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Kemenangan Ideologis dan Kekalahan Politik Wacana Politik Etnis Minang dalam Pemilihan Presiden 2014 dan 2019 Khusairi, Abdullah; Nasir, Muhammad; Fata, Ahmad Khoirul
Jurnal Review Politik Vol. 13 No. 2 (2023): December
Publisher : Fakultas Ushuluddin dan Filsafat UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jrp.2023.13.2.202-229

Abstract

This article examines the political discourse of the Minang ethnic group in the Presidential Elections (Pilpres) of 2014 and 2019. In both elections, the Minang candidates did not win nationally but achieved a land­slide victory in the West Sumatra province. This has created a stig­ma for the Minang ethnic group as one with a strong political iden­tity and a province with a hardline stance. This study aims to unders­tand the political discourse of the Minang ethnic group in choos­ing national leaders. The study employs Norman Fairclough's Critical Discourse Analysis approach, which identifies four inter­connected dimen­sions: linguistic, discursive, social, and ideo­lo­gical. This research is a qualitative study using critical analysis methods. Data was collect­ed through in-depth interviews with Minang figures (traditional leaders, religious figures, politicians, academics, and cultural figures). The findings indicate that the political commu­ni­cation of the Minang ethnic group did not undergo a shift in perspective when it comes to viewing leadership issues. For the Minang ethnic group, a leader is highly regarded and given priority. Leaders must possess the qualities of "takah" (personal capacity and capability) and "tageh" (strength and firmness in attitude and action). Additionally, they must be recognized and accepted by the public as prominent figures. The most important factors for the Minang ethnic group in choosing a leader are shared religious beliefs, an egalitarian attitude, and adherence to customary values. The Minang ethnic group is willing to accept political defeat to maintain their belief-based selection of leaders.
Creative content production strategies for religious outreach materials on social media Khusairi, Abdullah
Jurnal Ilmu Dakwah Vol. 45 No. 2 (2025)
Publisher : Faculty of Dakwah and Communication, Walisongo State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/jid.v45.2.28022

Abstract

Purpose – This study formulates a strategic framework for religious counselors in producing creative and effective da’wah content on social media. It responds to the urgent need for transitioning from conventional sermon-based communication to multiplatform strategies that align with digital audience behavior and algorithmic engagement. Method – An exploratory, qualitative design was employed, utilizing van Dijk's Critical Discourse Analysis (CDA). The dataset comprises 50 short videos purposively collected from TikTok, YouTube Shorts, and Instagram Reels (January–June 2025), selected based on their thematic relevance and audience engagement (more than 10,000 views or 100 likes). Each video was examined at macro (theme), mezzo (narrative), and micro (language) levels to identify meaning construction and ideological framing. Result – The findings reveal that audience engagement in digital da'wah is primarily driven by brevity, emotional proximity, and contextual themes rather than clerical authority. Religious messages that employ informal storytelling, humor, and local language tend to achieve a stronger connection with the audience. These dynamics reflect a transformation of religious authority from institutional to participatory and algorithmic forms. Implication – The study provides a practical model for religious counselors to enhance digital literacy, narrative creativity, and ethical awareness in content production. It encourages the institutionalization of digital training within religious outreach programs under the Ministry of Religious Affairs. Originality/Value – This research fills a conceptual gap in the existing literature by integrating critical discourse analysis with creative media production. It contributes to the emerging scholarship on digital religion through a model that bridges theological communication, media literacy, and participatory culture. *** Tujuan – Studi ini merumuskan kerangka kerja strategis bagi konselor agama dalam menghasilkan konten da’wah yang kreatif dan efektif di media sosial. Studi ini menanggapi kebutuhan mendesak untuk beralih dari komunikasi berbasis khotbah konvensional ke strategi multiplatform yang selaras dengan perilaku audiens digital dan keterlibatan algoritmik. Metode – Desain eksploratif kualitatif digunakan, dengan memanfaatkan Analisis Diskursus Kritis (CDA) van Dijk. Data set terdiri dari 50 video pendek yang dikumpulkan secara purposif dari TikTok, YouTube Shorts, dan Instagram Reels (Januari–Juni 2025), dipilih berdasarkan relevansi tematik dan keterlibatan audiens (lebih dari 10.000 tayangan atau 100 suka). Setiap video dianalisis pada tingkat makro (tema), mezzo (narasi), dan mikro (bahasa) untuk mengidentifikasi konstruksi makna dan bingkai ideologis. Hasil – Temuan menunjukkan bahwa keterlibatan audiens dalam da'wah digital terutama dipengaruhi oleh kesederhanaan, kedekatan emosional, dan tema kontekstual, bukan otoritas keagamaan. Pesan keagamaan yang menggunakan cerita informal, humor, dan bahasa lokal cenderung membangun koneksi yang lebih kuat dengan audiens. Dinamika ini mencerminkan transformasi otoritas keagamaan dari bentuk institusional menjadi partisipatif dan algoritmik. Implikasi – Studi ini menyediakan model praktis bagi konselor agama untuk meningkatkan literasi digital, kreativitas naratif, dan kesadaran etis dalam produksi konten. Hal ini mendorong institusionalisasi pelatihan digital dalam program penyebaran agama di bawah Kementerian Agama. Orisinalitas/Nilai – Penelitian ini mengisi celah konseptual dalam literatur yang ada dengan mengintegrasikan analisis wacana kritis dengan produksi media kreatif. Hal ini berkontribusi pada perkembangan kajian tentang agama digital melalui model yang menghubungkan komunikasi teologis, literasi media, dan budaya partisipatif.