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Pandangan Dunia Pengarang dalam Novel "Warisan" Karya Chairul Harun: Tinjauan Strukturalisme Genetik Tisa Sirefina; Khairil Anwar; Hasanuddin Hasanuddin
Jurnal Elektronik WACANA ETNIK Vol 7, No 1 (2018): Jurnal Elektronik Wacana Etnik
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/we.v7.i1.77

Abstract

Novel Warisan with a Minangkabau social background that tells the story of a dispute over inheritance. In this case, the novel is analyzed by a genetic structuralism approach that analyzes the structure of the story and relates it to the social structure of the community, then reveals the author's worldview that it reflects.This study concluded that Warisan's novel by Chairul Harun reflected the worldview of the author as a member of the Minangkabau community who had changed. Changes seen in the patterns of behavior and actions of the people are no longer in line with the Minangkabau philosophy, namely Basandi Syarak Customary, Syarak Basandi Kitabullah. Changes are caused by the influence of colonialization and modernization. The world view is the collective mind, in this case the Minangkabau educated group.
KOMODIFIKASI SONGKET SILUNGKANG DALAM PENGEMBANGAN PARIWISATA DI KOTA SAWAHLUNTO seprisyam seprisyam; Hasanuddin Hasanuddin; Pramono Pramono
JURNAL ILMU BUDAYA Vol. 9 No. 2 (2021): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v9i2.14526

Abstract

This study aims to explain the commodification of Songket Silungkang in the tourism development of Sawahlunto Town. This research is descriptive research with a qualitative approach. Data were obtained from field observations, recorded interviews, and documentary studies of Songket Silungkang. The data obtained were processed using ethnographic methods. The results of this study found that the commodification of Songket Silungkang occurs from the production process to consumption. Factors that influence the commodification of Songket Silungkang are changes in the social structure of society, education level, media and globalization, tourism, and creative industries. SISCA implemented by the Town Government of Sawahlunto is a step to promote tourism. The positive impact of the commodification of Songket Silungkang adds to the value of Songket and improves the economy of the community, while the negative impact of the commodification of Songket Silungkang loses the meaning of the Songket Silungkang motif.  
The Winding Road to Return to the Beauty of Indonesian Multiculturalism: A Discourse Analysis of ‘Back to Nagari’ in the Regional Autonomy Policy in West Sumatra Hasanuddin Hasanuddin; Welhenderi Azwar; Akmal Akmal; Handoko Handoko
JURNAL ARBITRER Vol. 10 No. 1 (2023)
Publisher : Masyarakat Linguistik Indonesia Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/ar.10.1.35-50.2023

Abstract

The plurality of Indonesia with more than 600 ethnics is a great wealth but has not been adequately rewarded. Various political, legal, and socio-cultural events have resulted in the degradation of diversity from a colorful mosaic to a blur. This article analyzes the discourse of ‘return to nagari’ based on texts of national commitments and policies on decentralization, West Sumatra’s local policies on the lowest government ‘nagari’, and public responses on them. The methods had been used are literature study and field research, which are analyzed based on the technique of discourse analysis which included text, context, and social practice. The findings are the policy on decentralization is still inconsistent, and the construction of the regional government’s policy based on local culture has not been ideal and operational formulated yet. In fact, it is not easy to return to indigenous culture as roots the Beauty of Indonesia’s Multiculturalism. This finding reflects the critical implication of the discursive practice that shows the awareness of actor’s membership in their culture that leads them to make clear cultural-political attitudes in relation to the state. The position of their cultural traditions is threatened and our position is to mobilize them to revive, maintain, keep, consolidate and revitalize their cultural identity.