Garuda - Garba Rujukan Digital

Revitalizing the Interior of Ndalem Puspowijoto as a Laweyan Batik Shop and Museum in Surakarta. Yosafat Adi Pradipta; Raden Ersnathan Budi Prasetyo
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Revitalizing the Interior of Ndalem Puspowijoto as a Batik Shop and Museum in Laweyan Surakarta is an effort to preserve cultural heritage buildings. The revitalization aims to maintain the building and as a means of education about batik and local wisdom of Laweyan village for the visitors and general public who care about batik. The design process is carried out using Kurtz programming including the orientation stage, the base program stage, interative programming, and design as feedback. The design approach uses the Art Deco style with the theme of Parang Saudagar. The results of the revitalization are in the form of the museum that can be used for educational purposes, and Laweyan Batik shop which has a place that is comfortable, safe, and able to accommodate the needs of both managers and visitors. The facilities consist of a lobby, café, deposit counter, shop, ticketing room, digital audio education, main display, fabric display, item display, maintenance room, multipurpose room, pantry, toilet, office, and prayer room.

PERKEMBANGAN BENTUK DAN FUNGSI PATUNG LORO BLONYO DALAM MASYARAKAT DI SURAKARTA Ersnathan Budi Prasetyo
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

This study focuses on the shape and function development of Loro Blonyo statue including its application to other media within Surakartaâ€™s society.Â Â Â Â Â Â Â Â Â Â Â The data collection method of this research is observation, reference research and in-depth interview. This research concludes that the statue of Loro Blonyo is the symbol of couples â€“ Male and female, its manifest isÂ in the shape of sensible and insensible, which represent Dewi Sri and Sadana. This statue is considered sacred in Javanese mystical belief, as the figure symbol of the embryo of Javanese people. Loro Blonyo statue was marked of noble Javanese culture, so for the rural Javanese society which could not afford it, had transformed this statue into the symbol of brides in paddys (manten pari), pestle and mortar (alu-lumpang) and the sickle (ani-ani arit). The advancement in Loro Blonyo statue has experienced friction in shapes and function from scared to profane.Key words: Loro Blonyo, myth, sacred, profane.

PERANCANGAN INTERIOR KARANGANYAR MUSIC CENTRE DI KABUPATEN KARANGANYAR Isman Prasetyo Sukarno; Raden Ersnathan Budi Prasetyo
Pendhapa Vol 10, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Karanganyar Music Centre adalah suatu wadah yang menjadi pusat kegiatan musik secara menyeluruh baik pendidikan, pertunjukan, informasi dan aplikasi musical lainnya dengan tujuan untuk mengembangkan apresiasi masyarakat terhadap music yang didukung oleh fasilitas-fasilitas pendukung. Perancangan interior Music Centre di Kabupaten Karanganyar ini akan mengangkat tema batik khas Kabupaten Karanganyar, yaitu motif batik Tirta Intan Pari sebagai simbolisme identitas Kabupaten Karanganyar yang dikemas dengan gaya postmodern.aplikasi desain interior Karanganyar Music Center didasarkan pada pendekatan fungsi, ergonomi, tema serta gaya. Perancangan Karanganyar Music Centre ini mengambil lokasi di tengah Kabupaten Karanganyar, yaitu di Jalan Raya Solo-Karanganyar. Pemilihan lokasi ini dianggap strategis, mudah dijangkau dan juga saat ini sudah menjadi pusat aktivitas Masyarakat Karanganyar, kawasan ini juga dipakai Car Free Day pada setiap hari minggu pagi. Kata kunci: Karanganyar, Music Centre, Batik Karanganyar, Batik Tirta Intanpari, Interior Musik Center

Batik Stamp Canting as An Interior Material Harmilyanti Sulistyani; Raden Ersnathan Budi Prasetyo; Indaro Indarto
Pendhapa Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i2.4651

Batik’s recognition as a world heritage by UNESCO has given a positive impetus to the batik industry. The encouragement, however, has yet to reach the batik canting cap (stamp) home industry, which is a supporting sector of stamped batik. Knowledge and expertise in making canting stamps are difficult to transfer to the next generation because the economic value is not promising. The raw material of the canting stamp, namely copper metal, has unique characteristics. In terms of visual appearance, the canting stamp has an aesthetic value for the interior. An experimental method is used in the research to produce interior material prototypes that are suitable for market conditions. The making of an interior elements model as a prototype reference uses computer programs and tools for design, which are known as computer-aided design (CAD) to reduce costs because it can provide a photorealistic visualization. The outcome is expected to encourage the growth of the canting stamp batik home industry, hence its economic value will increase. The ultimate goal is to increase employment by pushing canting stamp batik quantity production due to the demand for interior materials then will open up opportunities to regenerate the skills to make canting stamp batik.

Coworking Space Interior Design with Rattan Theme in Trangsan Village of Sukoharjo Pantini, Retno; Prasetyo, Ersnathan Budi; Mumpuni, Primastiti Wening
Pendhapa Vol. 14 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v14i1.5414

The interior design of a coworking space with a rattan theme in Trangsan Sukoharjo Village functions as a means of renting workspaces that are used jointly and openly with other users with flexible time usage. This design aims to create an interior design for a coworking space in Sukoharjo that can meet the needs of activities that are safe, comfortable and create a productive atmosphere. This design adopted several stages of the design process proposed by Kurtz. Kurtz's model of programming is programming on the qualitative rather than quantitative side. The basis of the design used is the function, ergonomics, technical, color, theme and style approaches. This design adopts a Bohemian design style with a rattan theme as the design base. The rattan theme gives a natural impression of the use of rattan characteristics applied to interior elements in the form of furniture, partitions and so on.

Coworking Space Interior Design with Rattan Theme in Trangsan Village of Sukoharjo Pantini, Retno; Prasetyo, Ersnathan Budi; Mumpuni, Primastiti Wening
Pendhapa Vol. 14 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v14i1.5414

The interior design of a coworking space with a rattan theme in Trangsan Sukoharjo Village functions as a means of renting workspaces that are used jointly and openly with other users with flexible time usage. This design aims to create an interior design for a coworking space in Sukoharjo that can meet the needs of activities that are safe, comfortable and create a productive atmosphere. This design adopted several stages of the design process proposed by Kurtz. Kurtz's model of programming is programming on the qualitative rather than quantitative side. The basis of the design used is the function, ergonomics, technical, color, theme and style approaches. This design adopts a Bohemian design style with a rattan theme as the design base. The rattan theme gives a natural impression of the use of rattan characteristics applied to interior elements in the form of furniture, partitions and so on.

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