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All Journal Jurnal Ilmu Sosial dan Ilmu Politik (JISIP) Pendas : Jurnah Ilmiah Pendidikan Dasar NUSANTARA : Jurnal Ilmu Pengetahuan Sosial JURNAL PENDIDIKAN TAMBUSAI JIKE : Jurnal Ilmu Komunikasi Efek Yustisia Merdeka : Jurnal Ilmiah Hukum Jurnal Daya Mas : Media Komunikasi dan Informasi Hasil Pengabdian dan Pemberdayaan Masyarakat Sosial : Jurnal Ilmu-Ilmu Sosial Al-Ittishol : Jurnal Komunikasi dan Penyiaran Islam International Journal of Science and Environment Innovative: Journal Of Social Science Research Jurnal Mediakita : Jurnal Komunikasi dan Penyiaran Islam Social Science Academic Jurnal Pengabdian Masyarakat dan aplikasi Teknologi Intelektual: Jurnal Administrasi Publik dan Ilmu Komunikasi Horizon: Indonesian Journal of Multidisciplinary EDUJAVARE: International Journal of Educational Research Journal of Creative Power and Ambition (JCPA) PESHUM INJECT Interdisciplinary Journal of Communication PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora
Hariyani, Nunik
Universitas Merdeka Madiun
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Physics Public Health Social Sciences Other

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REPRESENTASI KEKERASAN TERHADAP PEREMPUAN DALAM FILM VINA: SEBELUM 7 HARI (ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE) SATRIA WIJAYA DEWA SAPUTRA; Nunik Hariyani; Veny Ari Sejati
JIKE: Jurnal Ilmu Komunikasi Efek Vol 9 No 1 (2025): DESEMBER
Publisher : Prodi Ilmu Komunikasi, FISIP, Universitas Muhammadiyah Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32534/jike.v9i1.7745

Abstract

This study investigates how violence against women is depicted in the film Vina: Sebelum 7 Hari (2024) using Charles Sanders Peirce’s semiotic approach. The film tells the story of Vina, a woman who becomes a victim of physical, sexual, and psychological violence by a motorcycle gang. The purpose of this research is to uncover how violence against women is represented through visual and narrative symbols in the film, as well as to deepen the understanding of how media shapes public perceptions of gender-based violence. The methodology used is a descriptive qualitative approach, analyzing scenes that depict violence against women using Peirce’s semiotic theory, which includes representamen, object, and interpretant. The findings of the study reveal that the film portrays violence not only as an individual act but also as a manifestation of the patriarchal social structure that normalizes male domination over women. This research contributes to the development of literature on the representation of violence in the media and emphasizes the importance of raising awareness about violence against women.
REPRESENTASI QUARTER LIFE CRISIS DALAM LIRIK LAGU “ZOMBIE” (ENGLISH VERSION) OLEH DAY6: ANALISIS SEMIOTIKA ROLAND BARTHES Kinanti Christya Wulandari; Nunik Hariyani; Zulin Nurchayati
JIKE: Jurnal Ilmu Komunikasi Efek Vol 9 No 1 (2025): DESEMBER
Publisher : Prodi Ilmu Komunikasi, FISIP, Universitas Muhammadiyah Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32534/jike.v9i1.7751

Abstract

As a cultural product, music is not only a form of entertainment but also a medium for expressing the psychological struggles of young adults. This study aims to analyze how Quarter Life Crisis is represented through the lyrical signs in the song “Zombie” (English Version) by DAY6. Using a descriptive qualitative approach, this research applies Roland Barthes’ semiotic analysis to uncover denotative, connotative, and mythological meanings, supported by Stuart Hall’s theory of representation and Berger and Luckmann’s paradigm of social construction. The primary aim is to analyze how the meaning of Quarter Life Crisis is socially constructed and communicated. The findings reveal that the lyrics represent emotional states commonly associated with Quarter Life Crisis such as emptiness, overthinking, loneliness, and the sense of being trapped. These meanings are embedded in metaphoric expressions like “became a zombie”, “meaningless life”, and “wishin’ to stop and close my eyes.” Through layered meanings, the song deconstructs the modern myths surrounding youth and success. The research concludes that lyrics can serve as a powerful medium for representing the internal crises experienced by young generations and can reflect broader social realities through symbolic language. This study contributes to understanding music as a reflective space for cultural and psychological phenomena among early adulthood generations. Keywords: emptiness, music, quarter life crisis, representation, semiotics
Employee Service Communication in Creating Customer Satisfaction at Cue Club Pool and Coffee Fajar Arifin Wijanarko; Nunik Hariyani; Zulin Nurchayati
Journal of Creative Power and Ambition (JCPA) Vol. 4 No. 02 (2026): Journal of Creative Power and Ambition (JCPA)
Publisher : CV Edujavare Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines how frontline employees' service communication shapes customer satisfaction in a business that combines two simultaneous service lines billiard and café using Cue Club Pool and Coffee in Madiun, Indonesia, as a case. Prior qualitative accounts of interpersonal service communication have concentrated on single-line service settings such as hotels, restaurants, banks, and hospitals, and the limited work on billiard-café ventures has examined servicescape and experiential marketing without addressing how frontline communication itself is enacted or how it translates into satisfaction. This study addresses that gap. Using a qualitative case study design, data were collected from five purposively selected informants (three customers and two employees) through semi-structured interviews, participant observation, and documentation, and analyzed with Miles, Huberman, and Saldaña's interactive model through open, axial, and selective coding. Findings show that employees' service communication reflects DeVito's five interpersonal characteristics (openness, empathy, supportiveness, positiveness, equality) with uneven consistency, and as this study's central contribution that customer satisfaction is generated through two distinct mechanisms: a functional pathway (speed, information reliability, transactional accuracy) and a relational pathway (personal familiarity, preference recognition, memorable service moments), with the relational pathway emerging as the stronger driver of satisfaction that exceeds expectations. Declines in the SERVQUAL dimensions of reliability and responsiveness are explained by workload pressure and the emotional labor employees perform to sustain positive affect during high-traffic periods. The study contributes a dual-pathway model of satisfaction formation in combined entertainment-service businesses and offers practical recommendations for similar ventures
Persepsi Gen Z terhadap Konten Dakwah Gus Baha tentang Kesederhanaan di TikTok Faishal Azizi; Nunik Hariyani; Zulin Nurchayati
PESHUM : Jurnal Pendidikan, Sosial dan Humaniora Vol. 5 No. 5: Agustus 2026
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/peshum.v5i5.18525

Abstract

This study examines Generation Z's (Gen Z) perception of Gus Baha's da'wah content on simplicity distributed through TikTok. The phenomenon of increasing digital da'wah content consumption by Gen Z forms the significant backdrop, particularly Gus Baha's content which has garnered more than one million views across TikTok channels. This study employs a descriptive qualitative approach using in-depth interview method with three informants aged 15–27 years selected through purposive sampling. Data were analysed using Braun and Clarke's thematic analysis. The theoretical framework comprises Stephen P. Robbins' Perception Theory (selection, organisation, interpretation), Uses and Gratifications Theory (Katz, Blumler, & Gurevitch, 1974), and Stuart Hall's Reception Theory (1980). The findings reveal three main themes: (1) simplicity as a spiritual role model; (2) relevance of da'wah language to Gen Z's materialism issues; and (3) awareness of wealth-orientation risks. All informants demonstrated dominant reading of Gus Baha's simplicity message, interpreting content through spiritual and social frames consistent with their lived experiences. The study concludes that Gus Baha's da'wah content successfully fulfils spiritual, identity, and social-enlightenment gratifications for Gen Z through a simple, contextual, and authentic communicative approach, offering implications for digital da'wah content creators on TikTok.
Baskara Putra's Self-Image as a Musician: Professionalism, Immersion, and Emotional Closeness in @wordfang's Instagram Posts Ade Bayu Saputra; Nunik Hariyani; Veny Ari Sejati
Jurnal Ilmu Sosial dan Ilmu Politik (JISIP) Vol 15, No 2 (2026): August
Publisher : Universitas Tribhuwana Tungga Dewi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jisip.v15i2.4225

Abstract

Instagram has become an important space for musicians to construct public identity through a complementary blend of visual and verbal messages. However, studies integrating the analysis of visual and verbal signs within the context of musicians' personal branding in Indonesia remain limited. This study aims to analyze the representation of Baskara Putra's self-image as a musician on the Instagram account @wordfang using Ferdinand de Saussure's semiotic approach. The research employs a qualitative method with an interpretive case study approach. The research data were sourced from seven purposively selected posts depicting the subject's musical activities. Data analysis focused on the relationship between signifier and signified formed through the integration of visual elements (photos) and verbal elements (captions). The findings reveal four main dimensions of self-image representation: professionalism and commitment to music-making, recognition of musical works, immersion in musical activity, and emotional connection with the audience. These four dimensions complement one another and construct a self-image that is not framed as instant success, but as an ongoing creative process. These findings affirm that the integration of visual and verbal signs on social media operates in a unified manner in shaping a musician's identity, while also enriching the application of Saussure's classical semiotics within the context of contemporary digital communication, and contributing empirically to studies of public figures' self-representation on social media platforms.Instagram telah menjadi ruang penting bagi musisi untuk mengonstruksi identitas publik melalui perpaduan pesan visual dan verbal yang saling melengkapi. Namun, kajian yang mengintegrasikan analisis tanda visual dan verbal dalam konteks personal branding musisi di Indonesia masih terbatas. Penelitian ini bertujuan menganalisis representasi citra diri Baskara Putra sebagai musisi pada akun Instagram @wordfang menggunakan pendekatan semiotika Ferdinand de Saussure. Penelitian menggunakan metode kualitatif dengan pendekatan studi kasus interpretatif. Data penelitian bersumber dari tujuh unggahan yang dipilih secara purposive dan memuat representasi aktivitas bermusik subjek. Analisis data difokuskan pada relasi antara penanda (signifier) dan petanda (signified) yang terbentuk dari integrasi elemen visual berupa foto dan elemen verbal berupa caption. Hasil penelitian mengungkap empat dimensi utama representasi citra diri, yaitu profesionalisme dan komitmen bermusik, pengakuan terhadap karya musik, penghayatan dalam aktivitas bermusik, serta hubungan emosional dengan audiens. Keempat dimensi tersebut saling melengkapi dan membentuk citra diri yang tidak dikonstruksi sebagai keberhasilan instan, melainkan sebagai proses berkarya yang berkelanjutan. Temuan ini menegaskan bahwa keterpaduan tanda visual dan verbal di media sosial beroperasi secara integratif dalam membentuk identitas musisi, sekaligus memperkaya penerapan semiotika klasik Saussure pada konteks komunikasi digital kontemporer serta memberikan kontribusi empiris bagi kajian representasi diri figur publik di platform media sosial.
Framing Nasionalisme dan Militerisme Amerika Serikat dalam Film Top Gun: Maverick: Analisis Framing Robert Entman Pranoto, Muhammad Agum; Hariyani, Nunik; Hasan, Fikri
HORIZON: Indonesian Journal of Multidisciplinary Vol. 4 No. 4 (2026): HORIZON: Indonesian Journal of Multidisciplinary
Publisher : Lembaga Intelektual Muda (LIM) Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54373/hijm.v4i4.7043

Abstract

This study aims to analyze the construction of United States nationalism in the film Top Gun: Maverick through Robert Entman's framing analysis. The study used a qualitative approach with a media textual analysis method. Data were obtained through observation and documentation of six purposively selected scenes, then analyzed using Entman's four framing devices: define problems, diagnose causes, make moral judgments, and treatment recommendations. Data validity was carried out through theoretical triangulation and expert judgment. The results show that the film frames global threats as legitimizing the use of United States military force, positioning technological superiority, professionalism, and soldier solidarity as solutions to these threats, and constructing a positive image of the military institution through representations of heroism and global leadership. These findings indicate that Top Gun: Maverick functions as a medium for legitimizing military policy through a framing strategy that integrates nationalist narratives with representations of military superiority. Academically, this research extends the application of Entman's framing model in the study of audiovisual media by showing how popular media construct ideological legitimacy for the use of military force through narrative and visual construction.
MAKNA SIMBOLIK DAN PESAN SELF HEALING DALAM LIRIK LAGU SECUKUPNYA KARYA HINDIA: ANALISIS SEMIOTIKA FERDINAND DE SAUSSURE Ryan Subastian; Nunik Hariyani; Fikri Hasan
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.61212

Abstract

This study examines the symbolic meaning and self-healing messages in the lyrics of Secukupnya by Hindia using Ferdinand de Saussure's dyadic semiotics (signifier, signified, sign). Released on May 3, 2019 as the second single from the album Menari dengan Bayangan (2019), the song addresses existential anxiety about the future, economic precarity, collective failure, family wounds, nostalgic escape, and decay, before arriving at a resolution centered on measured grief and cyclical impermanence. This descriptive qualitative study employs a content analysis method. Data were collected through documentation and literature review, then analyzed systematically using Saussurean semiotic tables. Self-compassion theory (Neff, 2003, 2011) serves as a supporting conceptual framework. Results identify four dominant sign clusters: (1) anxiety and structural pressure signs; (2) collective failure and solidarity signs; (3) wounds, decay, and nostalgic escape signs; and (4) measured grief and cyclical impermanence signs. Contrary to its surface meaning as 'sufficient rest,' the word 'secukupnya' undergoes a significant semiotic shift across the song from a threshold that has been exceeded (negative) to a healthy unit of grieving (positive). The common humanity component of self-compassion emerges as the most dominant and explicit dimension, particularly through the sign 'we all fail' and the inverted toast ritual of grieving together, while mindfulness and self-kindness appear more implicitly. This study contributes to popular music semiotics in Indonesia and demonstrates that the song offers a socially relational, rather than purely individual, model of self-healing.
Literasi Cerdas Digital Masyarakat di Desa Bader, Kecamatan Dolopo, Kabupaten Madiun Nunik Hariyani; Jayadi Jayadi; Azizah Choirunisa Azzahra
Jurnal Pengabdian Masyarakat dan aplikasi Teknologi Vol. 4, No. 1: March 2025
Publisher : Institut Teknologi Adhi Tama Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31284/j.adipati.2025.v4i1.7326

Abstract

Kegiatan pengabdian masyarakat bertajuk Cerdas Digital Masyarakat Desa: Implementasi Literasi Media dilaksanakan pada tanggal 3 Februari 2025 di Desa Bader, Kecamatan Dolopo, Kabupaten Madiun. Kegiatan ini bertujuan untuk meningkatkan literasi media digital masyarakat desa guna memberdayakan mereka dalam mengakses, memahami, dan memanfaatkan media digital secara efektif dan bijaksana. Urgensi kegiatan tersebut meliputi pencegahan digital native yang pasif, peningkatan akses informasi, penguatan ekonomi lokal, peningkatan partisipasi masyarakat, keamanan digital, serta persiapan generasi muda menghadapi era digital. Metode pelaksanaan kegiatan meliputi pelatihan langsung, lokakarya, dan pendampingan intensif. Materi yang diberikan meliputi penggunaan perangkat digital dasar, akses informasi yang valid, serta etika dalam bermedia. Simulasi dan diskusi kelompok diterapkan untuk memperkuat pemahaman peserta. Hasil kegiatan menunjukkan peningkatan pemahaman dan kesadaran masyarakat desa dalam menggunakan media digital secara cerdas dan bertanggung jawab. Peserta mampu menerapkan keterampilan yang diperoleh dalam kehidupan sehari-hari dan berpotensi menjadi agen literasi media di lingkungan mereka. Secara keseluruhan, kegiatan ini berkontribusi pada peningkatan literasi digital masyarakat desa serta mendukung upaya pemerintah dalam mengurangi kesenjangan digital antara perkotaan dan pedesaan.
KOMUNIKASI INTERAKSI SIMBOLIK DALAM METAVERSE GTA V ROLEPLAY SERVER KOTAKITA Danendro Bari Satriawan; Nunik Hariyani; Fikri Abdat Hasan
NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Vol 12, No 4 (2025): Nusantara : Jurnal Ilmu Pengetahuan Sosial
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jips.v12i4.2025.1368-1374

Abstract

Penelitian ini bertujuan untuk mengetahui dan memahami bagaimana komunikasi interaksi simbolik dalam metaverse GTA V Roleplay di Server Kotakita. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan etnografi virtual. Data diperoleh menggunakan Teknik observasi, wawancara, dan dokumentasi. Analisis data dilakukan melalui 4 tahapan yaitu pengumpulan data, reduksi data, penyajian data, dan penarikan Kesimpulan. Teori yang digunakan dalam penelitian ini adalah teori interaksi simbolik. Hasil penelitian menunjukkan bahwa komunikasi interaksi simbolik yang dilakukan oleh para informan disampaikan melalui kegiatan dan aktivitas sesuai dengan rolenya masing-masing. Dengan melakukan kegiatan dan aktivitas tersebut perlu adanya pendalaman karakter agar peran yang dimainkan tampil maksimal. Didukung dengan identitas yang memiliki ciri khas dari masing-masing role yang dapat dibedakan melalui warna, logo, dan seragam. Hal tersebut bertujuan sebagai identitas sosial dari masing-masing role.
Analisis Komunikasi Internal dalam Meningkatkan Efektivitas Operasional pada PT Atlas Ice Cabang Ngawi Regita Valentine Andhia Astuti; Nunik Hariyani; Alfiana Yuniar Rahmawati
PESHUM : Jurnal Pendidikan, Sosial dan Humaniora Vol. 5 No. 5: Agustus 2026
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/peshum.v5i5.19782

Abstract

Effective coordination is essential for manufacturing companies because production, administration, and distribution activities are closely interconnected. This study aims to analyze internal communication and its contribution to operational effectiveness at PT Atlas Ice Ngawi Branch using Goldhaber's organizational communication perspective. A descriptive qualitative approach was employed with purposive sampling involving six informants from different organizational divisions. Data were collected through observation, semi-structured interviews, and documentation, and analyzed using the interactive model of Miles, Huberman, and Saldaña. The findings indicate that internal communication supports operational effectiveness through continuous communication processes, clear message exchange, integrated communication networks, positive working relationships, adaptation to the organizational environment, interdependence among divisions, and efforts to reduce uncertainty. Communication mechanisms such as shift briefings, operational reports, telephone communication, and WhatsApp groups help maintain information continuity despite differences in work schedules. This study contributes to the application of Goldhaber's organizational communication theory by demonstrating that the seven communication concepts operate in an integrated manner to strengthen coordination and support operational effectiveness in a manufacturing company with a shift-based work system.
Co-Authors Abdul Muhid Ade Bayu Saputra Alfiana Yuniar Rahmawati Alfiana Yuniar Rahmawati Azizah Choirunisa Azzahra Azizah Choirunisa Azzahra Azola Dwi Yuliasari Bintang Alfu Nugraha Christian Budiman Danendro Bari Satriawan Enricco Alend Tribuono Faishal Azizi Fajar Arifin Wijanarko Farhan Nur Fauzan Fathur Rahman Fikri Abdat Hasan Fikri Hasan Fikri Hasan Fikri hasan Fikri Hasan Hasan, Fikri Hermin Indah Wahyuni Huditta Nur'aini Putri Huditta Jayadi Jayadi Kinanti Christya Wulandari Kusuma, Gita Dwi Rahayu Muhammad Chandra Irawan Offy Ayuningtiyas Pranoto, Muhammad Agum Ratna Wati Regita Valentine Andhia Astuti Renati, Nadia Rizhal Putra Pratama Ryan Subastian SATRIA WIJAYA DEWA SAPUTRA Sejati, Veny Ari Veny Ari Sejati Veny Ari Sejati Zulin Nurchayati Zulin Nurchayati