan sebanyak tiga look produk busana wanita serta menunjukkan bagaimana penerapan metode subtraction cutting dalam zero waste fashion dapat menghasilkan produk fashion artisanal yang sustainable.Kata kunci: Zero-waste fashion, Artisanal.
Utilizing Craft Techniques in Zero Waste Fashion Design Clothing Putri, Shella Wardhani; Nursari, Faradillah
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.51128

Abstract

The role of research in design is to develop the potential that drives the creation of novel value in design. In the research process for design, the majority of designer-students have difficulties in determining the starting point or initial idea of a design, so they have the potential not to have a train of thought regarding what needs to be done in realizing the design and do not know the next process. One aspect that can enrich design ideas and novelty in fashion products is the application of craft techniques. With the application of craft techniques, the data and facts obtained become increasingly massive. So that the series of ideas-research-design requires a clear mapping of the flow of thinking in the creative process. Today's student-designers cannot be limited to just one research method, knowing that conceptual ideas can start from anywhere, such as design concept ideas that start from craft techniques in a linear mapping flow. This can be a reference regarding the linear flow of ideas-research-design that is carried out in zero waste fashion design to find out its potential, especially in the application of craft techniques. This research was conducted qualitatively by reviewing literature data and looking at examples of case studies from the student-designer work process using the linear method. Observations are made periodically for students who have designed the application of craft techniques to zero waste fashion design, to become research subjects and find out their creative process. The result of this study is an analysis of fashion product design methods with the application of craft techniques that have been carried out in a linear way of thinking as a reference for designers in producing innovative works.
PENERAPAN TEKNIK BLEACHING PADA BUSANA BERBAHAN DASAR DENIM Moestaf, Najla Acmelia; Nursari, Faradillah
ATRAT: Jurnal Seni Rupa Vol 9 No 3 (2021): EKSPLORASI DAN IMPLEMENTASI POTENSI RUPA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v9i3.1770

Abstract

Bleaching technique is the process of removing the original color so that it can produce new color pigments with the help of a bleach solution. The resulting color is usually yellow or brownish according to the thickness and characteristics of the fabric itself. used in order to produce the appropriate motif. However, along with the development of the era, the application of bleaching techniques can be found in various fashion products, one of which is clothing that uses denim material. pants which later developed into clothing fashion items following the times. This study aims to make denim clothing by developing bleaching techniques as a medium for forming motifs in order to produce more varied and decorative motifs. This study uses qualitative methods through data collection such as bleaching exploration and observation. on the characteristics of denim. Keyword : Clothing, Denim, Bleaching------------------------------------------------------------------------------------------Teknik Bleaching adalah proses menghilangkan warna asli sehingga dapat menghasilkan pigmen warna baru dengan bantuan larutan pemutih. Warna yang dihasilkan biasanya kuning atau kecoklatan sesuai dengan ketebalan dan karakteristik kain itu sendiri. Dalam menggunakan teknik ini diperlukan adanya ketelitian pada proses penakaran antara larutan pemutih dengan waktu yang digunakan agar dapat menghasilkan motif yang sesuai. Namun,seiring dengan perkembangan zaman pengaplikasian teknik bleaching dapat ditemukan pada berbagai produk fesyen salah satunya adalah busana yang menggunakan bahan denim. Busana tersebut dikombinasikan dengan teknik bleaching yang pada saat itu menjadi tren baru yang populer pada tahun 80-an di mana pertama kali diterapkan pada item fashion celana yang kemudian berkembang ke item fashion baju mengikuti perkembangan zaman. Penelitian ini bertujuan untuk membuat busana denim dengan mengembangkan  teknik bleaching sebagai media pembentuk motif agar dapat menghasilkan motif yang lebih variatif dan dekoratif. Penelitian ini menggunakan metode kualitatif melalui pengumpulan data seperti eksplorasi bleaching dan observasi terhadap karakteristik denim.Kata Kunci : Busana, Denim, Bleaching
PERANCANGAN BUSANA READY TO WEAR MENGGUNAKAN TEKNIK ENGINEERED PRINT Laksana, Subagja Budi; Nursari, Faradillah
ATRAT: Jurnal Seni Rupa Vol 9 No 3 (2021): EKSPLORASI DAN IMPLEMENTASI POTENSI RUPA
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v9i3.1773

Abstract

The ready-to-wear outfit is mass-produced clothes made in several sizes. Its rapid production process and relatively low price have attracted many consumers. Therefore, in order to survive, the fashion industry people must keep up with the times and make innovation. They can make use of technology in the fashion design process, such as for engineered print technique that utilizes a computer to make a design of a continuous motif that will not be broken up by stitches. The research is aimed to produce ready-to-wear clothing by applying engineered print techniques as a surface design. It employs a qualitative method whose data were collected through literature study, observation, exploration of stylized motifs, and exploration of patterns. Its result is a recommendation of ready-to-wear clothing made by engineered print to apply its motifs.Keywords: ready-to-wear, engineered print, motif------------------------------------------------------------------------------------------Busana ready-to-wear adalah busana yang diproduksi secara masal dengan berbagai ukuran. Proses produksi yang cepat dan harga yang relatif murah membuat busana ready-to-wear cukup diminati masyarakat. Sehingga banyak pelaku industri yang tertarik pada bidang fashion, untuk bertahan dalam industri fashion para pelaku harus terus berinovasi dan mengikuti perkembangan zaman. Salah satunya yaitu memanfaatkan teknologi dalam proses desain busana seperti teknik engineered print, teknik tersebut menggunakan komputer untuk merancang desain yang akan diaplikasikan pada kain berupa motif yang terhubung dan tidak terputus oleh jahitan. Tujuan dari penelitian ini yaitu untuk membuat busana ready-to-wear dengan mengaplikasikan teknik engineered print sebagai surface design. Penelitian ini menggunakan metode kualitatif dengan sumber studi literatur, observasi, eksplorasi motif dari hasil stilasi, dan eksplorasi pola. Hasil dari penelitian ini berupa rekomendasi proses busana ready-to-wear dengan teknik engineered print untuk mengaplikasikan motif. Kata Kunci: Ready-to-wear, engineered print, motif
Zero-Waste Kebaya Design: Integrating the ‘FRANGIPANI’ Method to Enhance Sustainability and Utilize Leftover Lace Nursari, Faradillah; Simamora M, Regina; Arumsari, Arini
PANGGUNG Vol 34 No 3 (2024): Kreativitas, Seni Kontemporer, dan Pariwisata Berkelanjutan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i3.3211

Abstract

ABSTRACT The kebaya, a traditional Indonesian garment, has evolved to incorporate lace fabric in its design. However, traditional cutting and sewing methods may result in fabric waste, contributing to environmental degradation. Regarding this, the study seeks to develop a zero-waste model for kebaya that utilizes leftover lace, preserving its cultural significance while reducing environmental impact. Thus, the research proposes the FRANGIPANI method, a structured approach consisting of ten systematic stages of the design process that can minimize textile waste and promote sustainability in Kebaya production. This method aims to enhance organization and implementation in the production of kebaya while respecting Indonesia’s rich cultural heritage. The primary goal of this research is to identify a more efficient pre-production system that minimizes textile waste. By focusing on sustainable practices, the research explores the potential for redesigning kebaya into a zero-waste model that utilizes leftover lace, thereby preserving its artistic value while promoting environmental sustainability. Keywords: FRANGIPANI, Kebaya, Lace, Waste, Zero Waste Patter
Exploring Indonesia’s Artisanal Fashion Potential: A Case Study of Meraki Studios Subtitle Nursari, Faradillah; Rima Febriani; Widia Nur Utami
JURNAL RUPA Vol 8 No 2 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i2.6909

Abstract

As a country rich in natural and human resources, Indonesia has the potential to develop artisanal fashion. Hand skills and mastery of traditional techniques originating from various local wisdom in Indonesia are some supporting factors for developing local artisan products. Since ancient times, people in Indonesia have used production aspects involving artisan hand skills to make functional, commercial, and non-commercial products. Artisanal fashion is considered by many as a sustainable approach in the fashion industry due to its ethical and low environmental impact. However, the study of artisan fashion products has not been widely discussed in the academic realm. This study focuses on understanding artisan fashion products through local fashion brand Meraki Studios case studies. The approach used in this research is descriptive qualitative, which is done by collecting data through observations, interviews, and literature studies regarding the meaning of artisanal fashion, the practice of artisanal fashion, and how Meraki Studios' practice in artisanal fashion is applied in their design and production process.
Potential Application of The Zero Waste Fashion Method to Optimize Fabric Usage Faradillah Nursari; Fadhilaturrahmah Fadhilaturrahmah; Sari Yuningsih
Jurnal Ilmu Lingkungan Vol 23, No 1 (2025): January 2025
Publisher : School of Postgraduate Studies, Diponegoro Univer

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jil.23.1.124-132

Abstract

The fashion industry is one of the largest economic sectors globally, having a significant impact on the environment and society. Comparison between zero waste fashion pattern techniques and conventional pattern techniques is the main focus in efforts to achieve sustainability in the fashion industry. The zero waste pattern cutting can reduce the amount of waste originating from the clothing industry which is formed during the clothing manufacturing process. This method can also be more environmentally friendly than conventional fashion patterns. There are two approaches to the design process from conventional patterns, namely construction patterns and draping patterns. Likewise, the zero waste fashion design process approach is 'from design to pattern' and from 'pattern to design'. All these approaches are compared to understand the design process, its potentioal, comparison, as well as its application and impact in the fashion industry. In this context, the zero waste fashion pattern is a technique for making clothing patterns which aims to produce clothing with less than 15% textile waste. This study applies qualitative techniques, namely literature studies and simulations which aim to understand and evaluate the differences between zero waste fashion patterns and conventional patterns in the fashion industry. The results of this research in achieving sustainability in the fashion industry, can be proven that the Zero-Waste pattern method has emerged as a more sustainable alternative. Being able to have a positive impact on the environment and the potential for more significant social development with increasing understanding of zero-waste fashion patterns, it is hoped that the fashion industry can experience a positive transformation towards more sustainable practices as a whole.
Integrasi Kriya Tradisional dalam Desain Fesyen Kontemporer: Kajian Morfologi Estetik dan Keberlanjutan Budaya Tiara Larissa; Faradillah Nursari; Arini Arumsari; Regina Simamora
PANGGUNG Vol 36 No 2 (2026): Visual and Performative Semiotics in Contemporary Art and Cultural Practices: Si
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i2.3778

Abstract

Indonesia’s cultural diversity has produced a wide range of traditional craft techniques, including batik, weaving, embroidery, surface treatments, and natural dyeing, which carry strong aesthetic and cultural values. In contemporary fashion, these techniques are not preserved as static forms but undergo visual transformation to remain relevant to current design contexts and the evolving dynamics of the global fashion industry. This study examines the integration of traditional craft techniques in Indonesian contemporary fashion through an aesthetic morphology approach. Using a qualitative descriptive method, this study conducted a visual content analysis of visual content analysis was conducted on 100 fashion works by five Indonesian designers produced between 2021 and 2024. Thomas Munro’s aesthetic morphology framework was employed to analyze transformations in motifs, scale, surface quality, garment structure, as well as visual organisationorganization, and visual hierarchy. The study concludes that aesthetic morphology provides an effective analytical framework for understanding the visual transformation of traditional crafts and their role in cultural sustainability within contemporary fashion design. These findings demonstrate that adaptive visual strategies enable traditional crafts to function sustainably within evolving global fashion contexts.
Empowering Youth Through Sustainable Design: Community-Based Upcycling of Pine Forest Waste in Mekarwangi Village Terbit Setya Pambudi; Nurul Fitriana Bahri; Oky Setiawan; Faradillah Nursari; Ica Ramawisari
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.67647

Abstract

Creative approaches rooted in local resources play an important role in sustainable community development. This community engagement program aimed to empower youth members of Community Youth Development in Mekarwangi Village, West Bandung Regency, through training in sustainable design using pine forest waste. Mekarwangi is surrounded by pine forests managed by Perhutani, which generate unused organic waste such as dry branches, bark, flowers, and sawdust. The program consisted of an environmental awareness session and practical workshops on upcycling techniques. Participants were introduced to the concept of sustainable design and guided through the process of transforming forest waste into functional and decorative crafts, including fish-shaped ornaments made from pine flower petals and leaves. The training emphasized the creative reuse of natural materials, while also promoting the principles of circular economy and environmental stewardship. As a result, participants developed new skills in material selection, product design, and simple craft production, which enhanced their confidence and awareness of environmental issues. The final products have potential as eco-friendly souvenirs, strengthening local identity and opening economic opportunities. This initiative demonstrated the role of design as a tool for grassroots empowerment, creativity, and sustainable community development.
Co-Authors Adristi, Naswa Kayla Agnes, Erinna Alam, Istiqomah Arini Arini Arumsari Athiva, Dea Nurul aulina tsamara russin Citra Puspitasari Dian Fitrah Hervianti Fadhilah Mufidah Fadhilaturrahmah Fadhilaturrahmah Fadhilaturrahmah Fadhilaturrahmah Gina Shobiro Takao Ica Ramawisari Ira Wirasari Jeng Oetari Laksana, Subagja Budi Marissa Cory Agustina Siagian Moestaf, Najla Acmelia Mursalim, Afiyah Darajah Nabilah, Mindy Nanda Najla Acmelia Moestaf Nudia Azzahrah Nurfadhilah Nadir Nurul Fitriana Bahri Oky Setiawan Putria Zaza Swadesi Qonita, Auranisa Dyah Regina Simamora Regina Simamora M Regina Simamora M Rima Febriani Runik Machfiroh Shafa Rahmani Faza Shella Wardhani Putri Simamora M, Regina Terbit Setya Pambudi Tiara Larissa Widia Nur Utami Yuningsih, Sari