Article Per Year (5 Year)
p-Index From 2020 - 2025
2.049
P-Index
This Author published in this journals
All Journal JPM (Jurnal Pemberdayaan Masyarakat) PERSPEKTIF Jurnal Pemerintahan dan Politik JOPPAS: Journal of Public Policy and Administration Silampari GOVERNANCE: Jurnal Ilmiah Kajian Politik Lokal dan Pembangunan Journal of Education Research Jurnal Ilmu Komunikasi Dan Media Jurnal Studi Ilmu Sosial dan Politik ASEAN Journal of Empowering Community Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi
Florina, Ike Desi
Unknown Affiliation
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Transportation Other

Published : 13 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 13 Documents
Search

 1   2 
Analisis Semiotika Representasi Kepedulian Sosial dalam Film a Man Called Otto IzzulHaq, Muhammad Faris; Suparto, Diryo; Florina, Ike Desi
Ranah Research : Journal of Multidisciplinary Research and Development Vol. 7 No. 5 (2025): Ranah Research : Journal Of Multidisciplinary Research and Development
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/rrj.v7i5.1702

Abstract

This study analyzes the representation of social care in the film A Man Called Otto through a semiotic approach of Charles Sanders Pierce. The object of this research is the film A Man Called Otto, with the aim of identifying and interpreting the signs, symbols, and meanings contained within it related to the representation of social care. The research method used is semiotic analysis, which involves identifying iconic, indexical, and symbolic signs in the film, as well as interpreting meanings based on cultural and social contexts. The results of the study show that the film A Man Called Otto represents social care in various ways, including through the main character's actions in helping neighbors, interactions between diverse characters, and the transformation of Otto's character from an indifferent individual to a more caring one.
Representasi Animisme & Spiritualisme dalam Tari Sintren: Kajian Komunikasi Budaya Gunawan, Lita; Florina, Ike Desi; Edy, Sarwo
PERSPEKTIF Vol. 14 No. 3 (2025): Perspektif Juli
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v14i3.15011

Abstract

This study explores the representation of animism and spiritualism in Sintren Dance through the perspective of cultural communication. Sintren is a traditional Javanese dance performance rooted in mystical beliefs, particularly involving ancestral spirits and the spirit realm. The study aims to identify the role of Sintren Dance as a medium of cultural communication that conveys deeply embedded values of animism and spiritualism. A qualitative method with an ethnography of communication approach was employed. Data were gathered through direct observation, in-depth interviews, and documentation, including photos and video recordings. The research focuses on three communities in the northern coastal region of Central Java: Paguyuban Sintren Sekar Arum (Tegal), Paguyuban Sintren Satria Nada (Brebes), and Paguyuban Sintren Satria Budaya (Pemalang). Findings reveal that Sintren functions as a symbolic channel of communication involving sacred objects (incense, chicken cages, black glasses, shawls, and flowers) that represent animism. Spiritualism is reflected in the ritual use of mantras and the belief in spirit possession, where the dancer enters a trance. The pawang acts as a spiritual intermediary, while the dalang manages the performance. The saweran tradition and audience interaction also reflect deep emotional and spiritual engagement. Ultimately, Sintren is more than entertainment—it is cultural heritage and spiritual expression that communicates ancestral values across generations.
Representasi Keimanan pada Karakter Kiran dalam Film Tuhan Izinkan Aku Berdosa (Analisis Semiotika Roland Barthes) Ambarwati, Rani Tri; Suparto, Diryo; Florina, Ike Desi
Jurnal Ilmu Komunikasi Dan Media Sosial (JKOMDIS) Vol. 5 No. 2 (2025): Mei - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47233/jkomdis.v5i2.2800

Abstract

The movie “Tuhan Izinkan Aku Berdosa” illustrates problems related to the phenomenon of religion that is only a formality, without deep spiritual meaning. In addition, there are conflicts and oppression against women that are politicized under the pretext of religion, as well as a crisis of faith experienced by individuals due to traumatic experiences and social injustice. The inner conflict of Kiran's character becomes a real reflection of the struggle between faith and a social reality full of oppression and discrimination. This research aims to analyze the representation of Kiran's faith, as well as reveal how the film criticizes traditional religious norms and the oppression of women in the context of modern Indonesian socio-culture that is still patriarchal. This research uses a qualitative approach with Roland Barthes semiotic analysis. The analysis technique includes the identification of denotative, connotative and mythical signs in the narrative and visual symbols of the film to reveal hidden meanings about faith and social criticism and power dynamics in the context of religion.The final findings of the study show that the film “God Permits Me to Sin” represents faith in various ways, including the use of the concept of the Five Pillars of Faith which is full of inner struggles and religious practices that are not always normative. The representation of faith in Kiran's character does not only depict formal religious observance, but rather explores Kiran's life journey as a reflection of a dynamic faith and religious practice.
Co-Authors Ambarwati, Rani Tri Budiyanto, Andi DIRYO SUPARTO Hartati, Oemi Hidayat , Tofik Hijrah Eko Putro IzzulHaq, Muhammad Faris Laelia Nurpratiwiningsih, Laelia Lita Gunawan Meyga Agustia Nindya Mumpuni, Sesya Dias Musyassaroh, Inas Sany Nabila, Zahra Marsa Noviani, Putri Pamungkas, Rizqi Nandadita Permadi, Didi Ramdhan, Tanzil Wahyu Rizky, Alisya Ainnur Rizqi Nandadita Pamungkas Sarwo Edi, Sarwo sarwo edy Shidik, Ma’arif Fadhilah Sri Adi Nurhayati, Sri Adi Sugiharto, Unggul